62 résultats
1885BLR - HAY262241885. Paris Librairie Illustrée. relié demi-cuir marron. Dos très légèrement gauchi sinon bonne reliure et excellent état intérieur. in-8 carré. illustré de 95 dessins de l'auteur dont certains rehaussés notamment un frontispice et une vignette en médaillon sur la page de titres ; avec aussi des culs-de-lampe ; couverture illustrée en couleurs de l'exemplaire broché conservée ; avec aussi un joli ex-libris ancien ; dos à 5 nerfs avec motifs filets et titres dorés ; tête dorée. unknown
188573680Paris : Librairie Illustre - C. Marpn - E. Flammarion 1885. 220x140mm. reliure demi-chagrin. Dos faux-nerfs auteur et titre dors plats papier marbr couverture conserve. Bel exemplaire. 717 Librairie Illustre - C. Marpn - E. Flammarion unknown
1874264691874. Paris EugÂne Hugues s.d. 1879. Un vol. au format pt in-4 278 x 188 mm de 2 ff. n.fol. viii - 300 pp. Reliure de l'ÂŽpoque de demi-basane glacÂŽe turquoise dos lisse ornÂŽ de triples filets dorÂŽs titre dorÂŽ supra libros dorÂŽ en queue. Ed. LaŸgt. Edition en partie originale et ''premiÂre ÂŽdition dÂŽfinitive''. in Le Quillec. Exemplaire sous reliure signÂŽe Ed. LaŸgt ˆ Pau. ''Carnage sang et ÂŽpouvanteS rÂgnent dans L'AnnÂŽe terrible. Hugo se montre conscient d'une graduation dans les formes de la violence comme si ˆ mesure que la sociÂŽtÂŽ franÂaise s'approchait du but les formes prises par la violence s'exacerbaient. ''L'avenir est un monstre avant d'Âtre un archange''. Mais il ne dÂŽlaisse pas ici l'analyse sociale. De mÂme que trÂs vite l'analyse politique ressurgit ; dÂŽfense de la RÂŽpublique et de la RÂŽvolution. Mais la violence paroxystique de L'AnnÂŽe terrible est constatÂŽe par Hugo comme faisant partie des hors-normes : temps de dÂŽrÂglement o l'esprit s'efface devant l'instinct d'o la nÂŽcessitÂŽ de rÂŽaffirmer qu'au dessus de l'un et de l'autre surnage ce principe supÂŽrieur : le droit. Or affirme Hugo dans la France de 1871 ''la loi opprime le droit''. DÂs 1830 Hugo avait rÂŽsumÂŽ en une formule forte son sentiment sur les rapports du pouvoir du droit et de la violence : ''En matiÂre de pouvoir toutes les fois que le fait n'a pas besoin d'Âtre violent pour Âtre le fait est droit''. Jean-Claude Caron. Carteret I Le TrÂŽsor du bibliophile romantique et moderne p. 423 - Clouzot Guide du bibliophile franÂais p. 92 - Vicaire IV Manuel de l'amateur de livres du XIXÂme 344 - Rahir La BibliothÂque de l'amateur / Guide des livres les plus estimÂŽs p. 465 pour l'originale de 1872 - Le Quillec Bibliographie critique de la Commune de Paris 1237. Quelques frottements affectant le papier marbrÂŽ des plats. Un mors fendillÂŽ sans consÂŽquence. Coiffe supÂŽrieure arasÂŽe. Feuillets lÂŽgÂrement oxydÂŽs. PrÂŽsence de quelques rousseurs dans le corps d'ouvrage. Du reste belle condition. b42961 unknown
189843242Paris: Ch. Delagrave 1898. In-4° 193 pages 90 dessins in et hors-texte de l'auteur. Reliure en 3/4 chagrin rouge titre doré sur le dos couverture conservée tête dorée Bibliophile editions Ch. Delagrave unknown
18985398Paris: Librairie Ch. Delagrave 1898. First edition. A nice copy of this work illustrated throughout with 90 designs by the author. Contemporary half binding with gilt decoration and titles to the spine very Art nouveau in appearance. The leather is somewhat rubbed with a little chipping to the bottom edge of the spine. The marbled boards are clean but rubbed. The original green covers are bound in. The title page page has a red vignette to it. The work is written in four books. Each of these has a full colour title followed by the same reproduced in black and white. The pages are clean but a little darkened. A very nice period work. 198 pages. 26.5cm x 20cm. . Première édition. Bel exemplaire de cet ouvrage illustré tout au long de 90 dessins de l'auteur. Demi-reliure d'époque avec décor doré et titres sur le dos d'apparence très Art nouveau. Le cuir est quelque peu frotté avec un léger écaillage sur le bord inférieur du dos. Les plats marbrés sont propres mais frottés. Les couvertures vertes d'origine sont reliées. La page de titre comporte une vignette rouge. L'ouvrage est divisé en quatre livres. Chacun d'entre eux comporte un titre en couleur suivi du même titre reproduit en noir et blanc. Les pages sont propres mais légèrement noircies. Un très bel ouvrage d'époque. 198 pages. 265 cm x 20 cm. Librairie Ch. Delagrave hardcover
