3 418 résultats
1634304128.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
51613Editions Nord-Sud 1994, album cartonné, non paginé avec des illustrations de Christa Unzer - très bon état
1994BN79769Druckhaus Berlin-Mitte GmbH & Co. Media KG Berlin 1994. 1994. Leinen. Braunbeck's Sport-Lexikon: Automobilismus Motorbootwesen Luftschiffahrt Nr. 17 <br/><br/> Druckhaus Berlin-Mitte GmbH & Co. Media KG, Berlin unknown
1991269938BBBraunschweig, Stadtarchiv u. Stadtbibliothek, 1991. Gr.-8°. Mit Tab., Abb. (davon 1 farb.), Ktn.-Skizz. u. Faks. im Text. 15, 314 S. Farb. ill. OKt. - Braunschweiger Werkstücke, (Bd. 80); Reihe A, Bd. 31. - Sehr gutes Ex.
1581692862.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1905862T84Berlin: S. Fischer 1905. Paperback. Very Good. 8" by 6". None. A collection of the letters of Robert Browning and Elizabeth Barrett Browning translated to German. German language. Scarce work. A collection of letters from Robert Browning an English poet and playwright and his wife Elizabeth Barrett Browning an English poet popular in Britain and the United States during her lifetime. Translated by Felix Philip Grove a German-born Canadian translator and novelist. Bound in the original paper covered boards. Externally smart with light shelf wear and rubbing to the extremities. The odd mark to the board. Internally firmly bound. Pages are very bright and clean with light scattered spotting to the first and last few pages. Very Good S. Fischer paperback
Telephone Talk was the glossy bimonthly publication of the British Columbia Telephone Company. It was written by employees for employees to present information of interest to those engaged in the plant, traffic, commercial, operating, accounting and other departments of the service. Each issue is replete with black and white photos and information on topics such as: company, industry and technological news, traffic levels, expansion plans, personnel announcements, publicity and social events, deaths, weddings, lists of exchanges, and more. As such, these issues serve as a vital preserve of rare and fascinating British Columbia history. This volume covers topics including: Great photo of cable-pulling gang; The progress of the phone in greater Vancouver; New record set by Vancouver installers; Cartridge fuses defend against foreign currents; Providing phone facilities is a co-operative task; New Kerrisdale exchange being equipped; How a switchboard lamp is made; William Buckle and Splicing; Construction/splicing in Vancouver; A Switchboard Plug and Cord Explains its troubles; Where the cables end when they crawl out of the sea; Chilliwack's first telephone agent, John McCutcheon, passes away; Nice photo of Granville and Hastings; Nice photo of Richmond Road and area near Victoria; Operator training - 8 pages with nice photos; Peter Grant helped equip Canada's first common battery office; Nanaimo and New West. offices to be expanded; Preparing the pay cheques; George P. Kelly - installed 80' poles; More trunks in Vancouver; Lightning damage on mainland; Repeaters aid voice currents on long journeys; automatic typewriters - chief repeaterman William Faulkes; New Kerrisdale office; Bar Graph of growth of the B.C. system; Statement of Development: # of phones in operation in towns across the province; Victoria and Vancouver to be united by new route; how the phone bill was paid 20 years ago; Kootenays get service; The service application; High tension hazards; draughting the system; Mr. C.E.S. Fisher; Operator Grant gets a phone in her home; Arithmetic is paramount in traffic man's life; Phone shattered by lightning strike; Kamloops now connected to coast; Despatching yellow cabs from 'seymour 4000'; New Carlton office; plant garage serves many cars; new Langley office; Long Kamloops feature with many photos; Grouse Mountain yields to phone's advance - long article with many photos; and more. Half-leather binding. Average wear overall with the exception of backstrip which shows significant wear and is loose along back edge. Ink stamp of company executive E.P. LaBelle upon top edge of text else unmarked. Binding intact. Book
1977593173New York: The Academy of American Poets / The Perpetua 1977. Unbound. Fine. First separate edition. Illustrated broadside. 12.75" x 9.25". Fine. Signed by Mark Strand. The Academy of American Poets / The Perpetua unknown
19791241051979 Edition Jean Picollec - 1979 - In-8 broché, couverture illustrée - 334 pages
193626332Rennes Imp.de L'ouest-Éclair 1936 In-8 99 pp
20046913Société d'études des Hautes Alpes Broché , couverture glacée,15x24cm , 208 pages , bel ensemble,photographies en couleurs dans le texte, fort dense ,et ici à l'état de neuf. Sommaire sur le cliché joint. .
