48 015 résultats
1925440SCHERL 1925. 66.-70. Tsd. hardcover. SCHERL hardcover
199143347HEYNE WILHELM 1991. 1. softcover. Deutsche Erstausgabe! »Ein mutiges Buch. Bishop zeigt sich hier in Höchstform.« Greg Bear HEYNE, WILHELM paperback
19531892WEIß GEBRÜDER 1953. 1. hardcover. WEIß, GEBRÜDER hardcover
1989015904Los Angeles 1989. Original Artwork . Framed. Fine. Monotype By May Sun. A Fine Work Including One Section With Similarities To The Poster For Brian De Palma's Movie "Casualties Of War" And Possibly Being Originally A Formal Study For A Poster For The Movie. "May Sun Was Born In Shanghai And Raised In Hong Kong And San Diego. She Received A Bachelor Of Fine Arts From Ucla And A Master Of Fine Arts From Otis Art Institute. Her Work Ranges From Theater-Based Performances To Multi-Media Installations. Her Public Art Projects Include The Gateway Transit Center Culver City's City Hall Boston'S Central Artery And A Commemorative Fence For Chinatown. Sun Has Taught At Calarts In Los Angeles And Been An Artist-In-Residence At Monet'S Gardens In Giverny France And At Artpace In San Antonio Tx." From The Los Angeles MetropOlitan Transit Authority Website. May Sun Was The Artist For The Extensive Work On The Hollywood/Western Station In Hollywood. "The Artist/Architect Team Design For The Hollywood/Western Station Attempts To Reclaim The Past For The Future. The Design Pays Homage To The Native Mestizo Heritage And Original European Settlement As Well As To The Panethnic Backgrounds Of More Recent Immigrants Who Constitute A Large Portion Of Metro Rail Users. Artist May Sun Created Copper Granite And Porcelain Enamel Panels With Text And Photographs Set In A Field Of Randomly-Colored Wall Tiles. The Panels Depict Bones Of Early Camel Horse And Bison From Excavations At The Site Statements About Gabrielino Life In The Area Images Of Workers Building The Station And Their Counterparts On The Old Red Car System And Images Of The Adjacent Neighborhood. As A Tribute To The Red Car System That Ended Its Service To Hollywood In The Early 1940S Two Replicas Of The Old Pacific Electric Red Cars Protrude From The Mezzanine Wall Allowing Passengers To Reminisce About The Past While Contemplating What The Future May Hold. Passengers Will Also Find A Station Floor Enhanced With Bright Granite Pavers Some With Small Mayan Chinese And Armenian Symbols And Others Formed Into Pictograms Of The Four Natural Elements Fire Earth Air And Water. "We Hope This Station Will Become A Generating Impetus For The Establishment Of A Greater Sense Of Place And Appreciation For The Unique Identity Of The Surrounding Community And Provide The City With A Revitalized Eastern Gateway For Hollywood." May Sun & Paul Diez. "The Boldness And Brightness Of The Tiles Stand In Welcome Relief To The Surrounding Muted Tones Of This Dusty Corner." From The Los Angeles Metropolitan Transit Authority Website. <br/> <br/> unknown
19382338SCHERL 1938. 1. hardcover. SCHERL hardcover
193932602Chicago: Sun Publications 1939. Mild tanning to text paper small clear tape to base of spine with a small closed tear a fine copy. 32602. Octavo single issue cover by Harold Delay pictorial wrappers. Pulp magazine. Features "Gates of Empire" by Robert E. Howard. Fiction by Ralph Milne Farley L. Sprague DeCamp Phyllis Moore Gallagher and others. Reference: Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 319-320. Sun Publications unknown
1976403899New York: MIT Press for the Museum of Modern Art 1976. 4to. 110 pp. 48 color photographs and one black-and-white portrait of Eggleston. Original black bonded leather with gilt-stamped spine and cover onlay. A fine copy. FIRST EDITION no date on the title-page; copyright page dated only 1976. Issued as the companion to Eggleston's seminal 1976 exhibition at MoMA a landmark in the history of photography. "I once heard William Eggleston say that the nominal subjects of his pictures were no more than a pretext for the making of color photographs-the Degas position. I did not believe him although I can believe that it might be an advantage to think so or to pretend to think so. To me it seems that the pictures reproduced here are about the photographer's home about his place in both important meanings of that word. One might say about his identity" John Szarkowski pp. 5-6. "As pictures . these seem to me perfect: irreducible surrogates for the experience they pretend to record visual analogues for the quality of one life collectively a paradigm of a private view a view one would have thought ineffable described here with clarity fulness and elegance" ibid. p. 14. Auer 598; Open Book 308-309; Parr and Badger I:265; Roth 238-239. . <br/><br/> MIT Press for the Museum of Modern Art hardcover books
