Cappon, Lester Jesse 1900-Biblio.com
Virginia Gazette Index 1736-1780; 2
101357897X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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23123The Mulberries 21 October 1893. Three pages 12mo bifolium good condition. "Herewith I send your formal letter of agreement not present with respect to the contribution kindly forwarded by you to Social England Traill and J.S. Mann's "Social England: A Record of the Progress of the People in Religion Laws Learning Arts Industry Commerce Science Literature and Manners from the Earliest Times to the Present Day". I note the wish you have expressed to Mr. Mann that you may be put into communication later with the authors of other sections and will see that it is attended to. If there is any other point you desire information oupon before concluding the agreement kindly let me know what it is: but if not I should be glad if you would at your earliest conveniece either send me a line excision of phrase to conclude the agreement or simply endorse the accompanying letter not present with your acceptance of the terms and return it to me." The Mulberries, 21 October 1893. unknown
22104ONE: 149 King's Road S.W.3. London 9 April 1949. TWO: Laurelton Hotel West 55th St. New York City. 29 November 1955. For information on Russell see the Oxford DNB entry on his wife from 1957 the social worker Kit Russell Katherine Frances Russell née Stewart 1909-1998. Both letters are in fair condition lightly aged and creased. ONE: Signed 'Joyce Grenfell'. 2pp 12mo. She begins the letter with a question: 'Dear Sheridan Russell. What is Time and Talents It sounds interesting.' Time and Talents was a 'settlement' in Bermondsey started in 1887 by Christian society ladies with which Sheridan's wife had been associated since the 1920s. Grenfell's plans for the coming November are 'uncertain': 'I might be filming at Denham or touring in Cardiff or playing in West Hartlepool and I daren't promise anything so far ahead in case I couldn't fulfil it.' Despite her commitments she asks for more information about Time and Talents adding: 'perhaps a bit later on if you still wanted me you'd very kindly ask me again'. TWO: Signed 'Joyce'. 2pp foolscap 8vo. In light-blue ink. An air mail letter addressed to 'Sheridan Russell Esq 179 Gloucester Place London N.W.1.' By now on friendly terms she begins with a report on New York audiences: 'Dear Sheridan - I loved hearing from you but I mustn't let you be sad for me because contrary to your worry the audiences are absolutely remarkable – wonderful here! At first I felt quite jealous for London because they were so good! Now I'm grateful – feel it brings us all closer. They are so subtle so warm so responsive. I remember Myra Hess telling me she'd never had such listening as she got in America & I must say its true for me too.' She continues with her praise of the 'rewarding experience' she has with the audiences whilst conceding that her show 'draws only one section – the reading internationally minded British-film-going public – it is comforting to know they exist!' Her audiences are 'all glorious' but 'You hear very little English spoken in some sections & there are gross audiences – at the musicals for instance – but the ones who come to see the show at the Bijou are glorious!' She accepts that the show is 'not going to run for ever – too “special†- but even if we do close soon its been wonderfully exciting. I suppose we'll tour for a bit in the new year. And then home – hooray!' She finds New York 'such a mixture of enormous beauty and hellish hideosity'. She describes the 'fairy tale stuff' of the skyline and the lights on Broadway: 'forget the signs themselves it is very exciting too'. She praises the 'wonderfully nice' New Yorkers adding 'you can find anything here when you look for it. Kindness generosity and friendliness are available anywhere'. She concludes in optimistic terms: 'So I do want you to know that it is being a lovely time & a great EXPERIENCE. with love Joyce'. In a postscript she reports that 'Business dropped last week & we may close but last night the orchestra and stage crew combined & said theyd take cuts to ideas once the bad weeks pre-Christmas as they love & believe in the show. Very nice. No decision reached yet.' She ends by sending 'Love to Betty J.' ONE: 149 King's Road, S.W.3. [London] 9 April 1949. TWO: Laurelton Hotel, West 55th St., New York City. 29 November 1955. unknown
101357897X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1024049590.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265700434.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1931053207Berlin 1931. Soft cover. Very Good. Original color postcard. 9x14 cm. In Turkish. Sent to 'Saniye Hanim'. Tahir Maner says 'Bugün Berlin'e geldim selamlar' i.e. 'I arrived to Berlin today greetings!'. Dated Berlin 8-7-931. Postage stamps are unraveled on the card. Tahir Maner was the first captain pilot of Turkey. <br/> <br/> paperback
