CARRION, UlisesBiblio.com
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9675105 6 pp. Small 4to 200 x 146 mm. orig. printed pictorial softcover minor wear to spine title on spine. Mexico: Ediciones Era 1966.<br /> <br> <br> First and only edition of Carrión’s first published book. In 1966 Carrión 1941-89 was one of Mexico’s emerging literary talents. A number of his short stories had been published in leading journals and his first play El Gran Espectáculo was performed at the Casa de la Cultura de Tlacotalpan Veracruz to rave reviews. Following his studies in philosophy and letters at the Universidad Nacional Autónoma de México he spent time in France and Germany 1964-65 learning both languages. La muerte de Miss O consisting of six short stories — La muerte de Miss O Y el olvido… Las palabras Graciela y yo El asalto and Como la serpiente — was lauded in an effusive review published in El Colegio de México’s Diálogos: Artes Letras Ciencias humanas.<br /> <br> <br> “La muerte de Miss O. 1966 a collection of six stories in which he fluctuates between psychological and realistic prose is perhaps his most well-known and highly acclaimed work. Skillfully employing the interior monologue somewhat reminiscent of both Marcel Proust and William Faulkner Carrión creates vivid and engaging characters whose psychological self-expression is tinged with realism.â€â€“–Eladio Cortés ed. Dictionary of Mexican Literature 1992 p. 147.<br /> <br> <br> In very good condition; small crease to corner of the upper cover and minor shelfwear to edges. Price sticker to recto of first blank leaf. Housed in a cloth clamshell box.<br /> <br> <br> ⧠Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 pp. 22-23.<br /> <br> <br> Reviewed in Diálogos: Artes Letras Ciencias humanas Vol. 2 No. 6 12 October-November 1966 p. 31. unknown
11037Single A4 sheet printed & stamped on one side. Amsterdam: 1978.<br /> <br> <br> Scarce flyer announcement of the artist’s utopian vision of a free artist-run postal system called E.A.M.I.S. and operated from his Other Books and So bookstore in Amsterdam. Referring to himself as the “Post Master†Carrión writes eight point describing the network the final item on the flyer reads: “By usin sic. the E.A.M.I.S. you support the only alternative to the national bureaucracies and you strengthen the international artists community.â€<br /> <br> <br> “Carrión conceived a support other than the official postal system to deliver letters and packages. It was based on the erratic distribution of the mail by people traveling around. As Postmaster of E.A.M.I.S. he set up the rules and services of this alternative system in 8 points as the concept of the project. It was mimeographed on a DIN A4 sheet and distributed and included in the program of the International Artists’ Meeting at the Galeria Remont Warsaw in April 1978 for the first time…A couple of months later as the project came to an end 24 letters and parcels were distributed and reached their addresses while 9 others remained undelivered.â€â€“Juan J. Agius ed. Ulises Carrión & The Big Monster 2014 pp. 64-65 pictured on p. 64.<br /> <br> <br> In fine condition. unknown
9232Many black & white illus. 15 leaves printed on rectos only except for one leaf. Small folio 295 x 210 mm. pictorial wrappers fastened with black plastic clasps. From verso of the first leaf: Amsterdam: Agora Studio Sept. 1980.<br /> <br> <br> A rare exhibition catalogue printed in an edition of 200. Carrión 1941-89 devised this as a retrospective of his works and communications with his collaborators for which he investigated the use of names and addresses. <br /> <br> <br> This catalogue with the introduction in parallel Dutch and English is fully illustrated with reproductions of Carrión’s earlier works and performances including pieces such as Arguments 1973 Homage to Van Gogh 1975 and The Muxlows 1978.<br /> <br> <br> A near fine copy of this scarce catalogue; some sunning at the edges. WorldCat records just five examples in North America.<br /> <br> <br> ⧠Quant aux Livres / On Books 2008 p. 210. unknown
3863358198.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
