(MONK, Jonathan)Biblio.com
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7772Rich color illus. throughout. 90 pp. Oblong 4to red printed wrappers & orig. pictorial dust-jacket title on spine. Berlin: KINDL - Zentrum für zeitgenössische Kunst 2019.<br/> <br/> The fourth installment of the artist Jonathan Monk’s “Exhibit Model†this iteration was curated by Andreas Fiedler at the KINDL - Zentrum für zeitgenössische Kunst 10 March-21 July 2019. The catalogue is lavishly illustrated with installation shots and close-up photographs with diagrams of the exhibition space. With essays and an interview in German and English.<br/> <br/> As new. unknown
9552Many illus. 48 pp. Small 8vo pictorial semi-stiff wrappers title on spine. Glasgow: Tramway Visual Arts; FRAC des Pays de la Loire: Nantes 1996.<br/> <br/> Scarce and early publication on the artist Jonathan Monk b. 1969. With contributions in English and French by Judith Findlay and David Perreau and an entertaining interview between Douglas Gordon and Monk.<br/> <br/> As new. unknown
10874Color illus. throughout. 67 pp. Small 8vo white softcover & orig. pictorial dust-jacket. Milan: Lisson Gallery 2013.<br/> <br/> Jonathan Monk b. 1969 exhibition catalogue. The artist ordered identical Jesmonite busts of his face and then invited Jannis Kounellis Emilio Prini Gilberto Zorio John Baldessari to take a hammer and take off the nose in whatever way they saw fit. Monk also participated in the hammering Senza Titolo VII.<br/> <br/> As new. Lisson Catalogue 62. unknown
10876Full-bleed color illus. throughout. 70 pp. incl. inside of wrappers. Small 8vo pictorial wrappers staple-bound. Midlothian UK: Show & Tell Editions 2015.<br/> <br/> Rare Jonathan Monk b. 1969 exhibition catalogue. Published in 2015 this catalogue records a peculiar 2012 exhibition of 64 works by the artist. The curator Paul Robertson was given permission to stage a show at Summerhall in a hidden attic. Only 129 people were able to see it. This is basically a thorough photographic bibliography of books and ephemera by the artist.<br/> <br/> In fine condition. We locate just two copies in North America: Delaware and Ohio State. unknown
elala2067New York: Printed For Jones & Co. of Montreal 1836. 12mo. pp. 11 131. original patterned cloth some chipping to extremities & spine label some foxing. First Edition. Pointing out the manifest absurdities contradictions and falsehoods of the Awful Disclosures of Maria Monk 1836 including sworn documentary evidence and a biographical sketch of Maria Monk. Maria Monks narrative is one of the most famous examples of nineteenth century American anti-Catholic propaganda. The mysterious Maria Monk found ready help and encouragement in the publication of her charges by men associated with the American nativist movement the Rev. George Bourne and the Rev. W.C.Brownlee. Within a few years of the appearance of her slanderous and scandalous disclosures of the wicked activities engaged in at the Hotel Dieu nunnery in Montreal from where she claimed to have just escaped Maria Monk had slipped back into obscurity. She died on Welfare Island where she was imprisoned on charges of petty thievery and immorality. For an interesting account of the Maria Monk controversy see Ralph Thompsons article The Maria Monk Affair in The Colophon Part Seventeen. TPL 7395. Lande 1992. Gagnon II 86. Sabin 49994. 1st Edition. Hardcover. New York: Printed For Jones & Co. of Montreal, 1836. Hardcover
240 p. 12mo. Original white printed wraps, stained and slightly torn. Picture of nun on front wrap. The most popular of all American anti-Catholic works. Maria Monk (1816-1839) was a Canadian woman who claimed to have been a nun who had been sexually exploited in her convent. She, or ghost writers who used her as their puppet, wrote a sensational book (first published in January 1836) about these allegations. The original book later grew into a large series of related books and tracts. Monk claimed that nuns of the Sisters of Charity of a Montreal convent of the Hotel-Dieu were forced to have sex with the priests in the seminary next door. The priests supposedly entered the convent through a secret tunnel. If the sexual union produced a baby, it was baptized and then strangled and dumped into a lime pit in the basement. Uncooperative nuns disappeared. This sensational and salacious tale fanned the flames of Nativist, Anti-Catholic, and Know-Nothing passions into the next century. It was extremely popular and widely circulated. This late paperback edition is quite scarce. POPERY BOX 1
19861553334893203HASP-510, Editions Saint-Paul 1986
R320086655WILLIAM CLOWES AND SONS. NON DATE. In-12. Relié. Etat d'usage, Couv. défraîchie, Dos fané, Intérieur frais. XII + 371 pages -Nombreuses phrases musicales - Ex dono sur la page de garde.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
3896(P.), Guillaume junior, (1790). In 4° de 24 pp. + planche (importantes mouillures et champignonnage).
