2 111 résultats
New English Paperback. Pbo. Oblong 4to. (21 x 30 cm). In French and Turkish. 81, [6] p., color ills. Soeur Marie-François Lin. Itineraires en peinture.= Resimde yolculuk. [Exhibition catalogue]. Text by Yann de Lansalut.
191333673Couverture souple. Broché. 213 pages. Fortes rousseurs à la couverture.
1994173200Parkstone Parkstone, 1994. In-4 reliure éditeur pleine toile sous jaquette illustrée de 256 pages ornées de photos dans et hors-texte. Bon état.
Paris, Librairie Hachette et Cie 1919. In-12 broché de 263 pages. Leur art. Ce qu'is n'ont pu détruire : Les tapisseries de Reims. Les ruines. La caricature et la guerre. la nouvelle esthétique des batailles. Peu courant, Très bon état
1919141529Hachette Paris, Librairie Hachette et Cie 1919. In-12 broché de 263 pages. Leur art. Ce qu'is n'ont pu détruire : Les tapisseries de Reims. Les ruines. La caricature et la guerre. la nouvelle esthétique des batailles. Peu courant, Très bon état
Very Good Very Good English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In English and Turkish. [224] p., color ills. The art of the Seljuks.= Selçuklu sanati. First Edition.
1970lu1957Edizioni A. Longo-Ravenna Biblioteca di Lettere e Arti Broché 1970 In-8 (15 x 21,4 cm), broché, couverture à rabats, 263 pages, texte italien ; pliures au dos, coiffes, bords des plats et mors frottés, traces et marques d'usage sur les plats, tâches sur le contreplat inférieur, par ailleurs intérieur frais, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
192614277Hachette 1926 327 pages in12. 1926. reliure editeur. 327 pages. Cet ouvrage de Sir Walter Armstrong édité par Hachette en 1926 propose une histoire générale de l'art en Grande-Bretagne et en Irlande illustré de 600 gravures et 4 planches. Il fait partie de la collection 'Ars una species mille'
1896EEzz8435aMagdeburg u. Leipzig, Niemann (überklebt durch Elischer) o. J. (1896). 4 Bl. Titelei, 286 S., 1 Bl. (Index), zahlr. Abb. im Text. OLn. m. goldgepr. Deckelill., gemust. Vorsätze, marmor. Schnitt, gut erhalten(= Illustrierte Bibliothek für Kunst- u. Kulturgeschichte).
6422Paris, Weber / Livres d'Art UNESCO, 1968. In-folio relié toile marron, sous jaquette ill. ("Autel dans le Sanctuaire d'Alchi, Ladakh XIe, XIIe siècle" et emboîtage cartonné, 293 p. Traduit de l'anglais par Françoise Brüschweiler et Anne-Michèle Etienne. Très nombreuses planches en couleurs ; 40 dessins in-t. 1 carte. Parfait état. ... Ladakh, Lahaul et Spiti, Siwalik, Népal, Sikkim, Bhutan.
Fine Turkish Original bdg. HC. 4to. (26 x 21 cm). Edition in Turkish. 192 p., color ills. Kayip Eserler Müzesi: Sanat suçlarinin doruklari. [= Museum of the missing: The high stakes of art crimes]. Translated by Mine Haydaroglu. Preface by Julian Radcliffe. The past few years have been tough on Edvard Munch. First the Norwegian Expressionist's iconic painting The Scream was stolen in 1994. Then it was recovered, and a different version was stolen in 2004. It seems that Munch is getting more than his fair share of attention from thieves, but he's not alone. These days, no artist?s work is safe. The international police agency, Interpol, currently lists as stolen more than twenty-five thousand works of art. This figure includes sculptures, furniture, clocks, and antiquities, as well as paintings. The number of paintings alone is staggering. Rembrandts, Renoirs, Van Goghs, Picassos. You could fill a museum. In Museum of the Missing, journalist Simon Houpt investigates the fascinating story of modern art theft. What started as looting of art treasures by invading armies, including the Nazis during World War II, has exploded into a sophisticated international operation. But grand art thefts are only part of this fascinating story. Houpt takes the reader into the backrooms of Scotland Yard, the FBI, and Interpol as crack art-recovery squads mount surveillance operations and elaborate stings. He also leads readers into a tangled underworld of money laundering, drugs, illegal arms trading, and terrorism?where the stakes for both sides are very high. The stakes for lovers of art are just as high. Many of the world's stolen masterpieces will probably not be recovered in the foreseeable future. Some may never be seen by the public again. Museum of the Missing offers an extraordinary glimpse of these lost treasures.
