1 253 résultats
1997Q-0531330419Orchard Books 1997-09-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Orchard Books hardcover
1997Q-0531300412Orchard Books 1997-09-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Orchard Books hardcover
1997Q-0968114407Wordsmith Ventures 1997-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Wordsmith Ventures paperback
1997x-0810832119Scarecrow Press 1997. Hardcover. New. 2nd sub edition. 189 pages. 8.75x5.75x0.75 inches. Scarecrow Press hardcover
1997DADAX0810832119Scarecrow Press 1997-11-06. Revised. hardcover. New. 6.98x0.76x8.82. Buy with confidence. Excellent Customer Service & Return policy. Scarecrow Press hardcover
1930374658US: Albert & Charles Boni 1930. Albert & Charles Boni 1930 First Edition NAP Very Good/ Shields Francis illustrator. NO DUST JACKET. Blue cloth with light fading reinforce corners mended hinges Upper page edges dyes blue are faded. Previous owner plate inside cover on illustratred end papers. Gift note penned opposite titie page dated "Chistmas 1931". Illustrated with woodcut syle illustrations. Tight lightly tanned pages. xiv466 pages. HEAVY ITEM 1.74 Pounds. Size: 9 x 6 x 1 1/2 inches. First Edition NAP. Hardcover. Very Good. No Exp. Albert & Charles Boni Hardcover
1932243098J.G. Cotta`sche Buchhandlung Nachfolger Stuttgart 1932. Hardcover Leinen mit Schutzumschlag 2. und 3. Tausend Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Der Schutzumschlag ist leicht randlädiert. J.G. Cotta`sche Buchhandlung Nachfolger, Stuttgart, hardcover
1903269134Verlag von Gebrüder Jänecke Hannover 1903. Hardcover Leinen Kopffarbschnitt ohne Schutzumschlag Zustand: keine Beschädigungen eine Namenseintragung. Rücken Ecken Kanten gut berieben. Verlag von Gebrüder Jänecke, Hannover, hardcover
1908MILI1140Ldn., Rees 1908. gr.-8°, 54 S., mit 11 Taf., ill. OPp., stärker abgeschabt, angestaubt, einige schwächere Schmutzspuren, berieb., Rü. rissig, am ob. Kap. kl. Fehlst., Ecken bestoß., flieg. Vors. m. schwachen Leimschatten, Besitzerstemp. am Innentit., einige Taf. lose. In Englisch.
1992Q-0849909767W Pub Group 1992-12-01. Hardcover. New. In shrink wrap. Looks like an interesting title! W Pub Group hardcover
19824413DBChur., Standeskanzlei Graubünden (Herausgeber)., 1982. 194 S., 33 z.T. farbige Tafeln. Leinenband mit illustriertem Schutzumschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
19951833FBBitburg, Verbandsgemeinde Bitburg-Land, Geschichtlicher Arbeitskreis Bitburger Land, 1995. Groß-8°. 24 x 17 cm. 118 Seiten. Original-Karton. (= Beiträge zur Geschichte des Bitburger Landes Nr. 20/21).
197761166CBOsnabrück, Wenner Verlag, 1977. 8°. 21 x 16 cm. XLIII Tafeln, VI und 162 Seiten. Privater Leinenband.
190851780ABRavensburg, 1908. 4° (37x25), Oln mit goldTitel, [2 Warenabbildungen] leicht aufgebogen und staubrandig, Papier innen mässig stockfleckig,
19912061FBArolsen, Waldeckischer Geschichtsverein, 1991. Groß-8°. 24 cm x 22 cm. 426 Seiten. Original-Leinenband. (= Waldeckische Forschungen, Band 5).
1981126667Fridingen, Verlag Graf Klenau, 1981. Format: 34,5 x 25 cm. Textband: 7 Bll., 195 Seiten. - Tafelband: 9 Bll., 100 Tafeln. Orig.-Kunstlederband mit Rückentitel in Schuber.