196695298Nouvelles Editions Méridian 1966
191022258Partitions sur le Prénom Lacroix 1910 approx.
1314257366.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000D10NS1045Adam Gallery London & Bath 2000. 1st Edition. SOFTCOVER. Landscape Quarto size 4to in colour printed stiff card covers. Unpaginated approx. 36pp 35 colour reproductions etc __CONDITION : An almost AS NEW unmarked copy mild crease to rear cover adjacent to spine. . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Adam Gallery, London & Bath paperback
68-7802Zurich Switzerland: 20th Century European Publisher ca. 1900. Color print. 10.5 x 16 cm. image size. Very Good. Auf Deutsch. Scarce. [Zurich, Switzerland: 20th Century European Publisher, ca. 1900]. unknown
1940LFA-126721072Une revue de 85 pages, format 165 x 250 mm, brochée, Académie Florimontane (Annecy) paraissant depuis 1860, rare
0138050 Reliure Dédicacé par l'auteur
1928358Imprimerie de l'Evêché, Fréjus: 1928. contient La mission de Lérins et les In-8 ( 15,5 X 25,8 cm), broché. 22 pp.
193026067Nantes 1930 une PHOTO originale albuminée en noir, CLISSON (44) - L'ARTILLERIE EN MANOEUVRE AU PIED DU VIADUC SUR LA MOINE (GROSSE ANIMATION) (1910), format : 12 x 16,5 cm, photographe inconnu,
191026066CLISSON 1910 une PHOTO originale albuminée en noir, CLISSON (44) - VIADUC SUR LA MOINE ET LA TRINITÉ (PETITE ANIMATION) (1910), format : 12 x 16,4 cm, photographe inconnu,
200503084, Edition grund, 1994 ; in-8, 125 pp., cartonnage de l'éditeur avec jaquette .
200603091, Grund, 1994 ; in-8, 127 pp., cartonnage de l'éditeur.
200603317, Grund, 1994 ; in-8, 125 pp., cartonnage d'éditeur avec jaquette.
3548515 "leçons" en un volume in-4, en feuilles (débroché), 4 p., 4 p., 4 p., 4 p., 4 p., 4 p., 4 p., 4 p., 4 p., (2) p., (2) p., 4 p., 2 p., 2 p., (2) p. (pagination séparée par leçon). S.l.n.d. [Paris, Imprimerie du Comité de salut public, février-mars 1794].
22728Signatures given at the Birmingham Conference of the Incorporated Society of Musicians 1912-1913. For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913 see Musical Times 1 February 1913 pp.113-114. Thirteen signatures of British pre-war musical figures on ten pieces of paper ranging from 16 x 19 cm to 7 x 13 cm nine of them on parts leaves of various colours cut from an album. In good condition lightly aged. In only two cases are the signatures on both sides of the paper on the other eight the reverse is blank. The ten pieces of paper are as follows. ONE: Edgar Leslie Bainton 1880-1956 British and latterly Australian composer: 'Edgar L. Bainton Birmingham. January. 1913.' With bar from 'The Cap & Bells'. On the reverse are the signatures of the violinists Albert Sammons 1908-1917 and Thomas W. Petre of the London String Quartet: 'The London String Quartet Albert Sammons. Thomas Petre'. TWO: Edward Bennett: 'Edward Bennett I. S. M. Conference Birmingham January 1st - 1913 -' With five bars from 'My soul doth magnify the Lord and my spirit hath rejoiced'. THREE: Havergal Brian born William Brian 1876-1972 composer: 'Birmingham Friday Jany 3 - 1913 Havergal Brian'. With two bars from 'Doctor Merryheart'. FOUR: John David Davis 1869-1942 composer: 'J. D. Davis . Birmingham Jan . 2. 1913 .' FIVE: Henry Balfour Gardiner 1877-1950: 'H. Balfour Gardiner'. With two bars from 'Cargoes'. SIX: Allen Gill conductor a protege of Barnby: 'Allen Gill Birmingham Conference Jan. 1. 1913'. SEVEN: Monk Gould William Monk Gould 1856-1923 British composer of light music: 'Monk Gould. Birm: Conf: 1913.' With two bars from his most famous composition 'The curfew'. EIGHT: Julius Harrison Julius Allan Greenway Harrison 1885-1963 composer and operatic conductor: 'Julius Harrison Birmingham Conference I. S. M. Jany. 1913'. With three bars from 'Down among the Dead Men'. NINE: William Wallace 1860-1940 Scottish composer and Dean of the Faculty of Music in the University of London: 'William Wallace : Birmingham : January 1 : 1913.' With two bars of unidentified music. TEN: Charles Warwick Evans 1885-1974: 'C. Warwick-Evans Birmingham Conference 1913'. On the reverse is signature of the composer Harry Assur Keyser 1871-1962: 'Harry. A. Keyser. Birmingham' with cropped bars from 'Othello Act .'. Signatures given at the Birmingham Conference of the Incorporated Society of Musicians, 1912-1913. unknown
