Twentieth Century FoxBiblio.com
8 059 résultats
17-1436Los Angeles CA: Twentieth Century Fox 1942. . 8 x 10 inch black & white glossy publicity photograph. Very Good. Slight bending at upper right corner. Los Angeles, CA: Twentieth Century Fox, 1942. unknown
17-1359Los Angeles CA: Twentieth Century Fox 1939. . 8x10 black & white glossy publicity photo. Very Good. Los Angeles, CA: Twentieth Century Fox, 1939. unknown
17-1307Los Angeles CA: 20th Century Fox Studios 1942. . 8x10 black & white glossy publicity photo. Very Good. Los Angeles, CA: 20th Century Fox Studios, 1942. unknown
17-1341Los Angeles CA: Twentieth Century Fox 1940. . 8x10 black & white glossy publicity photo. Very Good. Los Angeles, CA: Twentieth Century Fox, 1940. unknown
1959501050<p>"James A. Farley" in green ink on letterhead New York January 16 1959; to Los Angeles resident Joan O'Brien in response to a request for a favorite prayer: "My favorite prayer is and always has been THE LORD'S PRAYER Of course I say it daily." 4to 1 page.</p> unknown
19392221730<p>"FDR" 1 page on mint green The White House letterhead Washington D.C. January 9 1939 1 page with integral leaf. 9" x 7". The paper watermarked "Whiting Woven Linen." To Frederick B. Adams. Very good.</p><p>Adams 1878-1961 was married to Ellen Walters Delano a first cousin of FDR.</p><p>Roosevelt thanks Adams for the gift of a fishing rod.</p> unknown
71-4382New York: American Publisher circa 1920s. Color lithograph on cardboard. 56 x 35.5 cm. sheet. Very Good. Toning and minor rubs along sheet edges. [New York: American Publisher, circa 1920s]. unknown
1980ECTwoFistedpl1980. Print. New. Harvey Kurtzman 20th Century unidentified artist. Set of Lithograph prints by Harvey Kurtzman on Paper. PRINT. Size: 9" x 13" 240mm x 330mm. All 24 covers from the famous EC Comics series that redefined war comics. Artists include Harvey Kurtzman Jack Davis and John Severin. The back of the print either features an advert or editorial such as a battlefield map from the original comic or an interview with series creator Harvey Kurtzman by E.B. Boatner. Produced by Russ Cochran in 1980. Envelope is in Fine condition prints are Near Mint. Now a rare item. unknown
308003Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century early 19th century. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
308001Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century early 19th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
308002Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century early 19th century. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
308004Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century early 19th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
308549Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 18th century. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
308551Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 18th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
308548Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 18th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
308550Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 18th century. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19793606New York London: Johnson Reprint 1979. Facsimile edition. Hardcover. Very Good. 8vo 261 355pages green cloth <br/><br/>With folding maps. Johnson Reprint hardcover
1846ST19286London: Printed by Catchpool & Trent for Simpkin Marshall & Co 1846. FIRST EDITION. 320 x 255 mm. 12 1/2 x 10". xiii 3 96 pp. <br/> Publisher's original blind-decorated dun-colored cloth gilt titling to upper cover smooth spine newer endpapers. WITH 11 COLOR ENGRAVINGS after Frost by W. P. Chubb & Son printed in oil colors by George Baxter all with original tissue guards. Front free endpaper with small ink signature of John Hill. See: Francis Reid "Isaac Frost's 'Two Systems of Astronomy' 1846: Plebeian Resistance and Scriptural Astronomy" in "The British Journal for the History of Science" Vol. 38 No. 2 Jun. 2005 pp. 161-177. Cloth rather spotted corners bumped but the binding solid with no wear to joints or hinges. A few spots of foxing to title page half of the tissue guards with overall very faint foxing/browning the illustrations with minor foxing at edges and in margins but the images themselves clean and bright and all in all a really excellent copy the text wide-margined and quite clean and fresh and the plates with rich coloring.<br/> <br/> Illustrated with beautiful color plates this anti-Newtonian work promotes a view of the universe based on the backward-looking beliefs professed by a Protestant sect known as the Muggletonians. Named after co-founder Lodowicke Muggleton the Muggletonians emerged in London in 1651 based on the claims of two tailors who professed to be the "Last Witnesses" described in the Book of Revelation. Rejecting the new directions in philosophical reason Muggletonians believed in a purely scriptural interpretation of the universe. According to E. P. Thompson's 1994 "Witness Against the Beast" the Muggletonians had curious notions quite contrary to other Protestant denominations: they believed that the soul is mortal that Jesus and God are one and the same that Heaven was left without divine supervision from Jesus' death until the day of judgment that Heaven resides six miles above the Earth that God stands between five and six feet tall and other unconventional things. Although the sect initially avoided both worship and evangelizing during