1 320 résultats
1993Q-0691021023Princeton University Press 1993-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Princeton University Press paperback
2021BN181143Editions ENI 2021. 2021. Softcover. RGPD - Coffret de 2 livres : Réglementation et mise en oeuvre: Coffret en 2 volumes : Réglementation et mise en oeuvre <br/><br/>RGPD - Coffret de 2 livres : Réglementation et mise en oeuvre: Coffret en 2 volumes : Réglementation et mise en oeuvre Loïc PANHALEUX; Gérard HAAS; Dominique RENAUD; Pierre BEGASSE; Jacques FOUCAULT Editions ENI paperback
1986315967Review of Existential Psychology and Psychiatry 1986. First edition. Paperback. Very Good. 9x5x0. First of this edition. Scarce. Very good copy in original wrappers. No former owner marks. First publication pairing Swiss psychiatrist Binswanger's 1930 essay "Dream and Existence" with Foucault's first published work "Dream Imagination and Existence" 1954 a lengthy introduction to Binswanger's pioneering essay in existential psychiatry. Review of Existential Psychology and Psychiatry paperback
19860914857037-2-37137572Review of Existential Psychology and Psychiatry 1986-01-01. paperback. Very Good. 9x5x0. Review of Existential Psychology and Psychiatry paperback
0914857037.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
lc_63902JULLIARD (1 janvier 1989)
19962111902160300374Kawade Shobo Shinsha 1996. Soft Cover. Fine. The book is in fine condition. Kawade Shobo Shinsha paperback
ria9781403986573_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ria9781403986627_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; With these lectures Foucault inaugurates his investigations of truth-telling in the ethical domain of practices of techniques of the self. How and why he asks does the government of men require those subject to power to be subjects wh hardcover
ria9781403969224_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
ria9781403986535_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Foreword Introduction 11 January 1978 18 January 1978 25 January 1978 1 February 1978 8 February 1978 15 February 1978 22 February 1978 1 March 1978 8 March 1978 15 March 1978 22 March 1978 29 March 1978 5 April 1978 Course Summary Cour paperback
ria9781403986528_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book derives from Foucault's lectures at the College de France between January and April 1978 which can be seen as a radical turning point in his thought. Focusing on 'bio-power' he studies the foundations of this new technology hardcover
ria9781403986672_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ria9781403986665_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; An exciting and highly original examination of the practices of truth-telling and speaking out freely parrsia in ancient Greek tragedy and philosophy. Foucault discusses the difficult and changing practices of truth-telling in ancien hardcover
19872111902156201561Asahishuppansha 1987. Soft Cover. Fine. Number of pages: 180 pages Size: B6 Asahishuppansha paperback
169031515A Dijon, Imprimerie Defay, sans date (vers 1690). Petite plaquette tirée à très peu d'exemplaires, sous couverture bleue d'attente, ornée d'une jolie gravure en frontispice, 8 pages. L'auteur en dit ceci : "cette dissertation devait être imprimé dans le recueil de Littératures du Père des Molais, après avoir été vue et signée du Censeur royal, l'impression desquels Mémoires n'étant plus continuée, l'écrit avec la planche m'ont été renvoyés, ce qui a fait que j'ai crû pouvoir l'imprimer à Dijon". Rare et curieuse plaquette, un Nain Antique du Cabinet de Mr Foucault, Conseiller d'état : il s'agit sans doute de Nicolas-Joseph Foucault né le 8 janvier 1643 à Paris où il est mort le 17 février 1721, un haut fonctionnaire et bibliophile français. Bon état.
52013Félix Alcan.1906.E.O.In-8 demi-relié.TBE
3894Paris, Éditions "Tel", 1947. In-4, broché, 112 pages, couverture rempliée.
34341Paris, Beauvais aine, 1836. 2 volumes au format 14x22 cm, demi-reliure veau glace, dos lisse, 403 et 409 pages. Les "Memoires de Foucault" constituent la seconde partie du tome 2 a partir de la page 241. Tres bon etat.
VAP14P., Vve Ch. Dunod et P. Vicq, 1897. In-8, 181 pages, 4 planches dépliantes h.t., broché.
