ANACREON - SAPHO - AVRIL P.Livre Rare Book
422 résultats
560191A. Quantin, Imprimeur-Editeur - Collection "Petits Chefs-d'Œuvre Antiques" Paris 1882 In-16 ( 145 X 100 mm ) de 111 pages, plein chagrin poli vert sapin, dos à nerfs janséniste avec date dorée en queue, tête dorée, triple filet doré d'encadrement sur les plats, coupes et coiffes filetées d'or, dentelle intérieure dorée. ( Reliure de l'époque ). Texte encadré d'un joli motif "à l'antique". Charmantes gravures dans le texte de Paul AVRIL. Très bel exemplaire, très pur dans une reliure non signée mais d'exécution parfaite.
1882102316Paris: A. Quantin 1882. Hardcover. Very good. 12mo in custom 19th century blue half leather binding with raised bands; 111 pages; color illustrations & ornament. A beautiful little book. In French. "Anacreon 575 – c. 495 BC was a Greek lyric poet notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry it was composed to be sung or recited to the accompaniment of music usually the lyre. Anacreon's poetry touched on universal themes of love infatuation disappointment revelry parties festivals and the observations of everyday people and life."—Wikipedia. A. Quantin hardcover
182718318Paris, Compère jeune, Aimé André, Ponthieu - 1827 - xxxij et 150 pages. 2 ex-libris.Reliure plein veau de l'époque. Dos lisse richement orné à froid et ores. Plats ornés à froid encadrement de filets dorés. Tranches dorées. Roulette dorée sur les coupes. Dentelle dorée bordant les contreplats. Rousseurs. Bel exemplaire. Bon état. format in-16°(11x7).
32279A Paphos et se trouve à Paris, J. Fr. Bastien, 1780. Gr. in-8°, iv-400p. Reliure plein veau d'époque, dos à nerfs orné de caissons dorés, pièce de titre de maroquin noir, tranches dorées.
126630aafIn Perugia : Dai torchi di Carlo Baduel, 1791, in-8vo, frontispice-portrait gravé (A. Stefanucci dif. - R. Faucci inc.) + XXII + 166 p. (recte 266 p.) + 2 ff. (Imprimastur - Erroni correzioni), reliure en d.-parchemin du XIXè siècle, pièce de titre au dos.
1705WB15640Cambridge: Recentioribus Typis Academicis Imprensis Edmundi Jeffery 1705. Hardcover. Near Fine. First edition edited by Barnes a professor of Greek at Cambridge University. 12 mo. 20 lxxv 37 401 7pp. Index. Illustrated with three copper engraved folding portraits the author the editor and the Duke of Marlborough. Contemporary vellum. A handsome copy. <br/><br/> Recentioribus Typis Academicis, Imprensis Edmundi Jeffery hardcover books
180426CLA23Hugh Maxwell Philadelphia: 1804. 1804 8vo. 301 p. Fine stipple engraved portraits of Moore and Anacreon executed by David Edwin 1776-1841. Uncut. Quite foxed. Original marbled boards. Spine taped. Manuscript ownership of the early American collector Richard J. Tucker Jr. Anacreon ca. 570-485 B.C. was a Greek lyric poet born at Teos in Ionia. Later he lived at Samos and at Athens where his patron wa s Hipparchus. His poetry graceful and elegant celebrates the joys of wine and love. Little of his verse survives. Anacreontics poems in the style of Anacreon were written from Hellenistic to late Byzantine times. Scarce Early American Edition. S&S/AI 57 08 3 examples only. PRICE JUST REDUCED! W120 Language: eng. Hardcover. Very Good. Hugh Maxwell, Philadelphia: 1804. hardcover
47449A Paphos [ Paris ] 1785 in 16 (12x7) Les 2 tomes reliés en 1 volume reliure plein veau fauve de l'époque, dos lisse orné, triple filet doré d'encadrement sur les plats, tranches dorées, frontispice gravé et 176 pages, 180 pages. Bel exemplaire
1785185501785 Paphos (Lyon), sans nom d'éditeur (Cazin), 1785, 2 tomes en 2 vol. in-18 de (2)-176 pp. ; (2)-180 pp., 1 frontispice représentant Apollon, la tête couronnée de laurier au centre d'un soleil rayonnant, tient sa lyre à la main gauche en indiquant de la droite le fronton du temple où l'Amour grave avec un de ses traits les noms des poètes, rel. d'ép. de plein veau glacé fauve moucheté, dos lisses ornés de fers dorés, pièces de titres et de tomaisons de maroquin vert-olive, tranches dorées, encadrements de triple-filets dorés sur les plats, bon ex.