the 19th century some followers became more outspoken about their beliefs and even published books appealing to the general public. Our author Isaac Frost 1793-1858 was a prominent Muggletonian and successful owner of a brass foundry who along with his brother Joseph invested large sums to promote their belief system--the present work being an especially notable example. Divided into two main sections the text first describes the Newtonian system of heliocentric astronomy and then turns to Frost's scriptural interpretation and geocentric views. As Reid tells us "According to Frost Scripture clearly states that the Sun the Moon and the Stars are embedded in a firmament made of congealed water and revolve around the Earth that Heaven has a physical reality above and beyond the stars and that the planets and the Moon do not reflect the Sun's rays but are themselves independent sources of light. Our book was apparently written as a reaction against the lecturers who expressed Newtonian astronomy--which was often for them and their audiences simply shorthand for heliocentrism." The 11 plates that illustrate these extraordinary ideas are the work of George Baxter a pioneering printer who revolutionized color printing techniques by combining metal engravings with woodblock printing using oil-based inks to produce high-quality affordable prints. The plates here are appropriately ethereal and otherworldly utilizing a beautiful palette with subtle gradations and esoteric figures to create memorable pseudo-scientific imagery. Although this work appears at auction with some regularity it is almost always incomplete no doubt because the attractiveness of its plates encourages harvesting. Useful price comparisons include a complete copy said to be in fine condition selling for £7500 in 2016 and six loose prints from the book fetching £6875 in 2015. [Printed by Catchpool & Trent for] Simpkin, Marshall, & Co unknown
16-633219th Century. . Lavis 22.2 x 17.5 cm. Another soldier verso.Provenance:Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. 19th Century. unknown
71-2939Paris: French Publisher circa 1835. Steel engraving. 14 x 11 cm. sheet. Very Good sheet affixed to stiff paper support. [Paris: French Publisher, circa 1835]. unknown
189013431890. Ink and gouache with gold heightening on fibrous brown laid paper with a Jaipur Court Fee tax stamp in blue ink on the recto as well as the Jaipur City Council blindstamp 13 1/4 x 8 1/2 inches 335 x 215 mm. Toning handling creases and minor scattered surface soiling throughout. There are scattered coeval inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj and they are still being issued to this day. Apart from issues for the whole of India many princely states provinces and other states also had or still have their own revenue stamp issues. Before independence Indian revenue stamps were closely modeled on similar designs from Great Britain as is the case with this carriage motif stamp from Jaipur. <br /> <br /> The stamps were issued to denote various denominations including rupees and annas. An anna or Änna was a currency unit formerly used in British India equal to 1â„16 of a rupee. It was subdivided into four old Paisa or twelve pies thus there were 192 pies in a rupee. When the rupee was decimalized and subdivided into 100 new paise one anna was therefore equivalent to 6.25 paise. This particular stamp was used as evidence of court taxes remitted for property dealings. unknown
1892307182San Francisco: Abell & Priest 1892. Two fine images of pioneering physician Pauline Root dressed in a sari presumably one she wore in Madurai India while working as a doctor for the American Board of Commissioners for Foreign Missions ABCFM. <br /> <br /> Root 1859–1944 graduated from the Women's Medical College in Philadelphia and was the first female doctor to hold many posts throughout her working life. She spent seven or eight years in India establishing a Woman's Hospital in Madurai. She left India in 1891 and visited China and Japan before returning to the West Coast of the United States giving talks on her work to Christian groups along the way. She gave a lecture to the Occidental Board of Foreign Missions in San Francisco on February 3 1892 and these photographs are likely to have been taken at that time. <br /> <br /> After returning to the East Coast Root studied surgery at Cornell obtained licenses to practice in Massachusetts and New York and took a position as the resident physician at Smith College. In the 1920s she taught "social hygiene" sex-ed for the Bureau of Indian Affairs. <br /> <br /> Nineteenth century photographs of Dr. Root and other female physicians are uncommon. Drexel University has two poor condition cabinet cards of Root in Japan a few months before she arrived in San Francisco. Both images are fine with medium contrast sepia tones. The albumen silver prints measure 3-3/4 by 7-7/16 inches on 4-1/4 by 6-7/16 inch mounts. The photographer's imprint is "Abell & Priest Bancroft Building / 723 Market St. S.F. Cal." Both have blank backs with the notation "Dr. Pauline Root" and "India. Abell & Priest unknown
305033Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 18th century. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
305032Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 18th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
305034Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 18th century. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
