Beihoff, Norbert JAntiquariat.de
CHAMPOLLION J FMareMagnum
Splendeur de l'enluminure. Le roi rené et les livres
Actes Sud, 2009. In-4 carré relié cartonnage illustré de l'éditeur de 415 pages. Nombreuses reproductions. Très Bon état
687 résultats
1961EEzz6528Published by Order of the Board of Trustees 1961. 93(4) S., mit zahlr. Abb., ill. OPpbd., Einbd. leicht angestaubt u. abgegriffen.
Actes Sud, 2009. In-4 carré relié cartonnage illustré de l'éditeur de 415 pages. Nombreuses reproductions. Très Bon état
1980EEZZ5068FfM., Ullstein/Propyläen 1980. 4°, 309 S., mit 581 Abb. auf 448 Tafels., davon 58 farb., sowie 8 Zeichn. im Text, OHldr. m. RüSch. u. OU., an diesem unwes. Gebrauchsspuren. (= Propyläen Kunstgeschichte. Supplementband 5).
New English Paperback. Demy 8vo. (22 x 15 cm). In English and Turkish. 96 p., 40 unnumbered color ills. Asli Çavusoglu. Mercury in retrograde.= Merkür geriliyor. Edited by Iz Öztat, Süreyyya Evren. The Contemporary Art Series of artists books, initiated by Art-ist publications, presents unique monographs of work by emerging artists who do not have a publication on their work yet. The series aims at documenting practices as they manifest and creating a space for evaluating each artist's practice through most of their works. The books published to date are Ahmet Ögüt: Informal Incidents (2008), followed by Bashir Borlakov: Fictional Reality (2009), Can Altay: Pigeons are People (2010) and A. Sener Özmen Book (2011). Mercury in Retrograde is the fifth book in the series, which focuses on Asli Çavusoglu's artistic production since 2004. In her works, Ash questions the audience's relationship with reality through her daring interventions in space and time. No matter what the topic is, her works reflect the process and the coincidences invoked by the artist that result in layered interpretations. In the universe that is presented in this book, linear relationships and narratives don't work. We can only perceive the works as a constellation of time/space compressions, which impact each other in multiple dimensions. You can imagine that an artist dealing with the fictional nature of historiography and placing herself at the center of experiences shaping her work would not let somebody else edit the narrative about her practice. The interpretations you will come across are some possibilities articulated from now and the same works might appear with completely different meanings in the future. In this book, you might be looking for a narrative of Ali Cavusoglu and her artistic practice but you might find something else.
New New English Original bdg. Dust wrapper. 4to. (27 x 25 cm). In English and Turkish. [6], 161 p., color ills. Art in sweetgum forests.= Sigla ormanlarinda sanat. [Exhibition catalogue]. Edited by Oya Ayman. The project aimed to establish a cultural bridge through art and nature - to promote observation and field-based wildlife art as a tool for raising awareness of the Turkish Sweet Gum Forests. The tangible project outcomes, aside from the mountain of artwork produced by tutors and students alike, are a project book and an exhibition, both of which are at the time of writing, being developed. The exhibition will travel to three different sites in Turkey as well as the 'Natural Eye' exhibition at the Mall Galleries in London.
Very Good English Paperback. Large roy. 8vo. (25 x 17 cm). In English. 44, [10] p., b/w plates. Christie's. Chinese ceramics and works of art. [Auction catalogue]. Monday, 9 June 1980.
Fine English Original bdg. HC. Large 8vo. (20 x 20 cm). In English. 56 p., color ills. Symbols and traditional jewels of Tunisia.
Very Good German Paperback. Roy. 8vo. (24 x 17 cm). In Turkish with a short abstract in German. [vi], [3], 112, [1] p., v numerous b/w plates (Tafeln). Portrat und Mehransichtigkeit in der Plastik ausserhalb des Mittelmeerkreises.= Akdeniz havzasi disindaki kavimlerin plâstik eserlerinde portre ve birkaç cepheden görünüs.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 395 p., color and b/w ills. "Ekrem Hakki Ayverdi was raised at a time in which Istanbul was undergoing its late Ottoman-early Republican period. Apart from his persona as an engineer-architect, restorer, and architectural historian, he was a collector passionately dedicated to Ottoman art. Undertaking the construction of different public buildings in Istanbul, Bursa and Edirne, as well as the restoration of many architectural works, Ayverdi not only brought together the most select and refined works of Ottoman art, which had begun to lose its prestige amidst the changing values of high culture in the time he lived, but he also paid particular attention to their conservation and preservation. Ayverdi's two seminal corpuses that study Ottoman architecture from its early days until the end of the Mehmed II era, as well as its examples in Roumelia, continue to maintain their place as the most important reference books for those working in this field. Istanbul Research Institute commemorates Ekrem Hakki Ayverdi, his professional work, and his priceless collection with an exhibition in the 30th anniversary of his passing and hopes to bring together wide audiences with this versatile and colorful man of culture, who, as one of the last representative of a lost world, holds a unique place in Ottoman art studies and Ottoman architectural history in particular.".
