260 résultats
189822515Paris L. Conquet 1898 In-8, maroquin rouge, encadrement d'un quadruple filet dor pouss or sur les plats, dos nerfs orn de filets dors,double filet dor sur les coupes; doublures de maroquin vert ornes d'un large encadrement compos d'un motif floral rptition pouss or et mosaqu en maroquin vert fonc et rouge serties d'un filet dor, gardes de soie tisse motif floral, doubles gardes de papier peign, tranches dores sur brochure, couverture imprime. Etui Adolphe Cuzin.41 eaux-fortes originales d'Auguste Lepre dont un frontispice et 40 in-texte. Tirage unique limit 250 exemplaires numrots sur vlin du Marais.Exemplaire enrichi d'un double tat de chaque illustration et d'une suite de toutes les illustrations. Ravissante reliure de Adolphe Cuzin, fils de Francisque Cuzin, il ouvrit en 1900 son propre atelier de reliure, passage Dauphine et finit sa vie comme professeur et doreur.
189868998Sous étui bordé et sous chemise en demi-maroquin vert. Reliure plein maroquin vert céladon. Listel d'encadrement de maroquin vert sombre accompagné de nombreux filets dorés et à froid, dos à nerfs décoré dans le même style. Doublure de maroquin havane clair orné d'une importante bordure de fleurs et feuillages stylisés mosaïqués, délimitée par des listels de maroquin grenat et filets dorés, gardes de reps céladon. Tranches dorées sur témoins. Couverture et dos conservés. Reliure signée MERCIER, succ. de Cuzin. Dos de la chemise passé, ayant légèrement coloré l'or du dos.Belle édition, ornée de 41 eaux-fortes originales d'Auguste LEPÈRE. C'est le dernier livre publié par Conquet, il fut achevé après son décès, par Léopold Carteret.
189873269Sous étui bordé cuir. Reliure plein maroquin bleu nuit janséniste. Dos à nerfs avec date au talon. Toutes tranches dorées. Doublures de maroquin citron orné d'un encadrement de filets, arabesques et bouquets de fleurs mosaïqués de maroquin bleu, bleu ciel et vert. Gardes de soie multicolore à dominante de vert de jaune. Couverture et dos conservés. Non rogné. Reliure signé Ch. LANOE suc. de P. Ruban. Intérieur parfait. Illustré de 41 belles eaux-fortes originales d'Auguste Lepère.
189839440Paris Librairie Conquet 1898 In-8, maroquin vert bouteille, dos quatre nerfs orn d'une grande feuille mosaque en maroquin beige; doublures de maroquin brun ornes d'un large encadrement de filets dors, gardes de soie moire vert bouteille, doubles gardes de papier peigne, tranches dores sur brochure, couverture imprime. Etui (Ch. Meunier).41 eaux-fortes originales d'Auguste Lepre, dont un frontispice, 20 en-ttes et 20 culs-de-lampe, et 20 lettrines histories imprimes en deux couleurs. Tirage unique limit 250 exemplaires numrots sur vlin du Marais. Trs bel exemplaire enrichi d'une rare suite de 10 gravures inutilises sur vlin en double tat dont l'eau-forte pure, runies sous un titre gnral illustr d'une gravure originale de Lepre, et d'une double suite de toutes les gravures du livre galement sur vlin et en double tat dont l'eau-forte pure.
