SMITH, RayMareMagnum
Veit LoersLivre Rare Book
Soulages : 40 anos de pintura
1989ART5908MLibro en rústica, 127 páginas, publicado en 1989 en las ediciones Cantz, muy buen estado general.
Librairie du Levant · Bayonne, France25,00 €
3 500 résultats
Barcelona, Edit. Polígrafa, 2006. Numerosas ilustracions en color. 310p. 4ª mayor apaisado. Cartoné editorial ilustrado. Lomo de tela. Muy buen ejemplar.
Barcelona, Gràfiques Trema, 2017. Text de Jaume Vidal. Nombroses il·lustracions en color i b/n. 173p. 8è major. Rústica editorial amb llom de tela. Molt bon exemplar.
4142in 12 pleine toile gris/bleu éditeur,faux-titre,titre,351 pages,1 feuillet de catalogue;Victor Havard éditeur 1891. quelques rousseurs éparses.
Tarragona, Museu d'Art Modern de Tarragona, 1999. Unes 50 pàgines sense numerar. Gran 8è. Rústica editorial. Molt bon exemplar. Catàleg de l'exposició celebrada al Museu d'Art Modern de Tarragona del 13 de maig al 27 de juny.
Terrassa, Edit. Obra Social Caixa Terrassa, 2007. Nombroses il·lustracions en color. 8è. Rústica editorial il·lustrada. Molt bon exemplar.
Sabadell. Edit. Academia de Belles Arts de Sabadell, 2005. Nombroses il·lustracions en color i b/n. 160 p. 8è. Tela editorial. Edició bil·lingüe. Molt bon exemplar.
Paris. Edit. Imprimeire des Arts et Manufacture, 1987. Numerosas ilustraciones en color y b/n. 99 p. 4º. Cartoné editorial ilustrada algo rozada. Etiqueta en el lomo. Buen ejemplar. Livre en français.
Barcelona, Edit. Polígrafa, 1992. Numerosas ilustraciones en color. 128 p. 4º mayor. Tela editorial con sobrecubierta ilustrada. Muy buen ejemplar.
New York, Edit. Harry N. Abrams, 1978. Masters of World Painting. Numerosas láminas montadas en color y negro. s/p. Folio. Rústica editorial ilustrada, con leve resto doblez. Buen ejemplar. Book in English.
1989ART5908MLibro en rústica, 127 páginas, publicado en 1989 en las ediciones Cantz, muy buen estado general.
Lyon, Edit. Les presses du réel, 2010. Numerosas ilustraciones en color fuera texto. 63 p. 8º. Rústica editorial. Livre en français. Muy buen ejemplar.
2000art1728mTapa dura, cubierta ligeramente curvada en la parte superior pero no doblada, 476 páginas, ilustrado a todo color, perfecto estado general excepto los defectos antes mencionados. Publicado en Lunwerg Édicion.
New York, Edit. LM Museum-Gallery, 1977. Numerosas ilustraciones en color y negro. 65p. 4t. Rústica editorial ilustrada. Muy buen ejemplar. Libro en inglés. Book in English.
Barcelona, Edit. Gal. Joan Gaspar, 1996. Nombroses il·lustracions en color. Textos J.M. Benet i Jornet, Oleguer Sarsanedas. 80 p. 4t. Rústica editorial il·lustrada amb solapes. Molt bon exemplar.
Paris, Albin Michel, 1945. Ilustraciones en negro en el texto. 153 p. 4º menor. Rústica editorial ilustrada algo rozada y con leves falttas. Buen ejemplar. Dedicatoria autógrafa del autor, Jacques Salomon.
2004104896Hoboken, New Jersy, John Wiley & Sons, Inc., 2004, gr. in-8°, xii-492 pp, 2 pages de publicités d'époque et 24 pl. de photos hors texte, notes and sources, biblio, index, reliure cartonnée vermillon de l'éditeur, jaquette illustrée, bon état. Texte en anglais
Milano, Edit. Fondo Edit. De la Plástica Mex., s/f. Numerosas ilustraciones en color fuera texto. 9p.de texto. Tela editorial con sobrecubierta ilustrada, con bordes algo rozados. Etiqueta en lomo. Buen ejemplar.
