China Peking Opera troupeBiblio.com
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1971AG-10059<p>Beijing: Published by Foreign Language Press 1971 <b>FIRST EDITION.</b> The July 1970 Script Revised by "The Taking Tiger Mountain by Strategy" Group of Peking Opera Troupe of Shanghai. Large 8vo. XXX 113 6 pp. colophon with 3 pages Quotations from Chairman Mao. Printed pictorial wrappers <i>minor tear to the foot edge of the front cover minor curled at the head edge of the front cover else very good condition.</i><br /></p><p>北京：外文出版社出版，1971年第一版，由ä¸å›½äº¬å‰§å›¢æ ¹æ®1970年剧本è”åˆæ”¹ç¼–。å‰é¡µå¸¦æœ‰æ¯›ä¸»å¸è¯å½•ã€‚å°çš®é¡¶éƒ¨ç¨æœ‰ç£¨æŸï¼Œå…¶ä»–部分å“相éžå¸¸å¥½ã€‚</p><p><br /></p><p>In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film.</p><p>Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows."</p><p>本组剧本属于文é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’负责制作和演出。很多被æ‹æˆäº†ç”µå½±ã€‚</p><p>最åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人，é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„抗战故事，宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„英勇。虽然是京剧，很快就å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åŽ†ç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡å在å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚</p> Foreign Language Press paperback
1972AG-10058<p>Beijing: Published by Foreign Language Press 1972 <b>FIRST EDITION</b>. The May 1970 Script Revised Collectively by China Peking Opera Troupe. Started with Quotation from Chairman Mao on the first page. Large 8vo. vii 98 1 pp. colophon printed pictorial wrappers<i> very good condition.</i><br /></p><p><i>北京：外文出版社出版，</i><i>1972</i><i>年第一版，由ä¸å›½äº¬å‰§å›¢æ ¹æ®</i><i>1970</i><i>年剧本è”åˆæ”¹ç¼–。å‰é¡µå¸¦æœ‰æ¯›ä¸»å¸è¯å½•ã€‚å“相éžå¸¸å¥½ã€‚</i></p><p>In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film.</p><p>Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows."</p><p>本剧本属于文é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’负责制作和演出。很多被æ‹æˆäº†ç”µå½±ã€‚</p><p>最åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人，é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„抗战故事，宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„英勇。虽然是京剧，很快就å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åŽ†ç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡å在å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚</p> Foreign Language Press paperback
1986150041Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers from the 1983 film. Later printed French Interpress announcement with typos on verso. <br /> <br /> Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 7 x 5 inches. Near Fine.<br /> <br /> Godard Histoires du Cinema. Interpress unknown
1986154238Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers and director Jean-Luc Godard on the set of the 1983 film.<br /> <br /> Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 7 x 5 inches. Near Fine.<br /> <br /> Godard Histoires du Cinema. Interpress unknown
1897WA6771New York: G. Schirmer 1897. Hardcover. Fair. 4to quarter morocco lacks spine floral cloth very edgeworn. Used as a scrapbook or souvenir book. Unique. <br/><br/>Ex libris Emílie Pavlína Venceslava Kittlová aka Emmy Destinn aka Ema Destinnova. As you know she was famed for her portrayal of Aida at the Metropolitan Opera in New York in 1908. This book bears a two-line inked inscription with her signature dated 11 November 1908 on the blank page. Tipped into the book are 5 official portrait photographs of her in costume. At least two of them are by H. Mishkin New York City. Also tipped-in or laid in are clippings and images of other Aida and operatic performers. Also glued in are reviews of her performances in English and in Czech from a Chicago magazine. Also included are all or parts of printed programs. G. Schirmer hardcover
647993339Taylor & Francis Group pp. 192 . Hardback. New. Taylor & Francis Group hardcover