Payot 1984. In-8 broché de 271 pages. Bon état
Very Good English Paperback. Pbo. In original carton case. [72] color and b/w plates. Signed by artist. Siegfried J. Assmann (1. Februar 1925 in Kirchplatz, Provinz Posen) ist ein deutscher Maler und Bildhauer, der insbesondere im Bereich der Glasmalerei hervorgetreten ist. Siegfried Assmann wohnt und arbeitet in Großhansdorf bei Hamburg. Assmann studierte ab 1947 Malerei, Wandgestaltung und Grafik auf der Landeskunstschule in Hamburg, gemeinsam mit Mitstudierenden wie Horst Janssen, Paul Wunderlich, Siegfried Oelke. Plastische Gestaltung erlernte er im Atelier von Carolus Voigt, bei einem Aufenthalt in Überlingen am Bodensee den Umgang mit farbigem Glas. 1952 hatte Assmann einen ersten großen Erfolg, als er einen öffentlichen Wettbewerb zur Gestaltung eines Bleiglasfensters in der Kreuzkirche in Hamburg-Ottensen gewann. Nach diesem Durchbruch verzeichnete Assmann zahlreiche weitere Aufträge insbesondere im norddeutschen Raum, die sich nicht nur auf sakrale Themen beschränkten, obwohl diese stets ein Schwerpunkt seiner Arbeit blieben. Anfang der 1960er Jahre verlagerte sich seine Tätigkeit zunehmend auf den Bereich der Plastik. So schuf er die Figurengruppe Charon für die 1962 eingeweihte Gedenkstätte in Gudendorf / Dithmarschen.
As New English 20. yuzyil bati resim sanatinda ask olgusu, Sibel Almelek Isman, Arion yayinevi, Ist., 2008. Mint. Paperback. 152 p. Color ills. Large 8vo. (23 x 15 cm). =[The subject of 'love' in the 20th century Western painting art.]. In Turkish.
1966121733Sequoia Sequoia, 1966. Grand et fort In-4 relié cartonnage éditeur sous jaquette illustrée. 527 pages. 656 illustrations noir et blanc et couleurs. Index. Bon état.
Fine English Paperback., Very good., 20 x 13 cm, 117 p. "Sanatin görsel dili., SEZER TANSUG, Urart Sanat Galerisi, Istanbul, 1982"
Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 218 p. Çagdas Türk tiyatrosunda ahlâk ekonomi kültür sorunlari, (1923-1970).
1987189905Diagonales Diagonales, 1987. In-8 broché, couverture à rabats de 414 pages illustrées. Préface de Serge Fauchereau. Bon état
1393805Paris: Acropole, 1991 in-8, 330 pages, 8 planches hors texte. Chronologie, sources. Broché, dos un peu ridé, bon état.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English, Turkish, Uzbek, and German. 335 p. Kurtulus yolunda: A work on Central Asian literature in a Turkish-Uzbek mixed language. Edited, translated and linguistically revisited by A. Sumru Özsoy, Claus Schönig, Esra Karabacak with contribution from Ingeborg Baldauf. The basis of this book is a text from 1930s written in a mixture of the Uzbek and Turkish language, the first and so far only evidence of this phenomenon. The manuscript deals with a number of Central Asian Turkic poets of the early 20th century. In this book not only the content is analyzed, but the focus lies on the examination of the language it is written in. In addition to the manuscript and the textual analysis the book comprises notes on the historical events of the period of time covered in the manuscript and comments on several of the poets and their backgrounds.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). [xv], 243 p., iv color, 106 b/w plates. Development of the Turkish ceramic art in Anatolia. Anadolu'da Türk çini sanatinin gelismesi.
689Bordeaux, 1998, Musée des Beaux-Arts de Tours en co-édition avec William Blake & co édit., édition originale, 199p, br., 22 X 28 cm, titre typo 2 coul., couv. ill. pleine page, peinture extraite de l'ouvrage ; ISBN : 2-84103-076-8
5367Sentis Grenoble Gran in 8 broché, couverture glacée souple de l'éditeur , 168 pages,nombreuses ill en noir in et ht. Propre.
1387351Paris: Editions Turgot, 1929 gr. in-8. 608 p. +16 p. ("guide adresses"), nombreuses illustrations. Broché.
Fine English Paperback. Oblong large 8vo. (23 x 24 cm). In English and Turkish. [36] p., color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
