Strand, Ray, Md; Ewing, Bill M dBiblio.com
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2006Q-0974730874Real Life Press 2006-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Real Life Press hardcover
2922405370.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
11005Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
11101Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
201911102Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 3 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
201911103Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 1 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
2003Q-0966407563Health Concepts 2003-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Health Concepts paperback
2922969088.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2922405397.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002Q-0785213058Nelson Books 2002-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Nelson Books paperback
2003Q-0785264868Thomas Nelson Inc 2003-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Thomas Nelson Inc hardcover
2013Q-0849921961Thomas Nelson 2013-05-28. Paperback. New. New. In shrink wrap. Looks like an interesting title! Thomas Nelson paperback
1931380031.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2006Q-1401303005Hyperion 2006-05-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Hyperion hardcover
1919798803.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20063094VB2006. Dordrecht Springer Netherland 2006. 16 x 23 cm. XVI 312 S. XVI 312 p. Softcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. Nato Security through Science Series B:. paperback
200610ZB2006. 2006. Dordrecht Springer Netherland 2006. 16 x 24 cm. XVI 312 S. XVI 312 p. HC Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. Nato Security through Science Series B:. hardcover
2006SONG1402046472Springer 2006-03-02. 2006. hardcover. Used: Good. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
2006DADAX1402046472Springer 2006-03-02. 2006. hardcover. New. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
98485Washington Aperture Foundation 1990. 4° 171 S. zahlr. Abb. OLwd. m. OU. OU m. kleinen Randläsuren sonst tadell. 010 Washington, Aperture Foundation, 1990 unknown
196389275New York: Brooklyn College 1963. Presentation copy from one of America's most influential photographers First edition presentation copy inscribed by Paul Strand on the rear wrapper "To Cipe and Will with affection Paul" - a superb association linking one of the great photographers of the 20th century with two of the most influential figures in American graphic design. Cipe Pineles long associated with Condé Nast and later the first woman to serve as autonomous art director of a mass-market magazine transformed editorial visual culture in the 1930s and 40s championing the use of fine artists in commercial illustration and breaking multiple professional barriers. Her husband William "Bill" Golden rose to become the seminal art director of CBS before his early death in 1958. Accompanying the book is a group of three intimate ingeniously handmade cards sent by Paul Strand and his third wife the photographer Hazel Kingsbury Strand spanning more than two decades of friendship. Each combines personal news with visual elements assembled for the recipients - small affectionate constructions that verge on artists' books and speak directly to the Strands' shared creative life and to their long professional connection with CBS. One 1951 celebrates Pineles and Golden's adoption of their son with Hazel noting Strand's ongoing work; another 1958 sent from their home at La Briardière and decorated with Hazel's sampler discusses Strand's "Scotch book" project later published as Tir a'Mhurain 1962; and the last 1974 illustrated with a winter photograph of their house reflects on advancing age work in progress and mutual friends in London and New York. WorldCat lists copies of 16 Gravures at only four institutions Yale Currier Museum of Art New Hampshire Institute of Art Library and the Harry Ransom Center. Small quarto pp. 16. 16 black and white illustrations on 8 plates. Original moderate orange printed wrappers. Edges lightly rubbed couple of nicks to head of front wrapper. An excellent copy. unknown
1971196282New York: Aperture 1971. First edition. Hardcovers. Two volume set. A comprehensive look at some of the most important photographs from one of the giants of the medium. Includes numerous essays on Strand by a wide array of photographers and photo historians. Both books in fine condition in cloth boards and and both dust jackets are in very near fine condition. One of the freshest sets I've seen of books that are very prone to wear. Please note that this is a heavy and oversized book and will require extra shipping. Aperture unknown
1971178740Millerton NY: Aperture 1971. First edition. Hardcover. The one volume edition of this monograph published on the occasion of a major show of Strand's photographs. Includes most of his best known images. A clean near fine copy in photo-illustrated boards with some minor wear a former owner's embossed stamp to the half title page and with a laid in invitation to an event at the Philadelphia Museum of Art for a show related to this book. No dust jacket as issued. Still a very nice copy. This is a heavy and oversized book and will require extra shipping. Aperture unknown
1972228384Aperture Inc. 1972. Hardcover. Very Good/Good. 10 1/2 x 12. 2 volumes in very good condition. Volume 1: The Years 1915-1946. Volume 2: The Years 1950-1968. Pages are clean and unmarked filled with black and white photographic plates throughout. Page edges are darkened and lightly spotted. Bound in grey cloth with black titles. Lightly bumped around the edges. Grey dustjackets in good condition with black titles. Heavily worn around the edges with chips and tears around the edges. VG/G <br/> <br/> Aperture, Inc. hardcover
1971002255New York: Aperture Inc. Unpaginated. Grey paper hardcover with black titles minimal rubbing to board corners foxing to title pages and page edges pictures clean and bright. Size: Folio - over 12" - 15" tall C2 . Very Good. Hardcover. Later Printing. 1971. Aperture, Inc hardcover
