Seidler, L.K.EAntiquariat.de
TYLOR, Edward B.Livre Rare Book
La civilisation primitive, 2 tomes
18764331Couverture rigide C. Reinwald 1876 Paris 23,5x15 cm
Librairie Poids Plume · Lausanne, Suisse250,00 €
9 297 résultats
183623145ABQuedlinburg u. Leipzig, Gottfr. Basse, 1836. 4°. 33 (v. 32, dv. 2 gef.) gest. Tafeln. Pappband der Zeit mit mont. Deckelschild. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
ORD-18721Ienae. Ioannem Bielckium. 1707. In-4 (170 x 210 mm) dos à 4 nerfs finement orné et coins veau fauve, pièce de titre maroquin rouge, tranches rougies, 6ff., 640, (32) pages. Titre orné d'une vignette, lettrines historiées, 2 bandeaux gravés et 5 planches rempliées hors texte. Coiffe supérieure arasée, coins un peu émoussés, mors du 1er plat affaibli mais reliure en assez bon état, 1ère feuille blanche coupée proprement en partie sans doute pour faire disparaître une inscription, papier souvent jauni, assez bon exemplaire.
18764331Couverture rigide C. Reinwald 1876 Paris 23,5x15 cm
196429074Weidmannsche Buchhandlung. 1964. First Edition. Hardcover. Very Good in No Dust Jacket dust jacket. Very minor shelfwear to all volumes except vol. 1 which has bumped corners and bumping to lower edge of front board.; V1: 1964 964 pp; vol. 2.1 1966 : xii 419 pp; vol. 2.2 1967 : viii 421-756 pp; Vol. 2.3: 1967 VI 757-1532; 1-2.3; 2496 pages . Weidmannsche Buchhandlung hardcover
168016859CBRoma, circa 1680. /(1670-1692). 27 x 49 cm auf 31 x 51 cm Etching with some engraving. Unter Passepartout. Breitrandiges Exemplar. With a passepartout. With a broad margin. Die Versandkosten für Kunstwerke und mehrbändige Werke können von den Standard-Versandkosten abweichen. Gut erhalten, leichte Gebrauchsspuren. Good condition, minor traces of usage. plate 7 from the Imagines Farnesiani Cubiculi cum ipsarum monocromatibus et ornamentis series, published by Giovanni Gia
182763466Schleswig, gedruckt im königl. Taubstummen-Institut 1827. 332 Seiten, mit 3 Kupfertafeln; Schrift: Fraktur / Altdeutsche Schrift. gebundene Ausgabe, Halbleinen
1994art1399mlibro escrito en español, 146 páginas, en muy buen estado, algunas marcas de desgaste en la cubierta. Edicion : Cabildo Insular de Lanzarote
1992YRG-426Reliure percaline lie du vin, (25.5x 18.5cm), 185 pages sur vélin teinté, exemplaire 222 sur 500 celui de l'auteur offert à Demerson Guy. Nizet, Paris. Parfait état, accompagné d'un envoi de l'auteur à son ami le préfacier Demerson Guy ainsi que d'un document relatif à des recherches révélant que Montaigne se serait servi du Calendrier des Bergers comme support mnémotechnique. Nous disposons d'un exemplaire dudit calendrier que nous pouvons vendre séparément ou en sus.
Tratta dall'opera "Disegni originali d’Eccellenti Pittori esistenti nella Real Galleria di Firenze incisi ed imitati nella loro grandezza e colori. All’Altezza Reale di Pietro Leopoldo Principe Reale d’Ungheria e di Boemia Arciduca d’Austria, Granduca di Toscana &c &c &c. Protettore Magnanimo e Glorioso delle Belle Arti. Stefano Mulinari Incisore Fiorentino. In Atto di Umilissimo Ossequio dedica e consacra". Stefano Mulinari, Firenze, 1774 – 1782. Da Giuseppe Salviati, incisione in rame all'acquatinta virata al verde, cm 17 x 30 circa (il foglio). In margini e in buono stato di conservazione.