18956998Paris: L. Conquet 1895. Tall 8vo approx. 10 1/2 x 6 1/4 in. 26.5 x 16 cm 166pp 2pp contents. 100 Copies Only Printed on Japan Vellum this is copy #93 signed by publisher with initials. Beautifully bound by Paul-Romain Raparlier in crushed dark blue morocco with lavish all-over design on both covers framed by double gilt fillets with dotted inner rules and small floral corner tools. On the center field repeating floral motifs with alternating rose and blossom forms form a vertical rectangle all set within a gilt foliate border. Spine with five raised bands gilt compartments and floral inlays; turn-ins decorated with gilt rules floral rolls and corner ornaments. Pale blue silk moirÈ doublures and endpapers. Original wrappers bound in. All edges gilt. Signed ìP. R. Raparlierî at the foot of the front turn-in. Edges of boards strikingly adorned with closely spaced gilt dots. Binder: Paul-Romain Raparlier 1858ñ1900 trained at the .cole des Beaux-Arts and earned a gold medal at the 1892 Exposition Internationale du Livre distinguishing himself for refined painterly surface design rather than heavy architectural tooling. His signed bindings from the fin-de-siËcle period are prized for their disciplined ornament subtle color inlay and precise finishing placing him among the more accomplished Parisian decorative binders of the 1890s. A very attractive binding. In fine condition. L. Conquet unknown
189822478Paris L. Conquet 1898 In-8, maroquin jansniste vert bouteille, dos quatre nerfs, filets dors sur les coupes; doublures de maroquin rouge serties d'un filet dor, gardes de soie verte, doubles gardes de papier mouchet, tranches dores sur brochure, couverture imprime. Etui (Ren Aussourd).41 eaux-fortes originales d'Auguste Lepre, dont un frontispice et 40 in-texte. Tirage unique limit 250 exemplaires numrots sur vlin du Marais.
189522534Paris Librairie Conquet 1895 In-4, maroquin lavallire, encadrements de filets et roulettes dors sur les plats, dos nerfs orn de filets et petits fers pousss or; doublures de maroquin beige ornes d'un large encadrement de jeux de listels mosaqus en maroquin noir entre des filets dors, gardes et doubles gardes de papier peigne, tranches dores sur brochure, couverture imprime. Etui (Lortic fils).21 compositions dessines et graves la pointe sche par Henry Somm, dont un frontispice, 10 en-ttes et 10 culs-de-lampe. Tirage unique limit 100 exemplaires numrots sur japon la forme. Bel exemplaire enrichi d'une suite des illustrations sur japon fort en preuve avec remarques, et de 9 preuves d'artiste l'tat d'eau-forte pure avec remarques indites, relatives aux gravures des pages 3 (une preuve), 18 (une preuve avec une remarque indite), 21 (une preuve avec une remarque indite), 36 (2 preuves avec des remarques indites), 39 (3 preuves avec des remarques indites), 54 (une preuve avec une remarque indite). Reliure double signe de Lortic fils qui exera Paris de 1884 1928.
189845396Paris Librairie L. Conquet 1898 In-4, chagrin havane, encadrement d'un filet dor sur les plats, dos sans nerfs; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime.41 eaux-fortes originales d'Auguste Lepre, dont un frontispice, 20 en-ttes, 20 culs-de-lampe et 20 lettrines histories imprimes en deux couleurs. Tirage unique limit 250 exemplaires numrots sur vlin du Marais. Un des quelques exemplaires hors commerce nominatifs (imprim pour Eugne Conquet).
188971857Reliure de l'époque bradel plein parchemin. Dos lisse avec titre manuscrit en rouge. Couverture et dos conservés. Illustré de 178 dessins par l'auteur en noir et blanc et en couleurs.
189543125Sous étui bordé. Reliure plein maroquin havane foncé. Dos à nerfs. Plats mosaïqués de feuillages et de masques. Tranches dorées sur témoins. Encadrements intérieurs dorés doublés. Gardes de moire rose. Couverture et dos conservés. Reliure signée P. RUBAN 1896. Charmante édition de ces poèmes de Maurice Vaucaire illustrée de 35 dessins de Louis MORIN rehaussés de couleurs à l'aquarelle.
