Notman StudioBiblio.com
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4119Montreal QC: Wm. Notman. Mounted Photographs. Near Fine. Four Winter scenes from the Notman Studio. Albumen and silver salts on paper three photos measure 5.5 x 4 inches wide and one measures 6 x 4 inches wide all mounted on card one signed in negative "Notman 22373". Some fading and yellowing to images card mounts w. minor curl and touch of browning verso. Two sleds and two tobaggans help to provide a charming Winter setting for this fine group of 19th c. studio images. Wm. Notman unknown
1960403653London : Longacre Press 1960. 1st edition. Softcover. Very good paperback copies; edges slightly dust-dulled and nicked. Remains a particularly well-preserved set overall; tight bright and clean. Contents; 85 issues of ""The Studio"" spanning from 1960 to 1963. 115 issues of ""The Studio. The leading magazine of contemporary art"" spanning from 1953 to 1960. Some issues repeated. More information upon request. Subjects; Art ; Periodicals. Painting Periodicals. Decorative arts. Arts and crafts movement. Great Britain. London : Longacre Press paperback
2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
172141271Paris, Montalant, 1721. Fol. (40 x 26 cm). Titel in Rot u. Schwarz. Mit zahlr. Holzschn.-Vignetten u. -Initialen. 27 Bll., 707 (1) S., 40 Bll.; 2 Bll., 215 (1) S., Pgmt. d. Zt. m. handschriftl. Rückentitel.
Matita misure: mm 300 x 437 Pittore e scultore italiano. Sin da giovane, sotto la spinta dal padre Antonio, si dedica alla scultura e già nel 1827 si fa conoscere per un gruppo di quaranta busti giganteschi, oggi dispersi, a soggetto mitologico e rurale, per la Villa dei Conti Sabatini a Udine. Contemporaneamente collaborava con il padre dimostrando capacità nel cogliere i dettami dello stile neoclassico allora in voga. Precocemente si avvicina alla pittura; realizza pochi soggetti religiosi, si afferma nella pittura di genere, in quella storica e in quella satirica. Con piglio originale ed estroso attira l'attenzione sia di capi di Stato, nobili ma anche collezionisti italiani che vedevano il suo studio come un ritrovo mondano, un passaggio obbligato durante i soggiorni veneziani. Gli affibbiarono il soprannome di "Goldoni della pittura veneziana". Soddisfatto della posizione sociale ed economica conquistata, abbandonò il lavoro a quarant'anni per godersi la vita. Sue opere sono conservate nei musei di Trieste, Padova e Venezia. In questo disegno l'attenzione dello spettatore è catturata dal michelangiolesco corpo maschile di spalle. Il modello è seduto come su un argine di un torrente. La torsione del corpo, con le mani adagiate a terra come nell'atto di sollevarsi, mostra le braccia muscolose, la schiena in tensione e il volto rivolto a destra caratterizzato da una bocca socchiusa, naso alla greca, lo sguardo fisso verso un punto in lontananza e capelli mossi dal vento. La capigliatura è tipicamente neoclassica. Sembra di vedere uno studio per un dio fluviale, un allegoria. Evidente è la conoscenza della statuaria classica Il tratto è rapido, la linea di contorno è morbida su tutta la figura e l'intersezione fitta del tratteggio regala giochi chiaroscurali che mostrano l'attenzione per gli effetti della luce sul nudo atletico. In basso a destra, a matita, firma. Al verso veloci schizzi a matita. Disegno su carta vergellata color avorio. Buono stato di conservazione, leggero foxing e qualche piega. Filigrana: tre mezze lune (Veneto, XVIII secolo) Bibliografia: A. De Alisi, Le arti figurative nella Venezia Giulia, ms. (sec. XX), ad vocem.