8080Single A4 sheet printed on both sides illus. on recto. Amsterdam: 1982.<br/> <br/> Rare flyer for the lone film made by Ulises Carrión 1941-89. In the years after the closing of Other Books and So the artist focused much of his efforts on video works eventually founding Time Based Arts a gallery dedicated to supporting video artists. On the verso Carrión describes the film which was “originally produced for the International Media Meeting organized by the Agora Foundation in Maastricht from 19 to 25 April 1982.â€<br/> <br/> “Ever since his participation in the activities of the In-Out Center Carrión along with other Amsterdam artists shared an increasing interest in the possibility of film and video to document their numerous ephemeral activities and to work with the question of time…Carrión found in the language of film a support for his questioning of narrative widening the possibilities beyond what was previously limited to literature…In his only film the record of a performance The Death of the Art Dealer 1982 Carrión transfers into performance and film the type of processes he had applied to the literary text. Holding a small television set showing a 1940s film by Max Ophuls Carrión moves to the right or left to the rhythm of the movements of the characters in the film. The soundtrack is that of the original film but the narrative itself is ignored. Instead what one observes is a fairly unnoticed and typically forgettable structural aspect. In a way Carrión’s movements are like the parentheses and punctuation marks that he had previously used to strikethrough text in his pieces on certain literary works.â€â€“Joao Fernandes “Art as Subversion: Make and Remake to Make Anew†in Dear reader. Don’t read. p. 45.<br/> <br/> Pristine copy.<br/> <br/> ⧠Guy Schraenen ed. Dear reader. Don’t read. 2016 pp. 128 130-31 pictured. unknown
7894Unpaginated. Square 4to 247 x 204 mm. printed covers with flaps as issued. Mexico City: Taller Ditoria 2007.<br/> <br/> First printed edition of Ulises Carrión's typewritten manuscript of the same name. Carrión 1941-89 added handwritten punctuation to this work but it was never realized during his lifetime. Entirely letterpress-printed this book is now scarce on the market. It was co-produced by Martha Hellión one of the founders of Beau Geste Press.<br/> <br/> Near fine. This is a beautifully designed book printed on several special papers from a numbered edition of 600.<br/> <br/> ⧠Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 pp. 78-79 pictured.<br/> <br/> Guy Schraenen ed. Dear reader. Don't read. 2016 p. 84. unknown
8133Amsterdam: 1977.<br/> <br/> The black version of this postcard distributed by Ulises Carrión for his Definitions of art exhibition held at Other Books and So in March 1977. Recipients were asked to respond with their definition of art on the verso. Carrión received 367 answers which were all displayed in the artist’s bookshop.<br/> <br/> From the recto: “A show called ‘Definitions of art’ will be held at OTHER BOOKS AND SO Herengracht 227 Amsterdam from 1st March to 26th March 1977. Everybody is invited to participate regardless of profession sex age etc. …<br/> <br/> “Just write your definition of what art is on the back of this card put it in an envelope and send it back to Other Books and So. The show will consist of all the cards received and a selective catalogue will be published. The original idea for this show is by H. W. Kalkmann.â€<br/> <br/> In excellent condition.<br/> <br/> ⧠Juan J. Agius ed. Ulises Carrión & The Big Monster 2014 pp. 40-49 where a number of returned cards are shown including ones sent by Michael Snow Dorothy Iannone Herman de Vries Herve Fischer Genesis P. Orridge Horacio Zabala Jean Degottex Robert Filliou Martha Wilson John Baldessari Jackson Mac Low Carolee Schneemann Ben Vautier etc. unknown
8134Amsterdam: 1977.<br/> <br/> The blue version of this postcard distributed by Ulises Carrión for his Definitions of art exhibition held at Other Books and So in March 1977. Recipients were asked to respond with their definition of art on the verso. Carrión received 367 answers. <br/> <br/> From the recto: “A show called ‘Definitions of art’ will be held at OTHER BOOKS AND SO Herengracht 227 Amsterdam from 1st March to 26th March 1977. Everybody is invited to participate regardless of profession sex age etc. …<br/> <br/> “Just write your definition of what art is on the back of this card put it in an envelope and send it back to Other Books and So. The show will consist of all the cards received and a selective catalogue will be published. The original idea for this show is by H. W. Kalkmann.â€<br/> <br/> In excellent condition.<br/> <br/> ⧠Juan J. Agius ed. Ulises Carrión & The Big Monster 2014 pp. 40-49 where a number of returned cards are shown including ones sent by Michael Snow Dorothy Iannone Herman de Vries Herve Fischer Genesis P. Orridge Horacio Zabala Jean Degottex Robert Filliou Martha Wilson John Baldessari Jackson Mac Low Carolee Schneemann Ben Vautier etc. unknown