1838008148London: 17 Warwick Lane Paternoster Row: William Mark Clark 1838. 1st Edition . Hardcover. Good. 8vo - over 7¾ - 9¾" tall. LIZARS D. 119 Weekly parts 2 columns per page bound into 2 volumes 1838 & 1840. In worn half calf faded gilt tooling over worn blue marbled boards. Spines worn some loss to both faded gilt tooling & titles. Internally Vol 1 half title 5 vi-viii 1 2-480 pp. from No 1 Jan 6 1838 to No 60 Dec 29 1839 blue marbled endpapers small edge chip with loss of a few words p103/4 occasional light water stain p384. Vol 2 Nelson portrait frontis 3 iv-viii 2 adverts 1 2-464 pp No 62 Jan 5 1839 to No 119 no date vertical tear with page loss p167/8 corner of p305/6 printed by W. Brace. ink owners details to feps Smith 1872 ink name to tps Hutchinson 1870 blue marbled endpaper lacking to ep V2. Issues 24 & 25 describe the Mutiny of the Bounty & with the all important portrait & memoir of Nelson. 241185 mm. Ferguson JA Bibliography of Australia 2456/57. Uncommon 2 sets in UK BL & Nat Lib 8 in the US 4 Australia & 1 in Sweden! A fascinating read!! <br/> <br/> William Mark Clark hardcover
189512974Paris, Librairie Léon Conquet, 1895. 1 vol. in-8. Plein maroquin havane janséniste, dos à nerfs, titre, auteur, date et lieu dorés, dentelle intérieure dorée, tranches dorées, couvertures conservées. [CHAMBOLLE-DURU].
18913453Paris: Librairie L. Conquet 1891. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. Contemporary citron morocco sides elaborately gilt spine in six compartments lettered on one raised bands gilt turn-ins satin endpapers with embroidered roses a.e.g. Front joint repaired. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. With an Original Watercolor. With a charming original watercolor and pen and ink drawing of 9 characters from the book by the author/artist on the recto of the half-title inscribed beneath: "Ã mon ami Pelletan Louis Morin Librairie L. Conquet unknown books
18913453Paris: Librairie L. Conquet 1891. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. Contemporary citron morocco by Bretault sides elaborately gilt spine in six compartments lettered on one raised bands gilt turn-ins satin endpapers with embroidered roses a.e.g. Front joint repaired. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. With a charming original watercolor and pen and ink drawing of 9 characters from the book by the author/artist on the recto of the half-title inscribed beneath: "à mon ami Pelletan Louis Morin Librairie L. Conquet unknown
189100007755Paris: Librairie L. Conquet 1891. First edition. Hardcover. Near Fine. 12mo. 10 1-51 9 pp. Full contemoprary red morocco with gold borders on each board spine with gold tooling gold-tooled borders around the red-silk doublures; top edge gilt. Red silk floral endpapers. Bound by the well-known French artisan and bookbinder Leon Gruel. With a light blue silk ribbon bookmark bound in. Vignette title page in color along with a frontispiece and eleven plates and numerous decorations all by the author. This is the publisher's presentation issue on vellum signed by publisher and bookseller Leon Conquet with his indication that this copy is for Monsieur Legrand. This almost certainly was the well-known French illustrator Louis Legrand. Legrand moved to Paris in 1884 and began studying printmaking with the Belgian artist Felicien Rops who was under exclusive contract to Conquet from 1883 to 1885. Conquet's bookshop in Paris was a kind of salon for Parisian bibliophiles and illustrators and Conquet Rops Morin and Legrand would have been well-acquainted by the time of this book's publication in 1891. Although there are no other ownership markings the foregoing and Conquet's eschewal of using initials or a first name to identify the intended recipient suggests that there was only one person named Legrand who could be the intended recipient of a presentation copy of this book Louis Legrand himself See W. Z. Silverman The New Bibliopolis for illuminating discussion of each of these individuals and the Parisian book world during this era. A beautiful copy of this wonderful confluence of associations in the world of late nineteenth-century French book arts and illustration. A Near Fine book with offsetting from the bound in bookmark on pages 22 - 23 where it presumably laid for many years and a faint dampspot on the endpapers. Librairie L. Conquet hardcover
