Shields, Carol ,Biblio.com
1 253 résultats
19763876Toronto: Mcgraw-Hill Ryerson 1976. Book. Fine. Hardcover. Signed by Authors. First Printing of the First Edition. Fine apparently unread copy. in jacket with just the lightest touches of wear to extremities. Mcgraw-Hill Ryerson Hardcover
197657525McGraw-Hill Ryerson. Very Good in Near Fine dust jacket. 1976. First Edition; First Printing. Hardcover. 0070823405 . A Good Read ships from Toronto and Niagara Falls NY - customers outside of North America please allow two to three weeks for delivery. Rubbing to corners of d/j. No tears not price-clipped. Some tanning to bastard title page where newspaper article about Shields has been laid in. Small spot of soiling on title page and facing title page. ; 8vo 8" - 9" tall; 179 pages . McGraw-Hill Ryerson hardcover
197612273Toronto: McGraw-Hill Ryerson 1976. Slight shelf wear top and bottom of spine and at bottom tips of book; dust jacket is bright and has 1/2" tear top of front panel next to spine minor rubs and wrinkles at ends of spine panel and very small rubs at ends of flap folds. A relatively attractive copy of Canadian author's first novel. First Edition. Hard Cover. Near Fine Plus/Near Fine. McGraw-Hill Ryerson Hardcover
1976912750Toronto: McGraw-Hill Ryerson. 1976. Fine in a near fine dust jacket. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Fine. McGraw-Hill Ryerson hardcover
197614645Toronto: McGraw-Hill 1976 First edition signed by the author on the title-page. Boards. Octavo. Fine in very good dust jacket. Jacket has a little edgewear. The author's first novel. McGraw-Hill, hardcover
1978X9827xTotem Books 1978. 1st Edition thus signed. Soft cover. Good. 0x0x0. Signed by Authors. Clean With No Remarks Or Highlights. Soft Cover. 1St Canadian Edition Signed. The First Edition Was Mcgraw-Hill Ryerson 1976. This Was Printed In 1978.- Specializing in academic collectible and historically significant providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Totem Books paperback
197652718Toronto: McGraw-Hill 1976. First Edition. First Printing. Octavo. 22.5cm; brown boards stamped in gilt on spine; dustjacket; 179pp.; a Fine copy. The dustjacket is unclipped priced $8.95; small square sticker remnant on front & rear panel light edgewear with a few short tears mostly along top edge. A Very Good jacket. The Pulitzer Prize winning author's first novel. McGraw-Hill unknown books
1976912750Toronto: McGraw-Hill Ryerson. 1976. Fine in a near fine dust jacket. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Fine. McGraw-Hill Ryerson hardcover books
19959395NY: Penguin 1995. Advance reading copy. 183 pp. Fine in glossy illustrated wrappers. SIGNED by Shields on the title page. NY: Penguin unknown books
1989792399PN. New. 1989. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
191910351919. Etching on antique cream laid paper with a partial watermark likely Arches 12 1/8 x 6 1/8 inches 308 x 156 mm full margins. Signed and dated in pencil in the lower right margin. First state of 6. One of only approximately 23 impressions before steel facing printed by Frederick Reynolds. Minor area of rubbing in the top right corner of the image area along with some general age tone and a few inscriptions in pencil in the lower margin well outside of the image area. The impression itself is rich and extremely detailed with excellent inking and rich burr. <br /> <br /> Fletcher 32. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. An impression of this work may be viewed in the permanent collection of the Smithsonian Museum of American Art. unknown
1984317773Grand Forks, North Dakota, Washburn Printing Center, 1984. Erste und einzige Ausgabe. 4°. Original Hardcover with colored cover illustration. 263 pages with many black and white illustrations. Author's handwritten name on front flyleaf. Unfortunately, the corresponding dedication has been erased. Clean and well-kept. Scrutinized page by page. Really good copy of the rare book. -- 4°. Original-Pappband mit farbiger Deckelillustration. 263 Seiten mit vielen schwarz-weißen Illustrationen. Handschriftlicher Namenszug der Autorin auf dem vorderen Vorsatz. Die dazugehörige Zueignung leider ausradiert. Sauber und wohlerhalten. Seite für Seite genau überprüft. Richtig gutes Exemplar des seltenen Buches. [6 Warenabbildungen]
1987002973Vandergrift PA: Zelot Press 1987. First Edition. Paperback. Very Good. 26 pp. 4to. With 14 full-page reproductions of drawings by Basil King. This copy warmly inscribed by King to a fellow artist a few months after publication and with cream-colored cover stock perhaps an earlier printing than the more common white covers. Rarely encountered in any case. Fine in stapled wrappers. <br/><br/> Zelot Press paperback
1938319551Vorhut-Verlag Otto Schlegel Berlin 1938. Hardcover Leinen mit Schutzumschlag Zustand: Keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Der Schutzumschlag ist an den Rändern lädiert Vorhut-Verlag Otto Schlegel, Berlin, hardcover
1934ZB329681NY: n.d. ca. 1934. quarto 76 pp. 3 graphs with two of them folding small folding map; ex library lacks back cover of paper wrappers title chipped spine taped complete but good only. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. NY: unknown
2000133766Münster, Ardey, 2000. 29,5 x 20 cm. 259 Seiten. Pappband (wie neu).