183836247Girard: Naples 1838. Oblong quarto. Contemporary quarter dark brown calf with green textured paper boards decorative dark brown leather label to upper with "Costanza Angelillo" gilt spine in decorative compartments gilt. Occasional secondary pagination.<br /> <br /> Contains:<br /> Pacini Giovanni 1796-1867<br /> Merope Grand Opera . arrangé pour Piano solo. PNs 8867-8879. Ca. 1848. 1f. recto title verso blank 1 list of subscribers as of 24 December 1847 18 numbers in piano score with occasional text. Subscribers include Filippo Angelillo in all likelihood related to Costanza Angelillo owner of the volume. Merope in 3 acts to a libretto by Cammarano after Voltaire was first performed in Naples at the Teatro S Carlo on 25 November 1847.<br /> <br /> Pacini<br /> Saffo . Souvenirs. Choeur de femmes. Musical manuscript. 1f. recto title on light green paper verso blank 6 pp.<br /> <br /> Donizetti Gaetano 1797-1848<br /> Roberto Devereux . Représenté au théâtre Royal de St. Charles le 28 Octobre 1837 . L'opéra entier . D.2.50. . 1er -2ème cahier. 1f. recto title verso blank 3-19 i blank; 1f. recto title verso blank 18 pp. PNs 3939-3943. Ca. 1838.<br /> <br /> Donizetti<br /> No. 8. Cavatine PN 6045. Ca. 1843. 6 pp. 1f. From Don Pasquale.<br /> <br /> Donizetti<br /> Linda di Chamounix Nouvel opéra . arrangé pour piano solo. 1f. recto title verso blank. Cavatine O luce di quest' anima Ajoutée à Paris pour Mme. Persiani-Tacchinardi et chantée à Naples par Mme. Tadolini. 4 pp. PN 5863; No. 14 Air Final du 2ème Acte de Linda . A consolarmi affrettati Chanté par Mme. Tadolini. 8 pp. PN 5685. Ca. 1840. 2 numbers in total.<br /> <br /> Donizetti<br /> Lucia di Lammermoor. No. 4. Duo chanté par Mme. Tacchinardi et par Duprez. 9-18 pp. PN 3953; Grand opéra . arrangé par piano solo. 1f. recto title verso blank 9-15 i blank pp. PN 3962. Ca. 1838. 2 numbers in total.<br /> <br /> Verdi Giuseppe 1813-1901<br /> I Due Foscari. No. 14 Choeur d'Introduction Allagioia. 4 pp. PN 6884; No. 2 Cavatine de Jacopo Dal più remoto esilio Chantée à Naples par Fraschini. 10 pp. PN 6875; No. 3 Choeur et Cavatine de Lucrezia Tu al cui sguardo Chantée à Naples par Mme. Bishop. 7 i blank pp. PN 6876; No. 6 Duo de Lucrezia et du Doge Tu pur lo sai Chanté à Naples par Mme. Bishop et Coletti. 9 i blank pp. PN 6879/ Ca. 1845. 4 numbers in total.<br /> <br /> Verdi<br /> Ernani . arrangé pour piano solo. 1f. recto title on light blue paper within decorative border verso blank. No. 12 Suite et Stretta No vendetta. 4 pp. PN 6647; No. 14 Duo final d'Ernani et de Silva Esci a te scegli segimi. 9 i blank pp. PN 6604; No. 15. Air final de Mme. Toldi Se crudele il cor mostrai. 4 pp. PNs 4312 3222; No. 3 Cavatine tyrolienne de Mme. Toldi In questo semplice. 7 i blank pp. PNs 4302 3221. 4 numbers in total.<br /> <br /> Bellini Vincenzo 1801-1835<br /> I Puritani. No. 18 Duo Il rival salvar tu dei Chanté Par Tamburini et Lablache. 12 pp. PNs 4167 2765. Ca. 1842. 1 number in total.<br /> <br /> Mercadante Saverio 1795-1870<br /> l Giuramento. . arrangé pour piano solo. 1f. recto title listing the 21 numbers in the opera verso blank No. 4. Quatuor Vicino a chi si adora. 5 i blank pp. PN 4115. Ca. 1847. 1 number in total.<br /> <br /> Binding very slightly worn rubbed and bumped. Occasional light foxing. A clean wide-margined copy overall. An attractively-bound collection. Naples unknown
19282092902138300351Not Available 1928. Soft Cover. Fine. The book is in fine condition. Not Available paperback
20112092902143400452Suiyo-sha 2011. Soft Cover. Fine. Size: A5 size Number of books: 2 in total Suiyo-sha paperback
1880261261880. Very good overall. Eight lovely ballet/theatrical dance costumes illustrated in full color on one large sheet. These chromolithograph illustrations were likely for a book on dance. <br /> <br /> Printed in two rows of four figures. Each female figure features a different richly colored skirt with overlay off the shoulders blouse and hat ribbons and hair styles each with its own back drop. <br /> <br /> 17 x 13 3/4". A few small pinholes at margins which look to have been used for calibration of printing otherwise bright and clean. unknown
1983149602N.p.: Sara Films 1983. Vintage reference photograph from the 1983 film. With a printed mimeo snipe on the verso.<br /> <br /> Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Godard Histoires du cinema. Sara Films unknown
ria9780415596985_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; While acknowledging the progress that the capability approach has made in renewing the thinking on development this book critiques the inadequacy of the approach drawing conclusions about the economic analysis of development. hardcover