197896222Berlin: Staatliche Kunsthalle. Very Good. 1978. First Edition; First Printing. Softcover. 0907879004 . TEXT IN GERMAN. Perfect bound glossy illustrated softcover bright and square Very Good . Book is firm in its binding 431 pages with b&w historic photographs. Very Good . Free of any markings not ex-library. ; B&W Photographs; 4to 11" - 13" tall; 431 pages . Staatliche Kunsthalle paperback
75-9575Paris France: Galerie 1900 - 2000 1988. 4to. Soft Covers. Very Good. 44 pp. Some Color Plates. Paris, France: Galerie 1900 - 2000, [1988] paperback
190018151900. Softbound. VG: Smudging and stains to the wraps. Wraps. 90 plates pp. 24 bw plates. Catalogue lists works in sections of Oil Watercolors and Others and Sculpture. Numbering is not consecutive. Small tape on spine. paperback
1925355490725942London 1925. Hard Cover. London: T. Fisher Unwin Ltd. Ernest Benn Ltd. 1925. First published in 1925 Second Impression in 1925. UK Edition without dustwrapper. Publisher's black boards with orange lettering to the spine and front board. A very good copy spine tips bruised a little rip in the cloth at the bottom of the spine a neat former owner's name in ink to the front free end-paper foxing to the page block edges and the early/late pages of the book. Uncommon. Further photographs available upon request. hardcover
1334957193.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366915754.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331268949.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282355693.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0243048092.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334787395.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1528596765.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1945200545London : John Westhouse 1945. First Edition. Hardback. Very good copy in the original gilt-blocked cloth. Slight dust-dulling to the spine bands and panel edges. Light foxing to endpapers. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 170 pages; Physical description: 170p. : illus. ; 22.5 x 16cm. Subjects: Vaughan Henry 1621-1695 - Crashaw Richard 1612-1649 - Donne John 1572-1631 - Herbert George 1593-1633 - Studies. English poetry - English literature - Early modern 1500-1700. London : John Westhouse hardcover
0266025730.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0243111819.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364455284.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390641937.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0243018347.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1966122547Roma: Galleria Il Segno 1966. Legatura con punto metallico stapled binding. Ottimo Fine. Catalogo di mostra Roma Galleria Il Segno dall'1 aprile 1966. Testo di Maurizio Fagiolo dell'Arco. Con 4 illustrazioni in bianco e neron ed una in copertina. 8vo. pp. 8. Ottimo Fine. . <em>Giuseppe Capogrossi dopo la laurea in Giurisprudenza alla Sapienza di Roma nel 1923-24 studia pittura con Felice Carena. Nel 1930 partecipa per la prima volta alla <strong>Biennale di Venezia</strong> e da allora nimerosissime saranno le sue pattecipazioni alla stessa biennale alle <strong>Mostre Sindacali Romane</strong> ed alla <strong>Triennale di MIlano</strong>.</em><br /><em>Nel 1932 con Corrado Cagli Emanuele Cavalli ed Eloisa Michelucci espone alcune sue opere alla Galleria Roma e l'anno successivo alla Galleria il Milione di Milano e alla Galleria Jacques Bojean di Parigi. Mostre che furono notate e recensite dal critico Waldemar George che conierà";" per questi artisti il termine "Ecole de Rome" Scuola romana. Negli anni 1939 1940 e 1942 partecipa al <strong>Premio Bergamo</strong>. Delle numerose mostre del dopoguerra si ricordano quelle alla Galleria Il Cortile Roma 1947"; Galleria Il Secolo Roma 1950; diverse partecipazioni a <strong>Documenta </strong>di Kassel e alla <strong>Biennale di San Paolo</strong> del Brasile;" mostre personali alla Galleria del Cavallino Venezia 1964 e 1966 e alla Galleria del Naviglio Milano 1965.</em> Galleria Il Segno, unknown
197130934Ancona: Bucciarelli 1971. Perfetto Mint. Acquaforte originale in nero numerata e firmata di <strong>Primo Conti</strong> cm 197x165. Opera appartenente al periodico "L'incisione" che contiene anche una acquaforte di <strong>Raffaello Piraino</strong> cm 16x16 e un'acquaforte di ignoto del XIX secolo cm 10x7. Note sugli artisti di <strong>Leonardo Sciascia </strong>e <strong>Cesare Vivaldi. </strong>Con una poesia di<strong> </strong><strong>Francesco di Pilla</strong>. 4to. pp. 24. Perfetto Mint. . Bucciarelli, unknown