20040117282004. Hardcover. Very Good. Publisher: Nordic Ware 2004 V.Good Spiral Bound HB ISBN: 0-9744605-2-4 hardcover
136 pages. Footnotes. Bibliography. "Presents the story of the 1891 sheep shearer's strike - what happened, why the strike was focussed on Barcaldine and how it changed Australia." - back board. Clean, bright and unmarked with very light wear. A handsome copy. Book
1304567338.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
44983190like new. unknown
593217e année - 23 - 1er décembre 1932 - Organe théorique du Parti Communiste Français (S.F.I.C) - Bureau d'Edition : 132, Faubourg Saint-Denis, Paris (10e) - bimensuel - in-8 broché Sommaire : Budget de misère et de guerre impérialiste Après Berlin. Genève (Radier) - Tenons ferme le gouvernail (A. Piccard) - Un nouveau pas en avant de la révolution espagnole (A. Marty) - Histoire de la grève Jaeger (Buland, Hanot, Honel, Timbault) - Quelques enseignements de la grève belge (R. G. Radi) - Remarques sur la situation en Bretagne (Signor)La travail parmi les étudiants : Pour une association des étudiants révolutionnaires (Block) - Projet de thèses sur le travail révolutionnaire parmi les étudiantsLes classes et l'état : Lettre du camarade Long-Chau - Réponse du camarade V. Masson - Sachons nous maintenir dans les usines (Aumale)Les dossiers de l'Agitateur : Crise économique en France. Mouvement des salaires (G. P.) - Les pronostics bourgeois de la reprise ne se sont pas réalisés - Panorama de la quinzaineBoîte aux lettres
5960510e année - N° 11 - 1 juin 1933 - Revue bimensuelle publiée par le C.C. du Parti Communiste Français (S.F.I.C) - Imp. Centrale, 5, rue Erard, Paris (12e) - bimensuel - in-8 broché Sommaire : La "nouvelle tranche"Premier mai 1933 en France (Frachon) - Le pacte franco-soviétique à la Chambre (L. Constant) - La grève Citroën (Galopin) - Où va le Parti Ouvrier Indépendant ? (Is)La presse hebdomadaire du parti : "La Dépêche de l'Aube" au tournant (J. B.) - La correspondance ouvrière (Romeas)Les dossiers de l'agitateur : La crise économique : 1. France. 2. La crise mondiale (G. P.) - La S.F.I.O. et l'inflation (F. A.) - La misère et l'exploitation en Indochine (H. C.)Vie des cahiers Boîte aux lettresPanorama de la quinzaine
5961110e année - N° 21 - 1er novembre 1933 - Revue bimensuelle publiée par le C.C. du Parti Communiste Français (S.F.I.C) - Imp. Centrale, 5, rue Erard, Paris (12e) - bimensuel - in-8 broché Sommaire : Deux hors-texte : I.V. Staline ; Une séance des commissaires du peuple en 1917 - La crise ministérielle Pour le 16e anniversaire d'Octobre - Le triomphe de l'agriculture socialiste (M. Romier) - Après les deux congrès syndicaux (B. Frachon) - Sur une enquête du Temps. Qui est mort et qui est vivant ? (L. Rudas) - La "généreuse" loi des allocations familiales (Jean Dupuy)La presse du Parti : Un mois de "Travailleur alpin" (J. B.) Mouvement communiste : Sur une expérience du front unique dans le 17e (Reynier) - L'activité du Parti dans la grève de la batellerie (A. Mercier) - Le problème du renforcement idéologique du Parti (A. Havez) - Panorama du mois
6073311e année - N° 10 - 15 mai 1934 - Les publications Révolutionnaire. Editions du Parti Communiste français - Revue bimensuelle publiée par le C.C. du Parti Communiste Français (S.F.I.C) - Imp. Centrale, 5, rue Erard, Paris (12e) - bimensuel - in-8 broché - Sans le supplément Sommaire : Après le 1er Mai. Front unique de lutte pour les revendications contre le fascisme et la guerre (Marcel Gitton) La crise du Parti socialiste. I. A la veille du Congrès de Toulouse (Lucien Constant) - Les enseignements de la grève des chauffeurs de taxis parisiens (Ch. Garcias) - Où en est le Parti radical ? (Paul Cornet) - Le Parti communiste allemand en lutte contre la loi fasciste de "protection du travail" (Friedrich Schulz) La presse du Parti : La préparation du 1er Mai (J. B.)Mouvement communiste : Faisons fonctionner les fractions communistes dans l'Union des Coopérateurs (Léon L.) - Sur la diffusion de la littérature dans le rayon du 18e (Michel)
