SCHWOB (Lucien)Livre Rare Book
SCALINI Mario Photographies de Paolo Marton.Livre Rare Book
Florence, the golden centuries.
2004205395
Librairie et Cætera · Belin-Beliet, France22,50 €
2 111 résultats
17214Lausanne, F. Rouge & Cie, 1954, in-8 carré broché avec couv. ill. sous jaquette rouge, 234 p. Exemplaire sur offset fin blanc n°1101/1200. 35 ill. en noir et en couleur, dont certaines dépliantes. Très bel exemplaire.
2004205395
1956EEzz6277Auction in Zurich, at the Savoy Hotel, Monday, October 1st, 1956, conducted by Eugène REYMOND, Neuchâtel, and August LAUBE, Zurich. 4°, 53(3) S., m. 38 Bilds., OKart. m. mont. Deckelill. in Golddruck. Einband mit leichten Gebrauchsspuren. Erläut. Text in Englisch und Deutsch.
20081751285 Continents 5 Continents, 2008. In-8 relié plein cartonnage jaune éditeur de 113 pages. Très bon état
11185Paris Larousse Petit In-8 129-240+XXIV pp, Anthologie d'art français. Une page sur deux est paginée, index in-fine. 112 gravures en noir ; décors estampés à froid et titres dorés au dos et sur le 1er plat. Tête dorée, frottis d'usage, dos légèrement passé.
11186Paris Larousse Petit In-8 XVI+128+XIII pp, Anthologie d'art français. Une page sur deux est paginée, index in-fine. 128 gravures en noir ; décors estampés à froid et titres dorés au dos et sur le 1er plat. Tête dorée, frottis d'usage, dos légèrement passé, petit manque de percaline en queue.
New Turkish Paperback. Large 8vo. (22 x 16 cm). In Turkish. 76 p., ills. Sarkis. Sari punctum. Photos by Cemal Emden. Text by Cem Ileri.
New English Paperback. Large 8vo. (22 x 16 cm). Edition in English. 76 p., ills. Sarkis. Yellow punctum. Photos by Cemal Emden. Text by Cem Ileri. [EDITION in ENGLISH].
192517882Boston, Museum of Fine Arts, 1925. Gr. 8°. With a portrait of Sargent as frontispiece and 29 b/w illustrations on plates. X (1), 26 (16) p., later half-cloth binding. - Featuring a foreword by J. Templeman Coolidge, a list of 113 oil paintings by Sargent and 28 reproductions of Sargent's best known paintings. - John Singer Sargent (1856 in Florenz - 1925 in London) galt als der bedeutendste US-amerikanische Porträt-Maler seiner Zeit. Binding bumped on the edges. Labels of a library on the spine and on the front linings. Several stamps of libraries inside.
198358721Paris, France Loisirs 1983 In-4 relié. Très bon état d’occasion.
1986lu1324Picard Cartonné avec jaquette 1986 In-8, (24.5x17.5 cm), cartonné sous jaquette illustrée, 310 pages, illustrations en noir et blanc, préface de Carol Heitz ; jaquette légèrement défraîchie, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Plurigraf Italia 1980, petit In-4 broché, couverture illustrée, non paginé. Nombreuses reproductions noir et blanc et 104 en couleurs. Bon état.
Very Good Turkish Paperback. 4to. (27,5 x 20 cm). In Turkish. 32, [30] p., color and b/w ills., serigraph and mimeograph printing on paper and fabric, 1 folded plate (Ismail Saray's photo). This very interesting and rare book includes the texts on the first 32 pages. Some texts were translated from English and French languages by Sükrü Aysan, Nazli Damlaci, and Faruk Ulay. Articles in the first 32 pages: Kavramsal sanat [i.e. Conceptual art] by Sükrü Aysan.; Felsefenin sonu sanatin baslangici [i.e. The end of philosophy and the beginning of art] by Joseph Kosuth.; Kavramsal sanat üzerine paragraflar [i.e. Paragraphs on Conceptual Art] by Sol Lewitt.; Kavramsal sanat üzerine tümceler [i.e. Sentences on Conceptual Art] by Sol Lewitt.; Not, by Bernar Venet.; Giris notu, by Joseph Kosuth, and Inekleri düzene sokmak için bir yöntem [i.e. A Method For Sorting Cows] by Robert Morris. They're the first and the earliest translations (and for some only) in Turkey on the Conceptual Art. The Definition of Art Group is an original Conceptual Art approach. Conceptual Art was founded to research the structure and nature of art. Conceptual artists question the structure of art through a progression of work that refers to the concept of art. What is being considered is a work or an idea directed towards the analysis of all the facets of and contradictions within the concept of art. Sol LeWitt said, "this type of art is related to all intellectual processes". Impressionism and Cubism gave the first formulas for questioning art. Later, as a result of Duchamp's systematic operations about art's boundaries, function, language, and its being, art again became an intellectual process. Today, the subject of art itself and its place in the universe has reached a stage where its effort is directed towards understanding existence. The stages of this change make twentieth-century art history. Only an art audience informed about the development of art can comprehend contemporary work. To be able to understand today's artistic endeavors, it is necessary to make a conceptual history of art. Pure Conceptual Art by taking this situation to its extreme point, accepts no other audience or observer than the ones actively participating in the making of the work. Thus, art transforms into a state as serious as a science that needs no audience. When using the term, Conceptual Art or its more characteristic name, Analytical Art, in referring to a specific period in the history of Conceptual Art as an approach to art, one is speaking of art that has completely