1999Q-1576906760Teacher Created Resources 1999-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Teacher Created Resources paperback
193920361939. Etching on blue laid watermarked "Hand Made" paper 7 3/8 x 3/14 inches 188 x 83 mm; sheet 11 1/2 x 8 1/4 inches 292 x 209 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. From a small unknown number of second state of 3 proof impressions aside from the regular 3rd state edition of 210. Printed by David Strang. A truly superb impression with no visible defects. According to Fletcher this image is based on a drawing done by Arms on October 4 1936. <br /> <br /> Fletcher 323. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
193922841939. Etching on cream wove paper 2 3/8 x 3/14 inches 61 x 83 full margins. Signed dated and inscribed "IV" in the artist's hand. In superb condition with the numerals "365" written in pencil in the lower right corner well outside of the image area. Fletcher states only two trial proofs this is perhaps an unrecorded proof aside from the additional edition of 101 printed by David Strang. <br /> <br /> Fletcher 324. This plate was the section cut from Stanwick becoming a separate plate after the additional work had been done on it edges beveled. William Dolan Fletcher p 206. unknown
193912691939. Etching on cream wove paper 2 3/8 x 3 1/4 inches 61 x 83 mm full margins. Signed dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two trial proofs this is perhaps an unrecorded proof aside from the additional edition of 101 printed by David Strang. <br /> <br /> Fletcher 324. This plate was the section cut from Stanwick becoming a separate plate after the additional work had been done on it edges beveled. William Dolan Fletcher p 206. unknown
19421259The Minature Print Society of Kansas City Mo 1942. Etching on cream colored Japon wove paper 2 1/4 x 2 15/16 inches 58 x 75 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. In excellent condition. <br /> One of nine trial proof impressions of the second state of 2 printed by Charles S. White aside from the regular edition of 365 signed impressions and 250 unsigned impressions. <br /> <br /> Fletcher 369. Comission of Alfred Fowler The Miniature Print Society of Kansas City MO. Ed.; 200. No. 30 from the Minature Series; No. 9 European Series. The Minature Print Society of Kansas City, Mo unknown
19428231942. Etching on fine light cream laid paper 2 1/4 x 2 15/16 inches 58 x 75 mm full margins. Signed and inscribed "II" in pencil lower margin. A trial proof impression of the second state of 2. Aside from the signed and numbered edition of 365 impressions plus an edition of 250 unsigned unnumbered impressions which were discovered after Arms's death. <br /> <br /> Fletcher 369. English Series No. 9<br /> Miniature Series No. 30<br /> <br /> Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. <br /> <br /> The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. <br /> <br /> His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown
194012701940. Etching on cream wove paper 5 9/16 x 2 3/4 inches 142 x 70 mm full margins. Signed titled numbered "III" and inscribed in pencil by the artist in the lower margin recto. In very good condition with some pencil inscriptions in the margins adhesive residue and canvas tape tabs at the top corners and a small loss in the lower left corner from a natural paper defect all well outside of image area. With the John Taylor Arms collector's stamp in black ink in the lower left margin on the recto not in Lugt. The third impression of 3 from the third trial state of 3 before the regular edition of 443. Printed by the artist. <br /> Fletcher 336<br /> English Series No. 8; Miniature Series No. 25. This image was used in part to illustrate David Strang Etching: The Printer Proves the Plate Print II: 3 4 October December 1941. unknown
1998952769London: Oxford University Press, 1998. 252 S. Broschiert.
1984198354Maidenhead Berks. England: Pergamon Infotech Ltd. 1984. Ex-library: label on spine; jacket taped to endpapers; torn FEP; bookplate on pastedown; ink stamps on endpapers edges of page block front matter. Contents otherwise clean sound. Light wear to covers. Dust jacket tanned and notably worn at edges and corners. Nicked and chipped. First Edition. Hardcover. Good/Acceptable. Pergamon Infotech Ltd. Hardcover
