2 549 résultats
2024x-1032675578Routledge 2024. Hardcover. New. 256 pages. 9.00x6.00x9.00 inches. Routledge hardcover
47625494like new. unknown
2026x-1032675640Taylor & Francis Ltd 2026. Paperback. New. 242 pages. 6.00x0.51x9.00 inches. Taylor & Francis Ltd paperback
1032675640.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196985655New York: New York Civil Liberties Union 1969. First Edition. Softcover. Quarto 28cm; pictorial card wrappers; 159pp; illus. Cover photo by Gerald Adler. Lightly tanned with trivial surface wear; Very Good. Highly critical evaluation of police action during the Columbia student protests of 1968. There was no regular cloth issue. 85655. New York Civil Liberties Union unknown
1969232051969. Steve Rose's photographic coverage of demonstrations strike activity broadcast spaces and police control in New York City and Washington D.C. circa 1969-1971 with dissent moving through street assembly underground and movement media institutional protest and municipal enforcement. Rose active in New York documentary photography during the early 1970s photographed activists such as Abbie Hoffman crowds radio workers and police at campuses transit sites and city streets where public speech met managed space. These photographs of early 1970s New York and D.C. activism span police violence organizers gathering outside major institutions broadcasters at consoles and microphones and school protest and street demonstration aligned with the same documentary practice that recorded Young Lords and Gay Liberation actions in the city.<br /> <br /> Photo archive of 19 Large silver gelatin photographs each 8 x 10 inches New York City and Washington D.C. circa 1969-1971. The most confrontational scenes place police with raised batons inside a damaged transit interior with shattered or cracked glass and turnstiles marked "NOT FOR EXIT" locating the violence inside a controlled urban access point rather than an open street. Riot helmets gas masks clubs broken barriers and confined stair and platform space place crowd control transit management and physical force together during moments of unrest. In this group the violent scenes are central evidence of municipal authority enforcing movement and restricting public assembly in New York at the turn of the 1970s. Contents include schoolchildren descending an interior stair with placards reading "A LITTLE RADIATION IS NO GOOD FOR CHILDREN AND OTHER PEOPLE" and "NO NO NO"; a street protester holding a hand-lettered sign reading "Strike! Support the Manifesto"; a crowd assembled outside the Interchurch Center one sign reading "Fight White Racism Join Us"; a woman labeled "Beulah" likely a college student impersonating activist Beulah Sanders addressing a large outdoor gathering; and a dense overhead crowd view made from an elevated vantage point. Another group centers on urban control points and police presence including subway turnstiles marked "NOT FOR EXIT" officers in helmets and gas masks advancing with batons a handwritten wall slogan reading "NO MORE FARE" above a tiled stair and a verso note identifying one image as "grand central subway control booth." Additional prints include a radio or news studio with a control console a broadcaster wearing headphones at a microphone a silhouetted operator in a booth and a saxophonist performing before an audience. Several versos bear Steve Rose photographer stamps signatures a Nancy Palmer Photo Agency stamp crediting Rose the note "view from president's terrace" and dated notations including "Steve Rose / Newsreel 6-9-69." One image is duplicated.<br /> <br /> The archive contains antiwar activism childcare and school protest strike support racial justice organizing broadcast work and police intervention inside the same metropolitan circuit. Press-marked versos agency stamps location notes and dated inscriptions record the working infrastructure through which Rose's images moved as news and movement documentation. Light handling wear minor curling scattered verso toning and staining editorial stamps and manuscript notations throughout; one duplicate image present. Police violence crowd control and organized dissent intersect inside transit interiors institutional exteriors broadcast studios and city streets in New York City and Washington D.C. unknown
620076316X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004Q-189184525xBlue Poppy Press 2004-02-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Blue Poppy Press paperback
142506Salt Lake City UT: Red Butte Press 1993. illustrated cloth-covered boards cloth-covered boards clamshell box. Red Butte Press. tall slim 4to. illustrated cloth-covered boards cloth-covered boards clamshell box. 17 leaves. Drawings by Bonnie Sucec. First edition limited to 75 copies of which this is one of 55 numbered copies signed by the author and the illustrator. Fine in fine clamshell box.<BR> <br /> <BR> <br /> Printed at the Red Butte Press University of Utah Marriott Library under the direction of Everett L. Cooley. Its publication was made possible through the generosity and support of Catherine B. and Claudius Y. Gates. Each of the drawings by Bonnie Sucec was individually painted by her. The book was designed set by hand and printed by Day Christensen. The type is 16 point Van Dijck and the handmade cotton rag paper is from the Twinrocker Paper Mill. It was printed damp on an 1846 Columbian handpress. The books were bound and boxed by BookLab. Red Butte Press unknown