eliminated the production of objects and all plastic art forms. But if one considers the broader understanding of conceptualism, within our twentieth-century art, in addition to the side that verifies by analyzing itself, there is also a logical and philosophical dimension directed towards the comprehension of its structure. In other words, a strongly intellectual art continues its hegemony today. In our time, art without an idea can not be effective. (Source: Official site of Sanat Tanimi Toplulugu). In 1961, philosopher and artist Henry Flynt coined the term "concept art" in an article bearing the same name which was appeared in a proto-Fluxus publication An Anthology of Chance Operations. Flynt's concept art, he maintained, devolved from his notion of "cognitive nihilism," in which paradoxes in logic are shown to evacuate concepts of substance. Drawing on the syntax of logic and mathematics, concept art was meant jointly to supersede mathematics and the formalistic music then current in serious art music circles. Therefore, Flynt maintained, to merit the label concept art, work had to be an object-critique of logic or mathematics via linguistic paradox, a quality which is absent from subs... The use of pure Turkish language in this book is pointed to and this book was printed for an exhibition held between 'March 22 - April 5, 1980'. Printed to only 200 copies and all copies were numbered. This is 49 no. (49/200). Extremely r
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 227 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 92 Yaz 2004. Kuram sanatin pesini birakmaz! Söylesi: Jordi Savall. Tartisma: Sanat neden, nasil tahrip ediliyor? Ugur Kökden: Kadin'in resimdeki yeri. Atölyeden: Ilhan Berk. Metin And: Méliés'in karikatür çizerligi.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 250 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 93 Güz 2004. Kirpi Tilki'ye karsi: Schönberg, Stravinski. Söylesi: Güven Turan. Söylesi: Nevhiz. Tiraje'nin yeni resimleri. Ahmet K. Gören: Abdülmecid Efendi A. Sait Aykut: Siyah Kalem'in cinleri. Nazif Topçuoglu'ndan "Okuyanlar". Fatma Tülin'in "Seftali çekirdekleri". Türk resminde köylü temasi. Fluxus ve [Joseph] Beuys. Atölyeden: Gülizar Çepoglu.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 204 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 95 Yaz 2005. Yapit okumalari. Söylesiler: Hubert Damisch, Ayse Erkmen, Hilmi Yavuz. Sarkis: Kilometre tasi. Günther Uecker: Diyalog: Isaretler ve yazilar. Grafist 9. Dogayla bulusmak. Giotto. Bir sehir kurmak. Bosco.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 211 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 107 Yaz 2008. Bir beden dili: Giyim kusam. Bienal üzerine bir tartisma. René Block Tanas: MentalKlinik. Merleau - Ponty ve heykel. Kutlug Ataman / Oditoryumda sanat. "Üretebilmek üzerine".
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 200 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 105 Kis 2007. Uzakdogu'da çizgiroman: Manga! Manga ve anime üzerine bir tartisma. Floransa Prenslerinden Suudi Seyhlere koleksiyonculuk. Odak: Andrea Palladio'nun mimarligi.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 205 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 94 Bahar 2005. Belge(sel)den kurmacaya. Söylesi: Kutlug Ataman. Tartisma: "Is ve istihsal" e bugün bakmak.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 206 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 108 Güz 2008. Avrupa'nin Bienali Manifesta. Metin And'a saygi. Elina Brotherus. Elektronik çagin basinda sergiler. Limerick'e küresel bir kesif yolculugu. Maddenin Vecd halleri. Matthias Grünewald.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 214 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 91 Bahar 2004. Sanat Tarihi nasil yazilir? Söylesi: Georges Didi-Huberman: "Su tuhaf disiplin" Ressam: Vermeer'in incileri. Sergi: Sanatin kullanim degeri. Müzik: Pavel Novak.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 68 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 41 Bahar / Yaz 1990. Selçuklu'dan Cumhuriyet'e mimari gelenegin ana hatlari. Disi sehirler erkek kentler. Ressam Cem. Erol Akyavas'in labirent yazisi. Sen bilim hüznü. Akdeniz'de Osmanli gemileri.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 68 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. Year: 15No: 42 Güz 1990. Iki dünyanin karsilasmasi. Müslüman Ispanya. Sicilya ve Italya'da Islam Mührü. Islam Kültürünün Avrupa'ya yerlesme süreci. Avrupa'da Osmanli-Türk nefesi. Gerileyen Dogu'ya Bati'nin bakisi. Avrupa'da Türk Islam etkilerine dair çesitlemeler. Ebüziyya Takvimi.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 199 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 106 Bahar 2008 Kipkirmizi! Cihat Burak Retrospektifi. Münster'de "Son Seyler". Dünyanin Ucu'ndan resimli defter. Berlin'de " Yeni Vatan" Sergisi. Galeri Nev'de Mike Berg Sergisi.
New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 255 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 90 Kis 2004. Eureka! Söylesi : Douglas R. Hofstadter. Tartisma: Bilim sanatla nerede bulusuyor? Enis Batur: Leonardo da Vinci. Susan Sontag: Savasa bakmak. Metin And: Diaghilev Ailesinden resimler. Erwin Panofsky: Sanat kuramcisi olarak Dürer.
