[STRAND, Paul & Alfred STIEGLITZ]Biblio.com
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161923330N. Y.: Camera Work 1916-1917. First only editions of the final two issues of Alfred Stieglitz's monumental photographic periodical Camera Work including in number 48 the earliest appearance in print of the work of Paul Strand and in number 50 an issue entirely dedicated to the work of Strand. Limited to 500 copies printed. "The work of Paul Strand was the first photography to excite Stieglitz in a long time. He saw Strand as practicing a truly photographic version of the kind of forceful representation he found in painters like Picasso and Matisse and he presented Strand's work as a clean break even changing the time-tested production methods of Camera Work Strand's photogravures were printed on thicker paper and with different inks." - Roth 101 pp. 42-43. Issue No. 48 includes six photographs by Strand six halftones by Steiglitz of installations at his gallery 291 and single photographs by Frank Eugene Arthur Allen Lewis and Francis Bruguiere. Issue No. 49/50 includes eleven original photogravures all after work by Strand among them "The White Fence" "Abstraction Porch Shadows" and "Abstraction Bowls". One cannot overestimate the importance of these two issues of Camera Work. As Milton Brown has noted the appearance of Strand's portrait series herein "was a revelation. Even today they are strikingly powerful images; they were then a new stage in photographic realism. The close-up views and cropping of negatives cut off the subjects from their environment sometimes even breaking the frame and riveting attention entirely on the physiognomic and psychological revelation of individuality character and social condition. . . . Strand's experiments with abstraction and the machine were his unwitting contribution to the history of photography: the portraits basic to the rest of his development are the first clear expression of his own aesthetic philosophy." - Milton W. Brown "The Three Roads" in Paul Strand: Essays on His Life and Work. Edited by Maren Stange. Aperture 1990 p. 29. Although not noted in the volumes these two issues of Camera Work came from the collection of James Johnson Sweeney at various times the Curator of Painting and Sculpture at MOMA the second Director of the Guggenheim Museum and the Director of the Museum of Fine Arts Houston. . Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . 2 volumes small folio illustrated with 9 and 11 original photogravures respectively original printed wrappers. Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . Camera Work unknown
91270New York 1916. . Photogravure on japan paper from Camera Work No. 48 annotated on the reverse image size 13.4 x 16.6 cm. sheet 28.1 x 20 cm mounted and framed.<br /> An iconic image of Wall Street and a turning point in modern photography.<br /><br />Wall Street depicts a scene of everyday life in Manhattan's Financial District. Workers are seen walking past the J.P. Morgan building in New York City on the famous Wall Street of which the photograph takes its name. The photograph is famous for its reliance on the sharpness and contrast of the shapes and angles created by the building and the workers that lead to its abstraction. This photograph is considered to be one of Strand's most famous works and an example of his change from pictorialism to straight photography. Strand moved from the posed to portraying the purity of the subjects. There is no focal point with the lines converging off of the frame of the image. The financial building take majority of the frame. Emphasis is placed on the strong shapes created by the architecture of the building. The workers are included in the image but are faceless and are trumped in size by the massive square shapes from the building they walk past. Also the workers are captured in motion which on film makes them appear blurry. This aesthetic that Strand creates in Wall Street is his break toward the modern.<br /><br />Social change was important to Strand. With Wall Street he sought to portray a social message. He captured the faceless people next to the looming financial building in order to give a warning. Strand shows 'the recently built J.P. Morgan Co. building whose huge dark recesses dwarf the passers-by with the imposing powers of uniformity and anonymity' Ollman Art Review: Paul Strand: A Transition Caught on Film. The people cannot escape the overwhelming power that this modern establishment will have on their future and the future of America. He warns us to not be the small people that look almost ant-like next to this building that has a massive amount of control over the American economy.<br /><br />The photo now simply titled 'Wall Street' was one of six Paul Strand pictures Stieglitz published in Camera Work. In three of the six pictures humanity strides out from abstract ideas and each figure was a study in itself an irregular item complimented by modular formats that surround it. Another set of eleven Strand photos were published in the magazine's final issue in 1917 and those pictures overwhelmingly endorsed by Stieglitz as 'brutally direct' made Strand's reputation.<br /> New York, 1916. unknown