Sommer, Anne-LouiseCover not in perfect condition. unknown
100074Rivista trimestrale di musicologia poesia storia e cultura piemontese cucina curiosità locali. - Musicalbrandè - Arvista Piemonteisa - Raccolta dei primi 40 fascicoli pubblicati dall'anno I n. 1 Marzo 1959 all'anno X n. 40 Dicembre 1968. - Circa 1000 pagine complessive con illustrazioni. - Copertina rigida - Lingua italiana / Dialetto piemontese. - Condizioni molto buone. Legatura e sguardie rifatte. unknown
18916299like new. unknown
190964260New York: Frderick A. Stokes 1909. 4to. xv 1 172 2 pp. Colour frontisp. 6 colour plates title pages & chapter initials all decorated in lavender-coloured Celtic knotwork illustrations and borders. Black publisher’s cloth blue Celtic design borders gilt lettering colour plate mounted front cover black topstain as issued minor shelfwear light rubbing slight bumping to couple corners still a VG copy w/ former ownership marking on ffep. First edition of this translation and recounting of the epic Wagnerian opera set against the backdrop of the Arthurian myth surrounding Tristan and Isolde including music scene movements and details on the development and early performances. Williams 1875-1932 began his career in New Jersey while running a large engineering business without formal instruction and began his illustration career with St. Nicholas Magazine and later Century. He illustrated works by Smollet Defoe and would later receive the Silver Medal at the 1915 Panama-Pacific International Exposition. Frderick A. Stokes, hardcover
1927D12058Milan 1927. Ephemera. Very Good. Broadside advertisements for the performance of "Piccolo Harem" at Teatro Manzoni 4 large printed in color; 7 handwritten letters by Costa 5 of them signed with content related to the drama; 78-pp. typescript of the play in French "Petit Harem" signed by Costa; and 7 contemporary newspapers containing reviews. Condition is VG or better. The broadsides are particularly striking -- some flattened creases from folding but boldly designed and colors remain bright would display nicely. <br/><br/> unknown
68-8866Leicester UK: Royal Opera House 1960. Theatre Poster Broadside. 35 x 24.5 cm. Good with marginal tears and minor losses. Leicester, UK: Royal Opera House, 1960. unknown
1988159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988.<br /> <br /> Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991.<br /> <br /> 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown
1954231274New York.: Ballet Theatre Foundation. 1954. Stapled wrap. Very light soiling and light wear to covers otherwise a very good copy. 4to. Signed by Igor Youskevich Alicia Alonso John Kriza Melissa Hayden Roy Fitzell and Job Sanders on their respective photographs. Program for 1954 series at the San Francisco War Memorial Opera House laid in. Numerous photographs of the performers. Ballet Theatre Foundation. unknown
Fromonot, FrançoiseIn near perfect condition. unknown
2518810 January 1993 with address label of ‘ERIC CROZIER OBE / 4 THE TIMBERYARD / GREAT GLEMHAM / SAXMUNDHAM / SUFFOLK’. See his entry in the Oxford DNB. 1p foolscap 8vo. In fair condition lightly aged and creased. Folded twice for postage. The address is printed on a small golden label affixed at the top left corner. Addressed to ‘Dear Mr. Catry’ and signed ‘With all best wishes - and thank you for writing! / Sincerely / Eric Crozier.’ He asks him to forgive a typed letter as he is ‘convalescing from a heart-attack and still not very good at hand-writing. / The opera I must enjoyed producing was I suppose my very first - Smetana’s THE BARTERED BRIDE in 1943 in a new English version made by Joan Cross and myself which stayed in the repertoire at Sadler’s Wells and Covent Garden for twenty years.’ He recalls that it was first staged ‘during the black-out to audiences starved of colour and gaiety: our first audience included the Czech government in exile - President Benes Jan Masaryk and others - and on the second night they took the whole theatre for their fellow-countrymen to see what all Czechs regarded as their national opera’. The rest of the letter concerns his next production Britten’s ‘Peter Grimes’ ‘a world-wide event’ premiered at Sadler’s Wells in 1945 ‘and one year later I staged the American premiere with Leonard Bernstein as conductor at Tanglewood. I worked with Britten and Montagu Slater the librettist throughout the writing and composition of that great work which has had I would guess a greater international success than any other English opera all through the past fifty years. It is still being staged - Rostropovich will conduct performances of it at the Barbican this March.’ 10 January 1993, with address label of ‘ERIC CROZIER, OBE / 4 THE TIMBERYARD / GREAT GLEMHAM / SAXMUNDHAM / SUFFOLK’. unknown
