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Very Good English Paperback. Pbo. Large 8vo. In English. [40] p. The Near East Mission today. Its institutions.
Very Good English Original wrappers. 4to. (27 x 19 cm). In English. 15 p. Uncommon pamphlet of the declaration that "The PRG is not a government in South Vietnam" in the last years of the Vietnam War (1954-1975), consisting of three parts, published one year after the PRG was separated from both South Vietnam and North Vietnam by the 1973 Paris Peace Treaty as an independent entity was signed, and one year ago it became the nominal government of South Vietnam as the Republic of South Vietnam following the Fall of Saigon on 30 April 1975. The Provisional Revolutionary Government of the Republic of South Vietnam (Vietnamese: Chinh phu Cach m?ng Lam thôi Công hôa Miên Nam Viêt Nam), was formed on June 8, 1969, by North Vietnam as a purportedly independent shadow government that opposed the government of the Republic of Vietnam (South Vietnam) under President Nguyên Vân Thiêu and then as a country after the Fall of Saigon with the name Republic of South Vietnam from 30 April 1975 to 2 July 1976. "[.] Therefore, out of an abiding respect for truth, and in order to prevent misunderstandings that could be harmful to relations between countries, the Government of the Republic of Viet-Nam deems it necessary to set the record straight, and to show conclusively that the self-proclaimed "Provisional Revolutionary Government of South Viet-Nam" cannot legitimately be considered a real government." (From the introduction). Four copies in OCLC worldwide, not in the US libraries: 218501365, 934117889.
75-9527Miami FL: The Wolfson Foundation of Decorative and Propaganda Arts Inc. 1987. 4to. Good. Some scuffs on spine and covers. Soft Cover. B&W and some color plates. 101 pp. Miami, FL: The Wolfson Foundation of Decorative and Propaganda Arts, Inc. 1987 paperback
75-9528Miami FL: The Wolfson Foundation of Decorative and Propaganda Arts Inc. 1987. 4to. Good. Some scuffs on spine and covers. Silver cover. Soft Cover. B&W and color plates. 84 pp. Miami, FL: The Wolfson Foundation of Decorative and Propaganda Arts, Inc. 1987 paperback
Fine Fine English Original brown imitation leather bdg. Dust wrapper. In publisher's special slip-case. Folio. (31 x 26,5 cm). Texts in entirely English, bilingual title on the slipcase in English and Arabic. 143, [1] p., fully color and b/w photos. Signed and inscribed in Turkish by Cidde emini [i.e. The Lord Mayor of Jeddah] Mohamed Said Farsi, dated 8.5.1984 to Turkish architect Selim Sabuncuoglu as 'Sayin Selim Sabuncuoglu, en güzel temennilerimle Jedda'dan bir hatira. Jeddah emini, Sait Farisi'. Sealed "YÜTAS: Construction Production Industry and Trade Co.". Dr. Mohammed Said Farsi, (1937-2019), was a former Lord Mayor of Jeddah, and a man of such aesthetic integrity that he traveled the world to meet with sculptors, painters, and musicians before replanning the city according to his own meticulously constructed vision. (Source: The Rake). Dr. Farsi was a visionary civic leader and philanthropist who is widely considered to be the father of modern Jeddah. He presided over a five-fold increase in the city's population, led its transformation, including creating the famous Jeddah corniche - a unique public space and an open-air gallery. Dr. Farsi, a noted art lover, was also the first mayor to introduce Western art and sculpture to an Arab city. He is survived by his son Hani Farsi and former wife Naglaa Asaad. Born in Makkah in 1937, Dr. M S Farsi qualified as an architect in Alexandria and returned to Saudi Arabia in the early 1960s. He entered government service in 1963 and rose rapidly. Just two years later he was appointed to the post of Planning Officer for the Western Region of Saudi Arabia. Covering an area larger than the United Kingdom and having within its boundaries the port city of Jeddah and the Holy Cities of Makkah and Medinah, this territory was in effect Saudi Arabia's window to the world and it was under Dr. Farsi's aegis that plans for these three cities were drawn up; given the immense significance of this work, Dr. Farsi liaised with the very highest levels of government. In 1972, Dr. Farsi became Mayor of Jeddah, a city that had grown from the historic walled city of his childhood to a large modern conurbation of more than 300,000 people. Until the middle of the following decade, Dr. Farsi presided over a period of spectacular and unprecedented growth for the city, which saw its population increase