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Paris, chez Brunet, Imprimeur, Place du Théatre Italien, 1788, in-8, cartone decorato moderno, tagli rossi, pp. 22. Bella vignetta al frontespizio (canestro di frutta) e testata allegorica incise in xilografia. Il libretto di Marmontel è basato su quello di Philippe Quinault per l'omonima opera di J.-B. Lully del 1676 (a sua volta ispirato ai "Fasti" di Ovidio). La 1a rappresentazione è del febbraio 1780 alla Salle du Palais-Royal: la versione originale (la stessa di questa edizione) prevedeva un finale drammatico, col suicidio di Atys, ma dal 1783 ne fu elaborata anche una seconda versione che prevedeva un "lieto fine". Ottime condizioni.
44379Paris Chez l'Auteur / De La Chevardiere (sans date, fin XVIIIe) in 8 (18,5x12) 1 fascicule broché, couverture muette de papier marbré ancien, 24 pages. Paroles de Philippe Quinault, 1635-1688. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Paris. Edit. du Regard, 2009. Numerosas ilustraciones en color y b/n fuera texto. 191 p. 8º. Rústica editorial ilustrada. Livre en français. Muy buen exemplar.
ill., br. "Audizioni per cantanti lirici" è una guida pratica, organizzata e completa che fornisce a chiunque voglia fare del canto la propria professione tutti gli strumenti utili e le informazioni necessarie per prepararsi a concorsi e audizioni. Il volume analizza le diverse tipologie di audizione, facendo luce sul rapporto con la commissione e delineando gli elementi da cui dipende la valutazione dell'artista: le scelte fondamentali, dal repertorio all'abbigliamento; la scrittura efficace del curriculum; la pianificazione dello studio e della preparazione, sotto il profilo fisico e psicologico. Il libro contiene inoltre: un metodo di autoanalisi dei propri mezzi vocali, tecnici, attoriali e interpretativi; esempi di programmi di audizione, analizzati e commentati; un modello di cronoprogramma del cantante, giorno per giorno, a un mese dall'audizione; una bibliografia e una sitografia suddivise per sezioni tematiche. Con le testimonianze e i consigli di Eleonora Abbagnato, Emma Dante, Ermonela Jaho, Sumi Jo, Roberta Mantegna, Damiano Michieletto, Carmen Santoro, Speranza Scappucci.
Stato discreto, coperta illustrata in cartoncino patinato semimorbido, su I.a di coperta xilografia raffigurante personaggi di Plauto, da un'edizone di Strasburgo, 1511, particolare, qualche segno d'uso, tracce di fioritura sparsa, presenza di gora, lievi bruniture, traccia di etichetta adesiva su piatto posteriore, tagli appena ambrati, pagine ben conservate, tranne quelle da 25 a 28 con macchie. Nota introduttiva e traduzione di Carlo Carena. CXLV volume della collana Collezione di Teatro. VI edizione. Numero pagine 71 USATO
110106Lugduni Batavorum, Ex Officina Plantiniana (Officine Plantin), Apud Franciscum Raphelengium, 1597, 1 volume in-16 de 160x105x45 mm environ, 8 ff. (titre à la marque de l'imprimeur et devise" Labore et Constantia", epitre, préface), 697 pages, 27ff. (notes, index, Ioh Meursi ad Macrobi Saturnaliorum Libros, Breviores Notae), 1f.blanc, pleine basane marbrée fauve, dos lisse portant titres dorés sur pièce de titre, brune, orné de caissons à motifs dorés, gardes marbrées, tranches rouges. Des épidermures et galeries de ver sur le cuir (restaurés), trace brune sur les bordures des pages de garde, rares notes à l'encre ancienne dans les marges, trace d'ex-libris arraché sur la première garde de couleurs, un ex-libris manuscrit raturé sur la page de titre.
In-8 (Cm 24,5 x 17), pp. CLXXII-794, brossura editoriale illustrata. Collana I Libretti di Rossini 23 della Fondazione Rossini di Pesaro. A cura di Cesare Scarton e Mauro Tosti Croce. Scritta a lapis e scoloritura alla br. anteriore. OTTIMO
19601248884Zürich, Atlantis, (etwa 1960). Gr.-8vo. 160 S. m. zahlr. Textabb. (Notenbeispiele, Grundrisse), zahlr. Abb. auf Tafeln. OPpbd.
IN BUONO STATO. NEL FRONTESPIZIO INTERNO E' RIPORTATO: VORLESUNG UBER DEN ROMERBRIEF 1515/1516
189222330ABStuttgart, Verlag der J.G. Cotta'schen Buchhandlung, 1892. 8° (18x11), XII, 378 S., graugrüner Oln (Kaliko) mit reicher gold/schwarz Präg, vordStehkante gering bestossen, rückseitig minimal fleckig, sonst sauber und wohlerhalten, kaum gelesen,
199162400Couverture souple. Broché. 150 pages.