1505NC026<p>Vertida por Antonio Feliciano de Castilho. Typographia de Ad. Lainé et J. Havard. Paris. 1866.</p>_x000d_<p>De 24x16 cm. Com 144 págs. Encadernação da época em percalina vermelha e lombada em pele da mesma cor com ferros a ouro nas pastas e na lombada. Exemplar com ex-libris.</p>_x000d_<p>Obra bilingue em português e grego - texto sequencial - com um prólogo de Castilho em português até à página 23 com a biografia de Anacreonte.</p>_x000d_<p>«Em 1866 o sempre polémico mas engenhoso poeta António Feliciano de Castilho publicou a sua versão poética do que considerava serem os poemas de Anacreonte na realidade uma adaptação às formas da lírica nacional de 53 dos actualmente considerados 60 Anacreontea.<br />A figura e a obra de António Feliciano Castilho 1800-1875 ficariam para sempre marcadas por uma série de episódios e polémicas artísticas e pessoais sobretudo no contexto da afirmação do Realismo em Portugal que tantas vezes ofusca pelo menos para o público culto mas menos informado a riqueza de uma obra poética e de tradução dos clássicos ímpar entre nós. Cego aos seis anos de idade em consequência de um surto de sarampo desde a infância se dedicou ao estudo das línguas e culturas clássicas no Geral do Cunhal das Bolas e consta que com cinco anos já versejava em latim e traduzia versos de Ovídio.»</p>_x000d_<p>Ref.: «Castilho tradutor ou poeta anacreôntico A Lyrica de Anacreonte 1866» por Carlos A. Martins de Jesus Humaitas n.º 63 2011.</p> I-67-D-7 unknown
elala2357Strassburg: J.H.Heitz 1778. First Edition Edited by Richard François Philippe Brunck 1729-1803. Dibdin 4th Edn. I pp. 264-65. Graesse I 111. Moss I pp. 47-48. 16mo. pp. 128. text in Greek notes in Latin. woodcut ornaments & title vignette. contemporary sheep binding worn but solid Strassburg: J.H.Heitz, 1778 unknown
1800260357London: Printed for John Stockdale Piccadilly by T. Gillet 1800. Frontispiece and plates. viii 17 6-255 1 4 ads pp. 1 vols. 4to. Half brown contemporary straight grained morocco and marbled boards. Small chip to tiop of spine else fine. Bookplate of Charlotte Mary Peters and Alfred Waterhouse. Frontispiece and plates. viii 17 6-255 1 4 ads pp. 1 vols. 4to. Includes a sixteen page list of subscribers and final four page list of advertisements. ESTC T85601 Printed for John Stockdale, Piccadilly [by T. Gillet] unknown books
1810283286Philadelphiae: T. Barton Zantzinger et Soc 1810. Full Leather. Very Good binding. Selections with the text in Greek and in Latin. In sheep; spine with very minor loss and gilt rules. Printed by Fry and Kammerer for the Thos. B. Zantzinger Company. 123 pages; 2 publisher’s ad. Shaw & Shoemaker 19363. Very Good binding. T. Barton Zantzinger et Soc unknown
1810283286Philadelphiae: T. Barton Zantzinger et Soc 1810. Full Leather. Very Good binding. Selections with the text in Greek and in Latin. In sheep; spine with very minor loss and gilt rules. Printed by Fry and Kammerer for the Thos. B. Zantzinger Company. 123 pages; 2 publisher's ad. Shaw & Shoemaker 19363. Very Good binding. T. Barton Zantzinger et Soc unknown books
19231235E076London: The Nonesuch Press 1923. 1st Edition . Hardback. Printed pages: 52. Near Fine/Good. 5.5 x 9.5 inches 14 x 24 cm. Dust jacket: Gold paper jacket with wear and loss to edges. Rubbing to front cover. Overall jacket condition is Good. Book: Limited edition number 637 of 725 copies. Quarter parchment with gold paper covered boards. Page edges untrimmed. Very slight tanning to edges of pastedown endpapers. A few spots of foxing to page edges otherwise in excellent condition throughout. Engraved title page headpiece tailpiece and four plates all with tissue guards. One tissue guard has been bound in at an angle. An outstanding example. Overall book condition is Near Fine. Size: 5.5 x 9.5 inches 14 x 24 cm. The Nonesuch Press hardcover
182567130Anacréon, traduction en vers par Charles-Louis Mollevaut, Membre de l'Institut Royal de France, De l'Imprimerie de Didot le Jeune, Paris, 1825, xii-216 pp.[ Suivi de : ] Odes d'Anacréon, traduites en vers par M. Alexis Monregard, dédiées à M. Guizot, Bureau Central d'Imprimerie et de Librairie, Paris, 1836, 170 pp. et 2 ff. n. ch.
