Woolf VirginiaABAA
533 résultats
19211505921Harcourt Brace and Company 1921. 1st Edition. Hardcover. Fine/Very Good. A fine first US edition in a very good dust jacket missing a 3/4 inch piece at the bottom of the spine. 1921 on title page and no mention of later printings on the copyright page. Housed in a custom-made collector's slipcase. Harcourt, Brace and Company hardcover books
1919274056London: Duckworth 1919. First. hardcover. fine. 8vo re-bound in tan morocco with leather labels raised bands. London: Duckworth 1919. First Edition.<br/><br/> Her second book.<br/><br/> Duckworth unknown books
1919194254LONDON DUCKWORTH AND COMPANY 1919 1919. ORIGINAL DARK GRAY CLOTH STAMPED IN LIGHT GRAY SOME BEGINNING SEPARATION AT FRONT HINGE; 2000 COPIES WERE ISSUED. FIRST EDITION SO STATED "FIRST PUBLISHED 1919" GOOD-VERY GOOD. F. Hardcover. LONDON, DUCKWORTH AND COMPANY [1919] hardcover books
191930459Richmond: Hogarth Press 1919. Second edition and first separate edition one of 1000 copies. Original printed wrappers fine. Cloth case. The story had previously appeared in "Two Stories" 1917. Kirkpatrick A2b; Woolmer 8. <br/><br/> Hogarth Press hardcover books
1919237249Richmond: Hogarth Press 1919. Second Edition". First separate edition originally published in Two Stories July 1917. 10 pp. 1 vols. 8vo. Printed wrappers. Short tear at head of spine fold some browning on upper cover a bit of foxing throughout. Very good. Second Edition". First separate edition originally published in Two Stories July 1917. 10 pp. 1 vols. 8vo. Kirkpatrick A2b; Woolmer 8 Hogarth Press unknown books
1926273640New York: Harcourt Brace 1926. hardcover. near fine/fine. 8voblue cloth paper spine label d.w. New York: Harcourt Brace 1920; 1926.<br/><br/> Second American edition first Harcourt Brace edition consisting of 1000 copies. Doran published the first American in 1920 and sold the rights to Harcourt in 1925. A superior copy in a bright new-looking dust wrapper.<br/><br/> Harcourt Brace unknown books
1930309441New York: colophon: printed and bound by the printing house of William Edwin Rudge published by Rimington & Hooper at 21 East 54th Street 1930. No. 383 of 550 copies signed by the author. Drawings and embellishments by W. A. Dwiggins. 1 vols. Folio 12-5/8 x 9-1â„4 inches. Original gray boards pink cloth spine slipcase with peacock emblems. Light soiling to boards a few chips to slipcase. Housed in morocco-backed box. No. 383 of 550 copies signed by the author. Drawings and embellishments by W. A. Dwiggins. 1 vols. Folio 12-5/8 x 9-1â„4 inches. A very attractive presentation of her celebrated essay on the Beau. Kirkpatrick A15a [colophon: printed and bound by the printing house of William Edwin Rudge], published by Rimington & Hooper at 21 East 54th Stre unknown books
19301505807Rimington and Hooper New York 1930. Limited Edition. Hardcover. Near Fine/No Jacket. Folio publisher's cloth-backed boards with printed paper label in publisher's slipcase. First edition; No. 39 of 550 copies signed by Virginia Woolf. Near fine book in a very good publisher's original slipcase and in a new custom-made collector's slipcase. Signed by Virgina Woolf. Number 39. Rimington and Hooper, New York hardcover books
1919140941403London: Duckworth and Company 1919. First Edition. Near Fine. First edition first printing. Bound in publisher's original black cloth stamped in grey. Near Fine with light rubbing light soiling and faint staining to covers. Corners softened and bottom corner bumped. Small stains to textblock edge. Previous owner bookplate to front pastedown small number inked to title page. Pages toned and several hinges are lightly exposed. The author's second novel and one of 2000 copies originally printed. Duckworth and Company unknown books
1937WRCLIT58839London: The Hogarth Press 1937. Green cloth. First edition 18142 copies printed. Spine a trace darkened with tiny pinpoint spot on upper board endsheets very faintly foxed but a very good or better copy in modestly dust-soiled Vanessa Bell jacket with a 2cm closed tear at the top edge of the front panel and very shallow chipping at the crown and toe of the spine. WOOLMER 423. KIRKPATRICK A22a. The Hogarth Press hardcover books
