2 859 résultats
1963253457New York 1963. unbound. All three of these one-page letters were written in New York City in 1963 to Italian-born left-wing political activist and publisher Carl Aldo Marzani concerning a prospective book Marzani was attempting to finalize. The first letter measures 11 x 8.5 inches and is dated January 7 1963 in small part: "I write with regret to say that all my friends agree that I better not write an introduction for your book. I am sorry that I have to consider the question whether my contributing would do more to hurt my general usefulness in this field. Roger Baldwin who was one of those with whom I discussed the matter made an interesting suggestion; namely that you try to get some person so far outside the general radical area that he would not have to consider the problem as I have to consider it.I hope you won't mind my saying in conclusion that there is a real trouble in the fact that communism in power goes so far beyond what is done here in the denial of freedom. Incidentally communism not in power has tried hard to keep me from speaking on various occasions." The second letter measures 8.5 x 5.5 inches and is dated January 8 1963 in part: ".Yes I am perfectly willing to be quoted as saying your book is 'original entertaining and effective' on the flap of the jacket.I hope you and Deutscher's opinion are right about what Russia will become. I am right in holding that we who hold civil liberties cannot have a double standard on judgment." The third letter measures 11 x 8.5 inches and is dated February 11 1963 in part: ".I am glad you are making progress with your book. Objectively I expect that there will be among the 'emerging' nations.a great deal of the sort of thing exemplified by Nkrumah but I would be entirely untrue to my deepest sense of values if I didn't protest it and I do not believe evolution out of this autocratic dictatorship will be fast except as it is protested.I by no means put what Nkrumah does in Africa on all fours with what Stalin did in Russia in the name of socialism." The recipient of these letters Carl Aldo Marzani 1912 - 1994 was a Communist Party organizer volunteer soldier in the Lincoln Brigade a member of the OSS and an employee of the U.S. Department of State. He is credited with picking the targets for the Doolittle raid on Tokyo as well as serving three years in Federal prison for having concealed his Communist Party USA CPUSA membership while in the OSS. Several staple holes in the upper left corners of each letter; light staining on the letter dated January 7 1963. Overall very good- condition.<br/><br/> Presbyterian Minister who achieved fame as a socialist pacifist and six-time presidential candidate for the Socialist Party of America.<br/><br/> unknown books
1963253457New York 1963. unbound. All three of these one-page letters were written in New York City in 1963 to Italian-born left-wing political activist and publisher Carl Aldo Marzani concerning a prospective book Marzani was attempting to finalize. The first letter measures 11 x 8.5 inches and is dated January 7 1963 in small part: "I write with regret to say that all my friends agree that I better not write an introduction for your book. I am sorry that I have to consider the question whether my contributing would do more to hurt my general usefulness in this field. Roger Baldwin who was one of those with whom I discussed the matter made an interesting suggestion; namely that you try to get some person so far outside the general radical area that he would not have to consider the problem as I have to consider it.I hope you won't mind my saying in conclusion that there is a real trouble in the fact that communism in power goes so far beyond what is done here in the denial of freedom. Incidentally communism not in power has tried hard to keep me from speaking on various occasions." The second letter measures 8.5 x 5.5 inches and is dated January 8 1963 in part: ".Yes I am perfectly willing to be quoted as saying your book is 'original entertaining and effective' on the flap of the jacket.I hope you and Deutscher's opinion are right about what Russia will become. I am right in holding that we who hold civil liberties cannot have a double standard on judgment." The third letter measures 11 x 8.5 inches and is dated February 11 1963 in part: ".I am glad you are making progress with your book. Objectively I expect that there will be among the 'emerging' nations.a great deal of the sort of thing exemplified by Nkrumah but I would be entirely untrue to my deepest sense of values if I didn't protest it and I do not believe evolution out of this autocratic dictatorship will be fast except as it is protested.I by no means put what Nkrumah does in Africa on all fours with what Stalin did in Russia in the name of socialism." The recipient of these letters Carl Aldo Marzani 1912 - 1994 was a Communist Party organizer volunteer soldier in the Lincoln Brigade a member of the OSS and an employee of the U.S. Department of State. He is credited with picking the targets for the Doolittle raid on Tokyo as well as serving three years in Federal prison for having concealed his Communist Party USA CPUSA membership while in the OSS. Several staple holes in the upper left corners of each letter; light staining on the letter dated January 7 1963. Overall very good- condition.<br/> <br/> Presbyterian Minister who achieved fame as a socialist pacifist and six-time presidential candidate for the Socialist Party of America.<br/> <br/> unknown
