STRAND, MarkBiblio.com
2 549 résultats
1998603350New York: Alfred A. Knopf 1998. Softcover. Fine. Uncorrected proof. Quarto. 55 2pp. Printed sheets in vellux wrappers. Fine. Winner of the Pulitzer Prize for poetry. Not designated as such but from the library of poet Donald Justice. Alfred A. Knopf unknown
19981400394New York New York: Alfred A. Knopf 1998. First Edition First Printing. Hardcover. Octavo 55 pages. In Very Good condition with Very Good condition dust jacket. Spine is red and blue with white lettering. Dust jacket protected by mylar covering price uncut: "$21.00" on front flap. Boards have mild shelving wear along spine head. Textblock edges have light foxing head edge dyed red. Signed flat and dated "April 23 1998" on title page by Mark Strand. Shelved Room C. 1400394. Special Collections. Alfred A. Knopf hardcover
1998Q-0375401393Knopf 1998-05-05. Hardcover. New. In shrink wrap. Looks like an interesting title! Knopf hardcover
2000Q-0375701370Knopf 2000-02-08. Paperback. New. New. In shrink wrap. Looks like an interesting title! Knopf paperback
199874155NY: Knopf 1998. Fifth printing. 55 pp. Fine in fine dust jacket. “Winner of the Pulitzer Prize†sticker on front panel. SIGNED by Strand on the title page. NY: Knopf, unknown
1998022777New York: Alfred A. Knopf 1998 First printing of the stated first edition. Book and dust jacket in fine as new condition. Blizzard of One was awarded the Pulitzer Prize for poetry in 1999. A beautiful copy. Alfred A. Knopf hardcover
199961574New York: Alfred Knopf 1999. First edition slim 8vo pp. 10 55 4; as new in the dust jacket. Signed by Strand on the title page. From the library of Kim Merker. In 1990 Strand was chosen Poet Laureate of the United States and he is the winner of the Pulitzer Prize. Alfred Knopf unknown
199846955New York: Alfred A. Knopf 1998. First Edition. Hardcover. Near fine/near fine. SIGNED. 55pp. Octavo 22 cm 1/4 blue cloth with light grayish green paper covered boards and gilt stamped titles. Alfred A. Knopf hardcover
199931261New York: Alfred Knopf 1999. First edition slim 8vo pp. 10 55 4; fine copy in the dust jacket. Inscribed on the title-p. "To Gwin and Ruth Kolb / Mark Strand." In 1990 Strand was chosen Poet Laureate of the United States and he is the winner of the Pulitzer Prize. Gwin Kolb was an eminent Johnsonian scholar and longtime professor at the University of Chicago. Alfred Knopf unknown
1998EBAY 3214NEW YORK: ALFRED A. KNOPF 1998. Book. Fine. Inscribed by Authors. First Edition. A FINE FIRST EDITION IN DJ. INSCRIBED BY AUTHOR. ALFRED A. KNOPF unknown
20221-1645196089Bigfoot Books 2022. LIB. New. 32 pages. 9.10x6.50x9.00 inches. Bigfoot Books unknown
1645196089New. Brand new and still unused unknown
1645196089.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1387770209.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1634304128.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1994BN79769Druckhaus Berlin-Mitte GmbH & Co. Media KG Berlin 1994. 1994. Leinen. Braunbeck's Sport-Lexikon: Automobilismus Motorbootwesen Luftschiffahrt Nr. 17 <br/><br/> Druckhaus Berlin-Mitte GmbH & Co. Media KG, Berlin unknown
1581692862.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1905862T84Berlin: S. Fischer 1905. Paperback. Very Good. 8" by 6". None. A collection of the letters of Robert Browning and Elizabeth Barrett Browning translated to German. German language. Scarce work. A collection of letters from Robert Browning an English poet and playwright and his wife Elizabeth Barrett Browning an English poet popular in Britain and the United States during her lifetime. Translated by Felix Philip Grove a German-born Canadian translator and novelist. Bound in the original paper covered boards. Externally smart with light shelf wear and rubbing to the extremities. The odd mark to the board. Internally firmly bound. Pages are very bright and clean with light scattered spotting to the first and last few pages. Very Good S. Fischer paperback
1977593173New York: The Academy of American Poets / The Perpetua 1977. Unbound. Fine. First separate edition. Illustrated broadside. 12.75" x 9.25". Fine. Signed by Mark Strand. The Academy of American Poets / The Perpetua unknown
20040117282004. Hardcover. Very Good. Publisher: Nordic Ware 2004 V.Good Spiral Bound HB ISBN: 0-9744605-2-4 hardcover
1304567338.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
44983190like new. unknown
0366306456.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366306480.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
161923330N. Y.: Camera Work 1916-1917. First only editions of the final two issues of Alfred Stieglitz's monumental photographic periodical Camera Work including in number 48 the earliest appearance in print of the work of Paul Strand and in number 50 an issue entirely dedicated to the work of Strand. Limited to 500 copies printed. "The work of Paul Strand was the first photography to excite Stieglitz in a long time. He saw Strand as practicing a truly photographic version of the kind of forceful representation he found in painters like Picasso and Matisse and he presented Strand's work as a clean break even changing the time-tested production methods of Camera Work Strand's photogravures were printed on thicker paper and with different inks." - Roth 101 pp. 42-43. Issue No. 48 includes six photographs by Strand six halftones by Steiglitz of installations at his gallery 291 and single photographs by Frank Eugene Arthur Allen Lewis and Francis Bruguiere. Issue No. 49/50 includes eleven original photogravures all after work by Strand among them "The White Fence" "Abstraction Porch Shadows" and "Abstraction Bowls". One cannot overestimate the importance of these two issues of Camera Work. As Milton Brown has noted the appearance of Strand's portrait series herein "was a revelation. Even today they are strikingly powerful images; they were then a new stage in photographic realism. The close-up views and cropping of negatives cut off the subjects from their environment sometimes even breaking the frame and riveting attention entirely on the physiognomic and psychological revelation of individuality character and social condition. . . . Strand's experiments with abstraction and the machine were his unwitting contribution to the history of photography: the portraits basic to the rest of his development are the first clear expression of his own aesthetic philosophy." - Milton W. Brown "The Three Roads" in Paul Strand: Essays on His Life and Work. Edited by Maren Stange. Aperture 1990 p. 29. Although not noted in the volumes these two issues of Camera Work came from the collection of James Johnson Sweeney at various times the Curator of Painting and Sculpture at MOMA the second Director of the Guggenheim Museum and the Director of the Museum of Fine Arts Houston. . Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . 2 volumes small folio illustrated with 9 and 11 original photogravures respectively original printed wrappers. Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . Camera Work unknown
