Prep. by YILMAZ ÖZCAN.MareMagnum
3 372 résultats
Fine English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Turkish. [90] p. Color ills. Exhibition catalogue on Turkish and Islamic tiles, marblings, miniatures, calligraphic plates, illumination. Türk süsleme sanatlari: Çini, minyatür, ebru, hüsn-i hat, tezhip. II. ve III. Devlet Türk Süsleme Sanatlari Sergileri Katalogu. [Exhibition catalouge].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 112, [4] p., color ills. Istanbul Modern presents the most comprehensive exhibition of work by Sahin Kaygun. Seeking new forms of expression, Kaygun played a pioneering role in photography in Turkey. In the 1980s, when the term "interdisciplinary" was nonexistent in Turkey's photographic culture, Kaygun combined photography with disciplines as diverse as painting, graphics, and cinema, and explored new and surprising applications of photographic techniques. Seeking a contemporary interpretation of the link between photography and other art forms, he continued to push the boundaries between various art disciplines in Turkey. Supported by detailed archival work, the exhibition spans the whole of Kaygun's career from his early experimental intervention in photography in the 1980s, when he produced Turkey's first Polaroid work, through to his final years. Parallel to the artist's technical exploration, in which he added layers onto photographs, the exhibition traces Kaygun's narrative on the boundaries of consciousness between dream and reality through themes of life and death. The political atmosphere of the 1980s led to a period of individual crisis and introversion that can be sensed in his art. Kaygun's work from this period, which is included in the exhibition, manifests the spiritual state of the time from a personal standpoint. Sahin Kaygun started earning a living by painting when he was in high school. In 1969, he began studying graphic arts at the State University of Applied Fine Arts in Istanbul. For Kaygun, who developed an artistic interest in photography during his university years, graphics and photography were two fields that nourished and completed one another. Kaygun's Polaroid series represented his first attempt at manipulating photographs. Works from this series have been included in the International Polaroid Collection and exhibited in major museums and art institutions.
As New English Paperback. Pbo. Mint. 4to. (31 x 24 cm). In English and Turkish. 207, [1] p. Color ills. 2000 copies were printed. Ahmet Günestekin. Encounter.= Yüzlesme. Edited by Masum Elmas. Text by Johannes Odenthal.
Very Good English Paperback. Pbo. 4to. (34 x 23 cm). In English, Turkish, and Greek. [64] p. Color and b/w ills. 3000 copies were printed. Fourteen Turkish and Greek contemporary artists.= Ondört Türk ve Yunan çagdas sanatçi. [Exhibition catalogue]. 25th March - 18th April 1992, MSÜ Istanbul Painting and Sculpture Museum. Edited by Kemal Iskender, Barika Göncü, Esat C. Basak.
New English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 63, [1] p., color and b/w ills. 500 copies were printed. Emin Koç. [Exhibiton catalogue]. 6-28 Subat, 2007, Orkun Ozan Sanat Galerisi. Texts by Canan Beykal.
Very Good English Paperback. 4to. (32 x 23 cm). In Turkish. [6], 81 sayfa, s/b levhalar. Tabiatta ve sanatta doku- texture. HISTORY OF ART Turkish art of painting Theory Nature Texture.
As New English Paperback. Pbo. Mint. 4to. (32 xx 24 cm). In English and Turkish. 54, [1] p. Color and b/w photos. 1000 copies were printed. ALTE LIEBE, an exhibition of photographs by Hasan Deniz, will be open to viewers at Milli Reasürans Art Gallery from 18 March to 26 April this year. The show takes its name from the German phrase Alte Liebe, which means 'Old Love' and is a notion that appears in many branches of the arts from literature to painting and cinema. Defining the Alte Liebe idea in terms of the relationship that he establishes between images of different cities on the one hand and his personal history on the other, Hasan Deniz explores the memories of spaces that are as stark and devoid of human beings as possible. The photographs in ALTE LIEBE focus on images that explore the concepts of time/timelessness and space / spacelessness in such a way as to complement one another. The photographs avoid, as much as possible, any information that might give a clue as to where they were actually taken. Instead they inspire feelings of abandonment, dereliction, and incompleteness while provoking viewers to read them in their own way. In his work as a photographer, Hasan Deniz takes great pains to create images that refrain from denoting time and from documenting anything. We are made to sense this effort through constructs that are undefined and unidentified by any contextual information such as writing or people. In his own words, the artist concentrates instead on 'content rather than on light and composition'. In the works in this show, we observe him turning his attentions to otherwise obscure details that only a careful eye might notice rather than focusing on the familiar, 'iconic' objects and spaces of countries and cities. Hasan Deniz pursues the stories, as related in their own interior voices, of things to which we have become inured and of buildings and spaces that we pass by every day, sometimes without even noticing them. Viewed individually and as a whole, Hasan Deniz's images encourage us to read them on the basis of the concepts of timelessness and spacelessness.
