3 372 résultats
New English Orginal bdg. HC. Oblong 4to. (22 x 31 cm). In English and Turkish. 74 p., color ills. Lighthouses.= Fenerler. Haslet Soyöz 40. sanat yili. The exhibition "Fenerler" (Lighthouses), which is composed of the artwork by caricaturist Haslet Soyöz, is currently on display at the Rahmi M. Koç Museum in Istanbul. Soyöz, who celebrates his 40th year as an artist, is exhibiting 30 of his oil paintings on canvas until May 15. The paintings featured at the exhibition are the depictions of lighthouses around Turkey. The artist previously worked with the museum for his exhibitions "Cennetin Gemileri" (Ships of Heaven) in 2003, "Hava, Kara Deniz Tasitlari" (Air, Land and Sea Vehicles) in 2007 and "Delkos'tan Karaburun's" (From Delkos to Karaburun) in 2013. "Lighthouses" is the fourth solo exhibition of Soyöz at the same museum. Soyöz focuses on lighthouses as the true friends, a light of hope and an alarm bell, for seafaring man. TURKISH PAINTING ART Lighthouse Leuchtturm Istanbul Sea View.
New English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish. 208 p., color ills. "An Orientalist painter who lived almost half a century in Istanbul up to his death, Leonardo de Mango is described by the art commentator Thalasso as, a painter through whom the East spoke. De Mango was born on 19 February 1843, the eldest child of a large family in the town of Bisceglie near Bari in Italy, where he honed his native talent for drawing up to the age of nineteen. In 1862, under the patronage of an aristocratic family of Bari, he entered the Academy of Fine Arts of Naples and studied there for eight years under Filippo Palizzi and of Domenico Morelli. Morelli was also a painter who treated exotic orientalist themes. During this period de Mango also worked with Saverio Altamura, Bernardo Celentano, Raffaele d'Auria, Federico Maldarelli, Raffaele Postiglione and Giuseppe Mancinelli. In 1883 De Mango settled in Istanbul during the reign of Sultan Abdul Hamid II, where he is known to have set up, and taught for some time at, the oil painting department of the School of Fine Arts. Forced to leave Istanbul briefly in 1911 during the Tripolitanian War, the artist returned to the city following the Treaty of Ouchy on 15 October 1912. De Mango was among the artists who, at the initiative of Alexander Vallaury, a teacher in the architecture department of the School of Fine Arts, and Regis Delbeuf, manager of the Istanbul daily Le Stamboul, organized the first painting and sculpture exhibition at Beyoglu in 1901, dubbed the 'Pera Exhibitions in the Passage Oriental', an arcade owned by the French merchant Bourdon. With 27 works, De Mango was the most well represented artist in the exhibition, as he was again in the 1920 exhibition when he was one of 36 artists, participating with 33 of his own paintings. De Mango also had 16 paintings in the last of the Pera exhibitions, which was held in 1903. He painted in the open air and in his workshop at Beyoglu, reflecting the daily life of the different districts of Istanbul until his death in 1930.". Contents: Erol Makzume "The 75th anniversary of the death of an orientalist painter from Pera, Leonardo de Mango"; Roberta Ferrazza "Leonardo de Mango and the Italian community in Istanbul"; Bianca Consiglio "Portrait Painter Leonardo de Mango"; Piero Consiglio - Giacinto La Notte "Leonardo de Mango stages in a life divided between East and West"; Catalogue.
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In Turkish. [xv], [4], 342, [1] p., color and b/w ills. Istanbul karsilasmalari: Osmanlilar, oryantalistler ve 19. yüzyil görsel kültürü. [= Istanbul exchanges: Ottomans, orientalists, and Ninteenth-century visual culture]. Translated by Zeynep Rona.