2004142475New York NY: Thornwillow Press Ltd 2004. full crushed light brown moroccan goatskin eight inlaid gems Opals Citrines and Carnelians in a circular pattern with the title in gilt on the front board marbled endsheets cloth clamshell box with leather spine title in gilt on spine. Thornwillow Press. small oblong 8vo. full crushed light brown moroccan goatskin eight inlaid gems Opals Citrines and Carnelians in a circular pattern with the title in gilt on the front board marbled endsheets cloth clamshell box with leather spine title in gilt on spine. 34 pages. Monotypes by Wendy Mark. Limited to 1000 copies of which this is one of 4 unique manuscript copies bound thus. Signed by Mark Strand and Wendy Mark on the half-title and title pages as well as the publisher Luke Ives Pontifell on the colophon. Fine in fine clamshell box.<BR> <br /> <BR> <br /> Produced under the direction of Luke Ives Pontifell at his Thornwillow Press on handmade paper. <BR> <br /> <BR> <br /> From the artist: "This whimsical and beautiful poem by former U.S. Poet Laureate Mark Strand celebrates the many virtues joys and challenges of candy. The monotypes by Wendy Mark were made especially for this edition and were reproduced from her originals using offset lithography."<BR> <br /> <BR> <br /> Having received her Masters of Fine Arts from Columbia University Wendy Mark has been producing wonderfully illustrative art primarily to coincide with poetical works. Not only has she worked with Mark Strand on this project but she has worked with other authors such as Charles Simic and Paul Muldoon among others. Thornwillow Press, Ltd unknown
324487New York: Strand/Hoffman 1976. Limited to 50 copies #13 signed in the shaky hand of the photographer. Folio. Green cloth dropbox. Laid in loose. Limited to 50 copies #13 signed in the shaky hand of the photographer. Folio. Strand/Hoffman unknown
18222128Lithogr. front. portrait of Greve XVI 526 8 pages 1 large folded table "Giesser Zettel fuer Buchbinder" and 4 numbered large folded plates ; 2 16 16 with a foreword by the author to his fellow colleagues XX 2 388 pages and 7 numbered folded lithogr. plates. Cont. light blue boards gilt label to spine. All edges gilt top and lower corners of edges gauffered. 180 x 105 mm. Binding rubbed extremeties worn labels minimally chipped. <br /><br /><br />Mejer 1804 ; Pollard & Potter 36 ; Schmidt-Künsemüller 7261. First edition of arguably the most important German bookbinding manual of the first half of the 19th century. Ernst Wilhelm Greve born 1787 was originally from Copenhagen but worked most of his life in Berlin as a bookbinder. Volume I with a remarkable large plate 515 x 405 mm which according to an advert in volume II was also published separately depicting numerous examples of fillets borders signs vignettes and ornaments after designs by the Berlin based artist and engraver Thieme numbered 1 through 170 each design is priced individually and could be ordered directly from the artist and furthermore including a four-page publicity leaflet by Greve quoting tools papers and other bookbinding materials which could be purchased at his bookbindery. The four-page subscriber's list contains ca 100 subscribers with 32 of them being bookbinders or apprentice bookbinders. A fresh and clean copy quite unusual for such a manual and very rare thus. Maurer