1934260630Richard Hummel Verlag Leipzig 1934. Hardcover Leinen Farbkopfschnitt ohne Schutzumschlag Zustand: keine Beschädigungen mit Textanstreichungen und -eintragungen Rücken Ecken Kanten bestoßen. Mit Kennung einer Privatbibliothek. Mit einer Zueignung des Autors im Vorsatz. Richard Hummel Verlag, Leipzig, hardcover
198314559Burr Ridge Illinois U.S.A.: Irwin Professional Pub 1983. Large hardback in very good condition with good condition dust jacket. Chunk missing from lower corner of dust jacket. Hardcover. Very Good/Good. Burr Ridge, Illinois, U.S.A.: Irwin Professional Pub Hardcover
1994Q-1885439008equis international 1994-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! equis international hardcover
199490849equis international 1994 hardback book and dust jacket in fine condition. 1st Edition. Hardcover. Fine/Fine. equis international hardcover
1912401925Durham : Published for the Society by Andrews & Co. 1912. 1st edition. Hardcover. Very good copy in the original gilt-blocked and blind-bordered cloth. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description; 1 v. frontispiece illustrations coats of arms ; 23 cm. Subjects; Devices Heraldry. Visitations Heraldic England. Yorkshire England ; Genealogy. Northumberland England. Medieval history. Durham : Published for the Society by Andrews & Co. hardcover
1924255378Corps Hubertia 1924. Hardcover mit Leinenrücken Rundumgoldschnitt ohne Schutzumschlag Die Jahresangabe ist ungefähr. Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten bestoßen. Corps Hubertia, hardcover
1981034063UK 1981. Painting. Very Good. Unframed. 9 x 18.5 cm. A extremely fine watercolour study on board of a male shining leaf chafer beetle signed lower right corner and dated 1981. The "mount" size approximately 280 x 165 mm overall dimension 330 x 245 mm. mounted on mounting board of slightly larger dimensions. Biography: British artist and wildlife illustrator Chris Shields graduated Northwich College of Art and Design in 1973. For many decades he has pursued his passion for wildlife as a full-time self-employed illustrator and is now regarded as one of the world's leading exponents of this genera. He has contributed wildlife illustrations to over 300 books numerous calendars greeting cards postcards including a fine series of 30 postcards of British birds for Grange Books/Royle posters and jigsaw puzzles. He has exhibited his paintings widely in the UK and China and his paintings are held in public and private collections worldwide. He has a particular interest in moths and butterflies and was President of the Manchester Entomological Society. His illustrations of insects are particularly accomplished very much in the best tradition of fine zoological illustration. Undoubtedly these highly detailed and accurate gouache and watercolour studies of wildlife subjects are his forte. His more expressive work is not always so successful. unknown
19448201944. Etching on fine antique laid paper with a partial "Catalunya Spain" watermark 1 5/16 x 2 3/8 inches 34 x 61 mm full margins. Signed dated and inscribed "III" in pencil lower margin. A proof impression of the third state of 3 after the trimming of the plate before the regular edition of 90 impressions. Fletcher states 5 proof impressions of the third state 5 proof impressions of the second state and an unkown number of first state impressions. Printed by David Strang. In superb condition. <br /> <br /> Fletcher 384. Christmas Card Series No. 22<br /> Miniature Series No. 33<br /> <br /> Note: "Vermont" and "Normandy" were etched on the same plate 6 x 5; 153 x 127. The "Vermont" section of the plate was damaged during the process of etching which made it necessary to reduce the size. The plate was cut in half after the second state. <br /> <br /> Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave.<br /> <br /> The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia.<br /> <br /> His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown
19448181944. Etching on fine antique laid paper 1 5/16 x 2 3/8 inches 34 x 61 mm full margins. Signed and dated in pencil lower margin. A Christmas card from Dorothy and John Taylor Arms from the year 1944; presented in the original handmade paper folder inscribed with the title God's Mirror" and an excerpt from Psalm CXXI as issued by the couple. Printed by David Strang from an edition of 90. In superb condition. <br /> <br /> Fletcher 384. Christmas Card Series No. 22 <br /> Miniature Series No. 33 <br /> <br /> Note: "Vermont" and "Normandy" were etched on the same plate 6 x 5; 153 x 127. The "Vermont" section of the plate was damaged during the process of etching which made it necessary to reduce the size. The plate was cut in half after the second state. <br /> <br /> Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown
