Romano BracaliniMareMagnum
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cartone edit. con titoli al dorso e sovrac. ill. - prima edizione - una cartina nel testo, cartine alle sguardie
trad. di Luigi Bessone tela edit. con sovrac. ill., timbri di appartenenza, rari segni a matita ai margini, traccia di etichetta al dorso della sovrac.
bross. edit. ill. con bandelle - prima edizione it. - trad. di Pierpaolo Bonacini - illustrazioni in b.n. fuori testo
paperback, 1989. 100 pp.text, 113 plates (2 in color). as new ! Ars Picturae books are printed in a limited edition of 600 copies.
New Southgate, H. A. Rogers, 1887, in-8, cartone editoriale, pp. VIII, 371, (1). Bel ritratto all'acquaforte (C. W. Sherborn) in antiporta. Allentata la cerniera del piatto ant., mancanze al dorso. Nota al verso del piatto anteriore: Large Paper Copy.
London, Cadell - Moxon, 1834 - 1835, volumi 2, in-8, legatura novecentesca in piena tela, cartello in pelle sul dorso, pp. 296, 295. Testate, finaletti e illustrazioni in acciaio, nel testo. Lievi rifioriture della carta. Ex Libris. In antiporta un invio autografo con poesia in inglese di G. Antinori datata 1840.
2 volumes in-4to (31 x 23.5 cm): the text is in French and covers 930 pages, including an extensive catalogue raisonne of 450 pages; the plate volume comprises 913 illustrations, nearly half of them in colour.Binding: Cloth bound with dust jacket in a decorative slipcase, Printed in an edition of 500 copies. ISBN 9070288087. This book, written and published in French only, is the first exhaustive monograph dedicated to Liotard, the principal Geneva painter. The authors have previously published many articles on the theme.Jean-Etienne Liotard (Geneva 1702-1789), trained as an enamelist in Geneva and in Paris, received international acclaim as an itinerant portrait painter working for the major courts of Europe. He was established in Paris, in Italy, four years in Constantinople, in Moldavia, then several times in Vienna, Germany, Paris, London, the Netherlands and Geneva. During the fifty-five years of his activity, from 1725 to 1780, he worked for forty years in the European capitals. While mindful to his competitors, he never fully adhered to a national school. His aesthetic conception was totally original and independent, opposed to academic conventions, without any concessions made to the conventions characterizing court portraiture. In the field of enamel and miniature painting he had no equal.Some 525 works of his production survive, including 280 pastels, oils, enamels, miniatures, engravings, and 140 drawings. Many other works are documented but lost. The ?uvre is today spread across museums of Europe and the United States - foremost in Geneva and Amsterdam, - and in private collections. Numerous masterpieces have never been on view, many works are now published for the first time.The book discusses the life and the art of Liotard, his artistic trajectory, the particularities of his style, his evolution, his self portraits. The sources cover the genealogy, contracts, inventories, the two autobiographies and the contemporary biographies. The chapter of the techniques deals with the practical aspects of his art. His collection of old paintings is studied in detail. His two theoretical publications, including the Treatise of 1781, are reprinted in full and analyzed in detail.The bulk of the text is the critical catalogue in chronological sequence, discussing in each case the relevant aspects and the biography of the represented sitters. A chapter presents the graphic production of the engraver Jean-Michel Liotard, his twin brother. A major section comprises for the first time all the letters of Liotard and large excerpts of the letters of his family.The 900 illustrations, to a large extent in colour, throw full light upon the international dimension of the art of Liotard and bring to life this great artist.
n. 350 bross. edit. ill., minime rotture alle unghiature
Text in English, Spanish and French. A very good blue cloth copy, with a fair dust jacket, soiled & chipped. This is a small but interesting book. No date but ca.1920. With a prologue by the noted authority Luis Feduchi, and text+notes written by the Director of the Museo Romantico de Madrid, Mariano Rodriguez de Rivas. The 74 monochrome photos are also excellent. Volume 3 in the "Coleccion El Mueble en Espana". Text and notes to the illustrations in Spanish,French and English. This book will be securely packed and shipped with tracking.
in 16°, tela edit. ill., minimi difetti alle cerniere
bross. edit. ill., alcuni segni a margine e rare sottolineature a matita, piccole macchie in cop., fioriture ai tagli, dorso fragile
8vo., First Edition, with 56 plates on 24 and coloured pictorial endpapers; blue cloth, gilt back, a near fine copy in unclipped dustwrapper. Excellent survey by an eminent naval historian.
This is a very good softcover copy in yellow pictorial stiff plastic covers with almost no wear. Completely clean inside and out. Spine not creased, binding firm. Text in German. Massive catalog prepared to accompany the exhibition at the Kaiser Wilhelm Museum in Krefeld in the winter of 1997-98. It was also shown at the Karl Ernst Osthaus-Museum in Hagen. The catalog is divided into two main sections: one prepared by each museum. The one by the Kaiser Wilhelm Museum curated by Sabine Roder and Gerhard Storck. The section by the Karl Ernst Osthaus-Museum curated by Michael Fehr. Essays and contributions by dozens of specialists. Sections on architecture, furniture, decorative arts, wall papers, textile designs, books and graphic design, etc. Hundreds of illustrations in color and black & white. 12" high X 9.5" wide, 430 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Acquaforte, 1930 circa, firmata in lastra in basso a destra. Titolo scritto a matita in basso a sinistra, firmata a matita in basso a destra Gustavo Rodella. Tiratura di 30 esemplari, prova 14/30. Magnifica prova, impressa su carta coeva del tipo giapponese, con margini, in perfetto stato di conservazione. Gustavo Rodella (Roma, 15 agosto 1891 – 1937) è stato un incisore e acquerellista italiano. Figlio di Ottavio, pittore specializzato in soggetti militari, e di Angela Canonica. Dopo il fallimento della società editrice, per cui lavorava il padre, tutta la famiglia si spostò a Milano, dove Gustavo si iscrisse e si diplomò all'Accademia di Brera. Gustavo Rodella si trasferì a Roma nel 1912 e aprì uno studio in via Margutta. Nel 1913 esordì a una mostra dell'Associazione Amatori e Cultori di belle arti e nel 1929 ottenne la cattedra di Tecniche dell'incisione all'Accademia di Belle Arti di Roma. Utilizzava varie tipologie incisorie: la xilografia, l'acquaforte, l'acquatinta, la vernice molle, la puntasecca e la litografia. Fu uno dei 25 fondatori del Gruppo Romano Incisori Artisti (Gria), costituito a palazzo Venezia, a Roma, per iniziativa di Federico Hermanin. Realizzò all'acquarello figurini e ammiccanti signorine; incise vedute romane ad acquaforte o ad acquatinta, come la Chiesa di San Carlo alle Quattro Fontane. Ha disegnato copertine per il "Giornalino della Domenica". Un'altra sua incisione, popolaresca, rappresenta i preparativi per una esecuzione del boia romano Mastro Titta, a Piazza del Popolo. Incisione di taglio verista è Le Gerle, del 1909; un'acquatinta di gusto simbolista è L'Albero di villa d'Este, del 1932. Prese parte a circa settanta esposizioni, tra cui la mostra Coloniale di Roma, le mostre del Bianco e Nero di Milano e di Firenze, l'Esposizione d'Arte Figurativa di Torino e mostre a New York, a Buenos Aires e a Los Angeles nel 1923, a Chicago nel 1931, a Bordeaux nel 1932, a Varsavia e a Vienna nel 1933, a Monaco di Baviera nel 1934. Etching, circa 1930, signed in plate at lower right. Title written in pencil at lower left, signed in pencil at lower right Gustavo Rodella. Limited edition of 30 copies, proof 14/30. Magnificent proof, printed on contemporary Japanese paper, with margins, in perfect condition.
A clean, unmarked book with a tight binding. Full green cloth boards. Price sticker residue on dust jacket. Large format: 9 3/4"w x 13 3/8"h. 180 pages. 112 full color illustrations, 30 in b&w.
Reliure ?diteur. 288 pages.
Broch?. 301 pages. Rousseurs.
135 p. Illustrated with photographs and diagrams. Pictorial title page. 12mo. Original full cloth binding. Original priced dust jacket, slightly worn and soiled. Eighth printing. Very good. W103RtStack
A clean, unmarked book with a tight binding. Slight edge wear to dust jacket. Full blue cloth boards. 108 pages. 8 1/2"w x 11 7/8"h. Over 120 illustrations, 12 pages in full color.
Appears unread. No marks or inscriptions to contents. No creasing to covers or to spine. A very clean very tight copy with bright unmarked black cloth boards, faint small dark mark to front page edges and no bumping to corners. 906pp. Detailed history of a very busy century.
Sm. 8vo., First UK Edition, neat signature on front paste-down, free endpapers mildly browned; marbled paper boards, cloth back, upper board and backstrip with paper labels lettered in black, small splash-stain on board label else a very good, crisp, clean copy. First published by Putnam, New York, in 1922. Collects eight delightful sketches, five of which originally appeared in the 'Cambridge Review'.
8vo., First Edition, with photographs in the text, small neat signature on front free endpaper; original blue cloth, gilt back, a near fine copy in unclipped dustwrapper, the latter very lightly browned at backstrip. This privately printed monograph examines the development of Norman architecture in twenty-two Sussex churches. Scarce.
bross. edit. ill. con bandelle, fioriture ai tagli - prima edizione
This is a very good hardcover copy (with a clear mylar cover), but without dust jacket as issued. Front blank endpaper missing. Completely clean inside and out. Text in Spanish. Edited by Roberto J. Herrera and Maria Carrizosa de Umaña. Illustrated throughout in black & white. Limited edition of 1000 copies, this copy unnumbered. 14" high X 10" wide, 321 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