2439115 July 1859. London. Meyerbeer is said to have been the most frequently performed opera composer during the nineteenth century. He encouraged and supported the young Wagner who turned on him viciously later in life. Lady Molesworth née Andalusia Carstairs d.1888 had herself been a professional singer. She was the widow of Sir William Molesworth 1810-55 founder of the London Review and owner under the editorship of John Stuart Mill of the Westminster Review. Regarding the present item Meyerbeer notes in his diary for Sunday 17 July ‘Big dinner and musical soiree at Lady Molesworth’s.’ Sir Charles Santley recalls in his reminiscences ‘singing for Meyerbeer at a party at Lady Molesworth’s house’ in order to reassure him that he was up to the part of Hoel in Chorley’s English version of ‘Dinorah’. 1p 12mo. On recto of first leaf of a bifolium. In fair condition lightly aged and folded four times for postage. Blot at top right-hand corner in same ink as note. Reads: ‘Meyerbeer présente ses respectueux hommages à Mylady Molesworth & se rendra avec autant d’empressement que de plaisir à l’aimable invitation de Mylady pour dimanche prochain / Londres 14 Juillet 59.’ See image. 15 July 1859. London. unknown
20494No place. Dated 1942. There has been a recent resurgence of interest in Mona Inglesby and her International Ballet 1942-1951. In 2008 Kay Hunter published a study of the troupe titled 'Ballet in the Blitz'; then in 2012 BBC Radio 4 aired a documentary about Mona Inglesby and International Ballet titled 'Black-Out Ballet: The Invisible Woman of British Ballet'. The writer of the documentary Ismene Brown gave the following explanation of her motives: 'In 2006 an elderly dancer died in Bexhill-on-Sea Sussex. She was 88 and had once been one of Britain's most recognised ballerinas. Why did she die in obscurity Why is the great ballet company that she ran now a forgotten name This was what I set out to explore in a BBC Radio 4 documentary which aired yesterday. Inglesby's story has the improbability of an epic. As a very young woman she defied wartime conditions to launch a major ballet company which introduced the British public en masse to grand ballet. She was also nothing less than the saviour of the most precious texts in all classical ballet. A mounting sense of injustice caused the last remaining dancers of her company now in their eighties and nineties to try to get some amends for Inglesby before they too were gone.' The scenery and costume designs of International Ballet are at Harvard. The present item is on one side of a 12mo piece of paper. It is in good condition lightly aged and spotted. Half way down the page slightly to the right of centre is the large firm signature in red ink of 'Mona Inglesby 1942.' Arranged above and below this in two loose columns and in a variety of different-oloured inks are the other 23 signatures: 'Thelma Fabian Anne Negus Joan Harris later ballet director for The Norwegian National Opera and Ballet and founder and first director of The Norwegian National Ballet School Anglela Bayley <Eileen> Ward. Harold Turner. Nina Tarakanova c.1911-1994; Russian see obituary Independent 16 June 1994 Joyce Graeme. 1918-1991; later director of the National Theatre Ballet in Australia and assistant director of the Ballet Rambert Claudie Léonard b.1924; later Claudie Algeranova; French Muriel Harding. Jean Beazley Moira Shearer. 1926-2006; later a celebrated film actress Patricia Lynne. Barbara Barrie Anna Marinova 1917-1982; English born Daphne Marie Tietgen <Peter Yard> Raymond Farrell Maria Balinska. Rex Reid 1921-2000; Australian dancer and teacher David Kerral <Harold Baring> Ronald <Bracie>'. No place. Dated 1942. unknown