As New Turkish Paperback. Folio. (34 x 24 cm). In English and Turkish. 359 p., color ills. One of 2000 copies. Sabri Fetah Berkel (1907-1993) was an Albanian modernist painter; he was one of the most important painters and academic personalities of last century in Turkey. Berkel was born in Shkopje, in 1927 he completed high school at a French lyceum. From 1927 to 1928 he studied at an Art School in Belgrad. From 1929-1935 he finished his studies at the Academy of Fine Arts, Florence and he died in Istanbul.
New English Paperback. 4to. (30 x 22 cm). In English and Turkish. 210 p., color and b/w ills. Generations together: Group Exhibition 3.= Iki kusak bir arada: Grup Sergisi 3. [Exhibition catalogue]. February 6-28, 2017.
Fine Fine Turkish Original bdg. Dust wrapper. 4to. (31 x 23 cm). In Turkish. 319 p., color and b/w ills. Oryantalizmden çagdas Türk resmine. A comprehensive study on history of Turkish painting and its orientalist origin.
Varios miles de reproducciones en color.
28,5x25. 241p. Láms. Col. Les Grands Siècles de la Peinture. Enc. Tela ed. Sobrecubierta.
New English Paperback. Pbo. 4to. (30 x 23 cm). In Turkish. Color and b/w ills. 135 p. Artists: A. Onay Akbas, Özdemir Altan, Tomur Atagök, Habip Aydogdu, Bedri Baykam, Ibrahim Çiftçioglu, Adem Genç, Ekrem Kahraman, Bünyamin Özgültekin, Baris Saribas, Utku Varlik. Vincent van Gogh'un izinde, modernizmin pesinde Türkiye - Fransa - Türkiye: Istanbul - Paris - Arles - Saint Remy - Paris - Moret sur Loing - Barbizon - Auvers sur Oise - Istanbul. [Exhibition catalogue]. 17 Mart - 26 Nisan 2009, Besiktas Çagdas.
B., L. Thomas, 1943, 49 x 37 cm., 4 h. - retrato - 11 láminas + 11 hojas de explicación de las láminas - 3 h.
B., L. Thomas, 1943, 49 x 37 cm., 4 h. - retrato - 11 láminas + 11 hojas de explicación de las láminas - 3 h.
M., C.I.A.P., 1931, 26 x 22 cm., enc. original, papel couché, 253 págs. incluso 72 láminas a toda página.
Málaga, Excmo. Ayuntamiento, 2006, 28'5 x 23'5 cm., cartulina editorial, 295 págs. incluso numerosas láminas en colores + 2 hojas.
New English Paperback. 4to. (29 x 24 cm). In English, French, and Turkish. 311 p., color ills. From Mekteb-i Sultani to Galatasaray Lycee painters, 1868-1968 = De Mekteb-i Sultani au Lycee de Galatasaray peintres, 1868-1968.= Mekteb-i Sultani'den Galatasaray Lisesi'ne ressamlar, 1868-1968. This catalogue was published to accompany the "From Mekteb-i Sultani to Galatasaray Lycée Painters 1868-1968" exhibition held on 10 February 2009 at the Suna and Inan Kiraç Foundation Pera Museum on the occasion of the 100th anniversary of the Galatasaray Alumni Association. Opened on 1 September 1868 with the support of Sultan Abdülaziz, Mekteb-i Sultani was conceived of as a training ground for bureaucracts who would staff the state's newly-designed agencies, it was thought that its students should be inculcated in the ways of international diplomacy and European culture. Among the lessons that were included in the curriculum with this idea in mind were European art and literature and it was due to their influence that major artists emerged both from Imperial-period Mekteb-i Sultani and from Republican-period Galatasaray Lycée. The primary aim of this exhibition is to draw attention to an attitude towards education which, for over a century in the years from 1868 to 1968, upheld stricht standards of quality, fostered an undying love of art from generation to generation and transformed that love into professionalism. When the works of Galatasaray graduates were chosen for the exhibition, attention was given as much as possible to examples of their impressions of Istanbul and Paris in order to emphasize their sojourns in the two cities. The authors of the works on display in this exhibition today figure among the leading names in the history of Turkish art. Viewing this group of works produced by those artists reveals the importance of the role that the institution played in Turkey's artistic environment and the value