CANDAMO, Luis G. de.MareMagnum
COURTHION, Pierre.MareMagnum
PARIS DES TEMPS NOUVEAUX. DE L'IMPRESSIONNISME A NOS JOURS.
18x17. 142p. Láms. Col. Le Goût de Notre Temps, N. 21. Enc. Tela ed. Sobrecubierta.
Libreria Fernandez Javier · Espagne24,00 €
3 500 résultats
Madrid, CADSA, 1993, 30,5 x 22 cm., tela original con sobrecubiertas, 77 págs. con numerosas ilustraciones en color intercaladas, la mayoría a toda página + 1 h.
18x17. 142p. Láms. Col. Le Goût de Notre Temps, N. 21. Enc. Tela ed. Sobrecubierta.
Buenos Aires, Edit. Kapelusz, 1970, 23'5 x 16'5 cm., tela original con sobrecubiertas, profusión de ilustraciones en color intercaladas en el texto, 351 págs.
Bilbao, La Gran Enciclopedia Vasca, 1977, 32 x 25 cm., cartoné original con sobrecubiertas, 51 págs. con ilustraciones intercaladas en balnco y negro y 45 en color, varias de ellas a toda página.
M., Época, 1997, 29,5 x 21 cm., ilustraciones intercaladas, 607 págs.
40965Santiago de Cuba, Universidad de Oriente 1960, 225x150mm, 84 páginas, libro en rústica. Buen estado.
New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 75 p., color ills. Avni Lifij, (1886 - 1927). [Exhibition catalogue]. Prep. by Veysel Ugurlu. Text by Ahmet Oktay.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 26 p., 1 color plate, 8 b/w plts. Ressam Levnî. Fatih Sultan Mehmed ve babasi ile oglu. Resimlerini yapan ressam Levnî ve biyografisi. A study on Sultan Mehmet II and Abdulcelil Çelebi Levni (was an Ottoman court painter and miniaturist).
New English Original bdg. HC. 4to. (27.5 x 25.5 cm). 288, [2] p. Color ills. In Turkish and English. 2000 copies were printed. With Dvd. "Ahmet Günestekin (born December 22, 1966 in Batman, Turkey) is a Turkish painter. He was born in the workers' camp at Garzan oil field in Batman, where his father was employed. He was the second youngest child of a seven children family. His passion for painting has been with him ever since his childhood. He was awarded his first prize in third grade when he was nine years old. His acquaintanceship with oil colors occurred at the same time, and in addition to this, his interest in literature appeared at this young age. Since that time, the artist has kept on working permanently. When he reached his high school years, he staged his first personal exhibition in the gallery at his school. Shortly after his graduation, he went on to study in the Faculty of Fine Arts at Mimar Sinan University in Istanbul. After a while he dropped out of this programme, but later went on to complete his graduate studies at the Anadolu University's Department of Management. For a period, he went into business, but soon returned to painting. In 1997, Günestekin established his first studio in Beyoglu and from there staged numerous personal and cooperative exhibitions. In the wake of his exhibition ¿Colors After Darkness¿, which he opened in 2003 iat Atatürk Cultural Center (AKM), he gradually began to release his name into the world of art. Through a great number of personal exhibitions, Günestekin¿s works of art now take their place in prestigious domestic and foreign collections. Ahmet Günestekin, whose signature of his great achievements is his distinctive language, has also attained great success in the design field. His art: Antique Modern While it exists as a definite and specific feature in modern art expression, form in post-modern times is observed and experienced as fragmented and imperceptible through a detached yet consecutive visual experience. Modern means: integrity, continuity, order, nature, form and, most importantly, simplicity. Post modern, on the other hand, is about pieces, disarray, detachedness, context, complexity and, most importantly, essence and ethnic culture. While modernism offers a unifying closed-circuit form mechanism, what is dominant in the art expression of the post-modern era is anti-form and a fragmented structure. (We designate the post-modern era as gaining clarity by 1990). The principles in a modern work of art can be listed as goal, distance, sovereignty, depiction of existence, metaphor, depth, interpretation, the designated, main code, narration, paranoia, the origin, metaphysics, and transcendence. What comes to the fore in the post-modern era, conversely, are characteristics like game, anarchy, process, puzzle, anti-thesis, nonexistence, disintegration, personal language (idiolect), irony, ambiguity, and immanence. From this perspective, Ahmet Günestekin's art expression bridges both the modern and post-modern approaches; whilst it harbors the modern characteristics and displays some features of the modern, and displays some features of the modern in terms of the space he reflects, it also offers a refuge for antique characteristics in terms of its themes. In actuality, Ahmet Günestekin, as an artist fascinated by the antique worlds, stands contrary to Modernism. However, the integrity and unity he reflects on the canvass are the principles of the modern work of art and they greet us as the most important principles that the artist gives the utmost importance to in composing his work. On the other hand, Ahmet Günestekin, who displays a completely post-modern attitude, also crosshatches the archetypes of the antique worlds, and transforms the ruptures of time - anachronisms - by greeting time perception, thereby transforming."