1976403899New York: MIT Press for the Museum of Modern Art 1976. 4to. 110 pp. 48 color photographs and one black-and-white portrait of Eggleston. Original black bonded leather with gilt-stamped spine and cover onlay. A fine copy. FIRST EDITION no date on the title-page; copyright page dated only 1976. Issued as the companion to Eggleston’s seminal 1976 exhibition at MoMA a landmark in the history of photography. <br /> <br /> “I once heard William Eggleston say that the nominal subjects of his pictures were no more than a pretext for the making of color photographs–the Degas position. I did not believe him although I can believe that it might be an advantage to think so or to pretend to think so. To me it seems that the pictures reproduced here are about the photographer’s home about his place in both important meanings of that word. One might say about his identity†John Szarkowski pp. 5-6. <br /> <br /> “As pictures . these seem to me perfect: irreducible surrogates for the experience they pretend to record visual analogues for the quality of one life collectively a paradigm of a private view a view one would have thought ineffable described here with clarity fulness and elegance†ibid. p. 14. Auer 598; Open Book 308-309; Parr and Badger I:265; Roth 238-239. . MIT Press for the Museum of Modern Art unknown
19801337995Boston: G.K. Hall & Co 1980. Hardcover. Quarto; 6 volumes; G; Ex-library; Hardcover; Spine blue with gold print; Boards in blue cloth with gold print light shelfwear else clean and strong; Text blocks for vols. 2-5 have library stamps on edges endpapers half-title and title pages vols. 1 & 6 have bookplate on front pastedown else clean and tight; CONTENTS: Vol. 1. A-C lxxiii 1096 pages - Vol. 2. D-F lxxiii 916 pages - Vol. 3. G-L lxxiii 847 pages - Vol. 4. M-P lxxiii 1130 pages - Vol. 5. Q-S lxxiii 850 pages - Vol. 6. T-Z lxxiii 673 pages. <br /> <br /> <p> Oversized order. Additional shipping and handling may be necessary for expedited/international orders. Economy international shipping unavailable due to size/weight restrictions. Contact seller if you have any questions.<br /> <br /> <p> This book is part of the overstocked 15's kept in Room X on top of one of the bookcases. 1337995. FP New Rockville Stock. G.K. Hall & Co hardcover books
1948181672not identified: Berlin Commandement en chef francais en Allemagne 1948. Hardcover. VG- soiling to covers pages are age toned and brittle but otherwise very clean and clear. Off-white cloth boards with blue lettering on front cover xviii 491 pp unpaginated bw illustrations throughout text pages. "The work is published in French since its principal object is to assist the French experts with their work of investigation. But the headlines of chapters and their subdivisions as well as the list of abbreviations have been translated in Russian English and German for the purpose of enabling the experts of the Allied Nations to make practicable use of this inventory"--Introduction. Volume 2: Tableaux tapisseries et sculptures Pictures tapestries and sculptures. Berlin Commandement en chef francais en Allemagne hardcover books
193930828Wilmington DE: Culture Publications Inc. 1939. Text paper supple ragged loss at upper right corner and edge edge trimmed a very good copy. 30828. Octavo single issue pictorial wrappers. Pulp magazine. Reference: Cook Mystery Detective and Espionage Magazines pp. 515-518. Culture Publications, Inc. unknown
190318045Philadelphia: David McKay 1903. Later printing. Linen cloth pictorial binding Mattson variant #5. Color pictorial dust jacket signed "Wm Francis Taylor". VG top edge soiled/Abt VG some edgewear & soiling/pc msg from head of spine panel affecting title lettering. 384 2 pp. Last 2 pp publisher adverts. 12mo. 5 1/4" x 7 1/2" <br/><br/>Book accompanied by a 11/24/1929 TLs w/ additional 6 -line holograph note at bottom & inscribed 'snapshot' photograph both from Patten to a Mr Seymour Halpern. David McKay hardcover books
193934784Chicago: Popular Publications Inc. 1939. Mild tanning to text paper mild edge wear several tiny tears to upper edge with small chip to right corner several light creases a nearly fine copy. 34784. Octavo single issue cover by John Howitt pictorial wrappers. Pulp magazine. "The Corpse Broker" with Wayne Rogers writing as "Grant Stockbridge." The character was established to be a direct competitor to Street and Smith's Shadow magazine. After Doc Savage and The Shadow this was the most popular hero character. The Spider character was considered one of the most brutal and violent of the pulp era. Reference: Cook Mystery Detective and Espionage Magazines pp. 521-527. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 602-604. Popular Publications, Inc. unknown
