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Herbolaire Estense o Grant Herbier. Dictionar Gallicum Herrbarum.(Erbolario Estense). Modena, Biblioteca Estense Universitaria (Est.28=α.M.5.9). Imago, 2006. Riproduzione del manoscritto (XV secolo) con all’interno la traduzione di uno dei più importanti libri di medicina dell’epoca medioevale, attribuito a Plateario, medico della Scuola Salernitana. Sono circa 500 le piante e i rimedi trattati. Legatura in pelle con riquadri a secco sui piatti, sul dorso fregio della Biblioteca Estense in oro a caldo. Formato 20x28 cm. Pagine 340. Commentario, in italiano, a cura di Ernesto Milano. Cofanetto di custodia, per i due libri, in tela editoriale. Tiratura limitata e numerata di 299 esemplari. Condizioni ottime.
Officium Beatae Mariae Virginis (Libro d'ore del Maestro di Modena). Biblioteca Estense Universitaria di Modena, Lat. 842=Alfa.R.7.3. Tre cartelle (28,5x39,5 cm.) contenenti 18 riproduzioni di miniature a piena pagina della vita della Vergine, di Cristo e l’iconografia dei Santi (legatura in mezza pelle, impressioni a secco sul piatto anteriore e decori in oro sul dorso e prima di copertina). Contenitore (32,5x43,5cm.) in pelle con decori in oro sul dorso e sul piatto anteriore. Apertura sul dorso. Commentario (8 pagine) a cura di Ernesto Milano, Paola Di Pietro Lombardi e Anna Rosa Venturi. Il contenitore, le cartelle tematiche e le cartelle singole sono tutte numerate. Tiratura mondiale di 360 copie.
Ms Pluteo 40.52 - Biblioteca Mediceo Laurenziana, Firenze. Scritto da Francesco Stabili di Simeone, noto come Cecco d’Ascoli, nel 1476 in un volgare umbro-marchigiano arcaico, in forma allegorica vengono trattate questioni naturali, come la proprietà degli animali e delle pietre, concetti filosofici, psicologici, etici e teologici. Commentario (83 pagine ; 20,5x29 cm.)in italiano, a cura di Ida Giovanna Rao, funzionario della Biblioteca Medicea, e di Giordana Mariani Canova, docente di Storia dell’Arte Medievale e Storia della Miniatura all’Università degli Studi di Padova. Il Codice e il Commentario sono custoditi in un contenitore a forma di libro. Tiratura limitata a 500 copie.
Canzoniere, Trionfi (Petrarca Queriniano). Brescia, Biblioteca Queriniana, Inc. G V 15. Salerno Editrice, Roma, 2016. Riproduzione in facsimile dell’ incunabolo veneziano di Vindelino da Spira del 1470, con figure dipinte da Antonio Grifo. Suntuoso manoscritto cartaceo corredato di un grandioso apparato di chiose manoscritte e di rappresentazioni figurative che occupano ogni spazio bianco della pagina, in una ricchissima decorazione pressoché continua dalla prima all’ultima pagina. Legatura in piena pelle con capitelli e tagli in colore, fregi e incisioni in oro e a secco sui piatti e sul dorso. Commentario a cura di Ennio Sandal, Giordana Mariani Canova, Giuseppe Frasso. Cofanetto in plexiglass. Tiratura di 499 esemplari numerati. Condizione di nuovo.
Illustrazioni di Rainforth Armitage Walker. Prefazione di Aymer Vallance. No. 149 of 300 copies. This volume has been extra-illustrated with 17 full-page highly-erotic (explicit) pencil illustrations by J. Martin Pitts. The extra illustrations are lithographed on the versos of the Beardsley leaves. Bound with original brown cloth, spine lettered in gold, cream-colored vellum-backed front and back covers, front cover bearing gold Beardsley design. Vellum covers, overall very good condition. London, 1927; cartonato, pp. 45, tavv. b/n. italiano cartonato
19882816MONACO. EDITIONS ARTS ET COULEURS. 1988-1990. 2 VOLUMES IN-FOLIO (30 X 39,5 X 13 CENTIMETRES ENVIRON) DE 140 + (8) ET 134 + (8) PAGES, RELIURE DE L'EDITEUR PLEIN CHAGRIN NOIR, DOS A NERFS ORNE D'UN DECOR A FROID ET EN DORE, TITRE ET TETE DORES, PLATS BISEAUTES ORNES D'UN DECOR A FROID ET EN DORE, LETTRES CHINOISES METALLIQUES LAQUEES EN ROUGE AU CENTRE DES PLATS SUPERIEURS, DENTELLE INTERIEURE DOREE, GARDES DE SOIE MOIREE, NON ROGNES, SOUS ETUI BORDE DE L’EDITEUR RECOUVERT EGALEMENT DE SOIE MOIREE. ILLUSTRE DE NOMBREUSES COMPOSITIONS IN ET HORS-TEXTE, DANS LE STYLE DE L'ENLUMINURE, MISES EN COULEURS A LA MAIN. PREMIER TIRAGE LIMITE A 1280 EXEMPLAIRES NUMEROTES, DONT 30 HORS-COMMERCE, TOUS SUR VELIN D'ARCHES, CELUI-CI PORTANT LE NUMERO 818 ET ACCOMPAGNE DE SON CERTIFICAT D'AUTHENTICITE AU MEME NUMERO SIGNE PAR L'ARTISTE ET L'EDITEUR. TRES BEL EXEMPLAIRE.