193513553New York: Harcourt Brace and Company 1935. Cloth. Very Good /Very Good. INSCRIBED AND DATED BY VIRGINIA WOOLF TO ABBY FRANK IN 1936 on the first blank endpaper. A tight solid copy to boot of the 1935 stated 3rd American printing following the 1933 1st American printing of Woolf's loving biography of Elizabeth Barrett Browning's cocker spaniel "Flush". Clean and VG with very slight cocking in a bright price-intact "$2.00" VG dustjacket with light soiling to the panels and very light creasing and chipping along the panel edges. Slim octavo 185 pgs. Very uncommon as such. <br/><br/> Harcourt, Brace and Company hardcover books
192112019London: The Hogarth Press 1921. Cloth. Very Good. Vanessa Bell. The 1921 true 1st edition with the notable collaboration with Vanessa Bell the author's sister including her modernist illustration to the front panel and the 4 woodcuts accompanying the text. A very solid copy to boot tight and easily VG to VG with light soiling to the rear panel and a bit of offsetting much less than usually encountered opposite the final 2 woodblocks. 12mo 91 pgs. plus publisher's ads. <br/><br/> The Hogarth Press hardcover books
19221508113Hogarth Press 1922. 1st Edition. Hardcover. Very Good/No Jacket. A very good first edition with 1922 on the title page and no text on verso. One of 2000 copies. Housed in a custom-made collector's slipcase. Hogarth Press hardcover books
1938140938226London: The Hogarth Press 1938. First Edition. Near Fine/Near Fine. First edition first printing. Bound in publisher's original yellow cloth with titles in gilt on spine. Near Fine with faint toning to spine previous owner bookplate and offsetting to endsheets and a short edge tear to the illustration contents page. In a Near Fine unclipped dust jacket illustrated by Vanessa Bell with faint edge wear and faint soiling. A beautiful copy of a book generally found in much lesser condition. The Hogarth Press unknown books
1921140940088London: The Hogarth Press 1921. First Edition. Very Good. First edition first printing. Bound in publisher's cloth-backed paper-covered boards with Vanessa Bell illustration on front cover; all four full-page woodcuts by Vanessa Bell present. Very Good with light rubbing soiling and toning to covers. Pages toned with offsetting from woodcuts to adjacent pages. An uncommon title with an original print run of just 1000 copies. The Hogarth Press unknown books
1921150917002New York: Harcourt Brace and Company 1921. First Edition. Hardcover. Very Good. First American edition first printing. About Fine in a price-clipped dust jacket. Bound in variant dark green cloth with paper label on spine Kirkpatrick A5b. Small patches of light wear to cloth at upper board. Book plate from previous owner on front paste down. Dust jacket shows light edge wear and toning to the spine panel. One of 1500 copies. Harcourt, Brace and Company hardcover books
20009177Northampton MA: Oxingale Press 2000. Limited Edition. Hardcover. Fine in Near Fine Archival Box. Very minor shelf/edge wear and a hit of sun else tight bright and unmarred. Quarterbound gold cloth spine blue paste paper boards red and black ink label copperplate etching onlay; drop spine clamshell box audio cd fits into space in box. 4to. Illus color and b/w plates. Numbered limited edition this being 53 of 70. Signed by the artists. Publisher's prospectus laid in. <br/><br/>The innaugural publication of the Oxingale Press. A musical collaboration with cellist Matt Haimovitz and composer Luna Woolf performed by soprano Eileen Clark and Haimovitz. The music of the album inspired the book of poems featuring original color etchings by Kuch whose interpretations create a visual counterpoint to the compositions. Oxingale Press hardcover books
