19th Century ArtistBiblio.com
8 059 résultats
76-1459Paris: French Publisher 1850. Engraving mounted on support sheet. 13 x 7.5 cm sheet. Very Good. [Paris: French Publisher, 1850]. unknown
76-1469Paris: French Publisher circa 1874. Engraving on wove paper. 29 x 19.5 cm sheet. Very Good light toning at the four sheet corrners. [Paris: French Publisher, circa 1874]. unknown
76-0046London: British Publisher circa 1865. Hand-colored lithograph. 14.5 x 22 cm sheet. Very Good minor surface soiling. [London: British Publisher, circa 1865]. unknown
18-2237Epinal France: Pinot & Sagaire 1870s. Large format color broadside 17†x 12â€. Very Good. Bottom row of images is separated from the rest of the page. Penciled marks across text blocks. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870s]. unknown
71-6334Paris: French Publisher circa 1870. Hand-colored wood engraving. 16 x 34 cm sheet. Text on verso. Very Good light specks of foxing in margins center fold crease. Paris: French Publisher, circa 1870. unknown
71-6852Paris: French Publisher circa 1817. Three hand-colored engraving. 26.5 x 17 cm each sheet. Very Good some light foxing each print affixed to another support sheet.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: French Publisher, circa 1817. unknown
17-1499Epinal France: Pellerin 1870-1871. Large format color broadside 16†x 13â€. Very Good. Minor wear along edges. Minor toning and very light spots of foxing. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: [Pellerin?], [1870-1871]. unknown
18-2235Epinal France: Pinot & Sagaire 1870s. Large format color broadside 17†x 12â€. Good. Top row of images is separated from the rest of the page. Some loss in left margin and text under image on top right. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870s]. unknown
71-6485Paris: E. Hocquart Saintin & Delaunay 1815. Hand-colored engraving. 19 x 23 cm sheet. Very Good light surface soiling tears along sheet edges. Paris: E. Hocquart, Saintin & Delaunay, 1815. unknown
71-8121Paris: L’Artiste circa 1888. Engraving. 31 x 23.5 cm sheet. Very Good minor surface soiling. [Paris: L’Artiste, circa 1888]. unknown
71-6757Paris: French Publisher circa 1840. Hand-colored lithograph. 13.5 x 18.5 cm sheet. Good light specks of foxing throughout.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: French Publisher, circa 1840. unknown
76-1528Paris: French Publisher circa 1890. Engraving on wove paper. 28 x 20 cm sheet. Very Good. [Paris: French Publisher, circa 1890]. unknown
18-2331Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5†x 12â€. Good. Some tears on edges repaired with tape on verso. Some loss in top left corner not affecting image. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
76-1569Paris: French Publisher circa 1851. Etching on wove paper. 24.5 x 16 cm sheet. Very Good light specks of foxing in the margin areas. [Paris: French Publisher, circa 1851]. unknown
71-8735Paris: French Publisher circa 1855. Engraving. 10 x 16 cm sheet. Text in French on verso. Very Good. [Paris: French Publisher, circa 1855]. unknown
71-5764Paris: French Publisher circa 1875. Original lithograph. 25.5 x 32.5 cm sheet. Very Good light soiling in the margin areas.- [Paris: French Publisher, circa 1875]. unknown
71-3444Paris: French Publisher circa 1830. Hand colored wood engraving. 35.5 x 44.5 cm. sheet. Good minor surface wear a tear at bottom sheet edge. [Paris: French Publisher, circa 1830]. unknown
71-6071Paris: Illustration for Les Merveilles De La Science ou Description Populaire des Inventions Modernes by Louis Figuier circa 1870. Hand-colored wood engraving. 17 x 15.5 cm sheet. Text in French on verso. Very Good. Paris: Illustration for Les Merveilles De La Science ou Description Populaire des Inventions Modernes by Louis Figuier, circa 18 unknown
71-6073Paris: Illustration for Les Merveilles De La Science ou Description Populaire des Inventions Modernes by Louis Figuier circa 1870. Hand-colored wood engraving. 19 x 15 cm sheet. Text in French on verso. Sophie Blanchard was an aeronaut and the widow of Pierre Blanchard an aeronaut himself. On July 16 1819 as she was taking part in an exhibition the fireworks she was supposed to launch set fire to her balloon causing it to crash on the roofs. Very Good. Paris: Illustration for Les Merveilles De La Science ou Description Populaire des Inventions Modernes by Louis Figuier, circa 18 unknown
18-2240Epinal France: Pinot & Sagaire 1870s. Large format color broadside 17†x 12â€. Good. Bottom two rows of images separated from the rest of the page. Some loss in middle right affecting text and image. Mounted on paper. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870s]. unknown
18-2324Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15.5†x 11.5â€. Minor tears in edges along fold not affecting image. Reinforced with tape on verso. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
53102Paris: Boussod Valadon & Cie. in Asni�res-sur-Seine 1895 . Published by Boussod Valadon & Cie. in Asni�res-sur-Seine 1895 � A magnificent copy of this beautiful book of hours illustrated with 20 photogravures after watercolors by Guillaume Dubufe. Elegant full cream morocco binding spine with five raised bands gilt edges charming Art Nouveau gilt decoration on the front cover gilt rolls on the pastedowns gilt rolls at the head and tail silk moir� endpapers. Binding signed Durvand. Paris: Boussod, Valadon & Cie., in Asni�res-sur-Seine, 1895 . hardcover
73-3939Paris: 19th Century French Publisher circa 1880s-1890s. 22x18 cm. Hand Colored engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris?: 19th Century French Publisher?, circa 1880s-1890s] unknown
71-4132Epinal France: Pinot & Sagaire circa 1871. Hand-colored lithograph. 38.5 x 28 cm. sheet. Good. Tears along sheet edges. Light specks of foxing. [Epinal, France: Pinot & Sagaire, circa 1871]. unknown
18-2386Pont-à -Mousson: Haguenthal 1870-1900. Large format color broadside Bilderbogen 16†x 11â€. Good. Some loss in bottom left corner not affecting image. Top row of images detached from bottom two rows. Mounted on paper. Text in French.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Pont-à-Mousson: Haguenthal, [1870-1900]. unknown