New English Paperback. Pbo. 4to. (26 x 21 cm). In Turkish. 78, [2] p. Color ills. 1500 copies were printed. Portable art.= Tasinabilir sanat, 2008-2009.
New English Paperback. Roy. 8vo. (24 x 16 cm). In English. 453, [18] p., b/w ills. Guerilla carries no umbrella: The writings of a political artist. Dünyaca ünlü ressam ve yazar Bedri Baykam'in 30. kitabi "Guerilla Carries No Umbrella" (Gerillanin Semsiyesi Olmaz) Piramid Yayincilik etiketiyle okuyucuyla bulusuyor. Ingilizce olarak piyasaya sunulan kitap, sanat ve siyaset olmak üzere iki bölümden olusuyor. Guerilla Carries No Umbrella, Baykam'in yayinlanmis makale ve röportajlarinin yani sira, sanatçinin Amerika'da yasadigi dönemden itibaren savundugu Batili olmayan sanatçi haklari üzerine yazdigi manifestolari da içeriyor. Türk modern ve çagdas sanati, Türk sanat ortamindaki sanatçi-küratör gerilimleri, sanatçinin büyük ses getiren "BosÇerçeve"sinin yarattigi polemikler ve yanitlari, Kemik romaninin 11 Eylül saldirilarini öngörmesi, sanatçinin Dünya Sanat Günü için verdigi mücadele ve bunu UNESCO'ya kabul ettirisi ve "Bedri Baykam'in Sanat Tarihi Haritasi", kitabin sanat bölümünde yer alan basliklardan bazilari. Siyaset ile ilgili bölümde ise, Baykam'in Türkiye'de köktendincilige, 2. Cumhuriyetçilige karsi verdigi mücadeleler, CHP Genel Baskan adayligi dönemi, Ergenekon davalarinda tutuklu yazar arkadaslarina verdigi destek, Fransiz ve Amerikan parlamentolarina yazdigi açik mektuplar, Gezi olaylari ile ilgili yazilari, CHP'nin Cumhurbaskanligi adaylari hakkinda getirdigi elestiri ve yorumlari, Erdogan ile Obama'ya yazdigi açik mektuplar gibi konular yer aliyor.
Very Good Russian Paperback. Pbo. Cr. 8vo. (18 x 13 cm). In Russian. [20] p., b/w ills. B[ehruz] Kengerli, 1892-1922. Vistavka Risunkov i atyudov. Text by Mursal Nadjafov. 500 copies were printed.
Fine English Paperback. Pbo. 4to. (27 x 21 cm). In English. 125 p., color ills., 5 folding pages. Modern and contemporary Arab, Iranian and Turkish art. Part I. Tuesday 16 April 2013. Christie's. [Auction catalogue].
New English Original bdg. HC. In publisher's special slip-case. Foolscap 8vo. (18 x 12 cm). In English and Turkish. 540 p., color and b/w ills. Saltwater: A theory of thought forms. 14th Istanbul Biennial catalogue.= Tuzlu su: Düsünce biçimleri üzerine bir teori. 14. Istanbul Bienali katalogu. Edited by Süreyya Evren. The 14th Istanbul Biennial Catalogue (Author: Carolyn Christov-Bakargiev, Editor: Süreyyya Evren) contains articles specially penned for the occasion by curators,art historians and critics including Griselda Pollock, Elvan Zabunyan, Chus Martínez, and Alexander Provan, as well as by such scientists as Vilayanur S. Ramachandran, Emin Özsoy, Jeffrey Peakall, and William Irvine, who represent a wide range of scientific fields from neurology to oceanography. The 550 page catalogue also includes original drawings by biennial participants, along with an anthology that covers a variety of texts from 1st century to our day, all of which are chosen again by the participants.
New English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 68 p. Color and b/w ills. Aimée Zito Lema (Amsterdam), David Middlebrook (California), Genco Gülan (Istanbul), Giusseppe Belvedere-Bedri Baykam (Paris-Istanbul), Eva Beierheimer ve Miriam Laussegger (Vienna), Núria Güell (Spain), Peter Polach (Slovakia), Radenko Milak (Bosnia-Herzigova), Ray Harris (Australia), Third Belgrade Grubu (Belgrade) ve Veljko Zejak (Serbia).
