STRAND, Fleur L (editor)Biblio.com
3 418 résultats
1987193550New York: NY Academy of Sciences 1987. Hardcover. Fine. First edition. Fine. NY Academy of Sciences hardcover
1987193551New York: NY Academy of Sciences 1987. Hardcover. Fine. First edition. Fine. NY Academy of Sciences hardcover
26858Nijmegen, Annie van Gemert, 2003 Gebonden, geillustreerde kartonomslag in kleur, 195 x 230mm., pagina's niet genummerd, uitgebreide foto-illustratie in kleur. ISBN 908069581513978.
19724071908San Jose CA: Bud Plant 1972. 1st Edition 1st Printing. Soft cover. As New. Comic Book. Standard size and format. First Printing. Color cover with black/white interior art. 50 cent cover price. AS NEW. All corners pointed. Binding tight without stress creasing and square. Without tears creases bumps or chips. Not marked in any way and very clean glossy and bright. All comics carefully packaged and sent boxed. <br/> <br/> Bud Plant paperback
1976913New York: Ecco Press 1976. First Edition. Hardcover blue cloth with gilt lettering stamped to spine 247 pp. Near fine tight square binding sharp corners trace shelfwear./Very Good jacket light edgewear including some small tears and creasing all material present and bright otherwise. Jacket design by Abner Graboff. Important anthology of international poetry edited by Charles Simic and Mark Strand both of whom have flat-signed the half-title page in black ink. Poets include Julio Cortazar Nicanor Parra Paul Celan and more. Ecco Press hardcover
1976564985New York: The Ecco Press 1976. Hardcover. Near Fine/Near Fine. First edition. Tall octavo. 247pp. Edges of cloth lightly sunned near fine in lightly worn near fine dust jacket with a short tears on edges. Includes work by Zbigniew Herbert Julio Cortázar Octavio Paz Yehuda Amichai Czeslaw Milosz Italo Calvino and others. The Ecco Press hardcover
0912946288.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1976535122New York: The Ecco Press 1976. Hardcover. Fine/Near Fine. First edition. Tall octavo. 247pp. Fine in lightly worn near fine dust jacket with a tiny tear. Includes work by Zbigniew Herbert Julio Cortázar Octavio Paz Yehuda Amichai Czeslaw Milosz Italo Calvino and others. Advance copy with a broadside-style sheet laid in with the price updated in ink. The Ecco Press hardcover
1976003002New York: Ecco Press 1976. Book. Fine. Hardcover. First Edition. Blue cloth in black and yellow dustjacket. An excellent copy in similar jacket with one tiny nick along bottom edge. Not price-clipped. Includes the work of Francis Ponge Henri Michaux Jean Follain Zbigniew Herbert Julio Cortazar Fernando Pessoa Octavio Paz Yehuda Amichai Johannes Bobrowski Czeslaw Milosz Nicanor Parra Carlos Drummond de Andrade Paul Celan Miroslav Holub Yannis Ritsos Vasko Popa and Italo Calvino. Ecco Press Hardcover
32446Ecco 1976. First edition. Fine and bright in like dustjacket with crisp bright text throughout. A very sharp copy. Ecco, 1976 unknown
197626774New York: Ecco Press 1976. First edition. Cloth. Very Good /very good. Clothbound 8vo in dustwrapper. 247 pp. A collection of poems and short fictions by so17 European and South American writers as translated by a host of talented folk. Writers include Italo Calvino Henri Michaux Francis Ponge and oCtavio Paz among others. A very good clothbound copy in lightly used dustwrapper with a couple of very short tears. This copy has been SIGNED BY BOTH SIMIC AND STRAND who edit this collection. Quite uncommon thus. Ecco Press unknown books
197637097NY:: Ecco Press. Near Fine in Near Fine dust jacket. 1976. Hardcover. 0912946288 . Includes contributions by Henri Michaux Julio Cortazar Octavio Paz Czeslaw Milosz Paul Celan Yannis Ritsos and Italo Calvino among others. First edition. Near fine in a near fine dust jacket. . Ecco Press, hardcover books
191056745Paris / Ile de France. 1910. Karte nicht gelaufen, gutes Ex.
198911785-2<p>New York: Antaeus Spring 1989. Includes: <i><b>Madison Smartt Bell "Finding Natasha." Signed by Bell. Robert Creeley "Four Poems." Signed by Creeley. David Long "The New World." Signed by Long. W.S. Merwin "Manini." Signed by Merwin. Mark Strand "From a Lost Diary." Signed by Strand.</b></i> First edition / First printing. Illustrated wrappers. Very fine.</p> Antaeus, paperback
0656285370.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364377380.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1994122685New York: Aperture Foundation Inc 1994. First edition. Softcover. An intimate portrait by Catherine Duncan. Includes over 120 black and white photographs from Strand's travels throughout the world. A very near fine copy in wrappers. Aperture Foundation, Inc unknown books
1968171937New York: Aperture 1968. First edition. Softcover. 62 pages. Inclues images from Henri Cartier-Bresson Paul Strand Manuel Alvarez Bravo and John Spence Weir. Includes reviews of two books by Harry Callahan as well. A close to near fine copy in wrappers with some very minor wear. Aperture unknown books
199467661New York: Aperture 1994. First Edition; First Printing. Softcover. Very Good in wrappers. ; 4to - over 9¾" - 12" Tall. Aperture unknown
1953182348Rochester NY: Aperture 1953. First edition. Softcover. An early issue of this important photography magazine. Features Nancy Newhall's article "Controversy and The Creative Concepts" James Thurber's article "Has Photography Gone Too Far" and Elizabeth Bowen's article "The Search For a Story To Tell." Also includes Paul Strand's article "Letters From France and Italy" with 4 black and white images by him. A near fine copy in stapled wrappers with some minor wear and illustrated with a black and white image by Ansel Adams and Dody Warren. A nicer than usual copy of this uncommon issue. Aperture unknown
2019__1119368200John Wiley & Sons Inc 2019. Hardcover. New. 265 pages. 9.50x7.00x0.50 inches. John Wiley & Sons Inc hardcover
201510194Norway 2015. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. <br/><br/>Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic’s Prize on the juried regional exhibition in Trondheim 2017. <br />“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br />The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br />Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.” Artist statement <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
10194Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. hardcover
201510195Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 5 copies. hardcover
201610198Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover
