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STRAND MarkABAA

The Continuous Life. Eighteen Poems. Two Woodcuts by Neil Welliver

Strand PaulABAA

Paul Strand - The Formative Years 1914 - 1917

19838564New York. The Aperture Foundation. 1983. Plates laid loose into sand linen cloth Portfolio which is further encased in a like linen Solander box. Gilt titled morocco Title Label inset to front cover of box. Tall Folio. 17" x 21 This Edition Limited to 300 numbered copies of which this is #120. Portfolio is accompanied by a Text Folio by noted photography critic Ben Lifson and Michael E. Hoffman former Executive Director of Aperture and bears the stamp of the Paul Strand Archive and Limitation Colophon. Illustrated by 10 hand-pulled dust-grain photogravures by Paul Strand made from the original glass plates in 1973. Printed by master photogravure printer Jon Goodmanthese works were the subject of a major exhibition at the Metropolitan Museum of Art New York in February 1998. The collection is comprised by : Still Life Pear and Bowls Twin Lakes Connecticut 1916 Paper Size 20" X 16" Image Size 10" X 11 1/4" Hudson River Pier New York 1914 Paper Size 20" X 16" Image Size 9 1/4" X 12 1/4" City Hall Park New York 1915 Paper Size 20" X 16" Image Size 13 1/8" X 6 1/4" Fifth Avenue New York 1915 Paper Size 20" X 16" Image Size 12 1/4" X 8" Yawning Woman New York 1916 Paper Size 20" X 16" Image Size 12 1/2" X 9 1/2" Man Five Points Square New York 1916 Paper Size 20" X 16" Image Size 9 1/2" X 10 1/4" From the Viaduct 125th Street New York 1915 Paper Size 20" X 16" Image Size 10" X 12 7/8" Railroad Sidings New York 1914 Paper Size 20" X 16" Image Size 12 1/2" X 9 1/2" From the El New York 1917 Paper Size 20" X 16" Image Size 12 3/4" X 9 1/8" Abstraction Porch Shadows Twin Lakes Connecticut 1916 Paper Size 20" X 16" Image Size 13" X 9 1/8" In the earlier years of his formidable career Paul Strand 18901976 was befriended and mentored by Alfred Stieglitz. A fierce proponent of modern art in America Stieglitzs infamous 291 Gallery on Fifth Avenue was the first to champion the avant-garde of European and American art and photography. His stewardship of Strand had a profound effect cultivating in Strand one of the greatest modernist photographers of the era. Aperture has drawn some of his most notable images for this portfolio from the Paul Strand Archive; they include City Hall Park New York 1915; From the El New York 1917; and Yawning Woman New York 1916. Describing Strands oeuvre Stieglitz said: In the history of photography there are but few photographers who from the point of view of expression have really done much work of any importance. And by importance we mean work that has some relatively lasting quality that element which gives all art its real significance. . . . The work is brutally direct. Devoid of any flim-flams; devoid of trickery and any ism devoid of any attempt to mystify an ignorant public. A Very Fine Pristine As New copy. The Aperture Foundation. hardcover books

Heldfond Book Gallery, ABAA-ILAB · États-Unis1 500,00 $US≈ 1 269,15 €

Strand Randi AnnieABAA

Arabesk 11

201510194Norway 2015. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the CriticÂ’s Prize on the juried regional exhibition in Trondheim 2017. Â“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheetÂ’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the readerÂ’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.Â” Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand Randi AnnieABAA

Arabesk 7

201610196Norway 2016. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 3 of 5 copies. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the CriticÂ’s Prize on the juried regional exhibition in Trondheim 2017. Â“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheetÂ’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the readerÂ’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.Â” Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, PaulBiblio.com

Paul Strand - The Formative Years 1914 - 1917

8564New York. The Aperture Foundation. 1983. Plates laid loose into sand linen cloth Portfolio which is further encased in a like linen Solander box. Gilt titled morocco Title Label inset to front cover of box. Tall Folio. 17" x 21 This Edition Limited to 300 numbered copies of which this is #120. Portfolio is accompanied by a Text Folio by noted photography critic Ben Lifson and Michael E. Hoffman former Executive Director of Aperture and bears the stamp of the Paul Strand Archive and Limitation Colophon. Illustrated by 10 hand-pulled dust-grain photogravures by Paul Strand made from the original glass plates in 1973. Printed by master photogravure printer Jon Goodmanthese works were the subject of a major exhibition at the Metropolitan Museum of Art New York in February 1998. The collection is comprised by : Still Life Pear and Bowls Twin Lakes Connecticut 1916 Paper Size 20" X 16" Image Size 10" X 11 1/4" Hudson River Pier New York 1914 Paper Size 20" X 16" Image Size 9 1/4" X 12 1/4" City Hall Park New York 1915 Paper Size 20" X 16" Image Size 13 1/8" X 6 1/4" Fifth Avenue New York 1915 Paper Size 20" X 16" Image Size 12 1/4" X 8" Yawning Woman New York 1916 Paper Size 20" X 16" Image Size 12 1/2" X 9 1/2" Man Five Points Square New York 1916 Paper Size 20" X 16" Image Size 9 1/2" X 10 1/4" From the Viaduct 125th Street New York 1915 Paper Size 20" X 16" Image Size 10" X 12 7/8" Railroad Sidings New York 1914 Paper Size 20" X 16" Image Size 12 1/2" X 9 1/2" From the El New York 1917 Paper Size 20" X 16" Image Size 12 3/4" X 9 1/8" Abstraction Porch Shadows Twin Lakes Connecticut 1916 Paper Size 20" X 16" Image Size 13" X 9 1/8" In the earlier years of his formidable career Paul Strand 18901976 was befriended and mentored by Alfred Stieglitz. A fierce proponent of modern art in America Stieglitzs infamous 291 Gallery on Fifth Avenue was the first to champion the avant-garde of European and American art and photography. His stewardship of Strand had a profound effect cultivating in Strand one of the greatest modernist photographers of the era. Aperture has drawn some of his most notable images for this portfolio from the Paul Strand Archive; they include City Hall Park New York 1915; From the El New York 1917; and Yawning Woman New York 1916. Describing Strands oeuvre Stieglitz said: In the history of photography there are but few photographers who from the point of view of expression have really done much work of any importance. And by importance we mean work that has some relatively lasting quality that element which gives all art its real significance. . . . The work is brutally direct. Devoid of any flim-flams; devoid of trickery and any ism devoid of any attempt to mystify an ignorant public. A Very Fine Pristine As New copy. The Aperture Foundation. hardcover

