859 résultats
195428483NANTES 1954 une photographie originale argentique en noir, de "MGR MORILLEAU ALORS QU'IL RECOIT LA CONSÉCRATION ÉPISCOPALE DES MAINS DE JEAN-JOSEPH-LÉONCE VILLEPELET, ALORS ÉVÊQUE DE NANTES, LE 24 JUIN 1954 " , format : 11 x 16 cm , PHOTOGRAPHE : STUDIO PAUL, 36, rue du Maréchal Joffre - NANTES,
194021443nantes 1940 une photographie originale en noir avec une fine bande blanche en encadrement, noté Studio J. Bourdon Nantes en gauffré en bas à droite, format : 18,2 x 24,2 cm,
19145026Regina SK: The Carbon Studio 1914. Mounted Photograph. Very Good. Lord Strathcona's Horse seen here recreating at a Horse Show in Regina in 1914 between actions in the Boer War and WWI. The team proudly poses with their dog mascot while displaying a long line of captured booty - 31 event ribbons. One rider wears his team shirt with the letters "L. S. H. R. C." "Lord Strathcona's Horse Royal Canadians" stitched onto the front while the horses are equipped with gymnastic-style saddlery. A 7.5 x 9.75 inch wide photograph titled in negative "Lord Strathcona's Horse - Horse Show Regina April 23 1914." mounted onto a 11.75 x13.5 inches wide photographer's commercial mount with "The Carbon Studio / Ry. St. Regina" stamped at lower right. Photo w. some fading light soil and marks ; card mount w. pin holes at corners glue repair to upper corner and name penciled on verso "Pvt. Green" A proud and capable looking team of professional riders. "Cowboys were called upon again in 1899 when Britain and thus Canada became involved in the Boer War. The Boers or Afrikaners were a unique type type of enemy – an army of prairie veldt ranchers who fought guerrilla-style on horseback. Their logical counterparts were Canada's mounted police and cowboys and in 1900 Donald Smith better known as Lord Strathcona raised a mounted company of 400 men from western Canada half from the NWMP and half from the horse and cattle ranches. Based in Calgary and under the command of Col. Sam Steele they were called the Strathcona Horse." see p. 27 "Shooting Cowboys - Photographing Canadian Cowboy Culture 1875-1965" by Brock Silversides 1997 Fifth House. The Carbon Studio unknown
1902AL 524<p><em><strong>Printing-out-paper print; 9 1/2 x 5 1/2 inches; mount 11 x 7 1/2 inches</strong></em></p><p>A dynamic photographic assemblage advertising the historic town of Sonora California as host of the 48th annual session of the Grand Encampment of the State of California International Order of Odd Fellows. Present in the image are views of Sonora's court house hospital railroad depot the Hotel Victoria mining operations Birdseye views and more.</p><p>About 800 Odd Fellows and their families took a special train from San Francisco to the historic gold rush town where it was "handsomely decorated with the colors of the order" according to an account published in the Fort Bragg Advocate and News.</p><p>The photos within the photo have a credit stamp on the mount to "Harrington" a local commercial photographer so we presume he produced this photo as well.</p><p>From the estate of Ron Lerch.</p>
1901EPH25-04<p><em><strong>Platinum print affixed to paper</strong></em> <em><strong>20 x 25 inches overall</strong></em><br /><em><strong>Broadside with affixed platinum print photograph attached to board with red wax.</strong></em><br /><em><strong>With Randall's signature recto.</strong></em></p><p>A large and handsome broadside advertising a lecture entitled "Whistler the Man and His Art" which was delivered by William Merritt Chase at the photo studio of Herbert Randall in New Haven Connecticut and was sponsored by the city's Paint and Clay Club. The advertisement also lists the patronesses of the lecture and is illustrated by a stately portrait of Chase which was taken by Randall.<br /><br />American artists William Merritt Chase and James McNeill Whistler had to put it simply a complicated relationship. They met in the 1870s. Chase was already an admirer of Whistler who was more than ten years his senior and already very well-known. At first they struck up a friendship and at one point agreed to paint each other's portrait with the intention of exhibiting the two together. Chase painted a full size portrait of Whistler which he called "The Public Whistler." For this work Chase departed from his typical vibrant painting technique and mimicked Whistler's muted colors and style. In the meantime the two men's relationship began to strain as they traveled together and argued frequently. The final straw was Chase showing his portrait of Whistler without the latter in New York. The press coverage of the show presented the painting as an accurate ridiculing of Whistler's likeness and style and Whistler was insulted and declared himself finished with Chase and their friendship. Whistler's portrait of Chase has never been shown and in all likelihood was destroyed.<br /><br />Beginning around 1901 in what could perhaps be understood as an attempt to rewrite history or at least sway public perception of their relationship Chase began to tour with a lecture on his one-time close companion. Titled "Whistler: Man and his Art." Though he spoke of Whistler's hot-tempered nature the lecture was by all accounts a warm one. One review published in the Morris County Chronicle in 1902 recounts that Chase "gave an interesting description" of Whistler "consisting of personal reminiscence and criticisms on his many works" and that Chase "set forth the character of the man by his loyal devotion to art." Whistler passed away in 1903 and Chase continued his talks until the end of the decade.</p>
195778433Hamden Conn. Dec. 1957. Fine. About 7 x 5 inches. Photographer's stamp on verso. unknown
2000Q-192899802xQvc Pub 2000-06-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Qvc Pub hardcover
19190087169London / New York: 'The Studio' Ltd. / John Lane Company 1919. First printing. Hardcover. Very Good. First edition 1919. Cloth-backed boards paper label on the front cover illustrated some in color 48 pp. clean unmarked text Very Good copy minor age-toning to the pages and covers light wear to the tips of the covers no dust jacket. Uncommon. 'The Studio,' Ltd. / John Lane Company hardcover
198918058CAP 1989 In-4 cartonné
1962135877Couverture rigide. Cartonnage de l'éditeur. 24 pages.