1997002836Geneve: Heros-Limite 1997. Book. Fine. Soft cover. 1st Edition. Original printed wrappers in transparent dust jacket. Texts collected by Juan J. Agius. Text in English and French. Introductions Anne Moeglin-Delcroix and Clive Phillpot. Overview of Carrion's critical writing and treatises on artists' books With a bibliography of books by Carrion. Limited first edition of 500 copies. 207 pp. 21 x 15 cm. Transparent dust jacket with tear and light wear else fine. Rare first edition. . Heros-Limite Paperback
10308Single paper sheet 350 x 222 mm. mounted on black craft paper letterpress-printed signed in lower left corner. Amsterdam: 1975.<br /> <br> <br> A signed Ulises Carrión print adapted from a 1972 typewritten work. Near fine; minuscule tear on the left side inoffensive sunning. Inscribed in the lower left corner: “U. Carrión ‘75.†From the collection of Guy Schraenen 1941-2018. unknown
1141019 pp. Square 4to printed wrappers staple-bound. Geneva: Boabooks 2016.<br /> <br> <br> From the colophon: "rrr reproduces nine pages typewritten by Ulises Carrión in 1972." Printed and bound by Che Huber and Alexis Dos Santos and designed by Izet Sheshivari. As new unknown edition size. unknown
9558Illus. throughout. 4 printed sheets orig. craft paper wrappers staple-bound. Hou Denmark: Egmont Højskolen Feb. 1979.<br /> <br> <br> A scarce exhibition catalogue dedicated to books with rubber-stamped illustrations curated by Ulises Carrión 1941-89. His introduction is printed in Danish and English: “Time pressures didn’t allow for a wide research but I believe that the show includes most if not all the significant artists in this field. Some available catalogues and anthologies have been included because they possess a reasonable coherence in character theme or intentions. These criteria rather than dictionary definitions were also applied when deciding what was to be considered as being ‘a book.’ The show includes quite a number of unbound works; in all cases however they consist of a series of loose works that have been put between the same covers and under a common name. Many of the included items were lent by Aart van Barneveld from the Stempelpaats in Amsterdam.â€<br /> <br> <br> The exhibition featured the works of Anna Banana Luciano Bartolini Peter van Beveren Cozette de Charmoy Robert Jacks Ray di Palma Pawel Petasz Dieter Roth Ruedi Schill Gabor Toth Dick Walraven etc. A few of the pieces are illustrated.<br /> <br> <br> In fine condition. With the stamps of Niels Lomholt’s Lomholt Formular Press and the Other Books and So Archive on the verso of the first leaf. unknown
1122470 pp. Small 4to 210 x 160 mm. pictorial semi-stiff wrappers title on spine. Amsterdam: VOID distributors 1980.<br /> <br> <br> The essential compendium of Ulises Carrión’s polemical essays; printed in an edition of 500 by Hetty Huisman’s VOID Distributors. His trailblazing theories and beliefs about artists’ books and mail art remain influential to this day. “The New Art of Making Books†first published in Plural no. 41 1975 is frequently cited by contemporary book artists.<br /> <br> <br> The book includes his most important essays: “The New Art of Making Books†“From Bookworks to Mailworks†“Rubber Stamp Theory and Praxis†“Rubber Stamp Art†“Mail Art and the Big Monster†“Table of Mail Art Works†“Personal Worlds or Cultural Strategies†“Bookworks Revisited.†Each has printed notes in the margins providing clarifications or revealing Carrión’s latest views on a subject.<br /> <br> <br> Fine copy. This book is now rather rare on the market.<br /> <br> <br> ⧠John Held Jr. ed. Mail Art: An Annotated Bibliography 1991 6–â€Highly recommended.â€. unknown
10310Single purple paper sheet 295 x 210 mm. mounted on beige paper collaged yellow pieces of paper with ms. text in ink & graphite signed. Amsterdam: 1977.<br /> <br> <br> A Ulises Carrión language work with manuscript text on the collaged strips of paper. In fine condition; adhesive in corners bleeding through the paper. Inscribed in the lower left corner: “Ulises Carrión ‘77.†From the collection of Guy Schraenen 1941-2018.<br /> <br> <br> ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 115 pictured. unknown
