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20192-6200349746Editorial Académica Española 2019. Paperback. New. 176 pages. Spanish language. 8.66x5.91x0.40 inches. Editorial Académica Española paperback
1901100146625Alphonse Picard et fils 1901 in8. 1901. Broché. Édition critique du tropaire-prosier (recueil de chants liturgiques) de l'abbaye Saint-Martin de Montauriol publiée d'après un manuscrit original datant des XIe-XIIIe siècles. L'ouvrage contient des hymnes répons et antiennes utilisés dans les offices religieux et appartient à la collection Bibliothèque liturgique
2012DADAX3844349413Eae Editorial Academia Espanola 2012-12-01. paperback. New. 5.91x1.47x8.66. Buy with confidence. Excellent Customer Service & Return policy. Eae Editorial Academia Espanola paperback
9786556164724-11-24230MATRIX. New. MATRIX unknown
68850Paris, Hachette 1967, in 8°, cartonnage illustré de l'éditeur, 240 pages ; traces de ruban adhésif sur les gardes.
1976137798Couverture rigide. Cartonnage de l'éditeur. 240 pages.
1978RO80131656HACHETTE CLASSIQUES. 1978. In-12. Cartonné. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 239 pages.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
33308Couverture rigide. Bon/1873. in-8. Paris Parent 1873 in-8 310pp broché Quelques défauts mineurs cachets de bibliothèque couverture fatiguée sinon bel exemplaire de ce rare ouvrage! unknown
187333308Paris, Parent, 1873, in-8, 310pp, broché, Quelques défauts mineurs (cachets de bibliothèque, couverture fatiguée) sinon bel exemplaire de ce rare ouvrage! 310pp
1859B76148Liège, Carmanne 1859 47pp., 24cm., relié en couverture cart. (plats marbrés, dos en toile, br.orig.conservée, peu passé), texte en bon état, rare, B76148
1019552654.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020453079.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484999699.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
91549aafBruxelles, F. Heussner, 1852, in-8vo, 39 p. brochure originale. sans couv.
A9781478016809Hardback. New. Drawing on memoir creative writing theoretical analysis and ethnography in Santo Domingo Havana and New Jersey Carlos Ulises Decena examines transnational black Caribbean immigrant queer life and spirit. hardcover
6071620554.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9780822349266Hardback. New. Based on ethnographic research with Dominicans in New York City a pioneering analysis of how gay immigrant men of color negotiate race sexuality and power in their daily lives. hardcover
20192-6139432960EAE 2019. Paperback. New. Spanish language. 8.66x5.87x0.47 inches. EAE paperback
1989R200136838Ophrys. 1989. In-4. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. 279 pages, nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 550-Sciences de la Terre et des autres mondes
713896 unnumbered pages. Thick 8vo 210 x 150 mm. semi-stiff printed wrappers. Geneva: Editions Héros-Limite 2005.<br /> <P> The scarce second edition of Ulises Carrion's famous Arguments 1st ed.: 1973 published by the Beau Geste Press. In the Getty Research Institute exhibition catalogue Artists and Their Books Books and Their Artists 2018 Zanna Gilbert writes about the first edition: "Carrión humorously interrogates the structure and content of books and the literary devices used by authors and playwrights. The titular exchanges in Arguments are indicated only by the names of the participants with no reference to the actual content of their disagreements. The distinctly Anglophone names are arranged in various configurations on each page of the book leaving the reader to wonder about the substance of the disputes."<br /> <P> As new. From an edition of 750 copies.<br /> <P> ⧠U. Carrión Quant aux Livres 2008 p. 202. unknown books
7512Large silk-screened poster 270 x 412 mm. printed on recto only median horizontal fold. Amsterdam: 1978.<br /> A rare poster in fine condition produced for Ulises Carrion's performance at Ecart gallery in Geneva. Artists John Armleder Patrick Lucchini and Claude Rychner all Geneva-based founded Ecart in 1969. By 1972 the group managed a space on 6 rue Plantamour as a bookshop and gallery where they hosted numerous artists for exhibitions and performances. For this event on 10 May 1978 Carrión performed a five-part program: 1. "Hamlet for 2 voices"; 2. "3 Spanish Lessons"; 3. "45 Revoluciones por minuto"; 4. "Videotape A Book"; and 5. "Clinch." Nos. 1 and 3 were featured on The Poet's Tongue a 1977 cassette tape recorded by Carrión. He was a lifelong aficionado of boxing and a number of his works refer to the sport.<br /> An excellent copy of a famous poster that links Carrión Other Books and So and Armleder Ecart who both spearheaded intrepid artist-run spaces in the 1970s. Designed by Tom Gravemaker who collaborated with Carrión on several occasions. Unknown edition size.<br /> ⧠Guy Schraenen ed. Dear reader. Don't read. 2016 p. 145. L. Bovier & C. Cherix eds. Ecart: Geneva 1969-1982 p. 101 pictured. unknown books