Dedicatoria autografa de Rafael Boti hijo.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 205 p., color and b/w ills. Bare, naked, nude: A story of modernization in Turkish painting.= Üryan, çiplak, nü: Türk resminde bir modernlesme öyküsü. [Exhibition catalogue]. Bare, Naked, Nude: A Story of Modernization in Turkish Painting focuses on the evolution of nude painting as one of the foremost genres alongside portraiture, landscape, and still life in Turkish modern art. The rich diversity of styles represented in the paintings that come together in this exhibition reveal that the nude, far from being a subject for Turkish artists constitutes a means of expression fundamental in the search for form. The most challenging trial for artists in their student years, the human body emerges as a central source of inspiration in both the pursuit for modernist tendencies in Western art and in the efforts to articulate an individual artistic language. The exhibition catalogue, through the essay of the curator, Ahu Antmen and the selected paintings offer us the possibility to envisage the visual adventure behind Turkey's story of modernization, providing an insight into the formation of artistic identity in the period extending from the Ottoman Empire to the Republic, the challenges of transforming the perception of the female body from a framework of privacy to that of a desexualized object and the connections between the art and the nude in the perception of a modern identity. HISTORY OF ART TUrkish painting Modernism Contemporary Turkish art of painting.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 113 p., color and b/w ills. Prints, drawings and watercolours by the masters of the 20th century. A selection from the Cathedral and Diocesan Museum, Vienna Otto Mauer Collection.= 20. yüzyil ustalarindan baski, desen ve suluboyalar. Viyana Katedral ve Baspiskoposluk Müzesi, Otto Mauer Koleksiyonu'ndan bir seçme. [Exhibition catalogue]. Monsignore Otto Mauer was a Catholic priest. He was also a passionate, foresighted collector who, apart from his position as a clergyman, was enthusiastic about all domains of contemporary art and regardless of their beliefs or origins, approached all "avant-garde" artists with the same openness. As one of the most outstanding collections of Modern Austrian art, the names of the artists represented within the collection is almost a "who is who" of post-1945 Austrian art. By encompassing a wide spectrum from "classical" modern to postmodern, Mauer tried to create a "reference collection," analogous to an atlas of art history. By World War II, he had already begun collecting with great resolution, the lithographs of the leading representatives of Parisian modern art, as well as the original works of German and Austrian artists. Gallery St Stephan, which he founded in 1954, evolved into the leading avant-garde gallery of Vienna under his management in the 1950s and 60s; it also acquired a considerable and well-deserved fame on the international art scene. Otto Mauer's relationship with art was always defined by his personal and amicable connections with the artists. His collection, which he was able to expand uninterruptedly until 1973, by purchases and artists' gifts, must be perceived not only as an indication of his progressive interest in art, but also as a very subjective interpretation of modern Austrian painting.
New English Paperback. Pbo. Mint. 4to. (28 x 23 cm). In English and Turkish. 159 p. Color ills. The blue book: The sea and its artists in Turkish art.= Mavi kitap: Türk resminde deniz ve ressamlari.
New English Paperback. Oblong 4to. (24 x 27 cm). In English and Turkish. 160 p., ills. We elsewhere.= Biz baska yerde. [Biennial catalogue]. We, Elsewhere, a new work by Inci Eviner will be presented in the Pavilion of Turkey at the 58th Venice Biennale, to be held from May 11 through November 24, 2019. Organised by the Istanbul Foundation for Culture and Arts (IKSV) and sponsored by Fiat, the Pavilion of Turkey will be curated by Zeynep Öz and located at Sale d Armi, which is one of the main exhibition venues of the Venice Biennale. We, Elsewhere is created as a site-specific installation for the Pavilion of Turkey at the 58th Venice Biennale and makes use of elements such as reconfigured objects as well as drawings, video, sound, and performance. It is an investigation into the spaces that we create, and are created for us as a result of collective displacement. The exhibition ruminates on how subjects who find themselves in these spaces react and interact with one another and with their memories. Various elements of sound, reconfigured objects and characters crafted by Eviner evoke the sense of a search for the missing, the erased and that which is elsewhere. A certain aggression and abruptness comes out in the characters everyday behaviour informing their identities in transition. The space itself, in which visitors are invited to walk along the ramps, courtyards and edges, displays permeability, allowing views through cuts and cracks along the walls. The paths punctuated by the objects suggest the way in which memory eases conflicts. Together, the characters, the space and the paths tell a story akin to Hannah Arendt s narrative of struggles in We Refugees.
New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 160 p., color ills. Özer Kabas. Retrospektif. [Exhibition catalogue]. 22 Ocak - 2 Mart 2008, Kazim Taskent Sanat Galerisi. Edited by Mine Haydaroglu.
Madrid, Ediciones Giner, 1972, 35 x 25 cm., tela original con sobrecubiertas, 393 págs. con numerosas ilustraciones y láminas a toda página en color + 1 h.
Madrid, Patronato Nacional de Museos, 1978, 21 x 15,5 cm., cartulina editorial, 205 págs. incluso láminas en papel couché con 130 ilustraciones + 1 h.