1117720 leaves. Small 8vo 178 x 115 mm. orig. black printed dust-jacket perfect-bound. Geneva Switzerland: Ateliers Typographiques Héros-Limite 1995.<br/> <br/> The very rare second edition of Carrión’s beguiling bookwork composed of bound wallpaper samples one of the artist’s lesser-known books due to its rarity. The 1973 first edition published by the artists’ space In-Out Center was made in an edition of 50 numbered copies. The present work is one of 52 copies 26 of which are lettered A-Z the rest numbered 27 to 52; our copy is no. 42. This book is part of a series of re-publications that Juan J. Agius an executor of Carrión’s estate undertook to replicate the increasingly scarce and fragile bookworks Ulises Carrión 1941-89 created in the 70s. Under the imprint of Editions Héros-Limite in Geneva Agius produced second editions of Mirror Box 1st ed.: 1979 Looking for Poetry / Tras la PoesÃa 1st ed.: 1973 Arguments 1st ed.: 1973 and the present bookwork. <br/> <br/> â€In Ulises Carrión’s bookworks the ellipsis of the literary text is accompanied by an ellipsis of the narrative as can be seen in the listing of names or the identification of characters that are not linked by any narrative relationship within a story…In Tell me what sort of wall paper your room has and I will tell you who you are 1973 Carrión cuts out and binds together a set of wallpaper samples typing on them the name of the room in which each will appear. The names start in the first person my room then identify the members of his family and relations my parent’s room my sister’s room my uncle’s room my wife’s room my teacher’s room finally reaching a progressive lack of differentiation of the person to whom the room with the specific wallpaper belongs your room a room …’s room. The subtlety of this bookwork is apparent not only in the readymade of the wallpapers but also in the suggestion of a narrative that does not require a text for its construction: the simple association of the identities of the rooms’ owners in the first person informs us that the narrator has a teacher a wife etc. The progression of these identifications suggests a leaving of the family home to enter the world the framework of so many narratives found in short stories novellas and novels. The new art of making books permits the insinuation of a story without resorting to text or narrative…â€â€“João Fernandes “Art as Subversion: Make and Remake to Make Anew†in Guy Schraenen ed. Dear reader. Don’t read. 2016 p. 41 analyzing the 1st ed.<br/> <br/> In excellent and fresh condition. The first edition is unrecorded on WorldCat and we find only three copies of the second in North American institutions.<br/> <br/> ⧠Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 25 pictured. unknown
198229489Amsterdam 1982. Fine condition. Ref. Hill 63. First Edition. Xerographic flyer printed recto/verso to A4 sheet. Announcement for the only film made by Ulises Carrión a structuralist 16mm performance in which Carrión cradles a television set playing scenes from Max Ophüls' The Reckless Moment 1949 and moves his body and the set according to the direction in which the camera pans in the film—right left down up—resulting in a strangely stabilized image. The performance abruptly concludes when Ophüls' protagonist throws the body of a gangster ex-art dealer into the sea. Amsterdam unknown
1141212mo magenta printed semi-stiff covers stitched. Geneva: Boabooks May 2016.<br /> <br> <br> From the colophon: "the drum presents a linguistic exercise handwritten in black ink by Ulises Carrión in 1972." Printed and bound by Che Huber and Alexis Dos Santos and designed by Izet Sheshivari. As new. unknown
11417110 pp. Tall 8vo 230 x 109 mm. orig. printed thick paper covers title on spine. N.p.: Verlaggalerie Leaman 1978.<br /> <br> <br> One of Ulises Carrión's scarce bookworks printed in an edition of 300. It is a fine example of the artist's interest in plagiarizing found texts in order to recast them as new original artworks and books. The artist has recreated the genealogy of the Muxlow family of Yorkshire whose family bible he discovered while he was studying at the University of Leeds. The birth dates marriages and death dates for the members of this family have been documented and preserved through the minimalist layout of the text.<br /> <br> <br> Carrión lays out the intent of the present bookwork in this way: "The list of names dates and places divided in 5 sections: Parents Children Marriages Deaths and Other Events does not lend itself to lyricism it contains nothing more than facts. However when one reads names dates and places one after another these become interchangeable: individuality space and time united in one single flow of sounds become a pure rhythm a primitive chanting. And then again this rhythm composed of the most essential events of life brings us back to earth and ourselves."-G. Schraenen ed. Dear reader. Don't read. 2016 pp. 20-21.<br /> <br> <br> In excellent condition.<br /> <br> <br> J. J. Agius & R. Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 15. unknown