184534271ABStuttgart, Verlag von Scheible, Rieger & Sattler, 1845. 12° (13x9), 195,207,186,162,194; 165,210,139,167,212 S., mit 12 mehrfach gefalteten lith Tafeln [so komplett], einheitl Pbde d.Zt. mit handschriftl RSchild, dreiseitiger Rotschnitt, 10 Teile in 2 Bänden. Ecken bestossen, die leeren Vorsatzblätter sauber entfernt, die Tafeln schwach stockfleckig und teils mit leichter Fehlfalzung, gute Exemplare,
Incisione in rame (mm 240x242), rifilata alla battuta del rame ; tratta dall'opera Planetarum Effectus et Forum in Signis Zodiaci super Provincias, Regiones et Civitates Dominia, disegnata e finemente incisa dal fiammingo Sadeler. La serie raffigura i sette pianeti come le divinità romane da cui prendono il nome, affiancati dai rispettivi segni zodiacali, mentre attraversano su carri la volta celeste, sotto alla coltre di nubi che li separa dal mondo, sono raffigurati grandi paesaggi animati con città, navi, accampamenti, figurine umane intente al lavoro. Nella presente, in alto, librato su una nuvola, il carro guidato da Mercurio. Negli angoli superiori, i segni zodiacali dei Gemelli e della Vergine. Sotto, sono disposte le 12 vedute fantastiche di 12 città fra le quali Torino il cui nome è indicato nella leggenda su quattro colonne. posta lungo il lato inferiore. Rarissima incisione riprodotta in controparte al n. 12 dell'opera di Ada Peyrot, Torin o nei secoli. . Bartsch, vol. 70 parte 3, n. 479..
" *** Stampa Incisione - "Antonio Magri detto il Correggio Dipinse, Per l'Editore Giuseppe Vallardi, Mauro Gandolfi Disegnò ed Incise." - 1820 ca. Dimensioni: 55 x 82 cm circa. Per appassionati studiosi e collezionisti"
18093860A Paris, Chez Ant. Aug. Renouard, 1809. 6 part. en 3 vol. in-8 de VIII, 143, 128 p. + 104, 107 p. + 116, 148 p. Plein veau marron moucheté, plats encadrés d’une roulette dorée, dos lisses ornés de fleurons et filets dorés, pièces de t. et tom. olive, tranches marbrée. Dos légèrement passés, bords et coins très légèrement frottés, rousseurs éparses mais bel ensemble cependant.
66173aafParis, Albin Michel & Club du Livre, 1960, in-4to, LXXII + 225 p. + planches / 291 p. + planches, reliures en cuir originales, plats gaufrés, emboîtages, bel exemplaire.
S1088<p><em><strong>Folk-tales of Cyprus</strong></em></p><p>In Greek. Two volumes. Soft cover 28 cm 1002308 pp.; net weight 4 kgr. Bibliography.</p><p>Separate volumes also available.</p><p>.</p><p>.</p><p>================================================</p><p><b>IMPORTANT: The shipping cost in not included in the price. You will have to approve it at confirmation of the order.</b></p> Cyprus Research Centre paperback
1947008095New York: Moe Asch DISC Company of America 1947. Book. Very Good. Pictorial Printed Wrappers. First Edition. Tall 8vo. 48 pp. Illustrations by Woody Guthrie and York Cunningham Jr. Contains a short biography reminiscences and a collection of Guthrie's song lyrics. Very Good in original wrappers rubbed at spine edge and bottom corner rear wrapper residue along spine edge small stain inside rear wrapper and rear end pages. A quite nice copy of this SCARCE Woody Guthrie book. Moe Asch, DISC Company of America Paperback
177522566Paris, Bonnet, Ca. 1775. Ca. 32,5 cm x 42 cm (Platte), 37,5 cm x 46 cm (ganze Blatt). [2 Warenabbildungen]
Built in the fifth century b.c., the Parthenon has been venerated for more than two millennia as the West's ultimate paragon of beauty and proportion. Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it? In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis -the Sacred Rock at the heart of the city-state- from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon's legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century. ... The frieze's vast enigmatic procession -a dazzling pageant of cavalrymen and elders, musicians and maidens - has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book's intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city's mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible. The Parthenon's full significance has been obscured until now owing in no small part, Connelly argues, to the frieze's dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent. 512p. illus [some col] bibliography,index Remainder mark, else new Book