Fine English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). [ix], 182 p. Signed and dedicated by the painter Hasim Nur Gürel. Muhayyel müze meraklisina mektuplar. Görsellik üzerine yazilar, 1996-1998.
Fine English Paperback. Pbo. 4to. (28 x 22 cm). In Turkish. 203, [1] p. Color ills. 1000 copies were printed. Hüsamettin Koçan. Tuz tadi. [Exhibition catalogue]. 7 Nisan 2007, Çankiri Tuz Magarasi; 10 Nisan 2007, Istanbul Garage of Art; 20 Nisan 2007, Ankara Siyah Beyaz Sanat Galerisi.
As New English Paperback. Pbo. Mint. 4to. (30 x 24 cm). 98 p. Color ills. In Turkish and English. 750 copies were printed. Merkezde! 03 Mayis - 10 Haziran 2011 Gallery Linart [Exhibition catalogue]. Translated by Özlem Horuztepe.
As New English Paperback. Pbo. Mint. 4to. (28 x 24 cm). In Turkish. 281 p. Color ills. 1000 copies were printed. Cumhuriyet'in elli yilinda plastik sanatlar. Müstakil ressamlar ve heykeltraslar birligi, D-grubu, Yeniler grubu, Onlar grubu, Soyut egilimler, Bagimsizlar
Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In Turkish. Color ills. [80] p. 1500 copies were printed. Signed and inscribed by the painter. Üç kalas, iki insan, bir heves. [Catalogue of the artist].
New New English Original bdg. Dust wrapper. Large 4to. (31 x 31 cm). In French and Turkish. 301, [3] p., color and b/w ills. Dessinateur Pierre Loti: Une oeuvre au long cours. Loti, de Turquie.= Ressam Pierre Loti: Uzun bir yolculuk. Loti'yi Türkiye'den görmek. Le romancier à succès Pierre Loti (1850-1923) a occulté le dessinateur. Sous son véritable nom de Julien Viaud, comme reporter et pour le plaisir, il avait pourtant composé, au fil de ses campagnes de jeune officier de marine, une remarquable ¿uvre graphique, ethnographique aussi. La voici pour la première fois réunie. Plus de cinq cents dessins, accompagnés des gravures qui en furent tirées et de textes de l¿écrivain, forment un singulier carnet de voyages autour du monde, vers les lointains de cet artiste polymorphe et raffiné : Terre de Feu, île de Pâques, Tahiti, Brésil, Amérique du Nord, Sénégal, Maghreb, Adriatique, Indochine, Japon, mais aussi Bretagne et Saintonge natale, sans oublier son cher « Stamboul ». Du simple croquis à l¿aquarelle aboutie, le trait, sûr et inspiré, fait surgir un foisonnement de portraits et d¿événements, d¿étonnements et de fantaisies, de visions. Le monde de l¿un des derniers romantiques. Alain Quella-Villéger et Bruno Vercier sont les deux spécialistes de Pierre Loti et de son oeuvre, auxquels ils ont consacré de nombreux ouvrages, ensemble ou séparément (voir la bibliographie, p. 291). Ils ont notamment entrepris de conserve la publication au long cours du Journal de Loti (t. 1, 2006 ; t. 2, 2008, Paris, Les Indes savantes). Alain Quella-Villéger, natif de Rochefort, comme Pierre Loti, agrégé d¿histoire et docteur ès-lettres en histoire contemporaine, est le biographe de Pierre Loti, de Claude Farrère et de René Caillié. Il est, en outre, co-auteur d¿une dizaine d¿anthologies aux éditions Omnibus (dont Istanbul, Rêves de Bosphore, 2001), directeur et fondateur de la revue Les Carnets de l¿exotisme (1990-2006), à la suite de la Revue Pierre Loti (1980-1988), et auteur de plusieurs autres ouvrages, dont deux romans. Aux éditions Bleu autour, il a préfacé la réédition de Suprêmes visions d¿Orient (2006, 2010), le dernier ouvrage de Pierre Loti. Bruno Vercier, docteur ès-lettres et universitaire, spécialiste de l¿autobiographie et du journal intime, est co-auteur de plusieurs ouvrages sur la littérature française contemporaine (aux éditions Bordas). Il a signé l¿appareil critique de nombreuses rééditions de textes de Pierre Loti, ainsi que de Raymond Radiguet et Charles-Louis Philippe (aux éditions Flammarion et Gallimard). Il préside l¿Association pour laMaison de Pierre Loti. Enis Batur, qui vit à Istanbul et séjourne régulièrement à Paris, est l¿une des figures centrales de la littérature turque depuis vingt-cinq ans. Romancier, essayiste et poète, il est l¿auteur d¿une centaine d¿ouvrages, souvent traduits dans de nombreuses langues étrangères. En France, ses ouvrages paraissent chez Actes Sud (La Pomme, roman, 2004 ; Amer savoir, récit, 2002 ; D¿autres chemins, récit, 2008) et chez Bleu autour (D¿une bibliothèque l¿autre, 2008 ; Ottomanes, Autochromes de Jules Gervais-Courtellemont, en collaboration, 2006), où il a également préfacé trois recueils, deux de poèmes (Va jusqu¿où tu pourras, OrhanVeli, 2009 ; J¿ai vu la mer, anthologie, 2010), l¿autre de nouvelles (Le Samovar, Sait Faik Abasiyanik, 2010).