329378framed. near fine. Signed photograph of American vaudeville duo Wheeler & Woolsey. Circa 1930. Please inquire for more information.<br/> <br/> Wheeler & Woolsey were an American vaudeville comedy double act who performed together in comedy films from the late 1920s. The team comprised Bert Wheeler of New Jersey and Robert Woolsey of Illinois.The Broadway theatre performers were initially teamed as the comedy relief for the 1927 Broadway musical Rio Rita and came to Hollywood to reprise these roles for the film version. During production RKO signed Bert Wheeler to a movie contract but not Robert Woolsey. It wasn't until the financial returns for Rio Rita came in that the studio signed both Woolsey and Dorothy Lee for further films alongside Wheeler. Wheeler & Woolsey continued to make very popular comedy feature films from 1930 until 1937 all for RKO Radio Pictures%u2014except the 1933 Columbia Pictures release So This Is Africa which was made during a contract dispute with RKO.<br/> <br/> unknown
40392BERTELSMANN CARL. 1.ND. hardcover. Fünf Freunde BERTELSMANN, CARL hardcover
40397BERTELSMANN CARL. 1. hardcover. Fünf Freunde BERTELSMANN, CARL hardcover
1953054949London 1953 Edinburgh 1968: Faber And Faber Ltd 1953 The Tragara Press 1968 1953. First Edition First Printing . Yellow Cloth. Near Fine/Good. 198 Pp. Green Cloth Spine Stamped In Silver And Dark Green. First Printing. Near Fine. Clean Gilt Brilliant Hinges Tight No Marks. Dj Priced 25S. Net Minute Losses At Corners Numbers 4 26 And 4 27/6 Inked At Lower Right Corner Of Rear Panel Possibly Referring To Dates When Former Owner Read This. Very Slight Fading To Spine Panel. Note: Dust Jacket Taller Than Book But Has Not Been Trimmed. Also With: An Index To Lawrence Durrell's Reflections On A Marine Venus By John Talbot White With His Short Introduction Specifying That It A Personal Index Not A Complete Representation; One Of 75 Copies P;Rinted By Alan Anderson For Private Distribution. <br/> <br/> Faber And Faber Ltd (1953) + The Tragara Press (1968) hardcover
1968011163San Francisco City light books, «The pocket poets serie» n°23. 1968 in-12° Reliure de l'éditeur
19512550631951. unbound. 7.5 x 9.75-inch photo of St. Denis dancing outdoors in a large flowing costume -- no place no date but signed with the number "151" perhaps indicating it is from 1951. Faint creasing at the edges of the photo but still in very good condition. Matted in white and set in a black wooden frame measuring 13 x 15.25 inches.<br/><br/> Modern dance pioneer and teacher who co-founded the American Denishawn School of Dance.<br/><br/> unknown books
40456BERTELSMANN CARL. 1. hardcover. Fünf Freunde BERTELSMANN, CARL hardcover
198840452BERTELSMANN CARL 1988. 1. hardcover. Fünf Freunde BERTELSMANN, CARL hardcover
1968117486Paris, J. J. Pauvert 1968 In-4 31 x 23 cm. N 1 24 mai 1968- N 12 25 novembre 1968 [Manque N, 3, 5, 8,]. En feuillets, non paginé [8] pp. par numéro. Ensemble en bon état. N 4 avec manque angulaire en couverture, N 11 marge de pied effrangée en continu.
3113Affiche originale. Impression en sérigraphie, bleue nuit. 1968. Dim: 583 x 475 mm.
3113Affiche originale. Impression en sérigraphie, bleue nuit. 1968. Dim: 583 x 475 mm.
3112Affiche originale. Impression en sérigraphie, bleue nuit. 1968. Tampon humide: " ATELIER POPULAIRE". Dim: 597 x 523 mm.
3112Affiche originale. Impression en sérigraphie, bleue nuit. 1968. Tampon humide: " ATELIER POPULAIRE". Dim: 597 x 523 mm.
1422Impression en offset. Dim: 55 x 42, 5 cm. Déchirures et traces de scotch. Peu courante.
1422Impression en offset. Dim: 55 x 42, 5 cm. Déchirures et traces de scotch. Peu courante.
Manifesto originale. Segni di piegatura, qualche segno del tempo all’angolo sinistro inferiore, ma ottimo esemplare. Il Circolo anarchico Ponte della Ghisolfa fu aperto il primo maggio 1968 in Piazzale Lugano a Milano, e lì vi rimase fino al 1975, quando fu sfrattato. Nel 1976/77 il circolo sposterà la sua sede in una villetta a due piani in viale Monza 255, dove si trova attualmente. Nel manifesto è pubblicizzata una conferenza di Pier Carlo Masini, importante storico dell’anarchismo italiano, autore del fondamentale “Storia degli anarchici italiani. Da Bakunin a Malatesta” (1969). Di grande interesse è l’impianto grafico, vicino a quello dei celebri manifesti del Maggio francese prodotti a Parigi dall’«Atelier Populaire».
