3 526 résultats
0266208754.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1331623847.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1358666687.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1938250145New Haven: Winchester Repeating Arms Co. 1938. First Edition Thus. stapled wrappers. Very Good. Quarto 65 pages <br/><br/>Notably Scarce due to the instructions prominently on the title-page: " Please Destroy Your Old List ". Marked Form 1537. Winchester Repeating Arms Co. unknown
SKU1067378Charles O. Jones. paperback. Good. 0x0x0. New York 1864; soft cover; covers soiled with light edge wear; tight binding; unmarked interior; tiny dog ear to pages of upper right corner; 8vo 7 3/4" to 9 3/4" tall; 109 pages. Charles O. Jones paperback
0331911612.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331911728.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
191125-03-22-gw-40950-jmWinchester Repeating Arms Co 1911-01-01. First Edition. paperback. Used - Acceptable. 0x0x0. HEAVY HEAVY wear. Tape repairs. Sunning. Creases. Water damage. Still readable copy. Winchester Repeating Arms Co paperback
1913293282New Haven.: Winchester Repeating Arms Co. 1913. Catalogue #78. Printed wraps. Good old tape repairs and soiling to covers owner’s stamps and notes to covers and some pages. 21x137 cm. Original arms and ammunition catalog. weight: 0.5 lb. Black & white illustrations throughout. Winchester Repeating Arms Co. paperback
1991049362Armory Publications. very nice twelve-volume set; complete; fine condition; never read; . Fine. Hardcover. Reprint. 1991. Armory Publications hardcover
199126628Oceanside CA: Armory Publications. Fine with No dust jacket as issued. 1991-1992. 1st Thus. Hardcover. 8vo 8" - 9" tall . Armory Publications hardcover
192920511929. Etching on cream laid paper 12 7/8 x 5 1/2 inches 328 x 140 mm; sheet 14 7/8 X 8 3/8 inches 389 x 217 mm full margins. Signed and dated in pencil in the lower right margin. From the edition of 100 impressions printed by Frederick Reynolds in 1929. In good condition with one pea-sized spot of discoloration with an associated pinpoint sized spot of foxing in the left margin well outside of the image area as well as some light and unobtrusive toning in the margins. Inking is dark and rich with all of the fine details printing clearly. No. 27 from the French Church Series; illustrated on p. 140 in Dorothy Noyes Arms Churches of France. <br /> <br /> Fletcher 221. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
2035Etching on antique cream laid paper with a deckle edge 9 1/8 x 9 3/4 inches 232 x 248 mm; sheet 12 1/8 x 12 3/4 inches 307 x 323 mm full margins. Signed and dated in pencil in the lower right margin. In excellent condition with some extremely minor uniform toning a light pencil notation "56" in the lower margin perhaps in the artist's hand and with the upper-right extreme corner loosely dog-eared well outside of the image area. Paper tape tabs at the top right and left corner verso. A magnificently detailed image with excellent inking and rich burr. <br /> <br /> <br /> Fletcher 206. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1999Q-0385492693Doubleday 1999-01-19. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Doubleday hardcover
2000Q-0385494769Anchor 2000-04-18. Paperback. New. In shrink wrap. Looks like an interesting title! Anchor paperback
1014193559.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1015148646.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1996Q-1885203144Journey Editions 1996-11-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Journey Editions hardcover
194420461944. Etching on antique grayish-blue laid paper 9 1/2 x 5 1/2 inches 242 x 140 mm; sheet 12 5/8 x 7 5/9 inches 325 x 198 mm full margins. Signed titled dated and inscribed Trial Proof XIII II Cavendish Church. Trial Proof XIII; second published state an old English early 19th. To my dearest sister with deepest devotion John Taylor Arms 1944. A trial proof aside from 155 impressions from the second state of 2. Printed by David Strang. English Series No. 11. In superb condition with excellent inking rich tonality and magnificent detail. <br /> <br /> On an impression owned by Arms biographer William Dolan Fletcher Arms notes that he spent 236 hours etching the first state and an additional 53 3/4 hours on the second state. <br /> <br /> Fletcher 381. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
194420411944. Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle likely English 19th century 9 1/2 x 5 1/2 inches 242 x 140 mm; sheet 13 x 7 1/2 330 x 190 mm full margins. Signed titled dated and numbered "II" in pencil in the lower margin. In very good condition with some minor mat tone and uniform age tone with paper tape at the top and bottom corners at the right sheet edge verso. A trial proof from a total of 13 proof impressions. A good impression on antique paper.<br /> <br /> English Series No. 11.<br /> <br /> Fletcher 181. On an impression of this work belonging to William Dolan Fletcher Arms mentions that he spent 236 hours on the first state and an additional 53 1/2 hours on the second state.<br /> <br /> Awards:<br /> 1945: Annual Exhibition of the Royal Academy London<br /> 1945: Best Print in Exhibition 22nd Annual Exhibition Arts & Crafts Assoc. Meriden CT.<br /> 1947: Honorable Mention for Excellence 30th Annual Exhibition Chicago Society of Etchers Chicago IL.<br /> 1948: Special Mention for Excellence 30th Annual Exhibition Palm Beach Art League West Palm Beach FL.<br /> <br /> Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
194412671944. Etching on bluish-grey thin laid paper 9 1/2 x 5 1/2 inches 242 x 140 mm full margins. Signed dated and numbered "II." In very good condition with three pin-point sized dots of brown discoloration in the left margin well outside of the image area and paper tape at the top and botton corners at the right sheet edge verso. A trial proof from a total of 13 proof impressions. A luminous impression on unusual paper.<br /> <br /> English Series No. 11.<br /> <br /> Fletcher 381. On an impression of this work belonging to William Dolan Fletcher Arms mentions that he spent 236 hours on the first state and an additional 53 1/2 hours on the second state.<br /> <br /> Awards:<br /> 1945: Annual Exhibition of the Royal Academy London<br /> 1945: Best Print in Exhibition 22nd Annual Exhibition Arts & Crafts Assoc. Meriden CT.<br /> 1947: Honorable Mention for Excellence 30th Annual Exhibition Chicago Society of Etchers Chicago IL.<br /> 1948: Special Mention for Excellence 30th Annual Exhibition Palm Beach Art League West Palm Beach FL. unknown
195020531950. Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch 3 1/2 x 5 5/8 inches 89 x 144 mm; sheet 5 3/4 x 8 3/8 inches 146 x 212 mm full margins. Signed titled and inscribed "II" in pencil in the lower margin. One of 6 six proof impressions of the 2nd state of 2 aside from the regular edition of 300. Printed by Charles S. White. In good condition with minor mat tone and some inscriptions in pencil in the lower margin on ther verso. Ex-collection Atlantic Gallery Washington DC with the label on the mat-back. <br /> <br /> Fletcher 422. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1422232867.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1974219208.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2001Q-0763611395Candlewick 2001-05-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Candlewick paperback