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MareMagnum

ON THE ORDINATION OF WOMEN AS RABBIS: POSITION PAPERS OF THE FACULTY OF THE JEWISH THEOLOGICAL SEMINARY OF AMERICA ["NOT FOR PUBLICATION OR DISTRIBUTION"]

Safire, W.; Baker, Russell; Zion, Sidney; Freeman, Lucy; Honan, William H.; Lewis, Flora; Apple, R.W. Jr.; Bethany, M.; Et alMareMagnum

The New York Times Magazine, November (Nov.) 11, 1979 - Cover Photo of Supreme Court Chief Justice Warren E. Burger

188 pages. Features: Nice Sue Brett Fashion ad; Beautiful Danskin ad features model lying atop white grand piano; Sony Portable Radio ad entitled "A Moveable Feast"; Safire on "Taking a Dare"; Lovely Alfred Dunner/Fortrel ad; The One-Necktie Man; Two-page color Farberware (cookware) ad; Interesting Harry Winston ad features large diamond on model's forehead; A Decade of Constitutional Revision (part 1 of 2) - The U.S. Supreme Court; Immortal Anna O. (Bertha Pappenheim) - from Freud to Feminism - the young Viennese patient who spurred Freud on to the development of psychoanalysis became a zealous champion of women's rights and pioneered new approaches to social work; The Kennedy Network - After JFK's death, his tough, tight entourage of political intellectuals offered their high-powered services to Bobby - Now it's Teddy's turn to mobilize the Kennedy Network; The "House" Charles De Gaulle Built - his personal home is now a museum and his country is undergoing subtle but significant renovations; Nice mink coat ad shows model on shoeshine stand; Lauren Bacall is featured in a Fortunoff ad; Britain's Notable Nonagenarians - the fond admiration accorded to England's senior citizens is unimaginable in the youth-oriented United States - with photos of Lord Brockway, Lord Shinwell, Catherine Bramwell-Booth; Prince Alice, and Ben Travers; Peugeot 504 car ad; Great one-page color-photo Izod ad features golfers Jerry Pate and Hubert (Hubie) Green; Nice two-page Carlsberg ad; Marlboro ad features fall leaf theme; Half-page ski ad for Park City, Utah; Nice one-page color Technics turntable ad; Nostalgic one-page ad for solar alarm watches by The Sharper Image; Look 37 ski binding ad; Black and White Scotch ad features photos of backgammon players including Harry Joe Brown, Jr., Kenneth Lubben, and many others; How Robert Kennedy's people blew the 1968 Oregon campaign; Humble Hampton's home designed by Tod Williams; Color fashion photos of sweaters for cool nights; Michael Norman describes a Vietnam wound that will not heal - the loss of his friend Jim Payne; Chivas Regal ad on back cover; and more. Above-average wear. A worthy vintage copy. Book

RareNonFiction.com · Ladysmith, CA295,00 €

[ROUSSEL (Pierre-Joseph-Alexis)]MareMagnum

Le Château des Tuileries, ou Récit de ce qui s'est passé dans l'intérieur de ce palais, depuis sa construction jusqu'au 18 Brumaire de l'an VIII ; Avec les particularités sur la visite que Lord Belford y a faite après le 10 Août 1792, dans laquelle on a recueilli des Anecdotes curieuses sur les secrets de l'Etat, sur la famille royale, les Personnes de la Cour (...) ; enfin sur la situation de Paris pendant la Révolution. Par J.A.R.D.E. (i.e. Roussel).

2 tomes reliés en un volume in-8, demi-veau blond orné d'un décor de compartiments garnis de 3 différentes résilles dorées, filets et palettes dorées, pièce de titre de veau bronze, tomaison dans un médaillon havane, (4), iv, 376 p. et (4), 392 p., 2 planches gravées en frontispice. Edition originale. T. 1 : Le frontispice représente le Dauphin et sa soeur se promenant devant le Château des Tuileries avec leurs gouvernantes, surveillés par deux gardes. T. 2 : Le frontispice représente une scène horrifique d'initiation maçonnique. L'auteur avait été avocat à Épinal puis s'installa à Paris durant la Révolution. Il devint secrétaire de la Commission pour l'examen et l'inventaire des papiers des Tuileries, puis commissaire de police jusqu'en 1801. D'importantes pages sont consacrées à Marie-Antoinette, au rôle politique des femmes et aux clubs de citoyennes sous la révolution, ainsi que sur la marche des femmes du 4 octobre 1789 sur Versailles, hostiles au mouvement. Dans le tome I, p. 196, on trouve des détails sur le rôle du père de Balzac à la veille du 10 août : "portant le sabre pour mettre à bas les têtes du roi et de la reine". L'auteur connaissait parfaitement les lieux et les intervenants, par ses fonctions comme directement à travers son frère aîné qui était commissaire du Comité de surveillance des Tuileries. Il livre une relation romancée qui reste d'une grand intérêt pour l'histoire de Paris. (Monglond, V, 992). Petit accroc à la coiffe supérieure. Bel exemplaire, très frais, bien relié à l'époque.