1921320623Hogarth House Richmaond: Hogarth Press 1921. First edition one of 1000 copies. Four full-page woodcuts by Vanessa Bell. 91 1 1 ads 1 pp. 12mo. Publisher's white paper boards and brown cloth spine black woodcut design on front cover by Vanessa Bell. Repair to upper cover. Signed E. Sideboshane Etaples May 1921 on ffep. First edition one of 1000 copies. Four full-page woodcuts by Vanessa Bell. 91 1 1 ads 1 pp. 12mo. First edition of Woolf's fifth book and the twelfth book of the Hogarth Press a collection of eight short stories. "Leonard Woolf stated that this works was printed by F.T. McDermott of the Prompt Press Richmond who used to give him advice on printing problems when he and Mrs. Woolf first started the Hogarth Press Kirkpatrick. Kirkpatrick A5a; Woolmer 17 Hogarth Press unknown books
192130530Richmond: Leonard and Virginia Woolf at the Hogarth Press 1921. First edition. Bell Vanessa. Printed boards cloth back issued without dust jacket. Slight wear to corners light toning/hint of foxing to endpapers a nearly fine copy containing four full-page woodcuts by Vanessa Bell. One of 1000 copies hand set and printed with Leonard Woolf's assistance at the Prompt Press. Kirkpatrick A5a; Woolmer 17. <br/><br/> Leonard and Virginia Woolf at the Hogarth Press hardcover books
1930140937948San Francisco: The Westgate Press 1930. Signed Limited Edition. Near Fine/Fine. Signed limited edition. Copy #482 of a limited 500 signed by Virginia Woolf. Bound in publisher's patterned paper-covered boards over green morocco spine; in publisher's slipcase. Sunning to spine else Fine in a Fine slipcase. Woolf guides the reader on walk down wintry London streets dipping in and out of the minds of the people passing by. A beautiful copy signed by the author. Signed limited edition. Copy #482 of a limited 500 signed by Virginia Woolf. Bound in publisher's patterned paper-covered boards over green morocco spine; in publisher's slipcase. Sunning to spine else Fine in a Fine slipcase. Woolf guides the reader on walk down wintry London streets dipping in and out of the minds of the people passing by. A beautiful copy signed by the author. The Westgate Press unknown books
1931140940176London: The Hogarth Press 1931. First Edition. Near Fine/Very Good. London: Hogarth Press 1931. First edition first printing. Bound in publisher's purple cloth with spine lettered in gilt. Near Fine with cloth faded at boards and strip along bottom edge spine ends lightly worn and faded though gilt stamping remains sharp and bright. Foxing heaviest at textblock edge preliminary and terminal pages; pages toned. In a Very Good dust jacket designed by Vanessa Bell with light chipping at corners spine ends and a small interior chip to the spine joint; light toning to spine and heavier toning to top and fore edge of front panel. An absolute gem of a novel tracing six friends lives' spanning from youth to old age told through soliloquies interwoven with the arching rise and fall of the sun over the endless waves. The Hogarth Press unknown books
1930140937947New York: Rimington & Hooper 1930. First Separate Edition. Fine. Signed limited edition. Copy #469 of a limited 550 signed by Virginia Woolf in her customary purple ink. Bound in publisher's gray paper-covered boards over a red cloth spine with titles stamped in gilt; in publisher's slipcase. Fine with slight fading to the spine cloth in a Near Fine slipcase with light rubbing. A beautiful copy of the first separate edition of Woolf's essay on Beau Brummel signed by the author. Rimington & Hooper unknown books
1933140938227London: The Hogarth Press 1933. New Edition. Very Good. Second printing of the new edition. Signed by Virginia Woolf on the front free endpaper. Bound in publisher's green cloth with spine titled lettered in gilt; lacking the dust jacket. Very Good with light wear at extremities light soiling to cloth and endsheets foxed. While limited editions signed by Virginia Woolf are somewhat common signed trade editions have become quite scarce. The Hogarth Press unknown books