198362310s. l.: Par l'auteur 1983. Fine. Par l'auteur s. l. 1983 22 x 22 cm une feuille FOUCAULT Michel Portrait of Michel Foucault. Original artist's photograph. Large original photographic portrait in black and white by Marc Trivier. Original unsigned silver print like most of Trivier's works. Small tear to upper edge. A handsome original silver print proof by the famous Belgian photographer one of the most secretive contemporary artists who - despite early international success - preferred to limit his output to preserve the coherence of his oeuvre. Marc Trivier doesn't do after-prints of his old portraits and in any case the paper he used for printing is no longer sold. The artist ""prints his images himself on Ilford baryta paper devoting several days of work to each. He pays special attention to rendering the whites contrasted with unusually dense blacks. A Marc Trivier print is like none other. When he does agree to exhibit his images he suspends them in self-made stainless steel frames giving the paper the freedom to live its life"" Xavier-Gilles ""Marc Trivier et la tragédie de la lumière Marc Trivier and the Tragedy of Light"" in Le Monde Libertaire 2011. This ""life of the paper"" participates in the work in the same way as the various changes that the photographs undergo when they're exhibited: ""In the boxes the prints buckle but so what: it's the photographer who's giving rise to this sort of accident"" Claire Guillot ""Les face à face sans échappatoire du photographe Marc Trivier The inescapable encounters of the photographer Marc Trivier Le Monde 2011. Marc Trivier has a particular sensibility for the material aspect of his work. Though photography essentially relies on the multiple this intervention by the artist in the entire process of creation gives these prints an autobiographical air. Whether photographing artists mad people trees or abattoirs Marc Trivier approaches all his subjects with a gaze that is as precise as it is intense. ""In his cosmogony each thing each being whether plant animal or human deserves the same respect. Because all are confronted by the same cast-iron law: solitude"" Luc Desbenoit. The beauty that emanates from his photos comes from this nakedness. There is no retouching and no reframing. One finds throughout his oeuvre the same square format underlined by the squares of the negative that Trivier leaves on his images. This frame traps our gaze in the photographs where the artifice of color is rejected for a cutting black and white. All artificiality gone we are faced not with the arrangement of a subject but a presence exacerbated by the radiant and singular light testimony to a lived moment and not a pose. It is this light tied to the photographic medium that unites Marc Trivier's various series: ""Marc Trivier's photographs write a tragedy of light which does not welcome beings - humans trees or animals - but rather burns them before disappearance"" Xavier-Gilles in Le Monde Libertaire. It is also this tragedy of light freed of all artifice that gives his works the air that makes them so immediate. This ""burning"" of the light throws us back into a real moment to the ""that happened"" of Barthes Camera Lucida 1980: ""Of thirty-five years of photography of various obsessions perhaps this is what is left: a singular way of recording the burning of the light carried through one image after another in a succession of propositions that seem to resemble one another and yet each is just as singular as the fraction of the moment to which it refers"" Marc Trivier. ""Photography says only one thing: 'that happened.' You can only record what has been. If there is a tragedy to it it is in this"" Marc Trivier Warhol Foucault Beckett Dubuffet etc.: the most famous writers and artists posed for Trivier. At the same time the artist was just as interested in the margins of society to what people did not wish to see. He therefore photographed the mentally c Par l'auteur unknown
198162331s. l.: Par l'auteur 1981. Fine. Par l'auteur s. l. 1981 21.50 x 24 cm une feuille Set of 8 small-format portraits of Michel Foucault by Marc Trivier. Original unsigned silver print like most of Trivier's works. Precious original silver print by the celebrated Belgian photographer one of the most secretive contemporary artists who despite early international success preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits; the printing paper he used is no longer commercially available. The artist ""makes his own prints on Ilford baryta paper devoting several days of work to each one with particular concentration on rendering the whites in contrast with blacks of rare density. A Marc Trivier print resembles no other. When he agrees to exhibit them he hangs them in stainless steel frames of his own making allowing free rein to the life of the paper."" Xavier-Gilles ""Marc Trivier et la tragédie de la lumière"" in Le Monde Libertaire 2011. This ""life of the paper"" participates in the work just as much as the various alterations that photographs undergo when exposed: ""In boxes the prints buckle but what does it matter: the photographer is fond of this kind of accident."" Claire Guillot ""Les face à face sans échappatoire du photographe Marc Trivier"" Le Monde 2011. Marc Trivier has a particular sensitivity for the material aspect of his productions. While photography is essentially multiple by nature this intervention by the artist in the entire creative process confers an autographic aura to these prints. Photographs of artists madmen trees or slaughterhouses Marc Trivier approaches all these subjects with a gaze as precise as it is intense. ""In his cosmogony each thing each being plant animal or human deserves the same respect. For all are confronted with the same iron law: solitude."" Luc Desbenoit. The beauty that emanates from his photos comes from this nakedness. There are no retouches no reframing. We find in his work the same square format emphasized by the square of the negative that Trivier leaves on his prints. This frame traps our gaze in photographs where the makeup of color is rejected for an incisive black and white. All artificiality having disappeared we do not face the staging of a subject but a presence exacerbated by radiating and singular light witness to an instant of life and not of pose. It is this light linked to the photographic medium that unites Marc Trivier's series: ""Marc Trivier's photographs write a tragedy of light which welcomes beings - men trees or beasts - only by burning them before disappearance."" Xavier-Gilles in Le Monde Libertaire. It is also this light freed from all artifices that gives his works the aura that makes them so present. This ""burning"" of light brings us back to a real instant to Barthes' ""that-has-been"" La Chambre Claire 1980: ""From thirty-five years of photographic practice of obsessions perhaps this is what remains: a singular mode of recording the burning of light declined from one image to another in a succession of propositions that resemble each other and yet each is as singular as the fraction of time to which it refers."" Marc Trivier. ""Photography says only one thing: 'It was.' We only fix what has been. If there is a tragedy it is there."" Marc Trivier Warhol Foucault Beckett Dubuffet . the greatest writers and artists have posed for Trivier. Simultaneously the artist is also interested in the margins of society in what men do not want to see. He then photographs the insane and slaughterhouses that he places alongside celebrities. From the end of the 1980s his work is unanimously recognized and he receives the prestigious Young Photographer Award from The International Center of Photography in 1988 as well as the Prix Photographie Ouverte Charleroi. After the Palais de Tokyo in Paris the Musée de l'Elysée in Lausanne and the Casino in Luxem Par l'auteur unknown
B9781168434999New. unknown
0365739499.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
036578561X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