Librairie Hatchuel · Paris, FR300,00 €

GÜZIDE SABRI [AYGÜN], (Ottoman / Turkish female author -muharrire-), (1886-1946).MareMagnum

[FORBIDDEN LOVE IN TURKISH SOCIETY] Ölmüs bir kadinin evrâk-i metrûkesi / Nedret. [i.e. Derelict Documents of a Dead For Woman / Nedret].

Very Good Turkish, Ottoman (1500-1928) Contemporary 1/3 leather bdg. made as original illustrated covers preserved inside. Foolscap 8vo. (18 x 12 cm). In Ottoman script (Old Turkish with Arabic letters). 221 p.; 291 p. Fourth Edition (both). Early editions of this bestseller novel(s) telling "the suffering of a woman who buried her forbidden love in her heart in a society where love is closed behind thick curtains, through the eyes of a woman", by Güzide Sabri (1886-1946). Güzide Sabri Aygün was a Turkish female writer known for her modern romances, which were published in multiple editions and several languages. She had two sisters, Fatma Aliye and Emine Semiye. She grew up in Çamlica neighborhood of Istanbul. In later years, she had to leave Istanbul and move to Anatolia with her family as her father was exiled, resulting from his opposition to the despotism of Ottoman Sultan Abdulhamid II (reigned 1876-1909). At a young age, she was married to Ahmet Sabri Aygün, the first notary of Beyoglu (Pera). She was educated at home by special tutors. She was interested in literature, inspired by her teacher Hodja Tahir Effendi, a dictionary writer. She started to write at a very young age. However, her teachers proposed she better deal with religious matters instead of poetry. Contrary to the pressures of her literature teacher, she wrote her first novel Münevver in her youth years in 1899. She wrote the novel in remembrance of her friend, who died from tuberculosis. It was serialized in the newspaper Hanimlara Mahsus ("For Ladies"), and won well recognition. In 1901, two years later, the novel was published as a book and was also translated into the Serbian language. Her husband felt discomfort by his wife's prominence. As her teachers' reaction was not enough, her husband also objected to her writing. However, her enthusiasm could not deter her from writing. It is understood that her husband tried to prevent her writing as he did not allow her to write already at the wedding. She was forced to continue writing at night or secretly. After a short time, her husband died. The unexpected death of her husband left deep traces in her. Güzide Sabri became a female writer, who remained lifelong unhappy having a sad life in literature history. During this time, the Servet-i Fünun ("Wealth of Knowledge") movement, formed by Recaizâde Mahmud Ekrem (1847-1914) and his students, left its mark on the literature. Güzide Sabri was one of the authors, who did not join the movement and remained on their own line. She is considered as one of the first female novelists among Turkish writers with widespread fame, even though she was not involved in the new literary movement. She published her works in the Servet-i Fünun and other journals of the "National Literature" without being a member of any literary community. Her novels, which were written in the early years of the Second Constitutional Era (1908-1918) and the Republican era (from 1922), and were subject of feeling, dream, blind love, and broken hearts, were very popular, and had multiple editions and were repeatedly filmed. Her second novel Ölmüs Bir Kadinin Evrak-i Metrûkesi ("Derelict Documents of a Dead For Woman") was a bestseller. It was first published in 1901, reprinted several times, and was filmed twice, in 1956 and then in 1969. The novel was translated into the Armenian language. She authored romance novels for simple readers. She is considered as the author writing the first examples of the so-called mass-market romance novels, and pioneer of the broken-hearts novels in her country. Her 1930-novel Hicran Gecesi ("Night of Sorrow") is about the forbidden love of a bad woman. This book takes the romance novel one step forward in a forbidden, impossible love story. Her novels, which take place in Istanbul, attracted the interest of readers outside of big cities like Istanbul and Izmir as well. First book: Özege 16077 (Özege has 4th edition, however page number: 221).; TBTK 5323.; Second one: Özege 15317.; TBTK 5

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR301,34 €

[SAINTE-CROIX (Mademoiselle), enlèvement de]MareMagnum

Lettre d'un Gentilhomme de la Cour, A un Seigneur qui est à l'Armée, touchant l'attentat commis aux Filles Dieu à Paris, En la personne de Madamoiselle [sic] de Sainte Croix, & toute la suite des procédures dont on a usé contre-elle.