1921VW048London: The Hogarth Press 1921 First edition one of 1000 copies. White paper boards with woodcut by Vanessa Bell and brown cloth spine. With 4 woodcuts by Bell. This copy being that of Roger Senhouse bearing his ownership signature bookplate and a small piece of paper with notes in his hand regarding the printing of Monday or Tuesday. About near fine with light rubbing to boards offsetting to endpapers and a few spots of foxing. Roger Senhouse was a publisher at Secker and Warburg and member of the Bloomsbury Group. Senhouse noted in pencil on front free endpaper: 1000 copies / The Prompt Press. Indeed the Woolfs had this work printed by F. T. McDermott of the Prompt Press in Richmond. Kirkpatrick notes that McDermott gave Leonard printing advice during the infancy of the Hogarth Press. However notes in Senhouses hand on a small piece of paper laid in to this copy tell Leonards story from a different angle. An attractive copy with a fantastic Bloomsbury Group association and humorous insight into the early days of the Hogarth Press. Kirkpatrick A5a. Woolmer 17. Monday or Tuesday is a collection of eight of Woolf's short stories. In addition to the title story "Monday or Tuesday" this volume contains "A Haunted House" "A Society" "The String Quartet" "Blue & Green" and three previously published stories. Monday or Tuesday marked an experimental departure from the realism that hallmarked Woolf's earlier texts Night and Day and The Voyage Out. Similarly Vanessa Bell's striking black and white woodcut engravings that illustrate this volume are stylistically different than her usually colorful paintings. Although she wrote short stories and sketches throughout her writing career this is the only collection to be published during Woolf's lifetime. First Edition. Hard Cover. Near Fine. London: The Hogarth Press hardcover books
602177"Virginia Woolf" in black fountain pen ink on blue headed paper Monk's House Rodmell Near Lewes Sussex letterhead August 9 1935. 8 1/4" x 5 3/16"; 1 page front and back; very good fresh dark clean example one holograph correction; old mailing folds. To a Representative of the P.E.N. Club Buenos Aires. "Dear Sir I am in receipt of your letter of the 4th July and wish to express my deep thanks for the honour you on behalf of the P.E.N. Club of Buenos Aires have done me in inviting me in such generous terms to attend the Congress in August 1936. I have taken some days in which to consider the matter; but I much regret to say that much as I should like to come I fear it is impossible for me to arrange it. My engagements here are such that I could not be out of England for so long a time as would be necessary. Therefore I am reluctantly obliged to decline your offer. But I need hardly say how much I appreciate the great generosity which you have shown me both in wishing for my presence and in offering to defray the costs of the journey. It is with the greatest regret that I find myseld sic unable to avail myself of so great an opportunity for visiting your country and making acquaintance with your work. Believe me dear Sir with profound gratitude and best wishes Very sincerely Virginia Woolf." Not in "Collected Letters" edited by Nigel Nicolson. Ellis Roberts in July 1935 had asked her to be President of P.E.N. the international author's society but she had declined see Letters vol. 5 p. 414. Subsequent to this the P.E.N. chapter in Buenos Aires invited here all expenses paid to visit and lecture see Letters vol. 5 letter of October 29 1935 to Victoria O'Campo. Woolf also makes mention of the P.E.N. offer in several other letters during this same period. Woolf 1882-1941 born January 25 1882 London England; died March 28 1941 Lewes England; English novelist famous for her impressionistic stream-of-consciousness novels: "Mrs. Dalloway" 1925; "To the Lighthouse" 1928; member the "Bloomsburys"; married to publicist/editor Leonard Sidney Woolf from 1912 with whom she founded the Hogarth Press. Signed by Authors. F. Soft cover. paperback books