142488Salt Lake City UT: Red Butte Press 1993. illustrated cloth-covered boards cloth-covered boards clamshell box. Red Butte Press. tall slim 4to. illustrated cloth-covered boards cloth-covered boards clamshell box. 17 leaves. Drawings by Bonnie Sucec. First edition limited to 75 numbered copies signed by the author and the illustrator of which this is one of the 20 hors commerce copies numbered in Roman Numerials. Fine in fine clamshell box.<BR> <br /> <BR> <br /> Printed at the Red Butte Press University of Utah Marriott Library under the direction of Everett L. Cooley. Its publication was made possible through the generosity and support of Catherine B. and Claudius Y. Gates. Each of the drawings by Bonnie Sucec was individually painted by her. The book was designed set by hand and printed by Day Christensen. The type is 16 point Van Dijck and the handmade cotton rag paper is from the Twinrocker Paper Mill. It was printed damp on an 1846 Columbian handpress. The books were bound and boxed by BookLab. Red Butte Press unknown
1964972Iowa City: The Stone Wall Press 1964. First edition. Original Wraps. Very Good . Printed perfect-bound wraps. Includes Justice's translation from the French of Dori Katz Mark Strand's translations published the same year as his first book from the same press from the Italian of Vittoria Sereni and the Spanish of Jorge Guillen and Vito Acconci's translation from the Greek of Aeschylus possibly his first publication credited to Hannibal Acconci. One of 500 copies printed by Kim Merker. Sunned at the spine small spot on rear cover. The Stone Wall Press unknown
2017142486Brooklyn NY: Dieu Donné 2017. illustrated handmade paper wrappers. Dieu Donné. oblong 4to. illustrated handmade paper wrappers. unpaginated. With illustrations by the author and selections of poetry by nine of his friends. They are: Joseph Brodsky Louise Glück Jorie Graham William Merwin Vijay Seshadri Charles Simic Derek Walcott Rosanna Warren and Charles Wright. Privately printed in a limited edition of 50 copies of which this is one of 30 numbered copies signed by Rosanna Warren Vijay Seshadri Jorie Graham Charles Simic Louise Glück and Charles Wright. A fine copy.<BR> <br /> <BR> <br /> With fourteen illustrations by the author reproduced for this edition. Also included is a sample of paper created by Mark for his collages produced at Dieu Donné.<BR> <br /> <BR> <br /> Designed and printed by Susan Gosin Maricruz Bilbao and Jessica Strand with the help of Sayre Gaydos and Peter Kruty Peter Kruty Editions using Méridien typefaces recommended by Russell Maret on handmade paper from Dieu Donné. Bound by Beth Sheehan of Small Editions. Dieu Donné unknown
2017142477Brooklyn NY: Dieu Donné 2017. illustrated handmade paper wrappers. Dieu Donné. oblong 4to. illustrated handmade paper wrappers. unpaginated. With illustrations by the author and selections of poetry by nine of his friends. They are: Joseph Brodsky Louise Glück Jorie Graham William Merwin Vijay Seshadri Charles Simic Derek Walcott Rosanna Warren and Charles Wright. Privately printed in a limited edition of 50 copies of which this is one of 30 numbered copies signed by Rosanna Warren Vijay Seshadri Jorie Graham Charles Simic Louise Glück and Charles Wright. A fine copy.<BR> <br /> <BR> <br /> With fourteen illustrations by the author reproduced for this edition. Also included is a sample of paper created by Mark for his collages produced at Dieu Donné.<BR> <br /> <BR> <br /> Designed and printed by Susan Gosin Maricruz Bilbao and Jessica Strand with the help of Sayre Gaydos and Peter Kruty Peter Kruty Editions using Méridien typefaces recommended by Russell Maret on handmade paper from Dieu Donné. Bound by Beth Sheehan of Small Editions. Dieu Donné unknown
198763312Chicago: Allied Printing 1987. Original placard with text offset printed in dark blue on chipboard measuring 35.5cm x 56cm 14" x 22". Hint of foxing along upper margin else very Near Fine. A relic of the month-long NFL players' strike during the 1987 season. During the brief period that NFL players went on strike owners were forced to hire replacements to come in and play the games; in Chicago those players were known as "the Spare Bears" who went 2-1 in the three games they played during the strike. An intersting placard produced by the United Steelworkers of America showing solidarity with the striking Bears. Not separately listed in OCLC. Allied Printing unknown
20201422451Vandenhoeck & Ruprecht 2020. 1st. hardcover. New. 100x18x148. Vandenhoeck & Ruprecht hardcover
3525564902.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
BN164402Galerie Karsten Greve. Pierre Soulages: Peinture 1999 - 2002 <br/><br/>Pierre Soulages: Peinture 1999 - 2002 Galerie Karsten Greve; Soulages Pierre and Wiegand Wilfried Galerie Karsten Greve unknown
20131355911PN. New. 2013. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
0024176702.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2002Q-0893819964Aperture 2002-09-05. Hardcover. New. In shrink wrap. Looks like an interesting title! Aperture hardcover
2005Q-1931788375Aperture 2005-06-15. Paperback. New. In shrink wrap. Looks like an interesting title! Aperture paperback
70-2316Petaluma CA : Barry Singer Gallery 1998. 3.75 x 10.5 inches. Very Good. Extremely Scarce. Petaluma, CA : Barry Singer Gallery, 1998. unknown
2012Jul18-2nd71756388-2412McGraw-Hill Education / Medical 2012-04-10. Hardcover. Good. US Edition Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Emailed Tracking from USA McGraw-Hill Education / Medical hardcover
2012Q-0071756388McGraw-Hill Education / Medical 2012-04-10. Hardcover. New. In shrink wrap. Looks like an interesting title! McGraw-Hill Education / Medical hardcover
642977275The McGraw-Hill Company pp. 697 3rd Edition . Hardback. Used. The McGraw-Hill Company hardcover