of the contributions that it made during the course of a century from Mekteb-i Sultani to Galatasaray Lycée. / Ce catalogue a été préparé pour l'exposition "De Mekteb-i Sultani au Lycée de Galatasaray Peintres 1868-1968" ouverte le 10 février 2009 au Musée de Pera, Fondation Suna et Inan Kiraç, à l'occasion du 100éme anniversaire de l'Association des Anciens de Galatasaray. On avait créé Mekteb-i Sultani le 1er septembre 1868 avec l'accord du Sultan Abdülaziz dans le but de former les futurs bureaucrates de la fonction publique nouvellement organisée, en développant leur savoir sur la culture occidentale et la politique mondiale. Parmi ces étudiants, un certain nombre d'artistes importants s'étaient révélés, aussi bien du temps de Mekteb-i Sultani à l'époque ottomane qu'à celui du Lycée de Galatasaray sous la République, grâce aux cours de littérature et de dessin mis au programme de l'école dans ce but précis. Le but principal de l'exposition est ainsi de se focaliser sur la période d'une centaine d'années qui s'étend de 1868 à 1968, durant laquelle on s'est efforcé de maintenir un enseignement de qualité de façon constante, et durant laquelle aussi, l'amour de l'art a pu se transmettre sur plusieurs générations, finissant par se transformer en un véritable professionalisme. On s'est efforcé de choisir autant que possible pour l'exposition, parmi les différentes oeuvres des artistes de Galatasaray, es toiles représentant des impressions de Paris et d'Istanbul, afin de souligner leurs séjours dans ces deux villes. Aujourd'hui encore, les auteurs des oevres exposées sont des noms essentiels de l'histoire de l'art turque. Voir rassemblées les oeuvres des ces artistes sur une période de cent ans, de l'époque de Mekteb-i Sultani jusqu'à celle du Lycée de Galatasaray, permet de prendre la mesure de la valeur incontestable de soutien et du rôle essentiel que jouait cet établissement dans le monde de l'art en Turquie.
New Croatian Original bdg. HC. Folio. (31 28 cm). In Croatian. 92 p., color ills. Dobrocinitelj: Adil begu Zulfikarpasicu za njegov 85. rodendan. Art director: Amra Zulfikarpasic. 1000 copies were printed.
Fine Fine English Original bdg. Dust wrapper. 4to. (31 x 24 cm). In English and Turkish. 296 p., color ills. Adem Genç. The new abstract approaches during Post Dada and Pop period.= Post Dada ve pop sürecinde yeni-soyut yaklasimlar. [Catalogue of the artist]. Text by Ahmet Oktay. TURKISH ART OF PAINTING Dadaism.
New Turkish Paperback. 4to. (28 x 24 cm). In Turkish. 163 p., color and b/w ills. and photos. Doganin ritmi: Devrim Erbil Retroperspektifi. [Exhibition catalogue]. Text by Kiymet Giray. Prep. by Erdem Zekeriya Iskenderoglu, Nurullah Yaldiz. Curated by Erkan Doganay.
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 90 p., color ills. Always a searcher, always a fighter: Unknown and little-known works of Fahrelnissa Zeid.= Hep arayan, hep savasan: Fahrelnissa Zeid'in bilinmeyen ve az bilinen isleri. She is one of the pioneering artists of Turkish modernism in the 1940's and of the post-war France avant-garde. Daughter of Kabaagaçli Sakir Pasha, niece of Grand Vizier Cevat Pasha, and sister of painter Aliye Berger and writer Cevat Sakir Kabaagaçli, a.k.a Halikarnas Balikçisi, Fahrünissa Zeid took her surname from Emir Zeid, the brother of Iraqi King Faysal I; she changed the spelling of her name to Fahrelnissa in France. She is the first woman artist exhibited at the Institute of Contemporary Arts, London. She joined the "d Grup" in 1942 in Istanbul, a time she already started to create her unique, extraordinary path. She focused on abstract painting; she became celebrated for her monumental and dynamic abstract compositions that engulf the viewer in fields of color, light, and energetic movement, intertwining cosmic and inner universes. Later in her life, she painted portraits of her family and friends. In 1975 she moved to Amman and founded Fahrelnissa Zeid Institute of Fine Arts in that city.