Minor shelfwear. Light bumping to top of spines of Vol. 1-2. ; A three-volume commentary compiled by an international team of scholars includes an introduction discussing previous research on the Odyssey, its relation to the Iliad, the epic dialect, and the transmission of the text. 1991-1992; 3 Volume Set COMPLETE. Commentary on Homer's Odyssey. Clarendon Paperbacks; Vol. 1/3/2022; 8vo 8" - 9" tall; Vol. 1: (1991) 396 pp; Vol. II: (1990) 300 pp; Vol. III: (1992) 447 pp
Faint creasing through upper corner of pages. DJ has edgewear with a couple of small tears and creasing along upper edge. From the library of Jenifer Neils. ; Archaeologica 76; 4to 11" - 13" tall; 190 pages
Skrifter Utgivna Av Svenska Institutet I Athen / Acta Instituti Atheniensis Regni Sueciae, Series in 8°, XIX; 421 pages; The focus of this book is the reconstruction of the mythicoritual nexus in Kios in Mysia through the in-depth investigation of the evidence (surviving in accounts by, and so shaped by the filters of, outsiders) and also of other issues implicated in its Problematik: ethnicity, cultural and religious interactions between Greeks and non-Greeks, colonial discourses (with special emphasis on the foundation mythopea of Kios’ mother city, Miletos) , the nature and functions of the Nymphs, the different personalities of Dionysos, advent festivals, certain problematic categories of cult recipients. Hylas’ myth and ritual had been constructed, through complex interactions between several mythicoritual schemata and included also elements that appear in non-Greek nexuses located in the area of Kios. The myth was both a foundation myth constructing cultural continuity with the heroic age and an immortalization myth: a Greek youth was abducted by Nymphs and became a diety rooted to the landscape and symbolically rooting the colony to the land; it established a poliouchos figure unique to Kios, connected Herakles with the city’s foundation, and articulated a relationship of cooperation and integration between Greeks and Non-Greeks. A ritual celebrated Hylas’ advent and commemorated the events that had led to Kios’ foundation, articulating a cooperative relationship between Greeks and locals.
184931370St. Petersburg: Buchdruckerei der Kaiserlichen Akademie der Wissenschaften 1849. IX, 102 S. Leinen der Zeit m. Rückenvergoldung 23x16 cm. [2 Warenabbildungen]
16672Furne, Jouvet et Cie Editeurs Paris, 1868, in-4 demi-maroquin rouge à coins, dos à cinq nerfs richement orné, date en queue, tête dorée. Reliure signée Smeers. 2ff.-VIIIpp.-482pp. Notice de Collin d'Harleville. 12 vignettes gravées par Doherty d'après Moreau le jeune et un portrait. Dans notre exemplaire, les gravures sont sur Chine appliqué, ce qui ne semble pas toujours être le cas pour ce tirage. Tirage à 110 exemplaires numérotés sur grand papier vergé de Hollande. Vicaire III-176 Il s'agit d'un retirage, ici sur papier de luxe, de l'édition Furne publiée en 1860. Très jolie reliure de Isidore Smeer, relieur belge établi à Paris vers 1865. Tout petit manque de cuir à l'intérieur d'un coin inférieur.
1833WOC-2284L'Odyssée d'Homère, gravée par Reveil d'après les Compositions de John Flaxman, 34 planches – L'Iliade d'Homère, gravé par Reveil d'après les Compositions de John Flaxman. 39 planches. Paris, Chez Audot & Chez Susse, 1835 (Odyssée) et Paris, publié par Reveil, 1833. 2 parties reliés en 1 volume in- 8 (16x2x23cm) oblong de demi chagrin noir, dos lisse à faux-nerfs, orné de fleurons, et petit manque de cuir au dos vers la coiffe inférieure, plats de cartonnage vert avec les légendes dorées sur le plat supérieur.
Tomi tre in-16° gr. cm, 19,7, pp. 562-590-281, leg. in cartone coevo con tit. ai dorsi. Non comune con il supplemento.
