687 résultats
Paris, Bordas 1984. In-8 carré relié toile sous jaquette de 639 pages. Nombreuses reproductions. Très bon état
196289575Neumünster, Karl Wachholtz, 1962. 320 S. Mit 2 Faltktn. als Be4ilage, (= Studien zur schleswig-holsteinischen Kunstgeschichte, Bd. 7). 4to. 29 cm. OLn. m. SU.
Arts et métiers graphiques, 1966. In-folio relié pleine toile éditeur de XXIV pages + 318 reproductions en noir et XVIII + 173 reproductions. Bon état
1929EEzz5060K1Bln., Propyläen-Vlg. (1929). 4°, 658(1) S., 1 Bl. m. Vlgsanz., mit 52, zumeist mont. Farbtaf. u. zahlr., tls. farb. Textabb., OHldr. m. gepr. Rü. 2 roten RüSch., gepr. Deckelvign., berieben, Kanten u.Ecken etwas abgewetzt u. leicht bestoß., Vorsätze leicht staub- bzw. fingerfl.. (= Propyläen Kunstgeschichte; 13).
19499127Hamburg, Rowohlt, (1949). 86 S. OBrosch. m. Einbandzeichnung v. Hans Bohn.
197535205BBStuttgart, Publishers: Metzler, 1975. Publishers: Metzler (1975). 86 Pages. Original Flexible Boards. Ex-Library-Copy. Library-Sticker on the Spine. Pages slightly browned (age-related). No Markings in the Text! No Underlinings! No Owner-Notation! Cover only with small Signs of Usage! (Amerikastudien, Band 41 / American Studies, Volume 41)
1992EEzz6058(Ldn.), Published for the Trustees of the British Museum by British Museum Press (1992). 4°, 192 S., m. 113 sw. u. 58 farb. Abb., OPpbd. m. farb. OU., schwache Gebrauchsspuren. In englischer Sprache.
New New English Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). English Edition. 264 p., ills. The global art compass. New directions in 21st century art. See the art, listen to the artist, trust your responses. The Global Art Compass shows us how to navigate the complex maze of the contemporary art world and unravel the intricacies of art today. In the past, writers and critics such as Goethe, Ruskin and Clement Greenberg perpetuated particular ideas about art and even dictated these ideas to the artists themselves. Since then, however, artists have rebelled. They no longer have to follow one prevailing theory or head for any particular city. New York, London, Paris, Berlin and Beijing are all great places to make art, but none today has a stranglehold on creation. In The Global Art Compass, Alistair Hicks demonstrates his belief that no single curator, critic or dealer can or should monopolize our view of what is happening in the art world today. Instead, he shows us how exciting and rewarding it is to navigate our own way through the art world by listening to the artists themselves. Organized by continent and including extracts from interviews with artists as diverse as Laure Prouvost (France), Anri Sala (Albania), GabrielOrozco (Mexico), Sandra Gamarra (Peru), Cai Guo-Qiang (China) and Nandan Ghiya (India), among many others, The Global Art Compass is an account of the author's explorations in the contemporary art world and a manifesto for how we might all discover our own inner art compass to help steer us towards the art that we find most meaningful and engaging. Now with a new chapter titled "The Compass in Turkey" written specially for this edition, The Global Art Compass shows that the preoccupations of artists in the twenty-first century are largely universal: that ever-faster communications are balanced by a resistance to globalization; that while art is seen by many as a commodity, it also has the power to be a regenerative tool; and that, despite an increasing confidence in an ever-growing range of media, artists are often searching for simple stories that will reach out to bigger audiences and change their lives for the better.
New English Paperback. Pbo. 4to. In English and Turkish. 216 p., color ills. "The publication that accompanies Asli Cavusoglu's exhibition "The Stones Talk" features drawings of the 71 study pieces reconstructed by the artist, 3D sketch renderings of the objects in the exhibition and photos of selected objects. The books includes new essays commissioned exclusively for this publication. Özge Ersoy's curatorial essay is followed by sociologis Asli Gür's text titled "The Fragment That Resists the Story" and based on her research at the Museum of Anatolian Civilisations in Ankara. Revolving around symptoms and dreams as "foreign languages that speak with us", the essay by psychologist and editor Gülin Ekinci proposes a reading of "The Stones Talk" through Freud's work, while curator and writer Adam Kleinman focuses on the role of imagination in our relationship with objects.".
Very Good Russian Paperback. Pbo. Cr. 8vo. (18 x 13 cm). In Russian. [20] p., b/w ills. B[ehruz] Kengerli, 1892-1922. Vistavka Risunkov i atyudov. Text by Mursal Nadjafov. 500 copies were printed.
Fine English Paperback. Pbo. 4to. (29 x 22 cm). In German and Turkish. 192 p. Color and b/w ills. Dieses Ausstellungsbuch wurde anlässlich der von 18. Februar bis 31. März 2005 in Yapi Kredi Kâzim Taskent Gallerie verwirklichten Ausstellung "Joseph Beuys - Zeichnung als Fundus" vorbereitet. Nebenseits dem Ausstellungskatalog, das Buch enthält Textbeiträge von Peer Steinbrück, Bettina Paust, Franz Joseph van der Grinten, Ali Akay, Barbara Streider und Canan Beykal. ART OF PAINTING GErman painting History of art. Joseph Beuys. Zeichnung als fundus. Arbeiten aus dem Museum Schloss Moyland.= Joseph Beuys. Aslolan çizgidir. Schloss Moyland Müzesi Koleksiyonundan bir seçki. 18 Februar.= Subat / 31 Marz . Mart 2005. Kazim Taskent Sanat Galerisi. [Exhibition catalogue]. Prep. by Veysel Ugurlu. Edited by Mine Haydaroglu.
