ISTANBUL ASAR-I ATIKA MÜZELERI.MareMagnum
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Very Good Turkish, Ottoman (1500-1928) Paperback. Pbo. Demy 8vo. (22 x 16 cm). In Ottoman script. Photographic illustrated cover. 32 p., 1 folding map. Hejra: 1341 = Gregorian: 1925. Ozege: 21139. A rare guide of Topkapi Palace in Istanbul (Constantinople) in Ottoman Turkish. Istanbul Asar-i Atika Müzeleri Topkapu Sarayi muhtasar rehber.
Fine Fine Turkish Yayincisinin özgün sömizli cildinde. 4to. (32 x 24 cm). In Turkish. 176 p. 25 adet büyük boy katlanir harita. Halkali sulari.", KÂZIM ÇEÇEN, ISKI / Istanbul Büyüksehir Belediyesi, Ist., 1991. -- Osmanli medeniyeti Istanbul Halkali Bizans Su kültürü Mimari Sehircilik.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and abstract in English. [iv], 91 p., 19 folding plates. Süleymaniye suyollari.
New English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish. 208 p., color ills. "An Orientalist painter who lived almost half a century in Istanbul up to his death, Leonardo de Mango is described by the art commentator Thalasso as, a painter through whom the East spoke. De Mango was born on 19 February 1843, the eldest child of a large family in the town of Bisceglie near Bari in Italy, where he honed his native talent for drawing up to the age of nineteen. In 1862, under the patronage of an aristocratic family of Bari, he entered the Academy of Fine Arts of Naples and studied there for eight years under Filippo Palizzi and of Domenico Morelli. Morelli was also a painter who treated exotic orientalist themes. During this period de Mango also worked with Saverio Altamura, Bernardo Celentano, Raffaele d'Auria, Federico Maldarelli, Raffaele Postiglione and Giuseppe Mancinelli. In 1883 De Mango settled in Istanbul during the reign of Sultan Abdul Hamid II, where he is known to have set up, and taught for some time at, the oil painting department of the School of Fine Arts. Forced to leave Istanbul briefly in 1911 during the Tripolitanian War, the artist returned to the city following the Treaty of Ouchy on 15 October 1912. De Mango was among the artists who, at the initiative of Alexander Vallaury, a teacher in the architecture department of the School of Fine Arts, and Regis Delbeuf, manager of the Istanbul daily Le Stamboul, organized the first painting and sculpture exhibition at Beyoglu in 1901, dubbed the 'Pera Exhibitions in the Passage Oriental', an arcade owned by the French merchant Bourdon. With 27 works, De Mango was the most well represented artist in the exhibition, as he was again in the 1920 exhibition when he was one of 36 artists, participating with 33 of his own paintings. De Mango also had 16 paintings in the last of the Pera exhibitions, which was held in 1903. He painted in the open air and in his workshop at Beyoglu, reflecting the daily life of the different districts of Istanbul until his death in 1930.". Contents: Erol Makzume "The 75th anniversary of the death of an orientalist painter from Pera, Leonardo de Mango"; Roberta Ferrazza "Leonardo de Mango and the Italian community in Istanbul"; Bianca Consiglio "Portrait Painter Leonardo de Mango"; Piero Consiglio - Giacinto La Notte "Leonardo de Mango stages in a life divided between East and West"; Catalogue.
New New Turkish Original bdg. Dust wrapper. In publisher's special box. 4to. (29 x 23 cm). In Turkish. 476 p., color and b/w ills. XIX. yüzyil Beyoglusu. ISBN: 9789757630234.
New Turkish Paperback. 4to. (26 x 26 cm). In Turkish. [116] p., many b/w photos and ills. Kuzguncuk fotograf albümü 1. Collected old photographs of Kuzguncuk district of Istanbul.
Fine English Paperback. Pbo. Oblong 4to. (21 x 30 cm). In Turkish. [4], 298 p., b/w ills. Kurulusundan 1933 reformuna fotograflarla Darülfünun Tip Fakultesi. Corporate history with old photographs of Istanbul University Medicine Faculty (Darülfünun Tip Fakültesi).
Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 21 cm). In Turkish. 2 volumes set ([viii], 233 p.; [vi], 223 p.), full page color ills. Catalogue of icons in Hagia Sophia Museum. A heavy set. Ikonalar. Ayasofya Müzesi'ndeki ikonalar katalogu. 2 volumes set.