20538Paris, L. Curmer (Jouaust), 1866. 2 vol. in-4, 214 pp., maroquin brun de Louis Curmer, décor à la Grolier mosaïqué sur les plats, dos à nerfs mosaïqué de maroquin rouge et orné de filets dorés, bordure intérieure ornée de dentelles dorée, doublure et garde de papier rouge et doré, tranches dorées (quelques petits frottements, rares rousseurs et décharges, quelques petites déchirures au niveau des onglets).
17884617London: T. Carnan 1788. Contemporary elaborately gold-tooled red morocco the gold-tooled boards are beautifully decorated with a white morocco trellis-like mosaic pattern with red and green lozenge shaped morocco inlays gilt edges marbled endpapers. 24mo 5.7 x 3.3 cm. With an engraved armorial title page 4 full-page engraved portraits of the King of Prussia the Prince of Orange the Duke of Brunswick and the Duke of York and a half-page engraved view of St. Paul's Cathedral. Rare remarkable "pocket" London almanack; an entirely engraved miniature publication for the year 1788. The almanac contains an explanation of its use on the title page four full-page portraits of the King of Prussia the Prince of Orange the Duke of Brunswick and the Duke of York common notes including the dominical letters golden number and religious festive days for 1788 beneath a half-page view of St. Paul's Cathedral a calendar an overview of all British Kings and Queens and the dates of their reign a list of mayors and sheriffs 1767-1788 one page listing bank holidays and an overview of the Royal family King George III and Queen Charlotte and their children can be found on the final page. The long series of the London Almanack is according to Bondy of special interest for the beautiful bindings which were issued or commissioned by the publishers themselves.The binding shows signs of wear with some minor loss of material around the foot of the spine and a small worm hole in the fore edge of the back board. The final page shows a light red stain slightly affecting the text. Lacking its matching decorative slipcase. Otherwise in very good condition.l Bondy p. 39 ff. and p. 164; Welsh p. 32 and passim; Coll. Arthur A. Houghton Jr. 194; this ed. not in WorldCat. T. Carnan, hardcover
117476Rajasthan circa 1820. . Single illuminated miniature on card ink and gouache on paper heightened in gold and silver depicting various figures wrestling performing actobatics and weightlifting reverse blank full leaf 255 x 180 mm miniature 148 x 102 mm; single text-block to upper edge of miniature with script in black devangari script against a yellow back-drop miniature framed within multiple rulings of navy and silver edges painted red some light singer-soiling one small worm-hole.<br /> Traditionally this raga song is depicted by a group of men performing skill and strength exercises. Here three male figures appear to be performing in an open space with their garments piled up in the foreground reinforcing the image of a public display.<br /> Rajasthan, circa 1820. unknown
36477probably England 20th century. An 18th century scene showing a man and woman in elaborate dress surprised in a boudoir by another woman entering the room. 4 inches in diameter. Glazed and framed in black wood and gilt metal frame of earlier date. An 18th century scene showing a man and woman in elaborate dress surprised in a boudoir by another woman entering the room. 4 inches in diameter. An amusing jeu d'esprit very possibly done by the artist to oblige the owner of a old and previously empty frame. The elegant scene is not very lacivious--everybody is fully dressed although the surprised lady who turns away from the evidently unwelcome visitor shows a fair amount of leg and the gentleman is holding his tricorn hat in what might be regarded as a somewhat compromising position. The artist an Englishman born at the end of the 19th century studied with the eminent Walter Sickert and went on to exhibit landscapes and portraits at various prestigious venues in England and France. unknown
130418aafMaison Alphonse Giroux, vers 1846-1852, pt. in-8vo, très bon état général, le meuble présente qqs petits défauts et manques surtout aux côtés. Le dos a une petite fente. Les livres comportent en tout 2 frontispices gravés ainsi que 7 planches gravées. Légères brunissures. Charmant petit meuble avec 9 ouvrages richement ornés, en parfait état.
