19th Century French ArtistBiblio.com
8 059 résultats
18-2957Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16†x 13â€. Good. Separated at center into two halves and repaired with tape on verso. Minor tears on edges. Text in Dutch and French.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
71-9276Barcelona: A. Boileau & Bernasconi circa 1853. Color print. 34 x 24 cm sheet. With pages 1-7 of sheet music. Good age toning along sheet edges tear at left sheet edge extending into image. [Barcelona: A. Boileau & Bernasconi, circa 1853]. unknown
71-4365London: The Graphic Christmas1888. Black and white illustration. 27.5 x 20 cm. sheet. Very Good. Masking tape remains showing through at top and bottom sheet edges. Text on the reverse with a color illustration of a performing belly dancer. London: The Graphic Christmas,1888. unknown
18-2242Epinal France: Pinot & Sagaire 1870s. Large format color broadside 17†x 12â€. Very Good. Top row of images separated from the rest of the page. Some losses in margins. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870s]. unknown
18-2239Epinal France: Pinot & Sagaire 1870s. Large format color broadside 17†x 12â€. Very Good. Bottom two rows of images separated from the rest of the page. Minor losses in margins. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870s]. unknown
18-2241Epinal France: Pinot & Sagaire 1870s. Large format color broadside 17†x 12â€. Very Good. Top row of images separated from the rest of the page. Minor losses in margins. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870s]. unknown
18-2243Epinal France: Pinot & Sagaire 1870s. Large format color broadside 17†x 12â€. Very Good. Top row of images separated from the rest of the page. Minor losses in margins. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870s]. unknown
18-2327Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 12†x 11â€. Lower one-third is missing. additional losses in right edge. Mounted on paper. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
17-6657Paris France: Galerie Ph. Rosen n.d. Brochure of 16 page heliogravure illustrations. 18.5 x 27 cm each sheet. Very Good. Sheets lightly toned. Paris, France: Galerie Ph. Rosen, n.d. unknown
73-3985London: 19th Century British Publisher circa 1800s. 15x20 cm. Black and white engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s] unknown
71-9874New York: American Publisher circa 1845. Chromolithograph. 45 x 45 cm sheet. Good print mounted to a support sheet toning along margin edges a tear and stain in the upper margin. [New York: American Publisher, circa 1845]. unknown
71-8891London: British Publisher circa 1870. Hand-colored print. 16 x 16 cm sheet. Right-hand page turns with additional text on second page. Very Good minor soiling rubs and foxing. [London: British Publisher, circa 1870]. unknown
76-0271New York: Puck Magazine circa 1888. Contemporary color print. 33 x 25.5 cm sheet. Very Good light soiling in the margins. [New York: Puck Magazine, circa 1888]. unknown
71-8876London: British Publisher circa 1860. Color lithograph. 27.5 x 21 cm sheet. Very Good minor soiling and foxing in the margin areas remains of masking tape along top edge on verso. [London: British Publisher, circa 1860]. unknown
71-4313London: The People’s Magazine: An Illustrated Miscellany for Family Reading July 1 1869. Wood engraving. 21 x 17.2 cm. sheet. Very Good. Masking tape remains showing through at top and bottom sheet edges. Text on the reverse. London: The People’s Magazine: An Illustrated Miscellany for Family Reading, July 1, 1869. unknown
73-3938London: 19th Century British Publisher circa 1880s-1890s. 25x15 cm. Hand Colored engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. Item in plastic sleeve new photos of item can be sent to customer upon request. [London?: 19th Century British Publisher?, circa 1880s-1890s] unknown
73-4015London: 19th Century British Publisher circa 1800s. 27x31 cm. Black and white engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s?] unknown
71-3417Paris: Pellerine & Cie circa 1885. Hand colored lithograph. 43.5 x 55.5 cm. sheet. Very Good tears along sheet edges. Paris: Pellerine & Cie, circa 1885. unknown
71-6883Paris: Pellerin circa 1878. Hand-colored lithographs. 37 x 48 cm sheet. Very Good horizontal tear at upper right sheet edge some tears along sheet edges.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Pellerin, circa 1878. unknown
71-9226London: The Illustrated London News Dec. 10 1853. Wood engraving on newsprint. Text on verso. 40 x 27.5 cm sheet. Very Good age toning along the sheet edges. London: The Illustrated London News, Dec. 10, 1853. unknown
71-8743London: Punch or The London Charivari 1906. Illustration. 27.5 x 20.5 cm sheet. Good light toning and tears along sheet edges. London: Punch, or The London Charivari, 1906 unknown
39334Colchester:Chas. E. Page Solicitor 6th February 1896 . Folded folio vellum document. 15.75" x 10". 3 horizontal and one vertical fold written on all four sides including a plan of the land being sold . Front quarter soiled with a couple of small holes otherwise very clean. Indenture between Henry Howe Colchester Hay and Straw Merchant and Herbert George Munson Colchester Currier Leather one part and Mark Joslin Colchester Commercial Clerk Trustees for the Albert Edward Lodge No. 6032 Bury St. Edmunds District of the Independent Order of Oddfellows Manchester Unity Friendly Society. Six pieces of land on Canterbury Road part of the Military Road estate St. Botolphs Colchester. A further memorandum is added dated 12th October 1996 stating transfer of land to: Charles H. Marsden; Percy H. Chapman; William Godfrey; Robert Godfrey; Walter Long; John Smith; Thomas Cocker the younger; and Herbert J. Russell. Colchester:Chas. E. Page, Solicitor, 6th February, 1896 . hardcover
71-6095Paris: 19th Century Publisher circa 1865. Hand-colored wood engraving. 20 x 27 cm sheet. Text in French on verso. Very Good a short horizontal tear in right margin not extending to image sheet toned along the edges. [Paris: 19th Century Publisher, circa 1865]. unknown
71-8091Paris: Gaspard Albert Hauser 1847. Lithograph. 45 x 30.5 cm sheet. Very Good specks of foxing in the margins some surface soiling at top and bottom sheet edges. Paris: Gaspard Albert Hauser, 1847. unknown
71-7379Paris: French Publisher circa 1890. Vintage Albumen Photograph mounted on card stock. 43.5 x 31.5 cm card. Very Good upper corners of card stock creased. [Paris: French Publisher, circa 1890]. unknown