Heldfond Book Gallery, ABAA-ILAB · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, Randi AnnieBiblio.com

Arabesk 11 Multiple Iterations

10194Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. hardcover

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, Randi AnnieBiblio.com

Arabesk 14

201510195Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 5 copies. hardcover

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, Randi AnnieBiblio.com

Arabesk 16

201610198Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, Randi AnnieBiblio.com

Arabesk 4

201610503Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, Randi AnnieBiblio.com

Prisme 1 Multiple Iterations

11005Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, Randi AnnieBiblio.com

Prisme 2

11101Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, Randi AnnieBiblio.com

Prisme 3

201911102Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 3 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

Strand, Randi AnnieBiblio.com

Prisme 6

201911103Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 1 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover

Lux Mentis, Booksellers · États-Unis1 500,00 $US≈ 1 269,15 €

NYC StrikeBiblio.com

Police Batons Broken Turnstiles and Strike Demonstrations: Urban Protest and Crowd Control in New York City and Washington D.C. Steve Rose's Archive of 19 Large Photographs circa 1969-1971

1969232051969. Steve Rose's photographic coverage of demonstrations strike activity broadcast spaces and police control in New York City and Washington D.C. circa 1969-1971 with dissent moving through street assembly underground and movement media institutional protest and municipal enforcement. Rose active in New York documentary photography during the early 1970s photographed activists such as Abbie Hoffman crowds radio workers and police at campuses transit sites and city streets where public speech met managed space. These photographs of early 1970s New York and D.C. activism span police violence organizers gathering outside major institutions broadcasters at consoles and microphones and school protest and street demonstration aligned with the same documentary practice that recorded Young Lords and Gay Liberation actions in the city. Photo archive of 19 Large silver gelatin photographs each 8 x 10 inches New York City and Washington D.C. circa 1969-1971. The most confrontational scenes place police with raised batons inside a damaged transit interior with shattered or cracked glass and turnstiles marked "NOT FOR EXIT" locating the violence inside a controlled urban access point rather than an open street. Riot helmets gas masks clubs broken barriers and confined stair and platform space place crowd control transit management and physical force together during moments of unrest. In this group the violent scenes are central evidence of municipal authority enforcing movement and restricting public assembly in New York at the turn of the 1970s. Contents include schoolchildren descending an interior stair with placards reading "A LITTLE RADIATION IS NO GOOD FOR CHILDREN AND OTHER PEOPLE" and "NO NO NO"; a street protester holding a hand-lettered sign reading "Strike! Support the Manifesto"; a crowd assembled outside the Interchurch Center one sign reading "Fight White Racism Join Us"; a woman labeled "Beulah" likely a college student impersonating activist Beulah Sanders addressing a large outdoor gathering; and a dense overhead crowd view made from an elevated vantage point. Another group centers on urban control points and police presence including subway turnstiles marked "NOT FOR EXIT" officers in helmets and gas masks advancing with batons a handwritten wall slogan reading "NO MORE FARE" above a tiled stair and a verso note identifying one image as "grand central subway control booth." Additional prints include a radio or news studio with a control console a broadcaster wearing headphones at a microphone a silhouetted operator in a booth and a saxophonist performing before an audience. Several versos bear Steve Rose photographer stamps signatures a Nancy Palmer Photo Agency stamp crediting Rose the note "view from president's terrace" and dated notations including "Steve Rose / Newsreel 6-9-69." One image is duplicated. The archive contains antiwar activism childcare and school protest strike support racial justice organizing broadcast work and police intervention inside the same metropolitan circuit. Press-marked versos agency stamps location notes and dated inscriptions record the working infrastructure through which Rose's images moved as news and movement documentation. Light handling wear minor curling scattered verso toning and staining editorial stamps and manuscript notations throughout; one duplicate image present. Police violence crowd control and organized dissent intersect inside transit interiors institutional exteriors broadcast studios and city streets in New York City and Washington D.C. unknown

Max Rambod Inc. · États-Unis1 350,00 $US≈ 1 142,23 €

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