192058739Philadelphia PA: The Philadelphia MuseumsCommercial Museum of Philadelphia Exhibits Bureau ca. 1920. Archive of 52 mounted silver gelatin photographs sized 7 x 9 in. mounted on 9.75 x 12 in. gray studio board mounts all imprinted w/ white lettering at lower right corners and captions below images a few have photographer’s original imprints w/in the negative and printed explanatory text on light gray versos minor edgewear rubbing wear to some corners minor bowing to mounts as usual a few boards w/ edgewear wear at corners 1 photo w/ soiling still a VG group of photos w/all retaining bright strong contrast. This archive serves as an excellent surviving visual aid from the “Miniature Museum†exhibits created by the Commercial Museum of Philadelphia before and after World War I in order to promote foreign trade and develop international commerce for U.S. products. Sponsored by manufacturers suppliers and many different companies who would supply products to the Commercial Museum these interactive exhibits were intended to illustrate not only useful products of other countries and the advantage for trade in the U.S. but also to underlie important facts of modern industry. Dispatched for free these sample exhibits contained a cupboard at the base in which an educator or lecturer could place photographs and additional exhibits which would revolve on loan for assorted subjects to be taught. The photographs preserved here include those used originally with such trays as the “Beverages; Brush Fiber; Carbon; Coconut; Cotton; Cow; Flax; Gums & Resins; Iron; Ores & Metals; Rice; Rope Fiber; Rubber; Silk; Spice; Sugar & Wheat.†For instance this unknown instructor ordered for the “Beverages Drawer Exhibit†the photographs “Picking Tea†in Japan “Tea Factory†in Ceylon “Tea Ships†in Formosa Taiwan or “Picking Coffee†in Brazil which would have then been used with a series of large folding or rolling maps to be displayed as part of a multi-media presentation. As the cases were heavy and fragile these were sent out in place and further education materials would be dispatched to enhance their use but unfortunately classroom usage resulted in frequent lost and damaged photographs. Also present here are photos for “Camels Carrying Charcoal†into Constantinople Turkey; “Cutting Bananas†in Jamaica; “Cocoanut Plantation†& “Making Cocoanut Oil†in Ceylon; or the “Iron Furnace†in Hankow China or “Rope Factory†in Hong Kong. Two of the photos for Mexico include one still retaining the original caption for Charles Betts Waite of a smelter operation in Aguascalientes Mexico and another of the Sirena Mine in Guanajuato Mexico with the photographer’s imprint scratched out in negative but appears to have been a Winfield Scott image. Other images show the bustling harvesting of spices in Ceylon Singapore Jamaica and German East Africa rubber plantations in the Amazon Valley of Brazil and panning gold in Vancouver B.C. and hydraulic gold mining in Otago New Zealand with image by Burton Bros. of Dunedin. The Rice and Silk sections both offer excellent views of both processes in late Meiji and Taisho-era Japan. The Commercial Museum which originally opened in 1897 was the foremost source of international trade knowledge for American manufacturers in the early 20th Century. Slowly other Trade Commissions and Exhibitions supplanted the Commercial Museum and by the 1950’s the Miniature Museum visual aid exhibits had become obsolete and many had been broken up or photographs and samples dispersed through use. Although the Museum continued to provide programming and display exhibits until 1994 it was then closed indefinitely. See: Charles R. Toothaker Curator Educational Work of the Commercial Museum of Philadelphia Bulletin 1920 No. 13 Dept. of the Interior Bureau of Education 1921 includes images of assorted variations of the original oak sample cases and even large display of possible photo choices; Katelyn Wolfrom Rise and Fall of the Philadelphia Commercial Museum: How a Forgotten Museum Forever Altered American Industry Independence Seaport Museum Spring 2010. The Philadelphia Museums,[Commercial Museum of Philadelphia, Exhibits Bureau], hardcover