New English Paperback. Pbo. 4to. (28 x 24 cm). Bilingual in Turkish and English. 103 p., color ills. The Time Needs Changing exhibition questions our geo-politically controlled notions of time. The three artists in this show give alternatives to linear time, which is currently strictly enforced by the power structures under which we live. The works of Cao Fei, Nilbar Güres and the Raqs Media Collective release the shackles of time, and suggest alternative and parallel paths. The exhibition presents a thought-scape that draws from three different parts of the world; China, Turkey and India. The artists explore time through drawing, video, photography, installation and new media. Time is one of the many subjects addressed by the participants of the exhibition. Their works help us better understand our relations with ourselves, as well as those with the world around us. Nilbar Güres questions masculine linear time; Cao Fei offers us greater control in a world where real and virtual intersect; and the Raqs Media Collective liberates time itself in its works that associate memory with different experiences.
New English Original bdg. HC. 4to. (30 x 24 cm). In English and Turkish. 271, [1] p., color ills. 750 copies were printed. The man who collected the colors of life: The impassioned life of collector Nahit Kabakci.= Yasamin renklerini toplayan adam: Koleksiyoncu Nahit Kabakci'nin tutku dolu yasami.
New English Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 172 p., color ills. Memory and continuity. A selection from the Huma Kabakçi Collection.= Ani ve süreklilik. Huma Kabakçi Koleksiyonu'ndan bir seçki. [Exhibition catalogue]. A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakc¿ began creating the Huma Kabakc¿ Collectionfrom the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey. Apart from the logic of creating the Huma Kabakc¿ Collection, its evolution/growth over time, and its subjectivity, the exhibition was designed by keeping in mind its structure, reviewed and changed from time to time, with both objectivity and an art historical subjectivity. The catalogue, in that sense, brings to fore the common and diverging points of the two generations by which the collection has been sustained, through essays and works explanations.
New Turkish Paperback. 4to. (30 x 22 cm). In Turkish. 239 p., color ills. Ayten Yetis Dogu. [Catalogue of the artist]. Ayten Yetis Dogu, attended the Department of Painting of Istanbul State Academy of Fine Arts and worked at the studios of Adnan Çoker and Özdemir Altan. She graduated from the studio of Nurullah Berk in 1966. She continued her studies in Vienna from 1967 to 1970 and in Germany from 1972 to 1975. The Artist had twenty solo exhibitions, two of which were abroad and participated in numerous joint exhibitions. The artist who describes her art as expression of color, light and shadow, is currently working in her own studio in Istanbul. (Source: Turkish paintings).
Fine Turkish Original bdg. HC. 4to. (27 x 21 cm). In Turkish. 326, [1] p., color and b/w ills. Kâinat'in gözleri. Reporter: Servet Somuncuoglu.
New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 264 p. Jak Ihmalyan (Istanbul, 1922 - Moscow, 1978) was forced to go abroad, when as an Armenian communist young painter he was denied the right to life in the Turkey of 1940s. He was known for his paintings that reflected his extraordinary soulful, pristine inner world. When Ihmalyan illustrated a book of Nâzim Hikmet, the great poet expressed his admiration for his art: "One day I will write poems so as to be worthy of your paintings." With this book, Jack Ihmalyan returns to his country 64 years later. ARMENIANS History of art Armenian artist Art of painting Istanbul Constantinople Biography Exile.
Very Good English Paperback. Pbo. Very good. 4to. (27 x 21.5 cm). In Turkish and English. 223 p. Color ills. Signed and dedicated by artist. 1500 copies were printed. Sali Turan. Yol posadlari. Translator: Mary Isin.
Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 21 cm). In English, French, and Turkish. [1], 281 p., color and b/w ills. Zeki Faik Izer, 1905-1988.
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In English and Turkish. 175 p, color and b/w ills. 2000 copies were printed.
Fine English Original creme bdg. 4to. (32 x 23 cm). In English and Turkish. 317, [1] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri. OTTOMANIA Ottoman Sultans Turkish art of painting History of art Portrait Orientalism.