189100007755Paris: Librairie L. Conquet 1891. First edition. Hardcover. Near Fine. Small 12mo. 10 51 9 pp. Bound by the well-known French artisan and bookbinder Leon Gruel in red Morocco top edge gilt. Stylized gilt borders and gilt rules on the boards gilt lettering and decorations on the spine red fabric with floral design on endpapers and matching fabric used on the pastedowns surrounded by elaborate gilt designed border on red Morocco with a light blue silk bookmark bound in. Vignette title page in color along with a frontispiece and eleven plates and numerous decorations all by the author. This is the publisher's presentation issue on vellum paper signed by publisher and bookseller Leon Conquet with his indication that this copy is for Monsieur Legrand. This almost certainly was the well-known French illustrator Louis Legrand. Legrand moved to Paris in 1884 and began studying printmaking with the Belgian artist Felicien Rops who was under exclusive contract to Conquet from 1883 to 1885. Conquet's bookshop in Paris was a kind of salon for Parisian bibliophiles and illustrators and Conquet Rops Morin and Legrand would have been well-acquainted by the time of this book's publication in 1891. Although there are no other ownership markings the foregoing and Conquet's eschewal of using initials or a first name to identify the intended recipient suggests that there was only one person named Legrand who could be the intended recipient of a presentation copy of this book Louis Legrand himself See W. Z. Silverman The New Bibliopolis for illuminating discussion of each of these individuals and the Parisian book world during this era. A beautiful copy of this wonderful confluence of associations in the world of late 19th century French book arts and illustration. A Near Fine book with offsetting from the bound in bookmark on pages 22 - 23 where it presumably laid for many years and a faint dampstain on the front flyleaf but otherwise a clean and attractive example. Librairie L. Conquet hardcover books
189874875Paris: Librairie L. Conquet 1898. Fine. Librairie L. Conquet Paris 1898 18 x 26.50 cm relié Edition illustrated with 41 original etchings by Auguste Lepère including a frontispiece 20 headpieces 20 tailpieces as well as 20 historiated initials printed in two colors The work is printed in 250 numbered copies on vélin du Marais justified by the publisher. Half chocolate brown morocco binding with corners spine with five raised bands gilt date at foot marbled paper boards endpapers and pastedowns of pebbled paper covers and spine preserved top edge gilt retaining deckled edges contemporary binding signed by Stroobants. Some minor foxing affecting mainly the last leaves at head. Handsome copy perfectly established. Librairie L. Conquet hardcover
1825elala1112Montreal: James Lane 1825. 1825. 8vo. pp. 16. original plain blue wrs. removed from a bound volume. Inscribed on front wr.: from the author M. Morin & with early ownership entry illegible. First Edition. Morin a seventh generation Canadian was still a law student when he wrote the present work assailing Judge Bowens refusal of a writ of summons drawn up in French and reminding him of French language rights in Lower Canadian courts. Morin went on to practise law and journalism and entered politics in 1830 becoming a supporter of Louis Joseph Papineau. He was the author in 1834 of the Ninety-Two Resolutions and the same year was deputed with Denis Benjamin Viger to lay before the British parliament the views of the Lower Canadian Assembly. A warrant was issued for his arrest for his involvement in the Rebellion but the charges of high treason were so ill-founded that he was not brought to trial. He remained active in politics until his appointment in 1855 as a judge of the Superior Court of Lower Canada.TPL 1360. Casey I 1185. Dionne I 163. Gagnon I 2107. Lande 661. 1st Edition. Montreal: James Lane, 1825. unknown
189874875Librairie L. Conquet | Paris 1898 | 18 x 26.50 cm | relié