1868C000018669Paris: Lacroix Verboeckhoven 1868. First printing. Hardcover. Good. First printing 1868 no. 23 of an unknown number handsomely bound in half morocco raised bands gilt extra 310 pp. illustrated including 7 original etchings or eaux-fortes. Good copy spine leaning rubbing contents nice and bright. Lacroix, Verboeckhoven hardcover
187315761Paris: Lib. de la bibliothèque démocratique 1873. Fine. Lib. de la bibliothèque démocratique Paris 1873 9.50 x 14 cm broché First edition. One lack at head of spine four slight corner lacks to boards occasional light foxing. Lib. de la bibliothèque démocratique hardcover
188970438Paris : Ernest Kolb sans date vers 1889. 210x150mm. reliure percaline de lÕditeur. Nom et cachet du possesseur sur la page de garde suprieure. Titre et encadremens dors sur les 2 plats. Titre et filets dors au dos. 730 Ernest Kolb unknown
186361653Paris: Truchy 1863. Fine. Truchy Paris 1863 18.50 x 28 cm relié First edition illustrated with in-text drawings by Edmond Morin. Full midnight blue morocco binding spine with five raised bands decorated with triple gilt compartments gilt roulettes on headcaps triple gilt fillets frame with gilt floral corner motifs on covers marbled endpapers and pastedowns gilt dentelle frame on pastedowns original wrappers preserved all edges gilt double gilt fillets on leading edges superb binding signed Marius Michel. Bookplate pasted on one endpaper a shadow on the same endpaper and on the facing page. Very fine copy elegantly bound. Truchy hardcover
189874875Paris: Librairie L. Conquet 1898. Fine. Librairie L. Conquet Paris 1898 18 x 26.50 cm relié Edition illustrated with 41 original etchings by Auguste Lepère including a frontispiece 20 headpieces 20 tailpieces as well as 20 historiated initials printed in two colors The work is printed in 250 numbered copies on vélin du Marais justified by the publisher. Half chocolate brown morocco binding with corners spine with five raised bands gilt date at foot marbled paper boards endpapers and pastedowns of pebbled paper covers and spine preserved top edge gilt retaining deckled edges contemporary binding signed by Stroobants. Some minor foxing affecting mainly the last leaves at head. Handsome copy perfectly established. Librairie L. Conquet hardcover
1825elala1112Montreal: James Lane 1825. 1825. 8vo. pp. 16. original plain blue wrs. removed from a bound volume. Inscribed on front wr.: from the author M. Morin & with early ownership entry illegible. First Edition. Morin a seventh generation Canadian was still a law student when he wrote the present work assailing Judge Bowens refusal of a writ of summons drawn up in French and reminding him of French language rights in Lower Canadian courts. Morin went on to practise law and journalism and entered politics in 1830 becoming a supporter of Louis Joseph Papineau. He was the author in 1834 of the Ninety-Two Resolutions and the same year was deputed with Denis Benjamin Viger to lay before the British parliament the views of the Lower Canadian Assembly. A warrant was issued for his arrest for his involvement in the Rebellion but the charges of high treason were so ill-founded that he was not brought to trial. He remained active in politics until his appointment in 1855 as a judge of the Superior Court of Lower Canada.TPL 1360. Casey I 1185. Dionne I 163. Gagnon I 2107. Lande 661. 1st Edition. Montreal: James Lane, 1825. unknown
188867688Paris: Dentu 1888. Fine. Dentu Paris 1888 15.50 x 21.50 cm broché First edition on current paper mention of fifth edition. Some small freckles without gravity. Illustrated book of color drawings by Louis Morin and Henry Gerbault preface by Arsène Houssaye. Illustrated cover and frontispiece by Jules Chéret. Signed autograph of Félicien Champsaur to glass painter Henri Carot: ""To the good artist Henri Carot in strong sympathy ."" Dentu unknown
18721311677Paris, Lévy Frères, 1872. 2 Bl., 275 S., 1 Bl. Mit 12 Holzstich-Vignetten von Edmond Morin. OBroschur (Umschlag leicht angestaubt u. m. geringen Läsuren, Stempel auf Vortitel u. Titel, gering stockfleckig, unbeschnitten).