196389275New York: Brooklyn College 1963. Presentation copy from one of America's most influential photographers First edition presentation copy inscribed by Paul Strand on the rear wrapper "To Cipe and Will with affection Paul" - a superb association linking one of the great photographers of the 20th century with two of the most influential figures in American graphic design. Cipe Pineles long associated with Condé Nast and later the first woman to serve as autonomous art director of a mass-market magazine transformed editorial visual culture in the 1930s and 40s championing the use of fine artists in commercial illustration and breaking multiple professional barriers. Her husband William "Bill" Golden rose to become the seminal art director of CBS before his early death in 1958. Accompanying the book is a group of three intimate ingeniously handmade cards sent by Paul Strand and his third wife the photographer Hazel Kingsbury Strand spanning more than two decades of friendship. Each combines personal news with visual elements assembled for the recipients - small affectionate constructions that verge on artists' books and speak directly to the Strands' shared creative life and to their long professional connection with CBS. One 1951 celebrates Pineles and Golden's adoption of their son with Hazel noting Strand's ongoing work; another 1958 sent from their home at La Briardière and decorated with Hazel's sampler discusses Strand's "Scotch book" project later published as Tir a'Mhurain 1962; and the last 1974 illustrated with a winter photograph of their house reflects on advancing age work in progress and mutual friends in London and New York. WorldCat lists copies of 16 Gravures at only four institutions Yale Currier Museum of Art New Hampshire Institute of Art Library and the Harry Ransom Center. Small quarto pp. 16. 16 black and white illustrations on 8 plates. Original moderate orange printed wrappers. Edges lightly rubbed couple of nicks to head of front wrapper. An excellent copy. unknown
142478Brooklyn NY: Dieu Donné 2013. heavy illustrated handmade paper wrappers paper cardstock slipcase. Dieu Donné. oblong 4to. heavy illustrated handmade paper wrappers paper cardstock slipcase. 2 pages of prose with two full-page paper collages. With illustrations by the author and selections of poetry by nine of his friends. They are: Joseph Brodsky Louise Glück Jorie Graham William Merwin Vijay Seshadri Charles Simic Derek Walcott Rosanna Warren and Charles Wright. Privately printed in a limited edition of 15 copies of which this is one of 10 numbered copies signed by Mark Strand. A fine copy in fine slipcase.<BR> <br /> <BR> <br /> Method was written designed and illustrated by Mark Strand. The two prose pieces he wrote for this edition are partnered with two of his collages created from paper he produced with the help of Susan Gosin at Dieu Donné Papermill. Meredith Walker cut and assembled the collages for the edition. The type was designed and set by Russell Maret. The text set in 13 point Strand Serif was letterpress printed by Peter Krunty. Barbara Mauriello bound the edition using custom handmade paper designed by Mark Strand and produced by Paul Wong and Amy Jacobs. Dieu Donné unknown
195525259Milano/Torino: Giulio Einaudi Editore 1955. Cloth. Near Fine/Near Fine. A lovely Paul Strand collection including 3 long warm letters to his good friend Cipe Pineles pioneering graphic designer and art director -- Seventeen Vogue Vanity Fair Glamour. In the handwritten letters which date from 1954 1955 and 1962 and are 3 4 and 3 pgs. long respectively Strand among other things reflects on the 1955 1st edition of Un Paese a very sharp copy of which we present here with the letters. The book and its dustjacket are very clean and each is solid and easily Near Fine. And the 3 letters are also bright clean and eminently legible. An uncommon look through these correspondences at the musings of a major photographer toward his own recently published work. The 3 letters and the book all being offered together as an archive. Giulio Einaudi Editore unknown
2013142504Brooklyn NY: Dieu Donné 2013. loose leaves laid into a folding chemise clamshell box. Dieu Donné. square 4to. loose leaves laid into a folding chemise clamshell box. unpaginated. Privately printed in a limited edition of 50 copies of which this is one of 15 'artist's proof' copies signed by Mark Strand. A near fine copy.<BR> <br /> <BR> <br /> A major collaborative effort of this fine press item being the writing of Mark Strand with the images by Frederic Amat and the calligraphic writing by theatrical designer Robert Wilson with the silk screen printed for this edition by Oriol Treserra and Xavier Todo of Taller Vallirana Barcelona. The paper was custom made by Paul Wong of Dieu Donne Papermill New York. Susan Gosin and Estela Robles assisted with the design while the letterpress of Peter Kruty printed the poem and colophon which was set in the typeface Strand Serif designed by Russell Maret. The box was designed and produced by Angels Arroyo. Dieu Donné unknown