1377180Paris: Seghers / Laffont, 1975 in-8, 223 pages. Broché, couv. un peu poussiéreuse, sinon bon état.
0366306456.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366306480.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
161923330N. Y.: Camera Work 1916-1917. First only editions of the final two issues of Alfred Stieglitz's monumental photographic periodical Camera Work including in number 48 the earliest appearance in print of the work of Paul Strand and in number 50 an issue entirely dedicated to the work of Strand. Limited to 500 copies printed. "The work of Paul Strand was the first photography to excite Stieglitz in a long time. He saw Strand as practicing a truly photographic version of the kind of forceful representation he found in painters like Picasso and Matisse and he presented Strand's work as a clean break even changing the time-tested production methods of Camera Work Strand's photogravures were printed on thicker paper and with different inks." - Roth 101 pp. 42-43. Issue No. 48 includes six photographs by Strand six halftones by Steiglitz of installations at his gallery 291 and single photographs by Frank Eugene Arthur Allen Lewis and Francis Bruguiere. Issue No. 49/50 includes eleven original photogravures all after work by Strand among them "The White Fence" "Abstraction Porch Shadows" and "Abstraction Bowls". One cannot overestimate the importance of these two issues of Camera Work. As Milton Brown has noted the appearance of Strand's portrait series herein "was a revelation. Even today they are strikingly powerful images; they were then a new stage in photographic realism. The close-up views and cropping of negatives cut off the subjects from their environment sometimes even breaking the frame and riveting attention entirely on the physiognomic and psychological revelation of individuality character and social condition. . . . Strand's experiments with abstraction and the machine were his unwitting contribution to the history of photography: the portraits basic to the rest of his development are the first clear expression of his own aesthetic philosophy." - Milton W. Brown "The Three Roads" in Paul Strand: Essays on His Life and Work. Edited by Maren Stange. Aperture 1990 p. 29. Although not noted in the volumes these two issues of Camera Work came from the collection of James Johnson Sweeney at various times the Curator of Painting and Sculpture at MOMA the second Director of the Guggenheim Museum and the Director of the Museum of Fine Arts Houston. . Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . 2 volumes small folio illustrated with 9 and 11 original photogravures respectively original printed wrappers. Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . Camera Work unknown
161923330N. Y.: Camera Work 1916-1917. First only editions oftThe final two issues of Alfred Stieglitz's monumental photographic periodical Camera Work including in number 48 the earliest appearance in print of the work of Paul Strand and in number 50 an issue entirely dedicated to the work of Strand. Limited to 500 copies printed. "The work of Paul Strand was the first photography to excite Stieglitz in a long time. He saw Strand as practicing a truly photographic version of the kind of forceful representation he found in painters like Picasso and Matisse and he presented Strand's work as a clean break even changing the time-tested production methods of Camera Work Strand's photogravures were printed on thicker paper and with different inks." - Roth 101 pp. 42-43. Issue No. 48 includes six photographs by Strand six halftones by Steiglitz of installations at his gallery 291 and single photographs by Frank Eugene Arthur Allen Lewis