625 résultats
1928100074206Lyon. 16 cm x 20 cm. 1928. Broché. 247 pages. Lyon Société des Amis de Guignol 1928. Broché 16 cm x 20 cm 247 pages illustrations et photos noir illustrations de J. Coquet Lefebvre Brouillard C. Donneaud. Dos restauré sinon bon état Dos restauré sinon bon état
19491267631949 Editions B. Arthaud, Grenoble - 1949 - In-4, cartonnage illustré, dos toilé brun - 41 pages illustrées en couleurs
199272836London The Apple Press 1992 1 vol. relié grand in-8, cartonnage de l'éditeur sous jaquette, 79 pp., nombreuses illustrations en couleurs in-texte. Jaquette un peu usée en bordures. Sinon bon état.
199272836London The Apple Press 1992 1 vol. relié grand in-8, cartonnage de l'éditeur sous jaquette, 79 pp., nombreuses illustrations en couleurs in-texte. Jaquette un peu usée en bordures. Sinon bon état.
QWA-20902La Châtre, chez l'auteur, 1998, in-8 br. (15 x 21), 191 p., illustrations en coul., dessins et fac-similés, très non état.
1981RO80250025Crédit du Nord. 1981. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages. Nombreuses photos monochromes dans et hors texte. Deux photos disponibles.. . . . Classification Dewey : 791.5-Marionnettes et ombres chinoises
1970216158Indonesia. Before1970s. Water buffalo hide and pigment elaborately gilt and cut out 54 x 69 cms painted both sides jointed arms each affixed to horn batons and another spliced horn baton holds the body. This puppet represents the dewa Bathara Guru in the Javanese and Balinese 'wayang kulit' or leather shadow puppet theatre tradition. Batara Guru is the Indonesian embodiment of the Hindu deity Shiva and perhaps the most sacred of Indonesian shadow puppets. A dalang puppeteer must make offerings to Guru the supreme god creator and ruler of earth who stands at the origin point of humankind before commencing a shadow play performance. Batara Guru also known as Sang Hyang Manikmaya is conceived of as the younger brother of Semar. The figure is generally shown in meditative repose standing upon his mount the bull. He is viewed as a spiritual teacher and guide directing lesser deities and humans in their earthly endeavors. <br> <br>This particularly fine example is elaborately carved with gilt and rides on the mythical bull Nandini. Bathara Guru the Javanese name for the deity Shiva symbolized the imperfection of man represented in the bodily defects of the puppet: four arms small feet marks on the throat and often though not here depicted with fangs. <br> <br>Purchased in Java in the early 1970s. <br> <br>See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
1970216160Indonesia. Before1970s. Water buffalo hide and pigment elaborately gilt and cut out 58 x 25 cms painted both sides a spliced horn baton holds the body some abrasions and fading to the painted surface in good condition overall. This puppet represents the dewa Bathara Guru in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. Bathara Guru the Javanese name for the deity Shiva symbolized the imperfection of man represented in the bodily defects of the puppet: four arms small feet marks on the throat and often though not here depicted with fangs. <br> <br>Purchased in Java in the early 1970s. <br> <br>See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
1970216244Indonesia. Before1970s. Water buffalo hide 66 x 24 cms body pigment jointed arms painted both sides intricately punctured the jointed arms and body affixed to horn and wooden batons slight wear and rubbing with some loss of pigment to the top of the shoulder of one arm but in very good bright condition. This puppet represents the figure of Batara Yamadipati the god of death. Son of Semar he is responsible for collecting the souls of mortals when their time comes. In the Javanese Wayang he dwells with mortals and is invited to joke by the Punakawans. This example is brightly coloured joyful almost flesh-coloured rather than gilt and black--symbolically death hiding in plain sight. <br> <br>Purchased in Java in the early 1970s. <br> <br>Also see: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . unknown
1481Lyon. Max Orgeret, éditeur. Collection "Mon Guignol Lyonnais". Sans date [vers 1935]. Grand in-8° agrafé. 16 pages. Jolie couverture illustrée et 4 dessins du peintre lyonnais Emmanuel Cocart.
2005015158Paris Christie's 2005 in-4° Cartonnages illustrée
1983142599Couverture souple. Brochure de 40 pages.
1983142600Couverture souple. Brochure de 40 pages.
1997143734Couverture souple. Brochure de 48 pages.
196984774Couverture souple. Brochure de 32 pages.
1969141407Couverture souple. Brochure de 32 pages.
1969141440Couverture souple. Brochure de 32 pages.
1926124371926 Paris, Éditions de la Très illustre compagnie des Petits comédiens de Bois. A la "Soupente de Guignol", 1926; 1 volume grand in-8° broché de 99pp. - (3) ff.; illustré dans et hors le texte. Couverture ocre illustrée et imprimée en sépia au 1er plat, titre manuscrit au dos ( muet à l'origine). On a joint 4 prospectus d'ouvrages sur les marionnettes. Envoi autographe signé de l'illustrateur.
1926180215La soupente de Guignol Paris, La soupente de Guignol & Les éditions de la très illustre compagnie des Petits comédiens de bois, 1926. Grand In-8 broché, couverture illutrée de 99 pages illustrées par Eugène Lefebvre. Tirage limité à 250 exemplaires, celui-ci n°180 sur vélin alfa blanc et signé de l'auteur. Quelques rousseurs, essentiellement en fin de volume. Exemplaire truffé d'annotations en marges des plus interessantes comme ajout en bibliographie.
99262Paris, Editions de la Très Illustre Compagnie des Petits Comédiens de Bois, A La Soupente de Guignol, 1926, 1 volume in-8 de 255x165 mm environ, 99 pages, demi-basane aubergine, dos à nerfs portant titres dorés, orné de petits fers dorés. Un des 250 exemplaire sur vélin Alfa blanc (N° 21). Edition originale de la première bibliographie exhaustive, illustrée de 9 compositions d'Eugène LEFEBVRE (couverture, bandeaux). Des rousseurs, petits frottements sur les angles de la couverture, sinon bon état.
199768740Editions Institut International de la Marionnette 1997 1 vol. broché fort vol. in-8, broché, LIII-775 pp. Dos ridé, avec un accroc en tête. Sinon bon état.
199768740Editions Institut International de la Marionnette 1997 1 vol. broché fort vol. in-8, broché, LIII-775 pp. Dos ridé, avec un accroc en tête. Sinon bon état.
1965V100712Amsterdam, Nederlandse Vereniging voor het Poppenspel 1965 48pp.+ ills. buiten tekst, 24cm., gebroch, gesigneerd door auteur, goede staat, bijgevoegd: getypte en handgetekende brief van de auteur, V100712
48pp.+ ills. buiten tekst, 24cm., gebroch, gesigneerd door auteur, goede staat, bijgevoegd: getypte en handgetekende brief van de auteur, V100712
1970216722Indonesia. Before1970s. Water buffalo hide gilt and pigment chiselled and cut out 30 x 40 cms fully extended without batons painted both sides jointed arms one affixed to a horn baton the other bamboo the body affixed to a spliced horn baton minor loss of pigment. Dewa Ruci is the representation of Bima in miniature form. It is used in the story of the young Bima called Bratasena who goes in search of the meaning of life/the water of life. At the end of his journeys he finds it in a miniature of himself representing his true self. The story of Dewa Ruci thus represents the search for perfection and union with the divine and is thus important in Javanese mysticism. <br> <br>Purchased in Java in the early 1970s. <br> <br>See also: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . unknown