2013142638Brooklyn NY: Dieu Donné 2013. loose leaves laid into a folding chemise clamshell box. Dieu Donné. square 4to. loose leaves laid into a folding chemise clamshell box. unpaginated. Privately printed in a limited edition of 50 copies of which this is one of 35 numbered copies signed by Mark Strand. A near fine copy.<BR> <br /> <BR> <br /> A major collaborative effort of this fine press item being the writing of Mark Strand with the images by Frederic Amat and the calligraphic writing by theatrical designer Robert Wilson with the silk screen printed for this edition by Oriol Treserra and Xavier Todo of Taller Vallirana Barcelona. The paper was custom made by Paul Wong of Dieu Donne Papermill New York. Susan Gosin and Estela Robles assisted with the design while the letterpress of Peter Kruty printed the poem and colophon which was set in the typeface Strand Serif designed by Russell Maret. The box was designed and produced by Angels Arroyo. Dieu Donné unknown
201312138SEVEN DAYS Dieu Donne Press 2013 first edition a very fine copy consisting of loose leaves laid into a clamshell box. A major collaborative effort of this fine press item being the writing of Mark Strand with the images by Frederic Amat and the calligraphic writing by theatrical designer Robert Wilson with the silk screen printed for this edition by Oriol Treserra and Xavier Todo of Taller Vallirana Barcelona. The paper was custom made by Paul Wong of Dieu Donne Papermill New York. Susan Gosin and Estela Robles assisted with the design while the letterpress of Peter Kruty printed the poem and colophon which was set in the typeface Strand Serif design by Russell Maret. The box was design and produced by Angels Arroyo. Of the 40 copies in this edition 25 numbered and 15 proofs all SIGNED by Mark Stand Frederic Amat and Robert Wilson on the colophon this is #5 of the artists proofs. Dieu Donne Press unknown
elala5097New York: Da Capo Press 1967. Second Edition Limited to 1000 numbered copies signed by Strand. A seminal work by a legendary figure in 20th century American photography. Based on photographs taken by the author on his travels through Mexico in 1932-33 the striking photogravures depict architecture landscape the indigenous people and religious folk sculpture. Strand's work first made its appearance as Photographs of Mexico in a limited edition of 250 copies in 1940 with the printing of the steel-faced gravure plates by master platemaker Otto Wackernagel being supervised by Strand himself and executed by Charles Furth and the Photogravure and Color Company. This second edition utilized the original Wackernagel plates but they were now printed by Albert Delong at the Andersen Lamb Company of Brooklyn. Strand was even more pleased with this version remarking: they have been able to get even more out of these twenty beautiful plates in printing the second edition.this work I think is superlative.Delong.has made these plates sing. "The images are a celebration of the subjects pride dignity and endurance and are a clear testament to Strands belief that the photogravure process is capable of yielding the finest results achievable in photographic printmaking." The Aperture Foundation 2012. folio. pp. 7. 20 photogravure plates with tissue guards. plates & text loose as issued in original paper wr. cloth & board chemise & paper slipcase. A fine copy [New York]: Da Capo Press, [1967] hardcover
198016001New York: Aperture 1980. First edition Deluxe issue. Hardcover. vg. 1/450. Tan cloth title stamped in gray and white on cover with matching slipcase in original publishers shipping box. Some tearing to tape on box abrasions on part of title on fore-edge of box. Illustrated with 94 reproductions of black and white photographs by Paul Strand. Includes original 7 1/2" x 9 1/2" hand-pulled dust-grain photogravure Iris 1928 mounted on heavy card stock 13 3/4" x 16 3/4". Photo protected by printed tissue guard signed by Hazel Strand all resting in paper- and original shipping sleeve. Blind-stamp of the estate in margin on paper sleeve. Preface by Paul Metcalf. Afterword by Beaumont Newhall. Shipping box and photogravure in very good book and slipcase in near fine condition. Paul Strand 1890-1976 was an American photographer and filmmaker who helped establish photography as an art form in the 20th century. Film credits include Manhatta 1921 Redes 1936 and Native Land 1942. Nancy Newhall 1908-1974 was a photography critic and founder of the influential photographic magazine 'Aperture'. Aperture hardcover