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish and French. 254 p. First Edition in 1926 written in Ottoman Turkish. Türkçe'den Fransizca'ya sanat kamusu.= Dictionnaire des termes d'art. Français - Turc / Turc - Français.= Sanat kamusu. Fransizcadan Türkçeye ve Türkçeden Fransizcaya. Sanayi-i Nefiseden resim, nakis, naht, mimarî, hat ve âsar-i atikaya aid istilahlari havidir. Rare. Özege: 17507. HISTORY OF ART Reference Ottoman culture Architecture Painting Terms Dictionary Lexicon Turkish and Islamic arts.
New English Paperback. 16mo. (15 x 11 cm). In English and Turkish. 42 p. An essay about the concept of the canon in the art field in Turkey.= Türkiye'deki sanat alaninda kanon kavramina dair bir deneme. (Current Issues = Güncel Durum 03). [Supplement of the 144st issue of Sanat Dünyamiz magazine]. "Current Issues is a series that aims to shed light on the Istanbul focused contemporary arts production of Turkey. Within this realm, it hosts writings of various academicians, researchers and practitioners.".
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 208 p., color ills. Golden grace: Tombac.= Tombak: Altindan süzülen zarafet. [Exhibition catalogue]. "A magic world unfolded before us during our preparations for the exhibition Tombac: Golden Grace. With Yapi Kredi's tombac collection as our starting point we discovered that behind the graceful and magnificent culture created with gold was in fact thousands of years of know-how and experience. The power and prestige conferred on gold down the ages gave rise to the notion of covering items made from less valuable metals with gold and inspired the development of gold plating methods. Beginning in Central Asia, Turks played a vital role in the production of metal goods and created a valuable culture in this field, crowned during the Ottoman period with the tombac gilding technique. However, the discovery of the electrolysis technique in the 19th century, led in due course to the discontinuation of the tombac gilding method. This book was produced to introduce the still insufficiently researched art of tombac that is about to sink into oblivion. While exploring the subject of gold plating from the early period, the focus is on tombac items which formed the pinnacle of Ottoman metal craft. Nihat Tekdemir examined the gold plating methods used in different periods of the cultural history. He covered the Ottoman tombac gilding technique comprehensively, described the differences between this and other gilding techniques and named the areas in which tombac was used. Prof. Dr. Sümer Atasoy explained that copper always was the most favoured metal in Anatolia, and while relating the story of coppersmithing, he also touched upon production techniques and the decoration of copper before the tombac gilding. Ömür Tufan, expert at Topkapi Palace Museum's Copper and Chandelier Department, described the Ottoman sultan's tombac effects at Topkapi Palace, the characteristic features of the tombacs in the collection and where they were used.". (From preface).
Very Good French Paperback. Roy. 8vo. (24 x 17 cm). In French. 7 p. Impressions de voyage: La Pologne. Critique d'art. Pekin has an engineering career in the railways. Graduated from the University of Lausanne (Switzerland) in 1919, he began his career as an engineer in the Anatolian railways, Ankara (Turkey) between 1927 and 1930, and in the state railways, from 1930 to 1937. Member of the International Society of Art Critics and Vice-President of the Turkish-France Cultural Association, he was awarded the Chevalier of the Legion of Honor in 1962. Finally, Fuat Pekin is elected associate member of the Overseas Academy of Sciences on 05/04/1963.
Fine English Original bdg. HC. Large 8vo. (23 x 21 cm). In English. 191 p., color and b/w ills. A new conception of painting on the background of ontology of art. The conceptions of art of Süleyman Velioglu and Nafi Çil.= Sanat ontolojisi temelinde yeni bir resim anlayisi. Süleyman Velioglu ve Nafi Çil'in sanat anlayisi. Translated by Ender Gürol.
Fine English Paperback. Pbo. Mint. In Turkish. [26], 149, [4] p. Color ills. Magic and art subject. P sanat, kültür, antika dergisi. Üç ayda bir yayimlanir. Bahar 2003 No.29. Büyü ve sanat.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Spanish and Turkish. [xii], 140 p. Los dos caduceos de Dali su historia en la historia.= Salvador Dali'nin iki yilanli sembolü [Caducee'si] ve tarihteki evrimi. Prologo de Prof. Dr. Arslan Terzioglu. Prep. by Sadun Kandan.
New English Paperback. Pbo. 4to. (32 x 24 cm). In Turkish. 139, [6] p., color and b/w ills. P sanat, kültür, antika dergisi. No. 32. Dans ve sanat. Special issue. Dance and art.
New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 143, [3] p.P sanat, kültür, antika dergisi. No. 34. Çocuk ve sanat. Special issue. Child and art.
New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 145, [3] p., color ills. P sanat, kültür, antika dergisi. No. 45. Gezi ve sanat. Special issue, Travel and art.
New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 135 p., color ills. P sanat, kültür, antika dergisi. No. 6. Akdeniz. Special issue, Mediterranean.
New English Paperback. Pbo. 4to. (32 x 24 cm). In Turkish. 155 p., color ills. P sanat, kültür, antika dergisi. No. 9. Yolculuk ve sanat. Special issue, Voyage and art.
New English Paperback. Pbo. 4to. (34 x 22 cm). In English. 141, [5] p., color ills. P. Art, culture, antiques. [Art and culture magazine]. No. 7. Love in art.
New English Paperback. Pbo. 4to. (34 x 22 cm). In English. 128, [4] p., color ills. P. Art, culture, antiques. No. 1. The horse in art. Ancient China; Ottoman; Orientalism, Degas.