51 résultats
1993LFA-126743288Une publication de 476 pages, format 215 x 300 mm, illustrée, reliée cartonnage couleurs, publiée en 1993-1994, bon état
196134560ABNew York, Bonanza Books, 1961. 21 cm. 249 S. mit einigen Zeichnungen, xxxvii, [1] S. Appendix, 29 Bl. mit ganzseitigen Abbildungen und Erklärungen auf der gegenüberliegenden Seite. Original-Pappband mit farbig illustriertem Schutzumschlag.
19951240481995 Editions Histoire & Collections - 1995 - In- Folio, cartonnage illustré de l'éditeur - 184 pages - Nombreuses reproductions photographiques in-texte en N&B
197222021972 cartonné éditeur in-quarto carré, dos jaune, premier plat illustré, nombreuses illustrations photographiques et figures, 168 pages, 1972 à Paris Crepin-Leblond Editeurs,
197994161979 reliure pleine toile (full percale) bleue in-quarto carré sous jaquette ornée d'une illustration photographique en couleurs sur le recto/verso (jacket illustrated with photographic in colours on the cover), abondamment illustré (plentifully illustrated), 190 pages, 1979 à Paris Editions Princesse,
2000Q-0312264941St. Martin's Griffin 2000-03-16. Paperback. New. New. In shrink wrap. Looks like an interesting title! St. Martin's Griffin paperback
19792090502113716339Not Available 1979. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19772090502113709600Not Available 1977. Soft Cover. Fine. The book is in fine condition. Not Available paperback
198426183(Uddevalla), The Royal Armoury Foundation Press, (1984). The weapons Carl Gustaf Wrangel took from Wismar to Skokloster in 1645 and 1653. Mit sehr zahlreichen Fotoabbildungen, meist mehrere Abbildungen zu jedem Objekt. 22,5/22,6 cm 361,1 S. OPappband mit Silberprägung und gering gebrauchtem Schutzumschlag. Schmuckvorsatz.
1996192540London: Stolper-Wilson 1996. First edition limited issue of 500 copies published to coincide with the exhibition of the same name held at the Eagle Gallery in December 1996 acknowledged as one of the first exhibitions of "punk art". Square octavo. Photographic illustrations throughout one loose print of cover image. Original illustrated wrappers. Fine. unknown
1978161136London: London Features International 1978. Vintage photograph of the Sex Pistols during the first performance of their 1978 US tour at the Great Southeast Music Hall in Atlanta on January 5 1978. Mimeo snipe and the label of London Features International on the verso. <br /> <br /> Initially scheduled for nine dates the Pistols' tour was cut short after five shows attributed to Sid Vicious' increasing drug use and the deteriorating relationship between John Lydon and manager Malcolm McLaren. <br /> <br /> 10 x 8 inches. Minute creasing at the top corners else Fine. London Features International unknown
199415792JNew York: St. Martin’s Press 1994. First Edition First Printing. Signed by Johnny Rotten John Lydon. Additionally laid in is a color polaroid photograph of Johnny Rotten signing copies of this book which is also handsigned by Johnny Rotten. Hardbound. Fine in a fine dust jacket. 329 pages. Illustrated. St. Martin’s Press hardcover
199415792JNew York: St. Martin’s Press 1994. First Edition First Printing. Signed by Johnny Rotten John Lydon. Additionally laid in is a color polaroid photograph of Johnny Rotten signing copies of this book which is also handsigned by Johnny Rotten. Hardbound. Fine in a fine dust jacket. 329 pages. Illustrated. St. Martin’s Press hardcover books
197741299Los Angeles: Warner Bros 1977. Very good. Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. 24'' x 33''. Color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Warner Bros unknown
197713599Los Angeles: Warner Bros. 1977. First Edition. Very good. 33" x 24" approx. color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Very good. <br/><br/>Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. Warner Bros. unknown books
1976175825London: Glitterbest Ltd November 1976. First edition. An original 1976 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with their management details at the back. The item was originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto pp. 24 including the covers unbound on various colours of paper. With numerous images throughout the text. Small stain to lower edge causing minor loss to a couple of pages otherwise in good condition. unknown
1980149824Manchester: Factory Records 1980. FACT 30. Vintage cassette containing interviews with members of the Sex Pistols housed in a vinyl pouch. Designed by Peter Saville.<br /> <br /> Factory Records' Christmas gift for 1980 despite having never released any music by the band was a cassette containing a 1977 interview of Sid Vicious and Steve Jones by Judy Vermorei on side A and an undated one featuring Paul Cook Johnny Rotten and Malcolm McLaren's grandmother by Bondpen Publishing on side B.<br /> <br /> Cassette: Near Fine with some light rubbing to the gold paint. Tape unplayed and unexamined. <br /> <br /> Vinyl pouch: 6.5 x 4.5 inches. Lightly rubbed and Near Fine. <br /> <br /> Robertson Factory Records: The Complete Graphic Album. Factory Records unknown