New Turkish Original bdg. HC. 4to. (29 x 22,5 cm). In Turkish. 130, 126 p., color ills., reprint in Ottoman Turkish. Osmanli Devleti dini,askeri ve egitim hayatiyla alakali muesseselerinin yaninda ticari gelenekleri ve han, kervansaray, çarsi gibi yapilariyla da one cikmistir. Bu yapilar,kadim olan bir gelenegin urunudur. Yonettiklerinden sahsen sorumlu oldukalri dusuncesinde olan Osmanli sultanlari,halkin ''terfih-i ahvalleri'' yani ferah seviyesinin yükseltilmesi ve korunmasi hususunda da önem gostermisler, dünya var oldugu surece ayakta olacak bir sistem olusturmuslardir. Bu amacla gelenek oldugu uzere kurulan vakiflar,sosyal barisin ve dayanismanin saglanmasinda ve refahin dagiliminda ustlendegi rol ile toplumsal sorumlulugun yerine getirilmesinde etkili bir arac olmustur. Dini ve milli dusuncelerinin on planda oldugu bu sistemde ,halkin tum ihtiyaclari giderilmeye calisildigi gibi diger canlilarin da ihtiyaclari karsilanmistir. Kurulan vakiflarin yani sira yapilan hayir eserleriyle hakim oldugu cografyaya muhrunu vuran Türk devletleri ve takiben Osmanli Devleti,yok olmasi imkansiz olan birlik ve beraberlik tohumlarini ekmistir.
New New English Original bdg. Dust wrapper. 4to. (31 x 24 cm). In English and Turkish. [xxvi], 168 p., b/w and color ills. Constantinople, 1918.= Konstantiniyye, 1918. Introducttion by Ali Serim. In this book you will see a city, which was Capital to empires during its poorest days. Once there was greatness and glory as in the drawings of Melchior Lorichs. The Ottoman naval defeat at Lepanto in 1571 or for some other people the failure of the second siege of Vienna in 1683 was the beginning of the decline. The Empire was effectively ended by the World War I (WWI) and those concerned were not able to preserve the city in the appropriate form it deserved. I purchased the album containing these pictures a decade ago. It is understood that an mysterious French Officer who came to Constantinople during the occupation of the city by Allied Forces at the end of WWI in 1918. He took photographs of buildings and people capturing interesting scenes from social life documented the need for extensive restoration of the old city.
New New English Original bdg. Dust wrapper. In publisher's slip-case. 4to. (30 x 30 cm). In Turkish. 169 p., color ills. Rooted restaurants of Istanbul with their small histories and foods: A flavor map of Istanbul city.
New New Turkish Original bdg. Dust wrapper. 4to. (30 x 22 cm). In Turkish. 192 p., color ills. Sultan II. Abdülhamid'in 25. cülûs hediyeleri. [Exhibition catalogue]. Texts by Vahdettin Engin, Savas S. Barkçin et alli.
New New English Original bdg. Dust wrapper. 4to. (34 x 24 cm). In English and Turkish; and Ottoman documents. 199 p., color and b/w ills. In the 700th Anniversary of foundation of Ottoman Empire social structure in Ottoman Empire and Istanbul under the light of 60 original documents.= 60 orijinal belge isiginda Osmanli Devleti'nin 700 yilinda Osmanli'da sosyal yapi ve Istanbul.
Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 123, [2], [8] p., color and b/w plates. Istanbul'da Fatih II. Sultan Mehmed devri Türk su medeniyeti.
New English Original bdg. HC. 4to. (30 x 21 cm). In English and Turkish with Ottoman documents. 262, [10] p., 2 maps. Çerkezköy in Ottoman documents.= Osmanli belgelerinde Çerkezköy. Çerkezköy is a district of Tekirdag city. It takes its name from the Circassian migration in 1863 and after. This district opens up new migration(s) after Ottoman-Russian war in 1877-1878 ('93 Harbi). This book includes Ottoman archival documents in 1847 and after. OTTOMANIA Rumeli Thrace Ottoman rule Tekirdag Ottoman archival documents.
New English Paperback. Oblong 4to. (31 x 31,5 cm). In English. [xx], [2], [1] p., 99 color plts. 'A treatise on roses' presents a selection of 99 rose drawings gathered from old Turkish manuscripts, book bindings, ornaments on plaster, stone and wood, tiles and various other sources dating from the middle of sixteenth century to the end of nineteenth century.'.