five-fold. That chaos was averted in the face of such a population explosion was due in no small part to Dr. Farsi's enlightened leadership. It is remarkable that in the midst of creating much-needed infrastructure, Dr. Farsi found time to create a city that was as beautiful as it was functional; with a carefully preserved historic center, gracious boulevards, and charming parks. A collector of Islamic and Western art, Dr. Farsi's vision as a city planner was to integrate important contemporary art into public spaces, thus enriching the lives of the inhabitants and reflecting the on-going cultural significance of the city, and his mayoralty is today remembered for its artistic flowering and for being at the forefront of design. Dr. Farsi made use of local artists and materials as well as commissioning works from many great Western masters, including Henry Moore, Victor Vasarely, Alexander Calder, Arnaldo Pomodoro, Joan Miró, Cesar Baldaccini, Sylvestre Monnier, Jean Arp, and Jacques Lipchitz, among many other stellar names in the international art world. He was the first mayor to introduce Western art and sculpture to an Arab city, as well as the first to display art that depicted the physical human form. At the time he stepped down, in 1986, Jeddah boasted over 400 pieces of public art. When he retired in 1986, Dr. Farsi returned to one of his primary passions - education. Within just one year he successfully qualified for his doctorate, attaining a Ph.D. from the University of Alexandria. (Source: Pressat). Jeddah: 'Bride of the Red Sea'. This is a cosmopolitan city, ancient and modern hub, the unique seat of civilis[.]. R
In 8°, t.t. edit. con sovrac. ill., pp. 393,(7) con 58 ill. b.n. in tavv. f.t.; coll. "Biblioteca storica"; prima ed., ottimo es.. (L032) (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine)
56 articles which appeared in the Vancouver, B.C. press from February 8, 1941 through February 28, 1942. The articles were commissioned by Colonel H.S. Tobin, Managing Director of Vancouver Breweries Limited and appeared in the Vancouver media. Given the dire situation faced by Britain, the directors of the brewery felt it best to set aside the greater portion of its advertising appropriation for patriotic, rather than regular business purposes and these articles were the result. Due to their popularity, they were reprinted in book form. Prior owner's name upon title page. Somewhat above-average external wear to pale green cardcovers which bear a two-inch opening between spine and top of back cover. A worthy copy of this fascinating look back to the early 1940s. Canadian unity is discussed. Book
19351057651935 1 Moscou, Pravda, 1935, 350x268mm, 160p., pleine toile bleue façon polaire, lettrage argent sur le plat et au dos, étui toilé gris anthracite.
193999607Paris, Nrf Gallimard, impr. F. Chantenay, coll. « Problèmes et Documents » 1939 In-8 23 x 14,5 cm. Broché, couverture beige imprimée, 270 pp., bibliographie, table des matières. Couverture poussiéreuse, accrocs en tête et en pied de dos, intérieur uniformément et légèrement jauni. édition originale sans grand papier.
104.885Paris, Gallimard, 1952. 14 x 23, 605 pp., quelques planches, broché, bon état (couverture avant abîmée avec 1 petit manque).
Gallimard, 1967. Grand in-8 broché de 605 pages. Bibliographie, index. Nouvelle édition revue et augmentée. Collection Problèmes et documents. Rares passages discrètement soulignés au crayon de papier sinon très bon état
195294748NRF Gallimard 1952 In-8 22,5 x 14 cm. Broché, couverture beige imprimée de lettres noires et rouges, 605 pp., 21 figures et illustrations dans et hors texte, bibliographie, index analytique et nominatif, table des matières. Traces de ruban adhésif sur les pages de garde, sinon bon exemplaire.
Very Good English Paperback. Pbo. 12mo. (16 x 12 cm). In Turkish. [8], 34 p. Florence Nightingale Yüksek Hemsire Okulu. 1968-1969 Bülteni.
Very Good Turkish, Ottoman (1500-1928) Original very attractive chromo-lithograph print of Soviet Tatarstan emblem. 24x17 cm. Bilingual in Tatar and Ottoman script. Eight paper-tapes on the extremities of paper. "Sekil 20" [i.e. Figure 20] written. It shows a peasant holding a sickle and a worker holding a pickaxe have joined their hands. The sun rises out of a wreath knitted with spikes and an arrow is drawn with a bow. Inside the wreath, "Tatar Sûrâlar Cumhuriyeti" is written in Arabic letters. In the lower part, hammer and sickle symbols stand out. Info about this emblem and its artist, and from which source it's taken couldn't be found. Litho.