Milano, Mondadori, 20 gennaio 1941. (mm. 185 x 125). Tela blu editoriale con titoli al dorso. pp. 488 (le prime due bianche), (2). Con 34 tavole f. t. più (8) pagine intercalate tra le tavole, e 6 facsimili, sempre f.t.
266p., illus. Hardcover Very good condition good
67045aaf1926 - 1928, pt. in-8vo, 54 Bl. + 6 leere Bl. + 21 Postk. + 5 Zeitungsausschnitten, Vorder- u. Hinterdeckel abgefallen, vorne Relief eines Hirschkopfes aufgeklebt.
1925309392New York 1925. 1-1/2 pp. on personal letterhead. 8vo. Old folds else fine. 1-1/2 pp. on personal letterhead. 8vo. Reading in part: "Many thanks for your interest in my career. It's greatly appreciated . you are indeed very sweet." Born in San Antonio Texas operatic tenor Rafaelo Diaz 183-1943 was known as the "Lone Star Tenor of the Lone Star State." Praised for the depth and richness of his voice Diaz performed lead tenor roles with the Metropolitan Opera Company from 1917-1936. <br/><br/> unknown
1985100069<p>New York October 8 1985. 1985. Fine. - Over 30 words penned on her embossed 4-1/8 inch high by 6-1/8 inch wide personal postcard stock. The actress Kitty Carlisle thanks her good friend City Center producer Jean Dalrymple "What a good friend you are! I will follow the prescription to the letter & pray that its sic not too late!!" Signed "Kitty". The card is addressed in her hand on the verso and postmarked from New York on October 8 1985. Fine.</p><p>Inducted into the American Theater Hall of Fame in 1999 Kitty Carlisle Hart 1910-2007 was an American stage & screen actress opera singer and television personality. A spokesperson for the arts she served on the New York State Council for the Arts for 20 years. Kitty Carlisle played the leading lady opposite Groucho in the Marx Brothers movie "A Night at the Opera" and regularly appeared on "To Tell the Truth".</p><p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York, (October 8), 1985.
11562Hood's letter: On letterhead of Osborne Isle of Wight. 8 January 1891. Mrs Gye's draft reply: without place or date. Both items good on lightly-aged paper. Rosa Hood's sister Adelaide Fanny was the wife of Herbert F. Gye and letter and reply are written informally. Hood's letter: 3pp. 12mo. She received Mrs Gye's letter that morning 'and the Queen has read it' and is 'quite pleased with your reply'. 'The Queen desired me to assure you that she had never for a moment supposed that you were responsible for the article in the newspaper - only the Queen thought it was better to have the matter mentioned to you - especially as it might be copied into other papers.' The Queen also thinks that Mrs Gye should 'have some contradiction put in the Paper'. Mrs Gye's draft reply: 2pp. 12mo. She writes that she cannot express her relief at the contents of Hood's letter. 'Since your first letter the thought that Her Majesty would be displeased about it has troubled me very much - therefore you can imagine how delighted I am to find the Queen did not imagine I was responsible.' She has 'written to Church Journal to deny the authorship of the article and ask them to publish it'. Hood's letter: On letterhead of Osborne [Isle of Wight]. 8 January 1891. Mrs Gye's draft reply: without place or date. unknown
11697New York. 27 February 1895. 1p. 4to. Fair on lightly-aged paper with unobtrusive closed tears along crease lines. 'Mr. Ben Fack Falk the photographer will I am sure give you such a photograph of me as you may select from the assortment he has if you inform him of your business.' She asks him to send her a sample if 'the tumblers prove a success as far as my likeness is concerned . If I like it I will possibly order a quantity.' New York. 27 February 1895. unknown
1976049452Istanbul 1976. Soft cover. Very Good. Original typescript with autograph signed letter sent to Turkish cardiologist Nurettin Kamil Irdelp 1902-1992 with its envelope. 1 p. Dated 10 February 1976. It' written: Muhterem doktor bey Bana gönderdiginiz kitabinizi ilgi ile okudum. Nezaketinize tesekkür ederim. Don Giovanni premieri için söylediginiz güzel sözler ve bu kitp için candan tesekkür ederim". Reverend Mr. doctor I read your book with interest. Thank you for your kindness. Thank you for all the good words and sayings for the Don Giovanni premiere. -trasltd-. He was Taksim Istanbul State Opera and Ballet General Director of Music and maestro in German origin between 1987-1990s in Turkey. He taught and worked with Turkish composers and maestros such as Orhan Tanrikulu and others. <br/> <br/> paperback
34689Very good. - Two bars of music penned with the lyric "We are be-trothed" on a 3 inch high by 5-5/8 inch wide sheet of buff paper. Signed in full "Frederic Solomon". Once mounted into an album the corners are torn with remnants of paper & glue adhering to the corners of the verso. <p>The American composer of comic operas & songs Frederic Solomon was the author of several compositions including "Cunnin Ain't it A Satirical! Comical! Topical!" 1887 "Beggar's Keepsake" 1893 "Temptation is hard to resist" 1893 "King Kaliko" an 1892 comic opera with libretto by Frank Dupree. unknown