1843680781843. Florentiae : apud Guillelmum Piatti 1843 4° XVI 179 pp.; 11 pp. feiner Pappband. First Edition! Bilingual Edition - Greek text with Latin version opposite. Anacreon c. 575 - c. 495 BC was a Greek lyric poet notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry it was composed to be sung or recited to the accompaniment of music usually the lyre. Anacreon's poetry touched on universal themes of love infatuation disappointment revelry parties festivals and the observations of everyday people and life Sappho c. 630 - c. 570 BC was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos.a Sappho is known for her lyric poetry written to be sung while accompanied by music. In ancient times Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant but these are actually Hellenistic imitations of Sappho's style. unknown
170461700Chez Pierre Ribou | à Paris 1704 | 9.50 x 16.50 cm | relié
1833815A11London: Sherwdood Gilbert and Piper 1833. First edition. Cloth. Very Good Indeed. 7" by 4.5". None . The first edition of the classical odes of Anacreon edited by James Usher a bright pocket sized edition. Anacreon was a Greek lyric poet known for his drinking songs and erotic poems. The present pocket sized volume is the first edition of his odes rendered to English and edited by James Usher a scarce copy. The odes are admired for their elegance and genuine simplicity mostly concerned with themes of love infatuation revelry and aspects of every-day life. Rebound a full cloth binding with titles in gilt to spine. Externally very smart with minor shelf wear only minor bumping to head and tail of spine and extremities light soiling to boards and spine. Internally firmly bound. Odd minor spotting to occasional leaf otherwise pages clean throughout with a touch of age toning as usual with the type of paper used. Very Good Indeed Sherwdood, Gilbert and Piper hardcover
173631357ABIn Venezia, Apresso Francesco Piacentini, 1736. 4°. (3) Bl., 208 S. Mit 1 Portät. Pergamentband der Zeit.
173631357AB1736. In Venezia Apresso Francesco Piacentini 1736. 4°. 3 Bl. 208 S. Mit 1 Portät. Pergamentband der Zeit. Die Übersetzer waren: Barnes Joshua; Corsini Bartolomeo; Marchetti Alessandro; Regnier de Marais François Séraphin und Salvini Anton Maria. Das Papier etwas stockfleckig. Der Einbandbzug fleckig und leicht verzogen. unknown
177749026Glasguae: excudebat Andreas Foulis 1777. 8vo pp. 100; Greek text in large type with Latin footnotes; contemporary paneled calf gilt-ruled borders gilt-ruled spine in 6 compartments with blind-stamped details red speckled edges; spine chipped and label perished later signature on flyleaf a good sound copy. Gaskell 610. <br/><br/> excudebat Andreas Foulis unknown books
177749026Glasguae: excudebat Andreas Foulis 1777. 8vo pp. 100; Greek text in large type with Latin footnotes; contemporary paneled calf gilt-ruled borders gilt-ruled spine in 6 compartments with blind-stamped details red speckled edges; spine chipped and label perished later signature on flyleaf a good sound copy. Gaskell 610. excudebat Andreas Foulis unknown
169226515A Paris, chez Charles Clouzier, 1692. Un vol. au format pt in-12 (153 x 98 mm) de 1 frontispice gravé n.fol., 9 ff. n.fol., 398 pp. + 1 f. de catalogue éditeur n.fol. in fine et 1 f. bl. Reliure de l'époque de plein veau marbré havane, plats jansénistes, dos à nerfs richement orné de filets gras à froid, caissons d'encadrement dorés, larges fleurons dorés, semis de pointillés et d'étoiles dorés, pièce de titre de maroquin acajou, titre doré, palette dorée en tête et queue, dentelle dorée sur les coupes, tranches rouges.
104964A Paris de l'Imprimerie de Didot l'Aîné, AN VIII, 4 volumes in-18 de 132x85 mm environ, tome I : 1f.blanc, 1 frontispice, faux-titre, titre, 107 pages, 1f.blanc, avec 3 planches hors texte et un frontispice, - tome II : 1f.blanc, faux-titre, titre, 119 pages avec une planche hors texte, 1f.blanc - tome III : 1f.blanc, faux-titre, titre, 130 pages, 1f.blanc - tome IV : 1 f.blanc, faux-titre, titre, 90 pages, suivies de 27 pages de musique, 1f.blanc, plein veau marbré fauve, titres et tomaisons dorés sur dos lisses, ornés de fers et petites frises dorés, coupes dorées, encadrement des plats d'une frise et une filet doré, gardes marbrées, tranches dorées. Petites rousseurs et pages brunies, une coiffe arasée, un coin dénudé, des frottements d'usage sur les angles, le cahier 8 est relié dans le désordre (p. 85 à 94, tome I) sans manque, sinon bon état. Texte en latin/grec/français.