In 16° br. pp. 23
30 pages. 7.25" x 5.6". Text in English. Each page charmingly illustrated in colour. Ten-year-old Ah-wu, his dog Blackie, and friend Ah-hsiao live on Hainan Island which has been occupied by the Japanese Army in 1939. Tells the dramatic tale of how the trio captures a Japanese soldier, then delivers him and his rifle to the guerrillas. Unmarked with light wear and soiling. A quality copy of this charming vintage work. Book
1935102676BB(Moskau, IZOGIZ (State Publishing House for Fine Arts), 1935). Folio (37 x 28 cm.). [18] Bl. (davon 2 auf Japanpapier), 39, (2) S. (Text) mit illustr. Titel, zahlr. Abb., 1 doppelblattgr. illustr. Karte u. 1 gefalt. Tafel; [71] Bl. (davon 6 auf Japanpapier) mit zahlr. Abb. u. teils farb. Illustrationen u. 6 gefalt. Tafeln; [45] Bl. (davon 1 auf Japanpapier) mit zahlr. Abb. u. 2 gefalt. Tafeln; [24] Bl. mit zahlr. Abb. u. 1 gefalt. Tafel; [24] Bl. mit zahlr. Abb. u. 3 gefalt. Tafeln; [45] Bl. (davon 5 mit ausgestantzten rechteckigen Fenstern) mit zahlr. Abb. (davon 1 mit mont. farb. Stoffmuster) u. 3 gefalt. Tafel OKart. mit Leinenrücken u. silber- oder goldgepr. Deckelillustration in illustr. Orig.-Leinenkassette. 6 (statt 7) Bände.
Administrative structure and practical realization. Un volume (24 cm) di 402 pagine, con numerose illustrazioni. Brossura editoriale. Ottime condizioni
ril. Un manuale di comunicazione politica «al contrario» che ribalta il concetto di marketing politico. Se quest'ultimo nasce come strumento utilizzabile da grandi attori con grandi risorse, Guido Taietti fornisce invece una prospettiva completamente diversa, spostando totalmente il centro della discussione. La domanda - e infine l'obiettivo - che ci si pone è come possono piccoli attori politici impostare la propria partita comunicativa con nuove regole e nuovi principi.
(ca. 38 x 27,7 cm). 24 S. Original-Broschur mit illustriertem Deckeltitel (Abbildung Luftschiff und NS-Hoheitszeichen). (= Berliner Illustrirte Zeitung, Sonderheft 1. Mai 1933). Zeitung leicht gegilbt und gerändert, insgesamt guter Zustand. Das Sonderheft enthält zahlreiche fotografische Abbildungen zum ersten NS-Propagandaakt am 1. Mai 1933. Insbesondere von den Feiern am Lustgarten (Schloss) und den Massenveranstaltungen auf dem Tempelhofer Feld (Parade, Menschenmassen, Feuerwerke) sind sehr viele Abbildungen im Heft enthalten.
19845224Scarabée & Compagnie Grand In-8, broché, couverture jaune et rouge por le titre (ill d'un cavalier piquant un morceau de boudin), 192 pages, 16 Illustrations à pleine pages en couleurs par Syssoïev et de nombreux ht en noir par le même auteur, exemplaire fané et en bon état.
19381014111938 Prague, publié par le Ministère de la Défense, 1938, 295x210mm, pleine toile de l’éditeur, jaquette photographique, étui original en carton imprimé. Brochure originale d’hommage de l’éditeur au nom du Capitaine Kliment Bombera.Texte de Jiri Letov, Jiri Jenicek et Vladimir Pacak. L’illustration comprend 80 photographies pleine page reproduites en héliogravure ; légendes en tchèque, allemand, français et anglais. Photographies de Jiri Jenicek, conception graphique de Ladislav Sutnar. Formé avec le pictorialisme, Jiri Jenicek devient rapidement un ardent défenseur de la Nouvelle Photographie et collabore aux principaux mouvements d’avant-garde tchèques; de 1918 à 1948 il exerce dans l’armée ou il réalise de nombreux courts métrages et publie plusieurs ouvrages à thème militaire. Ladislav Sutnar, formé dans l’avant-garde tchèque des années 20 y apparaît d’emblée comme un graphistes des plus importants ; il participe aux expositions Pressa Cologne 1928, Barcelone 1929, Stockholm 1931, Milan 1936, Paris 1937 ; il émigre à New York en 1938 où il travaille pour la World’s Fair ; il y fonde une Ecole d’Arts Graphiques et la firme Sutnar and Hall, spécialisée dans le packaging. Birgus, Czech Photographic Avant-Garde p.295. Exemplaire neuf. (101411)
194061260ABStuttgart, Union Dt. Verl.-Ges., (1940). (1. - 10. Tsd.)., selten 127 S Ill. Kart./Ln ill. ill. Cover beschädigt, Kapitäle best., Buchschnitt nicht bündig., guter Grundzustand 10
197945508Londeon, H. Hamilton 1979. 420 Seiten, mit Schutzumschlag, SU am Rücken ausgeblichen. Gebundene Ausgabe, Hardcover/Pappeinband, sonst Exemplar in gutem Erhaltungszustand
" L' Italia è un'isola che si immerge nel Mediterraneo. Se per gli altri il Mediterraneo è una strada, per noi Italiani è la vita...." Mussolini. Brossura editoriale a stampa, pp. 30, in 8°