1930168557N.p.: N.p. 1930. Large personal archive of nearly 150 photographs of various jazz blues and popular music performers nearly 50 of which are inscribed as well as a handful of personal and family photographs all belonging to jazz drummer and bandleader Nathaniel Jack Nat "Monk" McFay with the majority of photographs dating from the 1930s to the 1950s in jazz clubs in Texas Oklahoma Los Angeles San Francisco St. Louis and Hawaii.<br /> <br /> An impressive archive that is a literal survey of African-American jazz blues and popular music in the first half of the twentieth century all associated with and many inscribed to a notably loved and respected musician and bandleader<br /> <br /> Included among the nearly 150 photographs in the archive are press photographs of African-American jazz blues and popular music performers including: Louis Armstrong Louis Armstrong with Roy Eldridge and Art Tatum at Stuff's Back Stage Club Warren Bracken Buddy Banks Earl Bostic Kirtland Kirk Bradford "Stuffy" Bryant "Sister" Wynona Carr performing with McFay and Art Foxall Sidney "Big Sid" Catlett "Little" Harry Caesar The Eddie Christian Band Marie Dickerson Coker Gene Coy Tina Tixon Dorothy Donegan The Dorsey Brothers Orchestra Lorenzo Flennoy aka Flournox Troy Flloyd Viviane Greene George Jenkins Betty Hall Jones Luke Jones Lorenzo "The Hat" Manley Oscar McLollie wrestler Jim "Black Panther" Mitchell James Moody Esvan Mosby Gladys Palmer Cleo Pierce William "Frosty" Pyles Nina Russell Leslie Sheffield Fred Skinner Effie Smith Fletcher Smith C.B. Stroud Rabon Tarrant and Aaron Thibeaux "T-Bone" Walker among many others.<br /> <br /> As well as the aforementioned musicians and performers the archive also includes various photographs of McFay performing and socializing with various musicians bands and orchestras throughout his career. Also present are: a circa 1915 group schoolhouse photograph presumably including McFay or family members a 1931 photograph of the Salem Baptist Church congregation a 1949 Certificate of Award to McFay from the Bay Area Negro Business Men a "Clef Club" by-laws booklet dated 1957 and a 1986 pencil portrait of McFay artist unknown.<br /> <br /> Nathaniel Jack Nat "Monk" McFay born in Wichita Falls Texas in 1908 began his storied musical career in the early 1930s playing drums for Roderick Thomas' territory band Red Williams and Joe Brantley's Spotlight Entertainer Orchestra in Texas and Oklahoma before moving to Los Angeles in 1935. It was in Los Angeles that McFay joined Bernard Banks' ensembles Bernard Banks and His 5 Clouds of Rhythm and the Bernard Banks Sextet and with whom he made his first of many tours of Hawaii playing the Casino Ballroom in Honolulu. In 1936 McFay lead his own band at the Casa Loma Ballroom in St. Louis with which he toured Honolulu again in 1937. From 1938 to 1944 McFay played along side with among many others Leslie Sheffield Henry Coker and Harlan Leonard before rejoining Buddy Banks again in 1945. It was in 1945 that McFay made his first recordings with the Buddy Banks Sextet Marion "The Blues Woman" Abernathy and Howard McGhee and His Combo which included Charles Mingus. McFay's career continued through the 1950s and into the 1960s playing in and leading various ensembles largely in Los Angeles and Honolulu.<br /> <br /> Photographs: 11 x 14 inches 1 8 x 10 inches 97 5 x 7 to 10 x 7 inches 20 1.5 x 2 inches to 4 x 5 inches 31. Very Good to Very Good plus overall many with creasing and chipping. Eight of the above photographs mounted onto cardboard as maintained by McFay.<br /> <br /> Other materials: Very Good plus overall. N.p. unknown
