COCTEAU JeanMareMagnum
79 résultats
8vo., First Edition, text in French, with 62 pages of full-page photographs from the film; grey tweed boards, upper board with mounted photograph [of Maria Casares] lettered in red, backstrip lettered in black, a near fine copy. A PRESENTATION COPY FROM THE AUTHOR TO LOUIS PAUWELS WITH THE FORMER'S SIGNED HOLOGRAPH INSCRIPTION ON HALF-TITLE. With two copies of Rocher's flier, printed in pink and black and listing Cocteau' available works, loosely inserted. 'Le Testament d'Orphee' (1959) is the third film in Cocteau's Orphic trilogy, following 'Blood of a Poet' (1930) and 'Orphee' (1950). In addition to the author himself, the cast includes many leading theatrical and literary figures of the period, including Jean-Pierre Leaud, Maria Casares, Francoise Arnoul, Yul Brynner, Claudine Augier, Pablo Picasso, Charles Aznavour and Jean Marais. The screenplay with stills was published two years later; this copy is inscribed by Cocteau ('Jean') to Louis Pauwels, the eminent French journalist and author of 'The Morning of the Magicians' (1960). SIGNED COPIES ARE EXTREMELY SCARCE.
[Incunabolo-Raro] (cm. 26) solida piena pergamena sec. XIX.-- consta di 18 carte nn. con registro A,B,C, tutti terni. 40 linee, con autore e titolo ripetuti in cima ad ogni carta. Carattere rotondo. Al recto della prima carta su due linee è: "Orphei Argonautica latina". Al verso, la dedica di Joannes Baptista Pius: "Ad clarissimum.senatorem D. franciscum elephantutium bonon.". A carta 2 recto inizia il testo che termina a carta 18 verso e finisce col: "Regestum Aiii Biii Ciii". Nonostante accurate ricerche su tutte le edizioni di orfeo della fine del '400 e i primi del '500, non abbiamo trovato alcun riferimento di questo forse incunabolo apparentemente sconosciuto. I fogli sono filigranati con: "monte a 3 cime sormontato da una croce". Simile ai n° 11711-2-3 del Briquet "Les Filigranes" vol. III che a pag. 591 dichiara di Bologna 1480-1485 circa. Margine in basso corto che alle ultime 6 cc. tocca il testo. Altrimenti esemplare bellissimo, nitido e marginoso di questa edizione forse impressa a Bologna intorno al 1500. Il Census, Iccu, non registra alcun esemplare presente nelle biblioteche italiane il che fa supporre un' edizione del XV secolo.[f46] Libro
47. Druck der Edition Tiessen, eines von 45 Exemplaren der Vorzugsausgabe mit 4 zusätzlichen signierten Orig.-Radierungen von Wong Moo Chew. Die Radierungen wurden im Atelier Lacourière et Frélaut, Paris, gedruckt. Das Impressum vom Künstler signiert. Tadellos erhalten. - Spindler 41,47.
64 pages. Features: A Glimpse into the Colorful Past of the Ontario-Minnesota Border Lakes - by Ernest C. Oberholtzer - article with wonderful photos; The Search for 11-year-old Jimmy Blake in Arizona's Blue Range - article with photos; The Huge Tulip Trees of North Carolina - photo-illustrated article by Orpheus Moyer Schantz; The Murmer of the Forest - by John L. Coontz; The Chippewa National Forest - photo-illustrated article by H.H. Chapman; The Farmer and Game Conservation - photo-illustrated article by James F. Hoge; The First Year of the Association's Southern Forestry Educational Project; "Old Yolla Bolly" the Bear - photo-illustrated article by Allen H. Hodgson; Two-pages of photos of bizarre trees; George P. Brett (President of Macmillan Publishing) and his foremost private Pinetum in the country - photos and article by Erle Kauffman; Water-Cress - article by Rachel M. Hutchinson; The Hall of Fame for Trees - photos and captions; The Care of Young Forests - photo-illustrated article by G.H. Collingwood; Full-page ad for 4 Square Lumber; White-Pine Blister-Rust Quarantine, by R.A. Sheals; Nice ad for Pacific Pumpers on back cover. Average wear. Unmarked. A sound vintage copy. Book
Dustjacket has minor shelfwear and rubbing. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages; Sandpiper reprint of 1983 Edition.
Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). DJ spine a bit sunned. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages
96 pages. Contains sheet music for Tenor I & II, and Bass I & II for these songs: Annie Laurie; Bill of Fare; Blue Bells of Scotland (The); Bonnie Doon; Catastrophe (A); Cradle Song; Cruiskeen Lawn (The); Lead kindly Light; Minstrel Boy (The); Mother Goose Medley; My old Kentucky Home; My Pretty Maid; My Shepherd; Oft in the Stilly Night; O Happy Day; On the Sea; Owl and the Pussy Cat (The); Remember now Thy Creator; Robin Adair; Rock of Ages; Simple Simon at the Fair; Simple Simon; Sleep little Baby of Mine; Softly now the Light of Day; Tom, the Piper's Son. Above-average external wear. Unmarked. Binding intact. A worthy copy of this wonderful vintage compilation. Book
A bit of waviness to some plate pages. Else minor shelfwear. ; British Archaeological Reports (B. A. R. ) International Series 671; 11.7 X 8.3 X 0.8 inches; 276 pages
Very Minor Shelfwear. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Minor Shelfwear. Faint foxing to top of textblock. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
In 16, pp. (10) con 4 tavv. in b/n f.t. e 2 ill. in b/n n.t. Br. ed. Catalogo della mostra di Orfeo Tamburi al Centro d'azione per le Arti di Torino del marzo 1942. Con testo di presentazione di Toti Scialoja: 'Finalmente eccoci al Tamburi di Milano, di Torino. Chiara e' ormai la sua volonta' (che sa oramai divenire metodo) di isolare l'immagine nello spazio non per ridurla mera larva pittorica ma per congelarne ed esasperarne il carattere di realta' anonima, esistente in se'...'.
Very minor shelfwear to DJ at heel of spine else Fine. DJ has minor discoloration to spine and front panel. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
Brochure (cm 22 x 15). Invito alla conferenza di presentazione tenuta da Curzio Malaparte in occasione dell'allestimento della mostra 'Le citta'' di Orfeo Tamburi. Con testo di presentazione a cura del direttivo della societa' Magemari, foto in b/n che ritrae Orfeo Tamburi in occasione dell'inaugurazione di una sua personale a Parigi nel 1948, ill. in b/n di un dipinto del pittore e bibliografia a lui dedicata. Orfeo Tamburi si trasferisce a Roma dalla nativa Jesi. Nei suoi anni romani, si dedica soprattutto al paesaggio e il suo contributo maggiore si esplica nella vena disegnativa.
9 S. Flachdruck. Titelvignette. Gr. Durchgehender Wasserfleck. Enthält Beiträge von Rossini (Tutto mi ride intorno), Madame Schouten (Peut-Être j`aimerai. Romance) und Von Weber (Volkslied und Chor der Brautjungfern). Fellinger, Periodica Musicalia, S. 725. Hübsche Titelvignette.
Mm 240x335 Volume rilegato in tela, sovraccoperta originale, custodia editoriale, 237 pagine profusamente illustrate in nero e a colori. Copia eccellenta pari nal nuovo.
This is a very good softcover copy with only light toning and wear. Very clean inside and out. Spine not creased, binding firm. This copy signed and inscribed, by the author, on the front endpaper, dated Paris, 1980. Text in Italian. Illustrated in color and black & white. This is a limited trade edition of 1500 copies, this copy number 19. 8 1/2" high X 6 1/2" wide, 67 pages.
8vo., First Edition, text in French, with 16 plates, free endpapers very lightly browned, some light and inoffensive age-staining; original printed wrappers, a very good, bright, clean copy. The script of Cocteau's famous surrealist feature film (1950) starring Jean Marais and Maria Casares. With stills from the film shot by Corbeau.
S 10-19. Titelvignette. Gr. durchgehender Wasserfleck. Enthält Beiträgen von Rossini (Assisa a piè d`un Salice, Otello) Etienne Voizel (La Marguerite) und Weber Cavatina Freyschütz). Fellinger, Periodica Musicalia, S. 725. Hübsche Titelvignette.
Foxing to textblock. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
Minor wear; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Mm 125x185 Volume in bella legatura in tutta tela rossa con decorazioni in nero e rosso al piatto e al dorso, titolo entro circolo blu al piatto, 180 pagine con disegni in nero di Bertall nel testo. Rare fioriture alle carte, un piccolo strappo al margine inferiore del dorso, nel complesso esemplare ben conservato di un'edizione non comune. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
In-8° gr. Carrè, pp. 283 con moltisssime riproduzioni delle opere. leg. in cartone edit. con ill. al piatto.
Mm 260x290 Collana "Vox Imago". Edizione realizzata dall'editore per la Cassa di Risparmio di Foligno. Il cofanetto editoriale contiene 2 CD e 1 DVD. Volume cartonato di 143 pagine con sovraccoperta figurata e ricco apparato di illustrazioni nel testo. Libro in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 245x330 Scritti di Franchetti, Jones, Koch, Giusti, Spallanzani, Fabris Grube, Petruccioli, Pieper, Conforti, Devapriam, Cune Cimino. Volume cartonato, legatura editoriale in tela, XVI-159 pagine, numerose illustrazioni in bianco e nero e a colori, sovraccoperta figurata. Libro in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Litografia originale a 2 col. (verde chiaro e marrone) mm. 205x135 c.ca, tratta dalla rivista "Paesaggio" diretta da Mino Rosi n°1 Aprile\Maggio 1946