979524 color-printed panels with 12 illus. & 12 panels of love poems on verso on reverse 20 erotic color-printed panels pasted-in. Miniature book 48 x 50 mm. orig. color-printed pictorial boards with color-printed endpapers. Japan: n.d.<br /> <br> <br> <br /> <br /> A very rare example of a miniature shunga book color-printed on the one side with a conventional but rather “suggestive†series of love poems and on the reverse with a series of 20 erotic prints pasted-in. Each of these erotic prints has a medallion with a gently erotic title. There is no author title place of publication or date for this rare object. We suspect that it was printed in the late Edo period. <br /> <br> <br> Fine copy a little thumbed. unknown
tt4026Rail Miniature Flash Revue Lot de 456 fascicules in-4 (21 x 29 cm.), revue au dos agrafé, couverture illustrée, nombreuses illustrations couleurs et noir et blanc, du numéro 1 (janvier 1962) au dernier n° de 2008, (manque les années de 1966 à 1974) les années 1962 à 1965 sont reliées dans des classeurs RMF puis de 1975 à 2008 reliées ou en boîte, soit 38 années complètes, en bonus, un emboîtage de 8 n° de 2012 (janvier #558 à août #565), les boîtes et classeurs sont eux-même rangés dans des cartons numérotés/datés ; coiffes frottées, quelques traces aux couvertures dans les anciens numéros, légers frottements sur certains classeurs, bel état d'ensemble pour cette exceptionnelle collection de 456 numéros de RMF. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
175012618Den Haag A. de Groot & Zoonen 1750. 80 p. Origineel Leer goud-op-snede 64° 47 x 31 x 09 cm. Zeldzaam Bijbels miniatuurboekje. De tekst is geïllustreerd met 7 houtgravures. Het bestaat uit vijf hoofdstukken en een aanhangsel waarin een zeer beknopte weergave van hoofdzaken uit zowel het Oude als het Nieuwe Testament wordt gegeven. De fraaie band is gemaakt door de ""Eerste Stadhouderlijke Binderij"". Dit betreft de eerste editie van dit werk uitgegeven door de uitgeverij van de familie De Groot. Van hun drukpers verschenen ook andere uitgaven in miniatuur waarvan dit werk wel een schoolvoorbeeld van het vakmanschap van de firma genoemd mag worden. 80 p. Contemporary Leather binding gilt-edged 64°. H. 1.85 x W. 1.2 x D. 035 inches / 47 x 31 x 09 cm. Rare miniature Bible. The text is illustrated with 7 wood engravings. It consists of five chapters and an appendix in which a very concise presentation of the essentials from both the Old and New Testaments is given. The beautiful binding was made by the ""Eerste Stadhouderlijke Bindererij"". This is the first edition of this work published by the publisher of the De Groot family. Other miniature editions also appeared from their printing press of which this work may well be called a textbook example of the firm's craftsmanship. Den Haag, A. de Groot & Zoonen hardcover
19573414PARIS. AUX EDITIONS D'ART LES HEURES CLAIRES. 1957-1960. 4 TOMES EN 4 VOLUMES PETIT IN-4 (20,5 X 25 X 21 CENTIMETRES ENVIRON) DE 221 + 216 + 222 ET 229 + (5) PAGES, RELIURE D’EPOQUE 1/2 CHAGRIN ROUGE A COINS, DOS A QUATRE NERFS ORNE D’UNE VIGNETTE MOSAIQUEE EN COULEURS, DIFFERENTE POUR CHAQUE VOLUME, TITRE ET TETE DORES, COUVERTURE BLANCHE ILLUSTREE D'UNE VIGNETTE GAUFREE EN BLEU ET EN DORE ET DOS CONSERVES, SOUS ETUI BORDE (MIRKO MAZZOCCHINI RELIEUR). TEXTE ENCADRE D'UNE CHAINETTE EN ROSE. ILLUSTRE DE 92 RAVISSANTES GRAVURES SUR BOIS EN COULEURS, DANS LE STYLE DE L'ENLUMINURE, AYANT NECESSITE LE PASSAGE DE 3500 BOIS. PREMIER TIRAGE, LIMITE A 2900 EXEMPLAIRES NUMEROTES, TOUS SUR VELIN DE RIVES. UN DES 90 DONT CHACUN DES VOLUMES CONTIENT LA DECOMPOSITION DES COULEURS D’UNE ILLUSTRATION ET UNE SUITE EN NOIR AVEC REMARQUES, CELUI-CI PORTANT LE NUMERO 140. LES QUATRE SUITES SONT PLACEES ENSEMBLE DANS UN ETUI 1/2 CHAGRIN ROUGE A COINS, TITRE DORE SUR DOS LISSE, SOUS ETUI BORDE. PETITES TRACES DE FROTTEMENT AU DOS DE L’ETUI CONTENANT LES SUITES, SINON TRES BEL EXEMPLAIRE.