19481688378222855Lomo despegado ; libro fatigado ; precio adaptado ; GLN-845, Instituto Antonio de Nebrija, Madrid 1948
1999R200080846GALLIMARD. 1999. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 221 pages.. . . . Classification Dewey : 841-Poésie
1972L3 boxtemp218 hg<p>Poesia Espanola Del Siglo Veinte Antologia. Estudio preliminar seleccion y notes de Gustavo Correa. Published by Appleton-Century-Crofts 1972. Hardcover xxii613 pages. Library withdraw book.</p> Appleton-Century-Crofts. hardcover
1980KOS00300070TBD 1980. Soft Cover. Fine. KOS00300070 TBD paperback
1999Q-0786843136Disney Press 1999-07-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
1999Q-0786842687Disney Pr 1999-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Disney Pr paperback
1999Q-0786842709Disney Pr 1999-05-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Disney Pr paperback
2000Q-0786843713Scholastic / Disney Press 2000-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Scholastic / Disney Press paperback
1991290511Wilhelm-Hack-Museum Ludwigshafen am Rhein 1991. Softcover Zustand: Keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten bestoßen. Das Titelblatt einschließlich der Seiten 10 sind lose. Wilhelm-Hack-Museum, Ludwigshafen am Rhein, paperback
194322837Paris STUDIO HARCOURT - Draeger 1943 1 in-8 Paris, Draeger pour le Studio Harcourt, 1945, in-8, couverture imprimée reliée par une spirale transparente, sous chemise tranparente plastifiée, sous porte-feuille en demi-basane verte, 24 pages.
1982CINE268MÉdition du regard. Relié, 180 pages, illustré en couleur et en n/b, le livre est en très bon état, de légères marques d usages peu contraignantes sont a notifier.
1943100074989Paris. 24 cm x 29 cm. 1943. Spiralé. 30 pages. Paris Imprimerie Draeger 1943. Spiralé 24 cm x 29 cm 30 pages (non paginées). Portraits photographiques noir et blanc de 15 actrices et acteurs français par le Studio Harcourt: Danielle Darrieux Claude Dauphin Josette Day Marie Déa Annie Ducaux Edwige Feuillère Jean Gabin Fernand Gravey Jean Marais Georges Marchal Michèle Morgan Micheline Presle Simone Renant Madeleine Robinson Madeleine Sologne. Très bon état
1982ZB456394Managua 1982. original paper wrappers 270 pp.minor external wear overall good-very good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Managua unknown
1936237922New York: Bachrach 1936. Half-length gelatin silver print. 10 x 8 inches. Mounted too artist's board. Slight silvering to photo mount a bit soiled and worn. Half-length gelatin silver print. 10 x 8 inches. Inscribed by FDR's campaign manager and Postmaster General "To my good friend Antonio C. Gonzalez Sincerely James A Farley".<br /> <br /> Gonzalez 1888-1965 born in New York City was U.S. Minister to Panama from 1933-35; to Ecuador from 1935-38; and to Venezuela in 1938. Bachrach unknown
1936237922New York: Bachrach 1936. Half-length gelatin silver print. 10 x 8 inches. Mounted too artist's board. Slight silvering to photo mount a bit soiled and worn. Half-length gelatin silver print. 10 x 8 inches. Inscribed by FDR's campaign manager and Postmaster General "To my good friend Antonio C. Gonzalez Sincerely James A Farley".<br/><br/>Gonzalez 1888-1965 born in New York City was U.S. Minister to Panama from 1933-35; to Ecuador from 1935-38; and to Venezuela in 1938. Bachrach unknown books