37504Albumen print photograph cabinet card format 167 x 108 mm mount; recto of mount with imprint of 'FALK / 496 George Street Sydney'; verso with wet stamp of Melbourne print postcard and photograph seller W. H. Cooper Royal Arcade; the albumen print is in good condition; the mount is chipped at two corners but is clean and stable. A rare studio photograph of New Zealand-born Australian boxer Otto Cribb born Alfred Otto Simpson 1878-1901 pictured in a fighting stance. The portrait - which appears unrecorded in Australian collections - was taken in Sydney almost certainly within the short period between his return from the United States and his final bout against Mick Dunn in Sydney on 22 July 1901 after which he died tragically the next day from head injuries sustained in the fight at the age of just 23. 'Otto Cribb came to Australia from New Zealand. He was born at Dunedin in the south Island on St Valentines Day 1878. After cleaning up all the local welterweights he like many of his countrymen crossed the Tasman and made a mess of some of Australia's best. Cribb was a truly great puncher and after thrashing a dozen of the Aussie lads took the Australian welter title from Snowy Sturgeon with an eight round knockout on April 21st 1900. In October of that year he defended his title against Mick Dunn with a seventh round knockout before travelling to America where he impressed everyone with his toughness and two fisted punching. After a successful tour he returned to Sydney where on July 22nd 1901 he put his title on the line against Mick Dunn at the Gaiety Hall. It was a tough bruising affair with Cribb being counted out in the ninth round while resting on one knee. He seemed to recover quickly and after dressing went back to his hotel The Cliff House at Bondi and retired for the night. In the morning his manager found him dead in his bed. He was twenty three. Upon hearing the news Mick Dunn announced his retirement from boxing. Cribb's record is impressive. Of twenty six bouts he only lost two winning nineteen by knockout.' NLA unknown
197015729BASTEI 1970. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197014365BASTEI 1970. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1982KOS02201766Interior Publishing 1982. Soft Cover. Fine. KOS02201766 Interior Publishing paperback
1980KOS02201645Interior Publishing 1980. Soft Cover. Fine. KOS02201645 Interior Publishing paperback
1900List3340United States and the Philippines: West’s Studio and others 1900. Eight photographs mounted on heavy cardstock measuring 5 ½ x 6 ¼ inches and smaller. Some with manuscript captions verso. Some with manuscript captions verso. Some staining and damage to mounts especially at corners; overall excellent. A collection of eight photographs from the Spanish-American War with seven of stateside training camp scenes and one portrait of an unknown soldier taken at Fort McKinley near Manila. Three are captioned verso identifying their locations as Camp Presidio San Francisco; Camp Powers Augusta Maine now Camp Keyes; and Savannah Georgia likely Camp Onward. The latter photo which depicts a Thanksgiving scene also mentions in its caption that “Robert Golding was in the Army in Savannah at that time.†Golding from Eastport Maine was in Company I of the 2nd Infantry Regiment; interviews with Golding about his life and experience in the war are available from the American Folklore Society. Note that the portrait does not appear to be of Golding. Besides Thanksgiving shots include several of soldiers posing in front of their tents one of a haircut at the Presidio and an excellent shot from Augusta of a soldier being tossed in the air on a makeshift trampoline. Of interest to historians of the Spanish-American War and US training camps from the time. West’s Studio and others unknown