In-4 p., 3 volumi di testo in brossura orig., pp. CLIV,304; 462; 161; + 1 cartella editoriale in mz. tela contenente: pp. XI (Indice) e 140 belle tavole in eliotipia che riproducono le preziose miniature dei libri liturgici ad uso dei vescovi. Il catalogo raccoglie 250 manoscritti di "un des livres liturgiques les plus attachants que nous ait légués le Moyen Age.. Les livres pontificaux sont écrits et enluminés avec la plus rare élégance; destinés à des princes de l’Eglise, offerts souvent par de grands personnages, ils sont décorés par les premiers artistes des diverses régions, et suffisent à caractériser l’art des meilleures époques". Speciale tiratura di 50 esemplari, ad personam, "sur arches", ben conservati.
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. NUOVO. QUESTO VOLUME NON SI TROVA A MENO DI 2.000 EURO. AUTORE/CURATORE/ARTISTA : Ristampa anastatica a cura di: Riccardo Prencipe Introduzione di: Ferdinando Bologna EDITORE/PRODUTTORE: Paparo Edizioni ANNO: 2006 CARATTERISTICHE TECNICHE: 380 pagine Tavv. colorate Legatura in pelle, titoli e cornici in oro. cm 28 x 40 gr 1820 NOTE: Tiratura limitata in 130 copie numerate; ESEMPLARE NUMERATO (COPIA FUORI NUMERAZIONE UFFICIALE). - 108 Testo latino Soggetti: Arte, Tecnica Miniatoria, Missale, Pontificale, Missali, Preghiera, Medioevo, Cristianesimo, Liturgia, Libri Antichi, Edizioni Di Lusso, Ristampe Anastatiche, Illustrati, Pregio, Messale, Chiesa, Messa, Eucaristia, anno liturgico, Missale plenum, messale romano, Chiesa latina, rito romano, Graduale, Breviario Commento dell'editore: Il Pontificale è una delle opere più importanti per la storia dell’arte pittorico-miniatoria della prima età angioina, ed è di particolarissimo interesse anche sotto il rispetto tecnico. Un documento di rarità eccezionale per lo studio dell’antica tecnica miniatoria, riproposto in un’edizione ricca ed accurata. Il volume è un prezioso strumento di conoscenza e ricerca sulla vita ecclesiale e sociale di Salerno. La pregevole ristampa evidenzia le caratteristiche artistiche di un opera unica. «Il Pontificale è una delle opere più importanti per la storia dell'arte pittorico-miniatoria della prima età angioina, ed è di particolarissimo interesse anche sotto il rispetto tecnico. Nella seconda sezione, che l'unico e originalissimo miniatore lasciò non finita, esso presenta infatti un numero consistente di pagine rimaste a stadi diversi della lavorazione - dal solo disegno preparatorio, alla prima stesura dell'oro e del lapislazzuli, all'abbozzo della campitura di strati successivi del colore -, che costituiscono un documento di rarità eccezionale per lo studio dell'antica tecnica miniatoria [.]». (dall'introduzione di Ferdinando Bologna). Genre/Form: Illustrations Facsimiles Document Type: Book Bound in red leather. Fine facs. repr. of the Medieval Latin manuscript conserved at the Diocesan Museum of Salerno (Campania). Description: 1 v. : chiefly col. ill. ; 35 cm. Responsibility: [presentazioni di Giuseppe Zampino, Gerardo Pierro ; introduzione di Ferdinando Bologna; a cura di Riccardo Prencipe]. tags: Messale salernitano, Miniature, Codici miniati, Messali romani, Libri rari, Libri Vintage fuori catalogo, Collezionismo, Edizioni pregiate di lusso, Arte miniatoria, Testi religiosi antichi, Filippo Capuano, Duecento, Regno di Napoli, Carlo II, Pontificale, Messa, Liturgica, Preghiera, Codice, Testi liturgici, Miniaturisti, Arte libraria, Editoria, Stampa, Colori, Oro, Lapislazzuli, Marie_Therese Gousset, François Avril, Angioini, Manoscritti, Bibbia, Celestino V, Benedetto Caetani, Angiò, Martirio di San Pietro, Papato, Chiesa, Manoscritti, Stemmi, Colori, Iconografia bizantina, Ponteficale, Salerno missal, Miniatures, Illuminated manuscripts, Roman missals, Rare books, Out of print books, Collectibles, Fine Luxury editions, Miniature art, Ancient religious texts, Filippo Capuano, Thirteenth century, Kingdom of Naples, Charles II, Pontifical, Mass, Liturgical, Prayer, Code, Liturgical texts, Miniaturists, Book art, Publishing, Print, Colors, Gold, Angevins, Manuscripts, Bible, Celestine V, Benedetto Caetani, Anjou, Martyrdom of St. Peter, Papacy, Church, Manuscripts, Coats of arms, Colors, Byzantine iconography, Pontiff
