567 résultats
Very Good English Papernack. Pbo. Cr. o. (20 x 14 cm). In Turkish. 206, [2] p. Osmanlilar. = [The Ottomans]. Translated by Mehmet Harmanci. Turkish Edition of Wheatcroft's 'The Ottomans'.
205pp., 21cm., mooie staat
1 volume in-12°, 276 pages, broché. Très bon état. [MA-2]
391pp. + planches en n/bl hors-texte, 20cm., brochure originale, pages toujours non coupées, petit cachet, bon état, B26135
100pp.met ills., 20cm., mooie staat
viii + 74pp., 24cm., originele omslag, tekst in het Nederlands (vertaling uit het Spaans), nog onopengesneden, enkele roestplekjes, goede staat, G95953
Mm 210x270 Volume rilegato in tela, 167 pagine con illustrazioni in nero nel testo e tavole a colori fuori testo. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
391pp., br.orig., bel état
Roy. 8vo., First Edition, with numerous plates in monochrome; printed wrappers, wire-stitched as issued, a near fine copy. With small, neat institutional stamp on title only. SCARCE.
320pp.+ [xvi] pp.buitentekstills., gecart.band met stofwikkel, 24cm., mooie staat
fort volume grand in-8, 104 + 100 + 104 pages, illustrations dans le texte, reliure plein simili bordeaux, decor doré aux Armes de la Belgique. Bel exemplaire. [TX-23]
Book is fine. DJ has 1 small tear (1 cm) to lower rear corner and very light shelfwear. ; This edited collection addresses the role of ritual representations and religion in the epic poems of the Flavian period (69-96 CE) : Valerius Flaccus' Argonautica, Silius Italicus' Punica, Statius' Thebaid, and the unfinished Achilleid. Drawing on various modern studies on religion and ritual, and the relationship between literature and religion in the Greco-Roman world, it explores how we can interpret the poets' use of the relationship between gods and humans, cults and rituals, religious activities, and the role of the seer / prophet and his identification with poetry. Divided into three major sections, the volume includes essays on the most important religious activities (prophecy or augury, prayers and hymns) and the relationship between religion and political power under the Flavian emperors. It also addresses specific episodes in Flavian epic which focus on religious activities associated with the dead and the Underworld, such as purification, necromancy, katabasis, suicide, and burial. It finally explores the role of gender in ritual and religion. ; 432 pages
Paris, Payot, 1939, 255pp., dans la série "Bibliothèque historique"
363pp.avec ills.hors-texte, br.orig., jaq., 23cm., bel état
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 287 p. Osmanli Devleti'nin kurulus döneminde hükümdarlik kurumunun gelismesi ve saray hayati-teskilati. Life in palace in the Ottoman Empire in the early period.
Fine English Original cloth bdg. with embossing and Abdulhamid's tughra. Demy 8vo. (21 x 14 cm). In Turkish. 262, [1] p., many b/w plates. First Edition. Babam Abdülhamid.
New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In Turkish. 446 p., color and b/w ills. Osmanli tezyinati: Klasik devir Istanbul hanedan türbeleri, 1522-1604. Osmanli Tezyînati, tezyinatta kullanilan malzemeyle birlikte asil tezyinati meydana getiren nakislari da etraflica inceleyerek, Osmanli sanatinin esasini anlama hususuna önemli katkilar sagliyor; kültür iklimimizde bir boslugu dolduruyor. Sanat tarihi sahasinin uzmanlarindan Dr. Aziz Doganay; eserlerin mimarî plastik ve tezyinat özelliklerini, malzemesi, teknigi ve bezemeleriyle birlikte sunan eseri Osmanli Tezyinati: Klasik Devir Hanedan Türbeleri (1522-1604)¿nde, sahanin uzmanlarini oldugu kadar meraklilarini da Osmanli sanatinin klasik döneminde bir bilgi sölenine, bir renk cümbüsüne davet ediyor. TURKISH AND ISLAMIC ART Traditional Ottoman decoration Istanbul Constantinople Calligraphy Architecture Dynasty Cemetery Tomb History of art.
Very Light foxing to top of textblock. Tiny red pen mark to rear endpaper (arrow). Minor shelfwear. ; Looks at the history and administration of the provinces of the Ptolemaic Empire outside Egypt including: Cyrenaica, Cyprus, Phoenicia, Palestine, Coele-Syria, and various parts of Asia Minor and the Greek Islands also looks at Coinage. ; Columbia Studies in the Classical Tradition IV; 301 pages
New New English Original bdg. Dust wrapper. Folio. (34 x 25 cm). In English and Turkish. 238, [1] p., color and b/w ills. Dynasty and camera. Portraits from the Ottoman Court. Ömer M. Koç Collection.= Hanedan ve kamera. Osmanli Sarayindan portreler. Ömer M. Koç Koleksiyonu. "Dynasty and the Camera: Portraits from the Ottoman Court" exhibition will be held on 8 January - 29 May 2011. The exhibition consists of a selection from the Ottoman portrait photographs from Ömer M. Koç collection shows the high level of technical and artistic terms of photography by the interest of the Ottoman imperial family. This exhibition marks the importance given by the Ottoman sultans, other members of the royal dynasty and statesmen in the 19th century and includes the photographs of Prince Ömer Faruk the son of Caliph Abdülmecid, Nazime Sultan the daughter of Sultan Abdülaziz, Fehime Sultan the daughter of Sultan Murad V, Prince Yusuf Izzeddin the son of Sultan Abdülaziz, Sultan Murad V, Prince Mehmed Selim the son of Sultan Abdülhamid II, Prince Mehmed Seyfeddin and Esma Sultan the children of Sultan Abdülaziz. During the reign of Sultan Abdülaziz, who acceded to the throne in 1861 and was keenly interested in various branches of fine arts, Ottoman portrait photography reached a pinnacle of achievment in both technical and artistic terms, thanks to the skill of the Abdullah Brothers, who specialised in portrait photography. Vasilaki Kargopulo, who was appointed as court photographer in 1878, two years after Sultan Abdülhamid II came to the throne, contiuned to take similarly high quality portraits of the royal family and statesmen. As ameteur photography gained momentum from the turn of the century onwards, members of the royal family began to take their own photographs, the number of family photographs taken in private areas of royal residences increased significantly. Some members of the Ottoman royal family were particularly interested in portrait photography, notably Caliph Abdülmecid Efendi, Heir Apparent Yusuf Izzeddin Efendi, and the royal princes Ömer Faruk, Mehmed Selaheddin and Osman Fuad, who had their portrait photographs on various occasions from their childhood onwards, and pioneered this interest among other members of the royal family as expressions of loyalty and friendship continued for many years. PHOTOGRAPHY Ottoman court Ottoman palace Dynasty Collection Istanbul Constantinople Photographers History of art.
xiii + 267pp.avec 18 gravures hors-texte, relié en couvert.cart.avec plats marbrés, dos en cuir avec titre nerfs et décoration dorés, feuilles de garde marbrées, tranches dorées, 21cm., petite pièce détachée du dos, bon état
xv + 275pp., br.orig., 19cm., 3e éd.(augmentée), qqs.rousseurs dans le texte, bon état
419pp. rijkelijk geïllustreerd in kleur en zw/w, 34cm., linnen uitgeversband, geîllustreerde stofwikkel, in gecart. foedraal van uitgever, zeer goede staat, S95816
279pp., 19cm., br., petit cachet, bon état, B72743
in-8°, 192 pages, broche, couverture illustree. Bel exemplaire. [NV-22]