7582Many illus. Unpaginated. 8vo stiff pictorial boards cloth spine. Mexico City: Alias 2013.<br /> <P> First edition an uncommon book examining Carrión's De Diefstal van het Jaar "exhibition" at the Drents Museum in 1982. This show entailed Ulises Carrion 1941-89 displaying a large diamond in a small and dark room of the museum without any visible security or restrictions as a social experiment. In the last decade of his life Carrión's practice involved similar investigations of societal norms and the dissemination of information. The previous year the artist had delved into the spread of gossip and rumors through social networks in the performance piece Gossip Scandal and Good Manners in which he concocted rumors about himself to observe how they spread.<br /> <P> Pairing new essays presented in Spanish & English by Martha Hellion and Paulo Silveira with Claudio Goulart's original photography documenting the exhibition this work reveals new details about Carrión's intentions and the execution of this daring show. This publication is part of Alias's AntÃtesis series no. 3.<br /> <P> As new. The very rare flyer promoting De Diefstal van het Jaar is reproduced on the cover. hardcover books
7210Five black & white illus. 18 pp. incl. inside of both wrappers. 8vo 210 x 150 mm. orig. semi-stiff pictorial wrappers staple-bound. From inside of lower wrapper: Amsterdam: Stichting de Appel 1984.<br /> The very rare program for Ulises Carrion's film festival celebrating the Mexican movie star Lilia Prado a famous actor from his childhood. Prado 1928-2006 starred in a number of Mexican films as well as several directed by Luis Buñuel in the 1950s. Carrión organized a festival screening four of her movies in four Dutch cities in 1984 which was attended by Prado herself. He conceived of this film festival as an "opportunity for viewers to examine their own cultural values and to reflect upon assumptions about the mythology created by the mass media in this case the film industry and its cultural-economic implications. In Carrión's eyes for example Prado could have been marketed as well as Marilyn had if post-World War II Mexico had been more economically dominant."-Ulises Carrión: ¿Mundos personales o estrategias culturales 2003 p. 76.<br /> This volume contains text in Dutch about Carrión by the curator Saskia Bos and the four movies to be shown and an interview between Prado and Carrión that took place earlier that year in Mexico City. Carrión's curriculum vitae is printed on the inside of the lower wrapper. This became one of the artist's most well-known projects. Pages 11-12 reproduce excerpts from the travel journal of "S.C. Macfarlane" who followed Carrión on his journey to Mexico in the spring of 1984.<br /> In fine condition. With a pictorial postcard listing the schedule and other events.<br /> ⧠U. Carrión Quant aux Livres 2008 p. 204. Ulises Carrión: ¿Mundos personales o estrategias culturales 2003 pp. 74-77. Ulises Carrión "We have won! Haven't we" ed. Guy Schraenen pp. 78-79 depicting the upper wrapper of the present work. unknown books
7516Large illustrated poster 424 x 300 mm. unfolded offset-printed in violet printed on recto only median horizontal fold. Lund Sweden: 1979.<br /> An iconic poster promoting Ulises Carrion's two lectures at Jean Sellem's Galerie S:t Petri Archive of Experimental and Marginal Art in Lund. It depicts a King Kong-like gorilla facing a city while a bird with a letter secured in its beak flies above.<br /> The first of these lectures "Mail Art and the Big Monster"one of the artist's most celebrated essays was delivered on 14 February 1979. This paper was originally prepared for the April 1978 Artists' Meeting at the Remont Gallery in Warsaw and was eventually republished from Brazil to the United States to Serbia in several languages. The following night Carrión presented "Names and Addresses: Write Clear" related to his 1978 bookwork and exhibition of the same name.<br /> In near fine condition; faint browning to the edges and small creases to the corners. Designed by Tom Gravemaker who collaborated with Carrión on several occasions. Unknown edition size.<br /> ⧠Juan J. Agius Ulises Carrión & the Big Monster 2014 pp. 57-61 where the text of "Mail Art and the Big Monster" is reproduced. A detail from this poster is used for the cover. unknown books
7275Text illus. Four unnumbered leaves. Printed sheets 297 x 210 mm. orig. brown wrappers staple-bound. From the first page: Hou Denmark: Egmont Højskolen Feb. 1979.<br /> A very scarce exhibition catalogue crafted by Ulises Carrion. The artist also curated exhibitions on bookworks mail art and rubber stamp books in Emmastad Curaçao; Warsaw; Amsterdam; Rotterdam; Budapest; Alkmaar; Maastricht; Cambridge England etc. The present catalogue with text in English and Danish begins with Carrión thanking the artist Niels Lomholt. He then describes the exhibited materials: "Time pressures didn't allow for a wide research but I believe that the show includes most if not all the significant artists in this field. Some available catalogues and anthologies have been included because they possess a reasonable coherence in character theme or intentions. These criteria rather than dictionary definitions were also applied when deciding what was to be considered as being 'a book.' The show includes quite a number of unbound works; in all cases however they consist of a series of loose works that have been put between the same covers and under a common name. Many of the included items were lent by Aart van Barneveld from the Stempelpaats in Amsterdam."<br /> This exhibition featured the works of Anna Banana Luciano Bartolini Peter van Beveren Cozette de Charmoy Robert Jacks Ray di Palma Pawel Petasz Dieter Roth Ruedi Schill Gabor Toth Dick Walraven etc. A few of the pieces are illustrated.<br /> In excellent condition.<br /> ⧠U. Carrión Quant aux Livres / On Books 2008 p. 210. unknown books