197721788Belfast ca. 1977-1981. Wraps. Very good. Folio. Commercial Dickinson Robinson brand scrapbook containing 16 leaves all with newspaper and magazine clippings pertaining to the Sex Pistols adhered with glue and sticky tack. 40 pieces with many full- page and double- page spreads. Clippings with publication details include Super Sonic Oct. 1979 New Musical Express July August Dec. 1978 Feb. July Dec. 1979 Sounds Pink Smash Hits Sunday People Feb. 1979 Daily Mirror Feb. 1979 and the Irish Independent Feb. 1979. Also includes in a clear plastic sleeve 50 loose clippings from inch-square images of Rotten to large NME double-page spreads. Several multi-page articles including “ The Punk Process” by Jon Savage The Face as well as selections from Smash Hits April 1979 Record Mirror June 1979 NME Feb. April Oct. 1979 Feb. June 1980 Super Sonic Pink Starlight April 1979 Boy Oh Boy! and The Face Dec. 1981. Overall about very good with moderate wear and soil. The sticky tacked clippings on several leaves detached but present. <br/><br/>A fascinating selection of Sex Pistols fandom assembled by one Eileen Walsh who the provenance suggests was a sixteen years old Belfast teen when she began. Collected from a variety of magazines NME Super Sonic Sounds Sunday People Smash Hits Pink Super Star the Irish Independent the collection is striking for its relative emphasis on teen-mag style "heartthrob" mags not typically associated with the Pistols who were after all in many ways a boy band: “Aaaah the lovely Johnny! A dead cert for the Top Three in anybody’s chart! He’s so cute you can forget all those stupid spitting ‘n ’ swearing scenes the Pistols staged to get noticed. Johnny’s quite acceptable now.” The first clipping dates from October 1977 and the next is from July 1978 after the band had already broken up. The scrapbook tracks the band's publicity after their breakup through Sid Vicious' death Feb. 1979 and the 1980 film THE GREAT ROCK N' ROLL SWINDLE. While the clippings lean heavily on Johnny Rotten there are plenty of Sid and the band plus several clippings about Sid’s death: “Sid’ s Last Exit After Orgy” “The Fix” “Sid Vicious Drugs Death” “Final Curtain of a Violent Young Life” and “Sid Vicious – Now a Poison Probe.” An unexpected vernacular archive of punk much of it now undoubtedly lost to time. paperback books
1980149824Manchester: Factory Records 1980. FACT 30. Vintage cassette containing interviews with members of the Sex Pistols housed in a vinyl pouch. Designed by Peter Saville.<br/><br/>Factory Records' Christmas gift for 1980 despite having never released any music by the band was a cassette containing a 1977 interview of Sid Vicious and Steve Jones by Judy Vermorei on side A and an undated one featuring Paul Cook Johnny Rotten and Malcolm McLaren's grandmother by Bondpen Publishing on side B.<br/><br/>Cassette: Near Fine with some light rubbing to the gold paint. Tape unplayed and unexamined. <br/><br/>Vinyl pouch: 6.5 x 4.5 inches. Lightly rubbed and Near Fine. <br/><br/>Robertson Factory Records: The Complete Graphic Album. Factory Records unknown books
1976175828London: Glitterbest Ltd May 1976. Sex Pistols self promotional catalogue First edition of this original 1977 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with the aim of promoting their forthcoming single "God Save the Queen". The item was originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto pp. 12. With numerous images throughout the text. Original card covers unbound lettering and illustrations to covers in black. All in fine condition. unknown
1979160737London: Virgin Records 1979. An original Virgin Records promotional poster for the second Sex Pistols album which was the soundtrack of the film with the same name. The actress in the centre Helen Wellington-Jones was a punk who starred in the film. The double album was first released on 26 February 1979 15 months before the movie's premiere. Offset lithograph in colours on white matt art paper. Sheet size: 99.5 x 70 cm. Creasing to edges with loss to ink otherwise a bright copy. unknown
197922824London: Virgin 1979. First Edition. 27.5" x 40" approx. Color offset poster. Very mild wear. Else bright and sharp. Near fine or better. <br/><br/>Infamous Pistols poster for their 1979 movie withdrawn after American Express unsurprisingly sued. "The Artist The Prostitute / Your name could be here. Your talents will become a source / of unlimited cash for the Record / Company The Pimp.'' Virgin unknown books
1976175821London: Glitterbest Ltd November 1976. First edition of this 1976 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with their management details at the back. This example as originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto 20 pages including the covers unbound on coloured paper. With numerous images throughout the text. All in fine condition. unknown
1976170465London: Glitterbest Ltd. December 1976. First edition first impression of the only issue of this Sex Pistols fanzine produced in conjunction with the "Anarchy" tour in December 1976. The fanzine was designed by Jamie Reid with Sophie Richmond Ray Stevenson Vivienne Westwood and Malcolm McLaren. Provenance: from the collection of Hilary Gerrard Ringo Starr's business manager from the early 1970s and a director of the Beatles Apple Corps Limited. Folio. Full page photomontages by Ray Stevenson. Unstitched sheets lettering to front cover in red with photograph of Susan Lucas better known as Soo Catwoman. Small split to centre of spine horizontal fold as issued otherwise in very good condition much better than usually found. unknown
197612928London: np 1976. First Edition. Very Good. Handbill. 8 1/4" x 11 3/4". Printed recto only. Very good with some flattened creases and a 1/3” edge tear on the bottom. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. <br/><br/>Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first “real” show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. See Reid & Savage UP THEY RISE p. 49 and Burgess and Parker SATELLITE p. 79. Source: Wood SEX PISTOLS DAY BY DAY. np unknown books