New French Paperback. Pbo. Small 4to. (26 x 20 cm). In French. 112 p., color and b/w ills., 125 photos, 12 plans. Chypre du Nord. Une mosaique de cultures.
New English Original bdg. HC. 4to. (29 x 23 cm). In Turkish. 195 p., b/w and color ills. Hayalciler birligi: BKM, 1995-2015.
New English Original bdg. HC. Large 8vo. (23 x 20 cm). In Turkish. 207, [1] p., color ills. Isting: Çeçen-Ingus halkinin keçe sanati. Traditional felt art and felt making of Chechen and Ingush peoples.
New English Paperback. Pbo. 4to. (29 x 25 cm). In English and Turkish. 91 p., color ills. The works of outstanding contemporary artist and 2003 Turner Prize winner Grayson Perry (b. 1960) will be exhibited at Pera Museum, including tapestries, ceramics and prints. Organised in collaboration with the British Council and curated by Linsey Young from the British Council's Visual Arts Team, the exhibition reflects the artist's unrelenting fascination with issues of the everyday, of religion, class, and identity. Well-known for his transvestite alter ego "Claire", Perry's largest single body of work to date, The Vanity of Small Differences, composed of six tapestries from the British Council Collection, will also be exhibited. Though working within the context of contemporary art, Perry remains a practitioner of artisanal crafts and a lover of beauty. He rejects conceptual art as the sole claimant of 'ideas' and champions the decorative and intimate qualities of handmade objects with stories to tell. The ceramic medium that first drew Grayson Perry to craft practice continues to be a critical, and is perhaps the most traditionally beautiful, element of his work. In this exhibition, alongside the series of "The Vanity of Small Differences" the artist's earliest work, a ceramic pot from 2002, the period during which Perry was nominated for the Turner Prize; culminating in a self-portrait, 'A Map of Days,' which was completed in 2014 for a major exhibition at the National Portrait Gallery are also included. Linsey Young, curator of the exhibition "Small Differences" states that visitors will be able to explore the magnificent interior world of Grayson Perry. Through the complex and physically detailed narratives, the audience can observe motifs, such as planes, shopping centres, churches and temples, mobile telephones and of course the artist's beloved teddy bear, Alan Measles, which appear again and again in many different guises.
New English Paperback. Demy 8vo. (22 x 15 cm). In English and Turkish. 102 p., 46 ills. Can Altay: Pigeons are people.= Güvercinler insan. Edited by Halil Altindere, Süreyyya Evren. Preface by Süreyyya Evren. Contents | Içindekiler.; Introduction | Giris, Süreyyya Evren.; Interview 1/4 | Söylesi 1/4 November Paynter.; No Bar, Just Bottles | Bar Yok, Sadece Siseler.; Unpredictable Reconfiguration | Öngörülemeyen Yeniden Anlamlandirma Engin Öncüoglu & Deniz Altay.; ''We're Papermen'', he said | ''Kagitçiyiz'', dedi.; Micro-Politics of the Everyday | Gündelik Mikro-Politika Will Bradley.; Interview 2/4 | Söylesi 2/4 November Paynter.; Normalization Parts 1 And 2 | Normalizasyon 1. ve 2. Taksit.; I Can Do That Too! | Bunu Ben de Yaparim! Serkan Özkaya.; Possibilities of Thinking & Doing | Düsünmenin ve Yapmanin Olasiliklari Tirdad Zolghadr.; Ey Ahali! Setting A Setting, Letting A Setting Go | Ey Ahali! Düzeni Kurmak ve Kendi Haline Birakmak.; Niche Communities | Nis Topluluklari Valeria Schülte-Fischedick.; Setting A Setting / Forecasting A Broken Past | Bir Düzenek Düzenlemek / Kirik Bir Geçmisin Kehaneti.; Interview 3/4 | Söylesi 3/4 November Paynter.; Park: Probably | Park: bir ihtimal.; Interview 4/4 | Söylesi 4/4 November Paynter.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 215, [36] p., color and b/w ills. Egofugal: Fugue from ego for the next emergence. 7th International Istanbul Biennial.= Egokaç. Gelecek olusum için egodan kaçis. 7. Uluslararasi Istanbul Bienali. September 22 - November 17, 2001. Edited by Hüseyin Karagöz. ISBN: 9757383227.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish and summary in English. 260 p. (218-260 pp. a concise summary in English). Cumhuriyet dönemi Türk balesi.= Ballet in Turkey. Contents; Classical ballets and Turkey.; Ninette de Valois and the intial formal steps.; The Ankara State Ballet.; The Istanbul State Ballet.; The contemporary ballet company., Turkish choreographs.