Petit in-4, demi-veau brun, titre doré en long (coif. usées, un mors fendillé, rel. XIXe), (4), 20 p. Rare édition originale de fait divers qui défraya la chronique du temps de la Fronde. Le document est daté de Paris, le 30 avril 1648 soit quelques jours après les événements qu'il relate et signé "L. le C.". Le permis d'imprimer est du 10 juin. La brochure porte en titre de départ: "L'Amant obstiné dans ses recherches et la Fille constante en ses refus". Le sieur de Charmoy qui voulait épouser une demoiselle de Sainte-Croix, fut éconduit par celle-ci malgré la promesse du père. Sur la demande de Charmoy, un procès fut renvoyé au Parlement de Paris, où, par arrêt, est ordonné que la fille sera mise au couvent des Filles-Dieu pour déclarer sa volonté. Charmoy, enragé, se résolut d'enlever la fille. "Accompagné de cinq hommes, ils la tirent de sa chambre de force quoiqu'elle fut en chemise, lui font donner de la tête contre le plancher, cent coups de bâton, d'éperons et des coups sur les bras pour lui faire quitter prise, la traînent dans le jardin nue comme la main (…), la tirent par les cheveux mais n'en peuvent venir à bout (...). On sonne le tocsin, la population accourt et l'enlèvement échoue" (cf. O. Lefèvre D'Ormesson, 'Journal', 1860, I, 470 sq.). Un jugement très sévère fut rendu par le Parlement contre les auteurs du rapt : amende honorable devant la porte du couvent des Filles-Dieu, supplice de la roue, leurs biens confisqués et leurs maisons rasées. Quant à Mademoiselle de Sainte-Croix, elle épousa, en 1654, un prétendant choisi. Dulaure relate d'affaire avec précision dans son 'Histoire de Paris', éd. de 1823, II, 401. Court de marge inférieure sans perte de texte. Moreau (‘Mazarinades’, II, n°1868) indique que "le seul exemplaire que j'ai vu est incomplet".

Librairie Hatchuel · Paris, FR350,00 €

YASAR NEZIHE [BÜKÜLMEZ], (1882-1971).MareMagnum

[TURKISH FEMALE POET OF THE FIRST TURKISH POEM FOR "MAY 1"] Feryadlarim [i.e. My screechs]. Biographical introduction by Rifat Necdet [Evrimer].

Very Good Turkish, Ottoman (1500-1928) Contemporary green cloth bdg. Slight scratches on faded cloth, with slight foxing on pages. Overall a good copy. Cr. 8vo. (20 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 238, [2] p., 1 b/w portrait of Nezihe, ills. First and only edition of this exceedingly rare first book including a "May 1" poem, written by a Turkish female poet Yazar Nezihe. Nezihe was considered as one of the female poets in the Ottoman Period. She is known as a writer of the first Turkish poem for International Workers' Day on May 1. Yasar Nezihe differed from other female poets of the period in the sense of her life story and a contrary literary identity. Throughout her lifetime, she wrote poems about her penurious and challenging childhood as well as her love life and marriages. Being known as the first female poet whose works were published in Aydinlik Dergisi (i.e. Enlightenment Journal), Yasar Nezihe also became prominent for supporting labor unrests and her activist identity. She was recognized as a socialist poet who gave voice to poverty in her poems. She wrote the poem named "Gazete Sahiplerine" (i.e. To Newspaper Owners) addressing the executives with the intent of supporting laborers who were on strike because of the disagreement between newspaper owners and Mürettipler Cemiyeti (i.e. Typesetters Society). (Source: Wikipedia). This is her second poetry book. Being the first female poet wrote in Aydinlik Dergisi, Yasar Nezihe Bükülmez was accused of being a communist because of her writings, her membership of Osmanli Amele Cemiyeti [The Ottoman Workers' Society], and support for labor unrests and was arrested. Book has a biographical introductory text by Rifat Necdet Evrimer, (1898-1971) who was a Turkish/Ottoman poet, educator, and biographer in which is important being the earliest male gaze in its period. Özege 5645.; TBTK 6996.; Five copies in OCLC: 25346925 (Four copies) and 1030875484 (One copy).

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR394,07 €