1977100072March 5 1977. 1977. Fine. - One-and-a-half pages with over 85 words penned on both sides of 10-3/8 inch high by 7-1/8 inch wide creamy white paper. The Opera director and producer tells Jean Dalrymple that he'd "be delighted to hear Jay Willoughby. However I'm off to San Francisco very shortly for Carmen". He asks if Willoughby could contact him when he's back. He goes on to invite Jean to the "second set of performances May 19-22 - featuring the first performance of Dominick Argento's monologue A Water Bird Talk and an incredible chamber opera written in Theresienstadt concentration camp - The Emperor of Atlantis." Signed in full "Ian Strasfogel". Folded for mailing the edges are very faintly darkened. Near fine. <p>The one-act opera "The Emperor of Atlantis or The Disobedience of Death" Der Kaiser von Atlantis oder Die Tod-Verweigerung was composed by Viktor Ullmann and Peter Kien while interned at the Theresienstadt concentration camp in 1943. It was not allowed to be performed and the script was not finished until the 1970s. The poet Aaron Kramer prepared an English translation which the San Francisco Spring Opera Theater first performed in April 1977 and which had its New York premiere at the New Opera Theatre of the Brooklyn Academy of Music on May 19 1977. The world premiere of Dominic Argento's "A Water Bird Talk" also took place at the Brooklyn Academy of Music that same evening.<p>The opera director and producer Ian Strasfogel born 1940 was the author of several plays screenplays and librettos and of a novel titled "Operaland". Strasfogel directed over 100 productions throughout Europe and North America and frequently collaborated with Gyorgy Ligeti Luciano Berio Bruno Maderna Hans Werner Henze and Otto Piene.<p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. March 5, 1977. unknown
Very Good Turkish Original TRT (Turkish Radio Television) New Year Celebration pamphlet. Autograph celebration manuscript signed 'Cevad Memduh Altar' and his wife 'Zeynep Altar'. No date, ca. 1985. Open size: oblong 18,5x26 cm.
Very Good Turkish, Ottoman (1500-1928) Original business card with autograph dedication as 'Saygilarimla' (With my regards) in Turkish by a pen. 5,5x9 cm. Cihad Baban as Turkish Minister of Culture. Mustafa Cihad Baban was a Turkish journalist, author, and a parliamentary deputy in the 1950s and 1960s. Baban attended Galatasaray High School, Istanbul, and graduated from Istanbul University in 1934. As a journalist, Baban contributed to newspapers including Son Posta, Yeni Sabah, Cumhuriyet, and Tercüman, and he was one of the founders of the Turkish Journalists' Association in 1946. He also wrote a variety of books. Baban was elected in the 1946 general election for the Democratic Party, representing Istanbul. He was re-elected in the 1950 general election and 1954 general election, representing Izmir Province until the 1957 elections, in which he was not elected. He was a member of the constituent assembly which wrote the 1961 Constitution of Turkey, and was Minister of Tourism and Promotion (January to August 1961) in the 1960-1 post-coup government of Cemal Gürsel. In the October 1961 general election he was elected again for the Republican People's Party representing Istanbul, and in the 1965 general election representing Çanakkale. He later served as Minister of Culture in the 1980-3 post-coup government of Bülend Ulusu.
606789"Susie Kirwin" in black fountain pen ink on Wilbur Kirwin Opera Company letterhead Salt Lake City Utah June 12 1901. 5" x 7 7/8"; 3 separate pages; very good staple holes in the upper left corner of each page; mounting traces on the back of page 3; minor signs of handling; 1901. To William W. Marmon: Susie Kirwin praises Marmon's skin cream and offers a business proposition ". . .we have 35 people using 'cold cream'. .send me the pound jar at once. . .". Signed by Authors. No Binding. Very Good. unknown books
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Lütfullah' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. No letterhead. It starts as 'Aziz agabeyimiz Vasfi bey' [= Our beloved brother]. Dated February 17, 1946. Lütfullah Sururi, one of the first artists who contributed to the current level in the coming opera in Turkey. He is one of the first operetta tenors after Cemal Sahir. They performed many times together with his wife Suzan Lütfullah (the first Turkish and Muslim primadonna). He is one of the founders of the Public Operetta and Süreyya Opera House. He was the director of Istanbul Theaters until his death after his wife's death. He joined the Muhlis's Operette Ensemble (Muhlis Sabahattin Operetta Community) and took on the 'Jeune' roles, he sang tenor songs on the stage for many years. Vasfi Riza Zobu, (1902-1992), was born on December 5, 1902, in Constantinople, Ottoman Empire. He was an actor, known for Tosun Pasha (1939), Karim Beni Aldatirsa (1933) and Milyon Avcilari (1934). He died on November 23, 1992, in Istanbul, Turkey. Extremely rare.