1890287341890. A large studio photo album with large albumen photographs of Italian architecture and sculpture in and around Siena 3 Florence 27 Ravenna 4 Bologna 3 Venice 12 Padua 2 Verona 12 Lombardi 1 Lake Como 4 Massagno 1 Napoli 1 Milan 4 Pompei 1 2 unidentified. 63 images 13 by Alinari 2 by Noack Geneva 3 Edizioni Brogi 1 Sommer and other photographers most with studio numbers and captions in Italian.<br /> <br /> Fratelli Alinari was a photographic studio founded in 1852 in Florence and run by the three Alinari brothers and is today considered one of the world's oldest photographic firms. <br /> <br /> Maroon diced leather binding gold dentelles 6 chambers 14 3/4 x 10 3/4" 63 images image size 9 3/4 x 8" 6pp blank at back marble endpapers no titles. Covers rubbed at edges binding strong images vgc. unknown
1940117240Culver City CA: RKO Radio Pictures 1940. First Edition. First Edition large quarto. The deluxe annual for RKO Studios' 1939-1940 season. White linen with embedded spiral binding. 56 pages. Features films such as "The Hunchback of Notre Dame" numerous literary adaptations with large images of the books themselves "The Deerslayer" "Ivanhoe" "The Swiss Family Robinson" "Tom Brown's Schooldays" full-page spreads for directors Garson Kanin George Stevens Leo McCarey and Gregory La Cava; and actors Carole Lombard Ginger Rogers Cary Grant Charles Laughton Harold Lloyd in the spotlight as a producer rather than an actor George Sanders in "The Saint" series Anne Shirley Douglas Fairbanks Jr. Stan Laurel and Oliver Hardy Richard Dix Anne Neagle Victor McClagen and Jean Hersholt; and a special section advertising 18 Technicolor Disney features. Very Good plus with a some turning to the outer corners light scuffing to the cloth but quite attractive overall. RKO Radio Pictures unknown books
194520947ELos Angeles: Republic Pictures 1945. Original 1945 Studio Pass to Republic Pictures Studio for Hollywood columnist Jimmy Starr. Metallic gold cardstock 3 1/2†x 2 1/4â€. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Republic Press Pass April 1st to crossed out Dec. 31 1945 Republic Studios To Publicity Department Only Name Jimmy Starr typed Publication L.A. Herald Express typed Violations of the Requirements of this Pass Will Result in Its Permanent Cancellation. No. 23 Director of Studio Publicity signed This Pass Not Valid Unless Signed by Holder on Reverse Side.†On the verso is a printed set of basic terms regarding the holder of the pass without Mr. Starr’s signature. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Republic Pictures specialized in Westerns and movie serials and was notable for developing the careers of John Wayne Gene Autry and Roy Rogers. Some of the 1945 Republic Pictures films for the time period Mr. Starr may have enjoyed include such popular productions as The Vampire’s Ghost with John Abbot and Peggy Stewart Flame of Barbary Coast with John Wayne and Ann Dvorak The Chicago Kid with Donald Barry and Otto Kruger Tell It To a Star with Ruth Taylor and Robert Livingston Scotland Yard Investigator with Sir Aubrey Smith and Erich von Stroheim and Dakota with John Wayne and Vera Ralston. Republic Pictures unknown
194520947ELos Angeles: Republic Pictures 1945. Original 1945 Studio Pass to Republic Pictures Studio for Hollywood columnist Jimmy Starr. Metallic gold cardstock 3 1/2†x 2 1/4â€. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Republic Press Pass April 1st to crossed out Dec. 31 1945 Republic Studios To Publicity Department Only Name Jimmy Starr typed Publication L.A. Herald Express typed Violations of the Requirements of this Pass Will Result in Its Permanent Cancellation. No. 23 Director of Studio Publicity signed This Pass Not Valid Unless Signed by Holder on Reverse Side.†On the verso is a printed set of basic terms regarding the holder of the pass without Mr. Starr’s signature. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Republic Pictures specialized in Westerns and movie serials and was notable for developing the careers of John Wayne Gene Autry and Roy Rogers. Some of the 1945 Republic Pictures films for the time period Mr. Starr may have enjoyed include such popular productions as The Vampire’s Ghost with John Abbot and Peggy Stewart Flame of Barbary Coast with John Wayne and Ann Dvorak The Chicago Kid with Donald Barry and Otto Kruger Tell It To a Star with Ruth Taylor and Robert Livingston Scotland Yard Investigator with Sir Aubrey Smith and Erich von Stroheim and Dakota with John Wayne and Vera Ralston. Republic Pictures unknown books