Very Good English Original cloth bdg. In publisher's special slip-case. Oblong large 8vo. (22 x 22 cm). In French. Color and b/w ills. 128 p. Ex-library stamps. L'art du bouquet au Japon. Preface par Sofu Teshigawara. Photos par Miki Takagi. In special slip-case.
Very Good Very Good Turkish Original bdg. Dust wrapper. Oblong large 8vo. (23 x 24 cm). In Turkish. 72 p., color plts. Ottoman-Turkish antique leather book binding art. Türk kitap kaplari.
Fine English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 143 p., color ills. P sanat, kültür, antika dergisi. No. 3. Türk halilari. Special issue, Turkish carpets and rugs.
New New English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In English and Turkish. 80 p., color ills. Vitray.= Stained glass. This book is written as a source book for the people who want to learn stained glass art, and who teach to make stained glass. Today books on this field are mostly foreign works and include history of stained glass art and its samples instead of how to make it. It is evident that man cannot learn making stained glass by those works. Therefore when I form the contents I thought that it is more useful to explain the structure of glass, required materials and techniques than to tell history of stained glass at length. Then I planed a book devoted entirely to the practice. As I recount my experiences gained in my lectures lasted several years, and by my works in Turkey and also in abroad I try to explain techniques as such more conceivable. So I endeavoured to compose a book so that it helps the students to learn stained glass taught in colleges. I gave a vaste place especially to stained glass with lead profiles and plaster-of-Paris and tiffany glass, and I mentioned briefly works made by machines. I present abundantly examples aimed to explain the topic more comprehensible. The samples are picked from my works, my students' works and the others. I gave attention to aid the topic by photographs. My wish is to present a work that helps those who make stained glass and want to learn it.
Fine Turkish Original bdg. HC. 4to. (26 x 21 cm). Edition in Turkish. 192 p., color ills. Kayip Eserler Müzesi: Sanat suçlarinin doruklari. [= Museum of the missing: The high stakes of art crimes]. Translated by Mine Haydaroglu. Preface by Julian Radcliffe. The past few years have been tough on Edvard Munch. First the Norwegian Expressionist's iconic painting The Scream was stolen in 1994. Then it was recovered, and a different version was stolen in 2004. It seems that Munch is getting more than his fair share of attention from thieves, but he's not alone. These days, no artist?s work is safe. The international police agency, Interpol, currently lists as stolen more than twenty-five thousand works of art. This figure includes sculptures, furniture, clocks, and antiquities, as well as paintings. The number of paintings alone is staggering. Rembrandts, Renoirs, Van Goghs, Picassos. You could fill a museum. In Museum of the Missing, journalist Simon Houpt investigates the fascinating story of modern art theft. What started as looting of art treasures by invading armies, including the Nazis during World War II, has exploded into a sophisticated international operation. But grand art thefts are only part of this fascinating story. Houpt takes the reader into the backrooms of Scotland Yard, the FBI, and Interpol as crack art-recovery squads mount surveillance operations and elaborate stings. He also leads readers into a tangled underworld of money laundering, drugs, illegal arms trading, and terrorism?where the stakes for both sides are very high. The stakes for lovers of art are just as high. Many of the world's stolen masterpieces will probably not be recovered in the foreseeable future. Some may never be seen by the public again. Museum of the Missing offers an extraordinary glimpse of these lost treasures.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Italian. 126 p. Aspetto sociale en umano dell'arte Verghiana. Social and human aspects of the art of Verga.
Very Good Swedish Paperback. Roy. 8vo. (24 x 17 cm). In Swedish with small abstract in German. 107-113 pp., 9 numerous b/w plates. En Sino-Iransk kopp.= Eine sino-iranische Tasse. [Separatum].
New Turkish Paperback. 4to. (29 x 23 cm). In Turkish. 272 p., b/w and color ills. Turhan Selçuk Retrospektifi. [Exhibition catalogue]. Edited by Murat Yalçin. Texts by Veysel Ugurlu.
Very Good English Paperback. Pbo. 4to. (29 x 22 cm) In Turkish. [4], 161p , 4, 96 picture. A study on Osman Hamdi's paintings. Osman Hamdi'nin tablolarinda gerçekle iliskiler.