Ottimo esemplare. Non comune libro edito da Comontismo che apparve anche come rivista con il numero unico del maggio 1972. Tutti anonimi gli estensori degli articoli di analisi del lavoro operaio, contratti con riferimenti al fascismo; in ultima pagina si trova il riferimento per contattare i responsabili della pubblicazione. In prima pagina si trova una citazione di Lautremont: «Siamo così poco presuntuosi che vorremmo essere conosciuti da tutta la terra, anche da coloro che verranno quando noi non ci saremo più. Siamo così poco vanitosi, che la stima di cinque persone, mettiamo sei, ci rallegra, ci onora». La denominazione del gruppo neo-anarchico “Comontismo” fu idea di Dada Fusco, fra le fondatrici insieme a Riccardo d’Este, Alfredo Passadore, Carlo Ventura, Miriam Carrassi, Gianni Miglietta, Enrico Bianco. Legati alle precedenti esperienze del movimento genovese “Ludd” e dell’organizzazione consiliare torinese Acheronte gli esponenti del “Comontismo” diffusero un certo numero di volantini, dal contenuto assai fantasioso e volutamente provocatorio (ad esempio: «Lotta criminale contro il capitale»), tre numeri dell’omonima rivista, due opuscoli (questo e un altro dal titolo: «Verso l’abolizione di ogni codice presente e futuro»). Il gruppo si sciolse nel 1973 e continuò anche successivamente ad influenzare i settori più radicali della contestazione italiana negli anni settanta. Assai raro.
Edizione originale. Ottimo esemplare. Celebre rivista milanese, vide la sua prima uscita nel 1973 per interrompere le pubblicazioni 11 anni dopo, con 27 numeri editi e 9 supplementi. Non si presentò mai come portavoce di un gruppo, ma divenne un luogo di dibattito sulle lotte autonome e sulla lotta armata, offrendo ampio spazio a materiale e comunicati delle principali organizzazioni, dalle Brigate Rosse a Prima linea fino ai Nuclei Armati Proletari. Curatissima nella veste grafica: di grande formato, vedeva la stampa di un centinaio di pagine per ogni numero, con molte fotografie e disegni.
196846405192Affiche sérigraphiée en rouge., juin 1968 ; 60 x 45 cm., Affiche sur papier mince réalisée suite à l’occupation de la Maison de Radio par la police le 4 juin 1968. Cachet de l’École nat. supérieure des Beaux-Arts.
196820125S.l.n.d. [Paris, École nationale des Beaux-Arts, mai 1968]. 1 affiche sérigraphiée (575 x 430). Célèbre affiche liée aux événements de mai 68.
20125S.l.n.d. Paris École nationale des Beaux-Arts mai 1968. 1 affiche sérigraphiée 575 x 430. . Célèbre affiche liée aux événements de mai 68. . Les plus célèbres ont été fabriquées à l'École des Beaux-Arts de Paris. Monté de bric et de broc l'atelier de sérigraphie qui entre en fonctionnement le 15 mai en produira plusieurs centaines. Les thèmes et les slogans sont discutés lors d'assemblées fiévreuses réunissant étudiants et artistes au sein même de l'École des beaux-arts avec ses étudiants qui poursuivent leurs appels à la résistance. Le 27 juin elle sera évacuée par les forces de l'ordre. Ces affiches figurent parmi les plus célèbres et illustrent le monopole de l'ORTF et le contrôle de la parole par le pouvoir malgré l'apparition des radios périphériques. « Le monopole de l'ORTF faisait que les émetteurs de ces radios se situaient à l'étranger à l'exception de Radio Monte-Carlo dont le capital était possédé à 80 % par l'État. . Lorsque les journalistes faisaient en direct la description d'un mouvement de rue cela amenait très rapidement du monde sur les lieux et une petite manifestation pouvait vite devenir énorme. C'est pourquoi le pouvoir appelait Europe n° 1 « Radio Émeute ». Pour pouvoir couvrir l'événement en direct les radios avaient besoin de fréquences d'ondes courtes qui leur ont été très vite confisquées sous le prétexte officiel que la police en avait besoin pour la communication entre les cars des forces de l'ordre. Les journalistes en étaient réduits à monter chez les particuliers et à emprunter leur téléphone pour faire malgré tout du direct ». L'ORTF pour autant verra une partie de ses journalistes se mettre en grève ; plus d'une centaine d'entre eux seront licenciés à l'issue du conflit. Excellent état et très bon encrage mais sans cachet. S.l.n.d. [Paris, École nationale des Beaux-Arts, mai 1968]. 1 affiche sérigraphiée (575 x 430). unknown
Manifesto originale. Strappetti al margine destro. Serigrafia a inchiostro viola.
Manifesto originale. Strappetto al margine sinistro, lievi segni di piegatura. Qualche macchia. Serigrafia a inchiostro verde. Manifesto dei sindacati Confédération générale du travail e Confédération française démocratique du travail a sostegno dello sciopero alla Renault. Timbro in parte sbiadito dell’École N.le Superieure des Beaux Arts.