1973593154New York: Atheneum 1973. Hardcover. Near Fine. First edition hardcover issue. Yellow cloth gilt. Slightest soiling on the spine near fine issued without dust jacket. Published as a paperback original this is one of approximately 10 copies prepared by the publisher in hardcovers for the use of the author. This copy Inscribed by Strand using most of the front fly to fellow poet Donald Justice and his wife Jean: "for Don and Jean with love and thanks and better story in the making Mark Strand. Iowa City. Sept. 1973. The Yewell Street Story is merely a diversion." Laid into the book are seven pages carbon typed manuscripts on rectos only of a long poem by Strand "The Untelling" and the final poem in the book not identified as being by Strand except for a small pencil note "Strand" on the first page likely in Justice's hand. The seven-page manuscript has one small hand-correction and has been neatly folded into thirds else fine. The hardcover issue is rare. The association is significant. The carbon typescript is a bonus. Atheneum hardcover
1967329383New York: Da Capo Press 1967. Second edition. Prefatory note by Leo Hurwitz new note for this edition by Strand and a statement of homage by David Alfaro Siqueiros. One of 1000 numbered copies signed by Strand. Twenty photogravures. 8pp. 1 vols. Folio. Folded signatures and loose sheets laid into stiff wrapper enclosed in folding cloth covered chemise and board slipcase minor wear to slipcase. Second edition. Prefatory note by Leo Hurwitz new note for this edition by Strand and a statement of homage by David Alfaro Siqueiros. One of 1000 numbered copies signed by Strand. Twenty photogravures. 8pp. 1 vols. Folio. A masterful reworking of the 1940 original prepared under the photographer's supervision with the photogravures hand printed from the original plates on BFK Rives by Albert Delong. Strand took the original photographs in 1932-33 as a prelude to his work on the film Los Redes and the 1940 edition under the title Photographs of Mexico was limited to 250 copies. Da Capo Press unknown
201093930Aperture/Fundacion Televisa. New. 2010. Hardcover. 1597111376 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 356 pages; 429 illustrations including 100 in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee Aperture/Fundacion Televisa hardcover
197420293New York: Aperture 1974. Numbered limited edition. Hardcover. vg. 1/350. Sm. quarto. 182pp. Black cloth in matching slipcase with original publisher's paper band. Two tiny stains on front cover. Profusely illustrated with b/w reproductions of photographs on glossy paper. Includes excerpts from correspondence interviews documents chronology and selected bibliographies. Profile by Calvin Tomkins. Accompanied by a hand-pulled dust-grained 5 1/2" x 7" gravure Fisherman Gaspè 1937 of an Iris window-mounted on stiff sleeve and protected by printed tissue guard within gray paper folder all in original shipping sleeve. Gravure was made from the original negative. Blind-stamp of Paul Strand Estate on lower right margin of sleeve. Gravure in fine book in near fine condition. All items in publisher's large original shipping box. Rare. Aperture hardcover
104594Dresden Verlag der Kunst 1962. . First edition; 4to 28 x 23 cm; presentation inscription by photographer on half title page reads 'To Mohamed and Aicha Ouda with friendship and much affection. Paul Strand. Cairo. April. 1965.' numerous black & white photographic illustrations; publisher's printed grey cloth pictorial dust wrapper chipped and worn; overall a very good copy.<br /> One of the most influential photographers of the twentieth century Paul Strand 1890-1976 was born in New York City and went on to study under Lewis W. Hine before becoming a commercial photographer in 1912 following Alfred Stieglitz in his commitment to 'straight' photography. In 1933 he was appointed chief of photography and cinematography in the Secretariat of Education in Mexico. After 1942 he concentrated on still photography for his records of life in many parts of the world. <br /><br />This presentation copy is inscribed by Paul Strand to Mohamed Ouda and his wife. Ouda 1920-2006 was an Egyptian thinker and writer. He was one of Egypt's staunchest Nasserists whose motto in life was 'You never own anything. It is things that own you' - a motto which earned him the title of 'the Egyptian Gandhi'.<br /> Dresden, Verlag der Kunst, 1962. hardcover
2010C93930Aperture/Fundacion Televisa. As New. 2010. Hardcover. 1597111376 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 356 pages; 429 illustrations including 100 in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Aperture/Fundacion Televisa hardcover