Fine Fine English Original binding with original dust wrapper. 215 p. Color ills. 2000 copies were printed. In Turkish and English. Güngör Taner. [Catalogue of the artist]. Foreword: Yahsi Baraz.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. [86] p. Color and b/w ills. 2nd. International Art Project.= 2. Uluslararasi Sanat Projesi. [Auction catalogue].
New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 207 p., color ills. Medicilerden Savoylara Floransa saraylarinda Osmanli görkemi. [Exhibitions catalogue]. The exhibition consists of 120 Ottoman and Ottoman-influenced works of art dating from the 14th to 19th centuries, and illustrating the various motifs and styles over this period.
New New Turkish Original bdg. Dust wrapper. 4to. (29 x 23 cm). In Turkish. 208 p., color ills. Titresimlerin büyüsü: Bir Devrim Erbil kitabi. Edited by Eda Sezgin. This is a Devrim Erbil Retrospective.
Exhibition catalogue. Wear and stains to cover. 7"w x 9"h. Black and white illustrations. "Robert Motherwell's A la pintura (To Painting) is a sumptuous artist's book of aquatint images and letterpress texts, and one of the most important examples of this genre." [J. Paul Getty Museum]
New New Japanese Original bdg. Dust wrapper. Large 8vo. (24 x 24 cm). In Japanese. 32, [1] p., color ills. Kikoetekuruyo (Ehon Kanibaru 4). [With photograph an original drawing of illustrator].
Very Good English Paperback. Pbo. Oblong 4to. (21 x 29 cm). In English and Turkish. [4], 103 p., fully b/w ills. Architect Sinan in sketches.= Desenlerle Mimar Sinan. Works of Sinan the Architect with illustrations. Contents; Foreword; Prof. Mimar Muhtesem Giray, Rector of Mimar Sinan University. Introduction; Prof. Feridun Akozan, MSÜ Mimar Sinan Research Institution Director. Preface; S. Muhlis Türkmen., Seal and signature of Sinan., A grouup of Sinan's works., Sokullu Mosque, Büyükçekmece., Bridges, Büyükçekmece and Edirne., Maglova Aqquaduct., Mimar Sinan Mosque and Children's school, Istanbul., Sokullu Complex Bazaar Dua dome, Lüleburgaz., Semiz Ali Pasa Mosque, Babaeski., Mihrimah Sultan Mosque, Edirnekapi, Istanbul., Shepherd Mustafa Pasa Mosque, Gebze., Atik Valide Mosque and surroundings, Üsküdar / Istanbul., Azapkapi Mosque, Istanbul., Zal Mahmut Pasa Mosque, Eyüp / Istanbul., Kiliç Ali Pasa and tomb, Tophane / Istanbul., Sinan Pasa Mosque, Barbaros tomb, Besiktas and Molla Çelebi Mosques, Findikli / Istanbul., Mihrimah Sultan (Boat station) Mosque, Üsküdar 7 Istanbul., Semsi Pasa Mosque, Üsküdar / Istanbul., Sehzade Mosque, Istanbul., Süleymaniye Mosque, Istanbul., Rüstem Pasa Mosque, Eminönü / Istanbul., Selimiye Mosque, Edirne., Plans from Architect Sinan., Architect Sinan's toms, Süleymaniye, Istanbul.