10309Single purple paper sheet 298 x 209 mm. mounted on beige paper collaged yellow pieces of paper with ms. text. signed. Amsterdam: 1977.<br /> <br> <br> Manuscript collage language work by Mexican artist Ulises Carrión. He contributed a version of the piece to the magazine Kontexts it appears in issue 5 1974. <br /> <br> <br> Near fine; adhesive in corners bleeding through. Signed in the lower left corner: “Ulises Carrión ‘77.†From the collection of Guy Schraenen 1941-2018. With thanks to Rich Dana Sackner Archive Project Coordinator Librarian at the University of Iowa Special Collections who confirmed the appearance of this work in Kontexts issue 5. The Sackner Archive holds the editorial files for Kontexts including original contributions like Edgardo Antonio Vigo JH Kocman Carrión Felipe Ehrenberg Bob Cobbing Clemente Padin Jiri Valoch etc.<br /> <br> <br> ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 114 pictured. unknown
197730863Antwerpen: Guy Schraenen 1977. This copy fine. Scarce with a single OCLC record discovered. Audio cassette in original housing with stapled booklet 8 pages as liner. The first published collection of Ulises Carrión's conceptual audioworks; a number of which were created specifically for this Schraenen recording. As per the artist's statement printed to the liner: "Each piece is a series of vocal units that unfolds according to simple rules. Their beginning and end are arbitrary—they could go on infinitely. They should go on. They go on." Side 1: Hamlet for two voices 15'36 with Martha Hawley and Aritmética 5'19; Side 2: Three Spanish Pieces 7'21 Poema 1'57 First Spanish Lesson 7'13 and 45 Revoluciones por Minuto 3'59. Dear Reader p. 128; Hill 38. Antwerpen: Guy Schraenen unknown
2003RCARULI00sndTurner 2003. Very Good. Carrion Ulises. Ulises Carrion: Artists Books Libros Artistas. Two volume set including ""Mundos personales o estrategias culturales"" in a slipcase. Madrid: Turner 2003. 360 178pp. Indexed. Illustrated. Bibliography. 4to. Semi-matte pictorial wraps. Book condition: Very good. Both spine heads bumped; most noticeably on Volume I which has a 1/2 inch tear. Edges lightly bumped. Wraps gently faded. Slip case is in fair condition only held together by previous owner's tape repairs. Text in Spanish. Richly illustrated with full page black and white plates featuring reproductions of artist's books and supplemented with Carrion's essay on the philosophy of the book as an artistic medium. Turner paperback
10307Single paper sheet 348 x 224 mm. mounted on black craft paper letterpress-printed signed. Amsterdam: 1975.<br /> <br> <br> A very rare signed language work print by Ulises Carrión. Fine; a trifle sunned. Inscribed in the lower left corner: “U. Carrión ‘75.†From the collection of Guy Schraenen 1941-2018. unknown
8624in: Revista de Bellas Artes No. 18 November-December 1967 pp. 22-35. Black & white illus. throughout. 104 pp. 4to orange pictorial wrappers extremities a little rubbed title on spine. Mexico City: 1967.<br /> <br> <br> Unknown to Guy Schraenen; a story written by Ulises Carrión and published in one of Mexico’s important literary journals. Near fine. <br /> <br> <br> ⧠Not in G. Schraenen Dear reader. Don’t read. 2016. unknown
8355in: Revista Mexicana de Literatura Nos. 11-12 November-December 1962 pp. 17-22. 81 pp. & ads. 8vo printed wrappers lacking lower wrapper. Mexico City: 1962.<br /> <br> <br> Ulises Carrión’s first appearance in the experimental literary journal Revista Mexicana de Literatura 1955-65. A good copy; some chipping to the upper wrapper and marginal dampstaining to the final few leaves of text.<br /> <br> <br> ⧠G. Schraenen ed. Dear reader. Don’t read 2016 p. 255 as “Un Cuentoâ€. unknown
8622in: Anuario del Cuento Mexicano 1962 pp. 82-85. 308 1 p. & table of contents. Thick 4to pictorial softcover spine a little wavy & dampstained title on spine. Mexico: Instituto Nacional de Bellas Artes 1963.<br /> <br> <br> Early appearance of one of Ulises Carrión’s short stories this was his second appearance in Anuario del Cuento Mexicano. “El asalto†had been published the previous year in Revista Mexican de Literatura Nos. 11-12.<br /> <br> <br> A very good copy.<br /> <br> <br> ⧠Not recorded by Schraenen in Dear reader. Don’t read 2016. unknown