191929377n.p. 1919. 1 vols. 11 x 8-1/2 inches. Mended marginal tear without loss on final page else fine. 1 vols. 11 x 8-1/2 inches. Typescript of an Arthur Train Detective Story. Clipped to the front is a small typewritten anonymous reader's report summarizing the plot and concluding "The plot is rather scattered and no really good suspense to it. The accused the hero isn't a very interesting character.". unknown books
19843309031984. framed. very good. Typed signed letter from American playwright August Wilson in 1984. Great content as the letter reads more like a poem. Begins "Dear Friend." and goes on to mention "Geogorio who is first mate" which refers to G.L Fuentes a fisherman and the first mate of the Pilar the boat belonging to the American writer Ernest Hemingway. Fuentes is credited by some as a model for Hemingway's protagonist Santiago in The Old Man and the Sea. Wilson goes on to say "The search has led to you.Speaking for myself and the other New Dramatists your contribution is much appreciated." Framed along with a black and white portrait photograph of Wilson. Please inquire for more information.<br/> <br/> August Wilson Frederick August Kittel Jr. was an American playwright. He has been referred to as the "theater's poet of Black America". He is best known for a series of 10 plays collectively called The Pittsburgh Cycle or The Century Cycle which chronicle the experiences and heritage of the African-American community in the 20th century. Plays in the series include Fences 1987 and The Piano Lesson 1990 each of which won Wilson the Pulitzer Prize for Drama as well as Ma Rainey's Black Bottom 1984 and Joe Turner's Come and Gone 1988. In 2006 Wilson was inducted into the American Theater Hall of Fame. New Dramatists is an organization of playwrights founded in 1949 and located at 424 West 44th Street between Ninth and Tenth Avenues in the Hell's Kitchen Clinton neighborhood of Manhattan New York City.<br/> <br/> unknown
196125273San Marco, Galleria del Cavallino, 1961. Faltblatt zur Ausstellung. Mit einem Text von Werner Hofmann (in französisch), einer Abbildung und einem Fotoporträt von Rainer. 20/19 cm. 4 S. An der Faltstelle mit hinterlegtem Einriss, gering gebraucht.
19452660Paris, Les Editions Nationales, 1945 ; in-4, broché sous chemise-étui rose framboise de l'éditeur, pièce de titre noire au dos de la chemise, étui muet ; (1) f. (bl.), 229 pp., (3) ff. (table, justification, bl.) ; 32 dessins en noir in-texte, 16 lithographies en couleurs hors-texte ; couverture rose imprimée en noir et blanc.
1972004146Braunschweig, Galerie Schmücking, 1972. 11 ungezählte Blatt und 9 farbige Linolschnitte. Überformatiger Orig.-Halbleinenband (ca. 31 x 31,5 cm) im Schutzkarton. Der Titel des Buches besteht aus dem Artikel "Der" und der farbigen Darstellung eines Phantasiewesens von einem der Linolschnitte Alts, dem eines der Kinder in der Bildbeschreibung den Namen "Pucfant" gegeben hat. Eins von 400 im Impressum von Otmar Alt eigenhändig signierten und numerierten Exemplaren (gesamt 500). Ein schönes, gut erhaltenes Exemplar in einwandfreiem Zustand.
199427107(Salzburg/Wien), Residenz, (1994). Mit einem monographischen Essay von Peter Gorsen. Mit 16 Textabbildungen und 106 z.T. ganzseitigen, farbigen Abbildungen. Hier ohne die lose beiliegende CD. 28,5/24,2 cm. 326,2 S. OLeinen mit minimal gebrauchtem Schutzumschlag. Recht schön. Ohne die lose beiliegende CD!!!
19574305ABSalzburg, Otto Müller, (1957). 8°. 125 S. Original-Saffian-Plastoflex-Einband (Karl Weiser)., 1
19713182CB(Wien, 1971). 16,7 x 11,6 cm., 1Bernhard - Breicha, Thomas Bernhard (1931-1989). Portraitfotografie 1971
1973663DBStuttgart, London, Reykjavík, Bolzano, Hans Jörg Mayer, 1973. Gr. 8°. 201, (124) S. Faksimiles. 2 gefaltete Beilagen. Illustr. OKt. (mehrfarbiger Siebdruck von Günter Brus)., 1 (= Die Schastrommel 9).
19731986CBStuttgart, London, Reykjavík, Bolzano, Hans Jörg Mayer, 1973. Gr. 8°. 201, (124) S. Faksimiles. 2 gefaltete Beilagen. Illustr. OKt. (mehrfarbiger Siebdruck von Dieter Roth)., 1Schastrommel - Brus, Berliner Dichter-Workshop 1972 (= Die Schastrommel 9).
197640679HEYNE WILHELM 1976. 2. softcover. HEYNE, WILHELM paperback
197740413HEYNE WILHELM 1977. 4. softcover. SCIENCE FICTION CLASSICS HEYNE, WILHELM paperback