Very Good Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 126, [2] p. Türk topçulugu ve kaynaklari (Nizamiceditten evvel ve sonra). First Edition. Rare. History of Turkish / Ottoman gunnery and its sources.
Very Good French Original color copper engraving. Oblong folio. (26 x 36 cm). Description in French. Incendie du quartier de Pera a Constantinople, 9 Aôut 1839. Painted by Theodore Gudin, (1802-1880); Engraved by Joseph John Skelton, (1783-1871). Rare color engraved print. Shows 1839 fire in Pera area in Istanbul (probably that district is Kasimpasa which mostly mariners live in), and its chaos: hectic people have appeared on the roofs of the burning houses, law enforcement agencies are working, and the muezzin has been seen on balcony for 'selâ'. Jean Antoine Théodore Gudin was a French painter of the 19th century, born in Paris. He especially painted navy scenes, and was a pupil of Girodet-Trioson. Gudin was one of the first Peintres de la Marine, at the court of Louis-Philippe and Napoleon III. Gudin died at Boulogne-sur-Seine in 1880. His daughter Henriette Gudin also became a marine painter. Skelton was an English engraver. He was brother of William Skelton, and became an engraver specialising in topographical and antiquarian subjects. Before 1819 he went to live at Oxford. Later Skelton settled in France. He was elected a Fellow of the Society of Antiquaries of London in 1825; his name disappears from its lists in 1844. At Oxford he published Oxonia Antiqua Illustrata (1823); Antiquities of Oxfordshire, from drawings by F. Mackenzie (1823); Pietas Oxoniensis, or Records of Oxford Founders (1828); and Engraved Illustrations of Antient Arms and Armour from the Collection at Goodrich Court from the Drawings, and with the Descriptions of Dr. Meyrick, (2 volumes, 1830). He also engraved the heading to the Oxford almanacks for the years 1815 to 1831, from drawings by F. Mackenzie and C. Wild; and executed a set of fifty-six etchings of the antiquities of Bristol after H. O'Neill. (Source: Wikipedia).
Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish and Ottoman facsimile. 271, [1] p. 1050 copies were printed. All copies except of first 50 are numerated. This copy is 254 no. 254/1000.
Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish and Ottoman facsimile. 271, [1] p. 1050 copies were printed. All copies except of first 50 are numerated. This copy is 259 no. 259/1000.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In German. 321-352 pp. 2 b/w maps. Türkisches aus hans dernschwams Tagebuch II. [Separatum Acta Orient. Hung.].
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English and Turkish. 343 p., color ills. The civilization engraved on the stones in Eyüpsultan.= Eyüpsultan'da tasa islenen medeniyet. TURKISH AND ISLAMIC ARTS History of art Ottoman culture Ottoman calligraphic art Calligrahy Tombstone Istanbul Constantinople Eyup - The Golden Horn Cemetery. 343 p.
New New English Original bdg. Dust wrapper. In special slip-case. In English. Color and b/w ills. 299 p. Istanbul and the Grand Bazaar. Translation: Dr. J. H. Matthews. Edited by: Monella Ada Sarfarti., Önder Küçükerman, Kenan Mortan. Trade is a sine qua non to sustainable human life, together with money, script and law. Throughout History, trading zones have shaped the development of urban lanscapes. Anatolia was the craddle of trade and for thousands of years it was the scene of the development of commerce, industry and innovation. The Grand Bazaar of Istanbul is a formidable center of trade dating back 500 years, and probably the most complex and complete structure inherited from the Ottoman Empire.
New New English Original bdg. Dust wrapper. 4to. (32 x 24 cm). 398 p. In Turkish. B/w and color ills. Constantinople in travelogues. Seyyahlarin aynasinda sehirlerin sultani Istanbul. ISTANBUL - Constantinople Ottoman culture Byzantium Travel Memoirs Voyager Traveler Western travellers.
First edition, 8vo, viii, 268pp., half-title, photographic illustrations on endpapers, orig. cloth, uncut, d.w. The author sets out from Genoa; visits Capri and Paestum; enjoys a leisurely tour of Sicily; sees Tunis, Egypt, and then crosses to Constantinople and tours Greece before returning to Italy.