Feuillet, OttavioMareMagnum
79 résultats
Mm 125x185 Volume in bella legatura in tutta tela rossa con decorazioni in nero e rosso al piatto e al dorso, titolo entro circolo blu al piatto, 180 pagine con disegni in nero di Bertall nel testo. Rare fioriture alle carte, un piccolo strappo al margine inferiore del dorso, nel complesso esemplare ben conservato di un'edizione non comune. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
In-24 (cm. 14.70), brossura muta, sovracoperta editoriale illustrata (macchioline), pp. 13, (1), con illustrazioni in bianco e nero e a colori fuori testo ed in bianco e nero, nel testo. Esemplare numerato di 2100 copie impresse. In buono stato (good copy).
Dustjacket has minor shelfwear and rubbing. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages; Sandpiper reprint of 1983 Edition.
Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). DJ spine a bit sunned. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages
96 pages. Contains sheet music for Tenor I & II, and Bass I & II for these songs: Annie Laurie; Bill of Fare; Blue Bells of Scotland (The); Bonnie Doon; Catastrophe (A); Cradle Song; Cruiskeen Lawn (The); Lead kindly Light; Minstrel Boy (The); Mother Goose Medley; My old Kentucky Home; My Pretty Maid; My Shepherd; Oft in the Stilly Night; O Happy Day; On the Sea; Owl and the Pussy Cat (The); Remember now Thy Creator; Robin Adair; Rock of Ages; Simple Simon at the Fair; Simple Simon; Sleep little Baby of Mine; Softly now the Light of Day; Tom, the Piper's Son. Above-average external wear. Unmarked. Binding intact. A worthy copy of this wonderful vintage compilation. Book
192 p.illus Book
A bit of waviness to some plate pages. Else minor shelfwear. ; British Archaeological Reports (B. A. R. ) International Series 671; 11.7 X 8.3 X 0.8 inches; 276 pages
This is a very good softcover copy with only light toning and wear. Very clean inside and out. Spine not creased, binding firm. This copy signed and inscribed, by the author, on the front endpaper, dated Paris, 1980. Text in Italian. Illustrated in color and black & white. This is a limited trade edition of 1500 copies, this copy number 19. 8 1/2" high X 6 1/2" wide, 67 pages.
Mm 140x220 Collana "Saggi" - Volume rilegato in tela, sovraccoperta originale con piccolo restauro al piede del dorso, 342 pagine. Opera in ottime condizioni. Prima edizione. Spedizione in 24 ore dalla conferma dell'ordine.
Mm 170x240 Brossura editoriale di 91 pagine. Lievi fioriture, segno a penna sul piatto anteriore, per il resto buona copia. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 130x215 Europe: revue littéraire mensuelle, 67 année, n° 719, Mars 1989. Brossura editoriale di 221 pagine. Copia molto buona. Testo in lingua francese - french text. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 150x230 Volume rilegato in tela con titolo oro su etichetta applicata al dorso, mancante di sovraccoperta editoriale, viii-597 pagine con tavole a colori e 200 figure in nero. Opera in condizioni di eccellenza con scheda bibliografica originale. Spedizione in 24 ore dalla conferma dell'ordine.
Lorsqu ' il descend aux Enfers pour ramener sa femme Eurydice , dans le monde des vivants , guidant ses pas au son de la lyre , Orphéè a pris devant les dieux l ' engagement de ne pas se retourner .
In-24 gr., mz. pergam. con ang., fregi e tit. oro su tassello al dorso, pp. 256. Testo in greco. Ben conservato.
Former owner's name on ffep. Slight edgewear to corners and heel of spine. A couple of small tears to head of spine. Inner hinges have been repaired/ reinforced with brown binding tape. ; Summarizes the history, background, and development of each of the world's great religions from Egyptian religion to Christianity. ; 387 pages
Very minor shelfwear to DJ at heel of spine else Fine. DJ has minor discoloration to spine and front panel. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
Foxing to textblock. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
Minor wear; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Very Minor Shelfwear. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Minor Shelfwear. Faint foxing to top of textblock. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Textblock cracked between pp 144-145. Foxing/dustsoiling to top of textblock. ; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
[Incunabolo-Raro] (cm. 26) solida piena pergamena sec. XIX.-- consta di 18 carte nn. con registro A,B,C, tutti terni. 40 linee, con autore e titolo ripetuti in cima ad ogni carta. Carattere rotondo. Al recto della prima carta su due linee è: "Orphei Argonautica latina". Al verso, la dedica di Joannes Baptista Pius: "Ad clarissimum.senatorem D. franciscum elephantutium bonon.". A carta 2 recto inizia il testo che termina a carta 18 verso e finisce col: "Regestum Aiii Biii Ciii". Nonostante accurate ricerche su tutte le edizioni di orfeo della fine del '400 e i primi del '500, non abbiamo trovato alcun riferimento di questo forse incunabolo apparentemente sconosciuto. I fogli sono filigranati con: "monte a 3 cime sormontato da una croce". Simile ai n° 11711-2-3 del Briquet "Les Filigranes" vol. III che a pag. 591 dichiara di Bologna 1480-1485 circa. Margine in basso corto che alle ultime 6 cc. tocca il testo. Altrimenti esemplare bellissimo, nitido e marginoso di questa edizione forse impressa a Bologna intorno al 1500. Il Census, Iccu, non registra alcun esemplare presente nelle biblioteche italiane il che fa supporre un' edizione del XV secolo.[f46] Libro
8vo., First Edition, text in French, with 16 plates, free endpapers very lightly browned, some light and inoffensive age-staining; original printed wrappers, a very good, bright, clean copy. The script of Cocteau's famous surrealist feature film (1950) starring Jean Marais and Maria Casares. With stills from the film shot by Corbeau.
In 16, pp. 131 + (3) con 2 ill. n.t. della scenografia. Quinta ed. della celebre tragedia di Cocteau.
Mm 225x220 Volume cartonato di 283 pagine profusamente illustrate in nero e a colori. Testi di Sandro Zanotto, Nino Frank, Raffaello Biordi, Orfeo Tamburi, Waldemar George, Arnoldo Ciarrocchi, Guido Giuffré. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