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish and French. 254 p. First Edition in 1926 written in Ottoman Turkish. Türkçe'den Fransizca'ya sanat kamusu.= Dictionnaire des termes d'art. Français - Turc / Turc - Français.= Sanat kamusu. Fransizcadan Türkçeye ve Türkçeden Fransizcaya. Sanayi-i Nefiseden resim, nakis, naht, mimarî, hat ve âsar-i atikaya aid istilahlari havidir. Rare. Özege: 17507. HISTORY OF ART Reference Ottoman culture Architecture Painting Terms Dictionary Lexicon Turkish and Islamic arts.
New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 163 p., color ills. The Young Expansion exhibition opened as one of the activities organised on the occasion of the International Art Association's Third European General Assembly that was held at Pera Museum between June 16-18, 2005. The exhibition presented works by 61 artists under the age of 35.
New English Original bdg. HC. Demy 8vo. (21 x 14 cm). In English and Turkish. 499 p., color and b/w ills. 15th Istanbul Biennial: A good neighbour. Exhibition book.= 15. Istanbul Bienali: Iyi bir komsu. Sergi kitabi. The 15th Istanbul Biennial, entitleda good neighbourand curated by artist duo Elmgreen & Dragset, opens to the public onSeptember 16, 2017. Organised by theIstanbul Foundation for Culture and Arts (IKSV) since 1987, the 15th Istanbul Biennial brings togethermore than 150artworks by 56 artists from 32 countries, all addressing different notions of home, belonging and neighbourhood. Two publications accompany a good neighbour. A book titled a good neighbour - Exhibition about the exhibition with a foreword by the Istanbul Biennial Director Bige Örer, an introduction by curators Elmgreen & Dragset, an essay by Kaelen Wilson-Goldie and descriptions of every artist's work by Pablo Larios is supplemented by a story book titled a good neighbour - Stories gathering together a wide variety of personal stories and memories about homes, neighbours and neighbourhoods. Contributors include artists, writers, academics and many others. Their accounts take on a myriad of forms, including short stories, confessional texts, creative essays, letters, dialogues and poems.
New English Paperback. Pbo. 4to. (28 x 20 cm). In English and Turkish. 136 p., color ills. Felix Ziem. Wander on the sea of light.= Isik denizinde bir gezgin. [Exhibition catalogue]. The exhibition Félix Ziem: Wanderer on the Sea of Light focuses on the French artist Félix Ziem, one of the most original landscape painters of the nineteenth century, and his paintings that mostly depict Istanbul and Venice where the sea and the city intermingle. In the paintings of Félix Ziem who is regarded as a pre-impressionist painter, it is possible to observe an endeavor to capture the vibrating effects of the ever-changing light by means of lively colors and fast, dynamic brush stroke techniques. While the articles written by the exhibition curators Lucienne Del'Furia and Frédéric Hitzel concentrate on Ziem's life and art, the article by R. Bar¿¿ K¿br¿s, the curator of the Suna and ¿nan K¿raç Foundation, Orientalist Painting Collection, offers a view on the artistic milieu of the period.
New Turkish Paperback. 4to. (27 x 22 cm). In Turkish. 94, [2] p., color and b/w ills. 1500 copies were printed. This exhibition catalogue prepared for the Ferruh Basga Exhibition held on February 15 - March 31, 2001 at Galeri Binyil in Istanbul, is one of the best references for Ferruh Basaga (1914-2010) and his paintings and art. Introduction; Text by Ahmet Kamil Gören (pp. 7-44); exhibition (fully color ills.) (pp. 45-84) and biography of the painter (pp. 85-94).
New English Paperback. 4to. In English and Turkish. 88 p., ills. Drawings from Sainte-Anne.= Sainte-Anne desenleri, 1953 / 1956 / 1957. Maybe for the first time (at least in this country) an exhibition is taking place at a location so much identifiable with its essence; a hospital gallery. Fikret Muallâ, a legendary figure of contemporary Turkish painting, used to end up from time to time at mental institutions both in Turkey and in France, because of his unconventional behavior, Bohemian lifestyle and his alcoholism. We are pleased to host Fikret Muallâ at the American Hospital¿s Gallery, the Operations Room, in his own country; 60 years after these drawings were made.
New English Paperback. 4to. (31 x 23 cm). In English and Turkish. 87, [1] p., color ills. 2000 copies were printed. Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice.
Fine English Original bdg. HC. Large 8vo. (23 x 21 cm). In English. 191 p., color and b/w ills. A new conception of painting on the background of ontology of art. The conceptions of art of Süleyman Velioglu and Nafi Çil.= Sanat ontolojisi temelinde yeni bir resim anlayisi. Süleyman Velioglu ve Nafi Çil'in sanat anlayisi. Translated by Ender Gürol.