68-0652London UK: Studio Publications ca. 1950. Multi-colored sheets with deckled edges loose as issued in paper portfolio covers. 44 cm. One of 3500 copies rendered by Albert Carman. Good with tears and minor losses to portfolio else VG. [London, UK]: Studio Publications, [ca. 1950]. unknown
196892685New York: The Studio Museum in Harlem 1968. Very Good. Two-page exhibition list probably produced on a photocopier. Accompanying the exhibition list also probably produced on a photocopier is a two-page Press Release dated November 14 1968 and issued by Eleanor Haas on behalf of the Studio Museum. titled. Both items are printed on one side and stapled in upper left corners. 28 cm. The exhibition was organized by Henri Ghent director of the Brooklyn Museum's Community. 42 works by 21 African American artists are listed as included in the exhibition. The Press Release is titled "Blacks Talk Back to the Whitney Museum and states in part: The Whitney Museum left them out. Not a single black artist is inclued in its current survey of American art of the 1930's . "Our title of course refers to Ralph Ellison's superb image for the exclusion of blacks from consciousness by the white establishment" said Mr. Ghent . "They refuse to see us. Small wonder our artists have not been taken seriously. The Studio Museum in Harlem unknown
193720946EHollywood CA: Universal Pictures 1937. Original 1937 Studio Pass to Universal Pictures Studios for Hollywood columnist Jimmy Starr. Blue cardstock 3 3/4†x 2†with Universal Pictures logo. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Identification Card Void After April 1 1937 Admit to Studio Lot for Parking and to Publicity Dept. Only No. 29 stamped Issued to Jimmy Starr L.A. Herald & Express typed Authorized by signed.†Blank on the verso. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Some of the 1937 Paramount Studios films Mr. Starr may have enjoyed include such popular productions as Jungle Jim with Grant Withers and Betty Jane Rhodes We Have Our Moments with Sally Ellers and James Dunn and When Love Is Young with Virginia Bruce Kent Taylor and Walter Brennan. Universal Pictures unknown
193720946EHollywood CA: Universal Pictures 1937. Original 1937 Studio Pass to Universal Pictures Studios for Hollywood columnist Jimmy Starr. Blue cardstock 3 3/4†x 2†with Universal Pictures logo. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Identification Card Void After April 1 1937 Admit to Studio Lot for Parking and to Publicity Dept. Only No. 29 stamped Issued to Jimmy Starr L.A. Herald & Express typed Authorized by signed.†Blank on the verso. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Some of the 1937 Paramount Studios films Mr. Starr may have enjoyed include such popular productions as Jungle Jim with Grant Withers and Betty Jane Rhodes We Have Our Moments with Sally Ellers and James Dunn and When Love Is Young with Virginia Bruce Kent Taylor and Walter Brennan. Universal Pictures unknown books
195028317New York: Golden Press 1950. 1st edition. Oversize Hardcover in color illus boards; no jacket as issued. VeryGood unmarked bright boards & bright contents; traces of light wear & minor touch-up. Collectible first edition. Bright crisp clean tight copy slight damage at rear upper spine traces of wear to corners but overall an exceptional copy of this icon of Disney Americana at 65 years old. <br/><br/>9-1/2 x 12-3/4 unnumbered pp color illus every page color-illus endpapers. Golden Press hardcover
19304710Paris 1930 aucune reliure Deux tirages gélatino-argentiques d'époque assemblés en un panorama de 34,5 x 16 cm et montés sur carton (49 x 32 cm), signature du photographe sous l'image, étiquette du studio photo Lecram en bas à droite.
66090Luzern Bösch AG 1983. 128 x 905 cm Zustand A. Konzertplakat «Jazz in Willisau» im Hotel Mohren in Willisau. 010 Luzern, Bösch AG, 1983 unknown
19735748BILDSCHRIFTEN WILLIAMS 1973. 1. softcover. KINDERCOMIC BILDSCHRIFTEN (WILLIAMS) paperback
197319399BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