and Francis Bruguiere. Issue No. 49/50 includes eleven original photogravures all after work by Strand among them "The White Fence" "Abstraction Porch Shadows" and "Abstraction Bowls". One cannot overestimate the importance of these two issues of Camera Work. As Milton Brown has noted the appearance of Strand's portrait series herein "was a revelation. Even today they are strikingly powerful images; they were then a new stage in photographic realism. The close-up views and cropping of negatives cut off the subjects from their environment sometimes even breaking the frame and riveting attention entirely on the physiognomic and psychological revelation of individuality character and social condition. . . . Strand's experiments with abstraction and the machine were his unwitting contribution to the history of photography: the portraits basic to the rest of his development are the first clear expression of his own aesthetic philosophy." - Milton W. Brown "The Three Roads" in Paul Strand: Essays on His Life and Work. Edited by Maren Stange. Aperture 1990 p. 29. Although not noted in the volumes these two issues of Camera Work came from the collection of James Johnson Sweeney at various times the Curator of Painting and Sculpture at MOMA the second Director of the Guggenheim Museum and the Director of the Museum of Fine Arts Houston. . Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . 2 volumes small folio illustrated with 9 and 11 original photogravures respectively original printed wrappers. Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . Camera Work unknown books
19161576New York: Alfred Stieglitz 1916. 1st Edition. Hardcover. Very Good. FIRST EDITION OF ONE OF THE MOST CELEBRATED ISSUES OF CAMERA WORK: Issue number 48 introducing the work of Paul Strand. Complete with 9 original photogravures including 1 by Frank Eugene 6 by Paul Strand 1 by Arthur Allen Lewis and 1 by Francis Bruguière as well as 6 half-tone reproductions after photographs of '291' by Alfred Stieglitz. With original texts by Marius De Zayas and Marsden Hartley. "When in 1915 Stieglitz saw Strand's radically new approach to photography which embraced the inherent characteristics of the medium and its materials together with the ideas of the artistic avant-garde he felt committed once again to communicate in Camera Work the importance of photography as a vital art form. Stieglitz had been striving for precisely this synthesis of formal abstraction and poetic expressiveness a synthesis which embodied an American aesthetic and syntax. In his October 1916 issue of Camera Work Stieglitz wrote of Strand: 'His work is rooted in the best traditions of photography. His vision is potential. His work is pure. It is direct. It does not rely upon tricks of process. In whatever he does there is applied intelligence. In the history of photography there are but few photographers who from the point of view of expression have really done work of any importance. And by importance we mean work that has some relatively lasting quality that element which gives all art its real significance'" Kaspar M. Fleischmann in American Photography: Local and Global Contexts. Photogravures entitled in the order they appear The Cat by Frank Eugene New York Wall Street Telegraph Poles New York Fifth Avenue and 42nd Street New York Rooftops New York Washington Heights New York and New York City Hall Park by Paul Strand; Winter by Arthur Allen Lewis; and A Portrait by Francis Bruguière. Containing original articles entitled "From '291'-July-August Number 1915" by Marius De Zayas and "Epitaph for Alfred Stieglitz" by Marsden Hartley. New York: Alfred Stieglitz October 1916. Quarto 23 cm x 35 cm approx. 9" x 12" original gray wrappers; custom box. General edgewear to fragile wrappers with upper hinge split. VERY RARE COMPLETE IN THE ORIGINAL WRAPPERS. Alfred Stieglitz hardcover books