1827150Paris: Roret 1827. Hardcover. Good. Leather bound 14 cms corners bumped and endpapers spotted but contents good Roret hardcover
183526419PARIS: Imprimerie de Laguerre 1835. Segunda edición.- 8º.- Media piel de época con puntas lomera con nervios en seco texto y florones dorados.- 3 hojas.- 372 páginas.- 36 páginas. De la Enciclopedia Roret. Imprimerie de Laguerre unknown
1893108895Abbaye de Maredsous, 1893. 24 x 15 cm ; broschiert
1878a1084Paris: Victor Havard. G: in Good condition without dust jacket as issued. 1878. Illustrated Edition. Blue hardback half-leather cover with marbled boards. 280mm x 190mm 11" x 7". 436pp. In French. Heavy item - shipping supplement may apply for overseas. . Victor Havard hardcover
187891756Paris: Victor Havard 1878. Fine. Victor Havard Paris 1878 18.5 x 28.5 cm Relié First issue of the 250 wood-engraved compositions by Edmond Morin one of 150 numbered copies on Holland paper.The work is further illustrated with a frontispiece portrait of the author by Léopold Flameng.Bound in half orange morocco over marbled boards with corners spine with five raised bands ruled in gilt and richly tooled with double gilt compartments covers framed with double gilt fillets marbled endpapers original wrappers preserved top edge gilt an elegant binding signed A. Bertrand.A fine copy impeccably presented. Victor Havard hardcover
190025916Paris.: Société d'Editions Littéraires et Artistiques / Librairie Paul Ollendorff. c.1900. Full blue crushed morocco by Dubois with his signature gilt boards ruled in gilt banded spine six compartments with gilt title turn-ins ruled in gilt with fleuron corner tools marbled endpapers original publisher's pictorial wrappers by Morin preserved. Small folio. 328 x 248 mm. Half-title with printed dedication justification verso printed title in red and black with publisher's vignette and Doucet's text illustrated with a total of 48 colour text illustrations and 16 vignettes by Louis Morin after his watercolour designs leaf with 'Table' with head-piece final leaf with achevé d'imprimer and vignette. Louis Morin illustrating Jérôme Doucet.Each of Doucet's 'Pantomimes' features an illustrated title and two leaves with his text and Morin's illustrations; each 'Pentomime' is dedicated to a different 'ami' among whom are the dedicatees 'Pierrot Adolphe Brisson' and 'Pierrot René or Marcel or Jules Baschet.The 'Pantomimes' are the following: 'Le Philtre' 'Clysterium Donare' 'Les Violettes' 'At Home' 'La Croix de Son Père' 'Dalila' 'Le Saule' 'Tes Père et Mère' 'Immanente Justice' 'Meneur de Grève' 'Le Sermon' 'La Pantomime'. Société d'Editions Littéraires et Artistiques / Librairie Paul Ollendorff. hardcover
183328365Philadelphia: Published by order of the Association; Printed by Wm. F. Geddes 1833. First edition. Removed. 20 pp. 8vo. John Morin Scott 1789-1858 grandson of the Revolutionary War leader of the same name was a mayor of Philadelphia. Here he argues against disunion and that the South with its smaller population "comparative seclusion from the world and from the assimilation process of constant intercourse with men have given in those states a tone of society less favorable to republican doctrines as we understand them there and more allied to the sentiments belonging to the aristocratic form." It ends with this pleas "Young men without distinction of party beloved sons of our beloved country - she cries to you for union union union." OCLC list a single copy in Easton Area Pub. Lib Pennsylvania. Not in Sabin. Not in NYS Lib 4th July Orations. Not in Univ. Missouri. American Imprints 21111. Published by order of the Association; Printed by Wm. F. Geddes unknown
18956998Paris: L. Conquet 1895. Tall 8vo approx. 10 1/2 x 6 1/4 in. 26.5 x 16 cm 166pp 2pp contents. 100 Copies Only Printed on Japan Vellum this is copy #93 signed by publisher with initials. Beautifully bound by Paul-Romain Raparlier in crushed dark blue morocco with lavish all-over design on both covers framed by double gilt fillets with dotted inner rules and small floral corner tools. On the center field repeating floral motifs with alternating rose and blossom forms form a vertical rectangle all set within a gilt foliate border. Spine with five raised bands gilt compartments and floral inlays; turn-ins decorated with gilt rules floral rolls and corner ornaments. Pale blue silk moirÈ doublures and endpapers. Original wrappers bound in. All edges gilt. Signed ìP. R. Raparlierî at the foot of the front turn-in. Edges of boards strikingly adorned with closely spaced gilt dots. Binder: Paul-Romain Raparlier 1858ñ1900 trained at the .cole des Beaux-Arts and earned a gold medal at the 1892 Exposition Internationale du Livre distinguishing himself for refined painterly surface design rather than heavy architectural tooling. His signed bindings from the fin-de-siËcle period are prized for their disciplined ornament subtle color inlay and precise finishing placing him among the more accomplished Parisian decorative binders of the 1890s. A very attractive binding. In fine condition. L. Conquet unknown
190078907Paris : Socit dÕEditions Littraires et Artistiques Librairie Ollendorff 1900. 190x120mm. illustr broch couverture rempli. 199 Socit dÕEditions Littraires et Artistiques, Librairie Ollendorff unknown