186361653Paris: Truchy 1863. Fine. Truchy Paris 1863 18.50 x 28 cm relié First edition illustrated with in-text drawings by Edmond Morin. Full midnight blue morocco binding spine with five raised bands decorated with triple gilt compartments gilt roulettes on headcaps triple gilt fillets frame with gilt floral corner motifs on covers marbled endpapers and pastedowns gilt dentelle frame on pastedowns original wrappers preserved all edges gilt double gilt fillets on leading edges superb binding signed Marius Michel. Bookplate pasted on one endpaper a shadow on the same endpaper and on the facing page. Very fine copy elegantly bound. Truchy hardcover
186346789Paris, L. Hachette, 1863, in-8, 2 forts vol. , T.I: (4), III, (1bl), 610pp.; T.II: (4), 407, (1)pp, 16pl, demi-chagrin bronze, dos à nerfs ornés de compartiments et de fleurons dorés. (Rel. de l'ép.), PREMIERE EDITION. Rare. 16 planches dépl. h.t. représentant des plans de ventilation des bâtiments: hôpitaux (Lariboisière, Hôpitaux militaires de Vincennes et du Gros Caillou), théâtres ( de la Gaité, du Lyrique) et des écoles; nombreuses figures dans le texte. Ouvrage très complet sur le sujet : chauffage et ventilation des bâtiments en Angleterre; renouvellement de l'air dans les lieux habités, circulation de l'air dans les conduits; ventilation par insufflation (hôpital Lariboisière, asile du Vésinet, salles d'écoles, chambres des casernes); systèmes de calorifères employés dans les appareils de ventilation; dispositions particulières des édifices (hôpitaux, prisons, casernes, écoles, églises, théâtres, ateliers, écuries, etc.). Le mathématicien Arthur Morin (1795-1880) fut directeur du Conservatoire national des Arts & Métiers. Ses recherches sur les turbines et les systèmes de ventilation sont parmi les meilleurs et lui valurent d'être admis à l'Académie des Sciences. Rousseurs habituelles. Léger accroc à la coiffe sup. du second volume Couverture rigide
189810411Paris, Léon Conquet, 1898. 1 vol. in-8. Demi-maroquin brun à coins, double filet à froid sur les plats, motif de fleurs doré et mosaiqué repété sur le dos, quatre forts nerfs, titre et auteur dorés, tête dorée, exemplaire non rogné, couvertures et dos conservés. Avec l'étiquette du [KIEFFER RELIURES D'ART].
187891756Paris: Victor Havard 1878. Fine. Victor Havard Paris 1878 18.5 x 28.5 cm Relié First issue of the 250 wood-engraved compositions by Edmond Morin one of 150 numbered copies on Holland paper.The work is further illustrated with a frontispiece portrait of the author by Léopold Flameng.Bound in half orange morocco over marbled boards with corners spine with five raised bands ruled in gilt and richly tooled with double gilt compartments covers framed with double gilt fillets marbled endpapers original wrappers preserved top edge gilt an elegant binding signed A. Bertrand.A fine copy impeccably presented. Victor Havard hardcover
190025916Paris.: Société d'Editions Littéraires et Artistiques / Librairie Paul Ollendorff. c.1900. Full blue crushed morocco by Dubois with his signature gilt boards ruled in gilt banded spine six compartments with gilt title turn-ins ruled in gilt with fleuron corner tools marbled endpapers original publisher's pictorial wrappers by Morin preserved. Small folio. 328 x 248 mm. Half-title with printed dedication justification verso printed title in red and black with publisher's vignette and Doucet's text illustrated with a total of 48 colour text illustrations and 16 vignettes by Louis Morin after his watercolour designs leaf with 'Table' with head-piece final leaf with achevé d'imprimer and vignette. Louis Morin illustrating Jérôme Doucet.Each of Doucet's 'Pantomimes' features an illustrated title and two leaves with his text and Morin's illustrations; each 'Pentomime' is dedicated to a different 'ami' among whom are the dedicatees 'Pierrot Adolphe Brisson' and 'Pierrot René or Marcel or Jules Baschet.The 'Pantomimes' are the following: 'Le Philtre' 'Clysterium Donare' 'Les Violettes' 'At Home' 'La Croix de Son Père' 'Dalila' 'Le Saule' 'Tes Père et Mère' 'Immanente Justice' 'Meneur de Grève' 'Le Sermon' 'La Pantomime'. Société d'Editions Littéraires et Artistiques / Librairie Paul Ollendorff. hardcover
186361653Truchy | Paris 1863 | 18.50 x 28 cm | relié