196461611Iowa City: Stone Wall Press 1964. First edition limited to 225 copies this no. 41; 8vo pp. 53 3; original red cloth gilt-stamped spine publisher's slipcase. Fine copy from the library of Kim Merker. This copy inscribed by Strand to Merker: "To Kim / Who published the first and most recent - elegantly beautifully. With high regard and abiding affection. / Mark Strand." Berger Printing & the Mind of Merker 16: "Mark was a student at the Writers Workshop at the time." This is his first book. Stone Wall Press unknown
80599Los Angeles: Local 644 International Motion Picture Painters Union 1945. First Edition. Sole printing. Quarto 11" x 8-1/2". 189 unnumbered mimeographed sheets including title page and introduction printed recto-only chiefly illustrations; post-bound at left margin. Unprinted card rear cover wrapper possibly later; no front cover wrapper else complete and probably as issued. Minor edge-creasing and wear; faint marginal stain to final 15 leaves well away from printed area; evidence of old adhesion to cover page not affecting legibility; Very Good and quite well-preserved especially considering the volume's inherent fragility. <br /> <br /> A bound volume presumably one of very few produced collecting all of the circa 185 issues of "The Picket Line" a cartoon broadside distributed daily to striking workers during the 1945 Hollywood Film Strike which began in March 1945 following a walkout by the Hollywood local of the International Set Decorators Union. A number of sympathetic locals joined the strike but others - including the International Alliance of Theatrical Stage Employees and the Screen Office Employees' Guild - refused to honor the picket line leading to a lockout that lasted more than five months. <br /> <br /> The cartoons draw on topical events often commenting humorously on developments of the day before. A recurring comic character is a sardonic rat an avatar for the union scabs who refused to join the strike weakening the position of labor and paving the way to the violent events of October 5 1945 the so-called "Hollywood Black Friday" when strikebreakers were brought in to violently suppress the strike fire-hosing and clubbing dozens of strikers in front of the gates of Warner Brothers Studios. All of these events are pictured here with the upbeat mood of the drawings growing increasingly dark following the events of Black Friday. The cartoons are preceded by a one-page introduction giving the background of the strike and tracing its history through its conclusion which came when the strikers finally called a truce on October 31st. A rarely-seen relic of one of the darkest incidents in Hollywood labor history. Rare: OCLC notes three copies MSU UM and UCLA; not generally seen in commerce. unknown
199911751N. Y.: ACA Galleries 1999. First edition of this collaboration between the poet Mark Strand & the artist Wendy Mark. One of only 20 copies specially bound with an original signed monotype by Wendy Mark laid into a pocket at the back of the book which is also signed by Strand & Mark. As new. MARK Wendy. Square 8vo reproductions of monotypes by Wendy Mark original handmade Roma paper over boards with printed paper label on the spine by Claudia Cohen. As new. ACA Galleries unknown
499533New York: An Aperture Book 1971. Hardcover. Near Fine. First edition. Large quarto. Illustrated boards. Printed cloth. A little rubbing on the boards else very near fine. Inscribed by Strand to photographer Louise Ruth Dahl-Wolfe: "To Louise with admiration and deep affection. Paul Strand. New York. January 29 - 1972." An excellent association. An Aperture Book hardcover
10070Millerton: Aperture 1976. First Edition. Hardcover. Fine. Quarto. 9.75 x 11.75 inches. 182 pp. Illustrated throughout with fine black and white reproductions of Strand's photographs. Near fine in the publisher's black cloth with a touch of foxing to the rear free endpaper. In the publisher's slipcase with a small blemish; about fine. Limited edition. Number 185 of 350 copies accompanied by a hand-pulled dust grained gravure. Fisherman Gaspe 1936. The gravure is nicely framed matted and glazed. Scarce in the limited issue. Aperture hardcover
2102220029Aperture 1972-01-01. First Edition. Hardcover. Very Good. Signed. Limited edition of only 100 copies signed and numbered by Strand. Strand's two-volume career retrospective. Each volume illustrated with reproductions of his important photographs. Quartos. Bound in gilt-lettered maroon buckram in matching slipcase. Limited edition one of 100 copies signed and numbered by Strand. Hardcover in slip case. Good binding and cover. Clean unmarked pages. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Aperture hardcover