16964452DBAugsburg, Christoph Weigel, 1696. 16° (8,3 x 6 cm). (4) Blatt, 152 S. Mit 152 ganzseitigen Kupfern auf 76 Blatt. Leinenband mit Goldfilletten in Pappschuber. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
8726Central India Nagpur c: 1780. Gouache with gold on paper 6 3/4 x 3 1/2 ins matted and framed. § A lovely Indian miniature from the Devimahatmya Glorification of the Goddess hymn within the Markandeya Purana. 1780. Gouache with gold unknown books
18251714171825. MINIATURE BOOKS. Les Petites histoires. 4 volumes. 1. Les Etrennes de Genevieve. L'Amour filial. Les Limites. 2. Le petit Felix. Le Chien de Liverpool. Hamet et Raschid. 3. Le Loup des Champs. Le Turc bienfaisant. La Poupee. 4. La pauvre Irene. La Vipere. All 12mo ca. 70 x 48 mm. in original boards and cardboard slipcase. Paris: Impr. Ambroise Firmin Didot ca. 1825. This exquisite set of children's stories is a rare survival with each of the four volumes in their original coloured boards and enclosed in the original cardboard slipcase with its paper label. OCLC lists just one set at Indiana. hardcover
Magnif. cart. edit. in cartone, angoli e dorso in pergam., cm 49x38, pp 31, 134 tavv in bruno. Buon intervento di restauro alla cartella, peraltro ottimo esempl.
1790129739London: Printed for J. Harris late Newbery & for Darton & Harvey 'E. Hemsted Printer Great-New-street London' 1790. First Edition. Hardcover. Fine. London Printed for J. Harris late Newbery & for Darton & Harvey 'E. Hemsted Printer Great-New-street London' circa 1790. A thumb Bible 44 × 32 × 18 mm 254 2 blank colophon pages plus the engraved cumulative title leaf and 14 engraved plates facing pages 18 27 42 50 71 74 86 90 106 111 116 192 199 and 221 with the relevant page number in the top right corner of each plate. 'Publisher's red morocco gilt inlays of black morocco in centre of each cover with cross and initials JHS in gilt within gilt-tooled sun tooling. Elaborate gilt-tooled borders with corner pieces of intertwined arabesques. Gilt-tooled spine flat back in three compartments with egg-shaped tools in each compartment. Gilt edges' Spielmann; the binding is essentially in fine condition with the contents near-fine. Spielmann 18 recording a minor variant printed by 'Darton & Harvey Gracechurch-Street London' with 15 plates: 'Very similar to the Newbery Bible 1780 but with some alterations. The preface for example starts with the words: "It is not a very pleasant reflection" instead of "It is a melancholy reflection". The illustrations based on the same design as the Newbery Bible have been re-engraved and are much better than the Newbery ones both in quality and design'. Bondy page 34. Printed for J. Harris, late Newbery, & for Darton & Harvey ('E. Hemsted, Printer, Great-New-street, London') hardcover
Atlante Nautico. (Nautical Atlas of Battista Agnese). Battista Agnese. Biblioteca Nazionale Centrale di Firenze (Banco Rari 32). Istituto dell’Enciclopedia Italiana Treccani, 2008. Riproduzione in facsimile del codice di Battista Agnese, attivo a Venezia tra il 1536 (circa) e il 1564. Formato 19x27 cm. Pagine 30 (15 carte). Commentario (18,5X26,5 cm. Pagine 161) in tela editoriale con impressioni in oro. Scatola di custodia (28x37 cm.) con logo in metallo e titoli. Tiratura limitata e numerata di 750 copie. Condizioni ottime.
16964452DBAugsburg, Christoph Weigel, 1696. 16° (8,3 x 6 cm). (4) Blatt, 152 S. Mit 152 ganzseitigen Kupfern auf 76 Blatt. Leinenband mit Goldfilletten in Pappschuber.
