ROUAULT, GeorgesLivre Rare Book
2 863 résultats
19481780Paris, Éditions de l’étoile filante, 1948, in-plano, sous emboitage titré avec attache métallique dorée (de l'éditeur). - LA SUITE COMPLÈTE DES 58 GRAVURES DU MISERERE, L'œuvre gravée capitale de Georges Rouault. - 4 planches supplémentaires en "hélios primitives", rayées, figurent dans cet exemplaire. Elles sont titrées et monogrammées à la plume par l'artiste, et certaines sont totalement inédites. Les 58 planches en aquatinte et héliogravure de cet suite monumentale ont été gravées par Georges Rouault de 1922 à 1927 et tirées à l'époque à l’initiative d’Ambroise Vollard et conservées par lui jusqu’à sa mort. Tirage : 450 exemplaires numérotés sur vélin filigrané "Ambroise Vollard". Exemplaire de Roger Passeron dont le tirage de chaque épreuve est parfait et celles-ci conservées à l'état de neuf. Provenance d'une collection exceptionnelle. Photographies sur demande personnalisée. ——— THE COMPLETE SUITE OF THE 58 ENGRAVINGS OF MISERERE, Georges Rouault's capital engraved work. - with 4 additional plates in "primitive helios", scratched, appear in this copy. They are titled and monogrammed in pen by the artist, and some are completely unpublished. The 58 aquatint and heliogravure plates of this monumental suite were engraved by Georges Rouault from 1922 to 1927 and printed at the time on the initiative of Ambroise Vollard and kept by him until his death. Edition: 450 numbered copies on "Ambroise Vollard" watermarked vellum. Copy of Roger Passeron whose printing of each proof is perfect and these preserved in new condition. From an exceptional collection. Photographs on personalized request. The artist's engraved masterpiece. Rouault engraves as he paints, with his soul, his faith, without hindsight. The copy, from a great provenance, is in perfect condition and enriched with 4 hand-signed plates, some unique, each signed in ink by the artist.
192121630Paris, F. Grégoire, 1921 ; in-4°, maroquin gris anthracite doublé de maroquin framboise ; encadré d’un filet au palladium, dos à quatre nerfs pincés encadrant l’auteur et le titre en capitales dorées avec au centre, décor de larges bandes de box argent alternées de bandes étroites de maroquin framboise et, à l’extérieur des nerfs centraux, trois lignes de pointillé serré à froid ; ce décor se continue en se développant sur les plats, avec une interruption au tiers, des bandes framboises continuées par des bandes gris anthracite, les lignes pointillées du haut passent de trois à cinq puis à vingt-deux sur le dernier tiers pour se continuer sur la coupe jusqu’au début du contreplat framboise ; les pointillés à froid du bas passent également de trois à cinq lignes et s’arrêtent à la même hauteur que les bandes étroites framboise ; cette disposition du décor sur le plat supérieur est inversée sur le second plat, avec les mêmes motifs. Gardes de soie moire anthracite, double garde de papier nuagé ocre, vert d’eau, argent, etc. Couverture illustrée d’une eau-forte et dos conservés, étui bordé (G. de Léotard 1940).
Stupendo manifesto litografico, intelato, cm. 179x123, piccoli difetti (segni di pieghe centrali).. .
Stupendo manifesto litografico, intelato, cm. 179x123, piccoli difetti (segni di pieghe centrali).. .
185086760Champrosay s. d. [1840-1860] | 13.50 x 20.10 cm | une page sur un feuillet remplié
19131Paris, Nepveu, 1817. In-12, 147 pp. 28 pl., bradel de papier brun et beige orné de motifs cachemire, dos long orné d'une pièce de titre brune (quelques petites taches, 2 gravures en couleurs manquantes).
16663Lausanne, Au Verseau, 1936 ; in-4, plats de rhodoïd transparent et dos à spirale ; (4) ff., 25 pp., (4) ff. , les 2 derniers blancs, couverture avec un a-plat lithographié moutarde, 7 lithographies en noir et blanc hors-texte dont une vignette autitre et une vignette de titre.
1956789Éditions de la revue Verve, Paris 1956. 1 volume in-folio (362 x 272 mm) relié sous cartonnage entièrement illustré en couleur, sous étui. 16 LITHOGRAPHIES ORIGINALES EN COULEURS ET 12 EN NOIR par Marc Chagall. La couverture et la page de titre sont également des lithographies originales. 105 reproductions en noir des gravures de l'édition publiée par Tériade. Texte en français. EXEMPLAIRE À L'ÉTAT DE NEUF. Marc Chagall : THE BIBLE (1956). French text edition. 16 ORIGINAL LITHOGRAPHS IN COLOR + 12 IN BLACK. A complete copy in mint condition.
1965139341965 1965 - Montrouge Imprimerie Draegger Frères - Catalogue avec Couverture rempliée - Petit In-octavo - illustrations couleurs en texte & HT PP de GUIRAMAND - 40 pages - très propre - bon état
1965 - Montrouge Imprimerie Draegger Frères - Catalogue avec Couverture rempliée - Petit In-octavo - illustrations couleurs en texte & HT PP de GUIRAMAND - 40 pages - très propre - bon état
1827D6FA25RBPUPBAustria 1827. Oblong folio ca. 40 x 46 cm. With a large woodcut illustration ca. 27 x 38 cm. The text is set in a Gothic type. 1 l. Very attractive early 19th-century broadside with a beautiful large woodcut of a spectacular medieval show enlivened with fireworks. The text below announces the show of a gymnastics circus company under the direction of Bartholomäus Ramini dates unknown. According to the playbill the show consisted of four parts: an acrobatic performance by a four-year old; a horse dressage by "lustige Kaspar"; an acrobatic act with among others balancing and a human pyramid; and a play of "Otto der Stählerne im Kampfe mit dem rothen Feuerriesen und die Befreiung der Prinzessin Clotilde" translation: Otto the man of steel fighting with the red fire giant and the liberation of Princess Clothilde which included fireworks. This last part of the performance has also been mentioned as part of another circus show which was held at Prague in June 1827 under the direction of a citizen of Prague named "Beranek" Journal für Kunst Literatur und geselliges Leben. The present broadside most likely announces the same theatre or circus company now performing in a different location.The work has been folded in the past. Otherwise in very good condition.l Cf. Journal für Kunst Literatur und geselliges Leben nr. 74 21 June 1827 p. 592. hardcover
1950701Paris, Maeght éditeur, 1950-1981. 11 volumes in-folio en feuilles. - DLM n° 31 (1950). 2 LITHOGRAPHIES ORIGINALES EN COULEURS. - DLM n° 69/70 (1954). 3 LITHOGRAPHIES ORIGINALES EN COULEURS EN DOUBLE PAGE. - DLM n° 113 (1959). 2 LITHOGRAPHIES ORIGINALES EN DOUBLE PAGE. - DLM n° 141 (1963). 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 3 en double-page. - DLM n° 156 (1966). 2 LITHOGRAPHIES ORIGINALES EN COULEURS et 7 LITHOGRAPHIES EN COULEURS dont 3 en double-page. - DLM n° 173 (1968). 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double-page et 2 LITHOGRAPHIES ORIGINALES EN NOIR. - DLM n° 190 (1971). 4 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page, 1 lithographie en noir. - DLM n° 201 (1973). 5 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double page. - DLM n° 212 (1975). 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 3 en double page, 1 LITHOGRAPHIE ORIGINALE EN noir. - DLM n° 221 (1976). 7 LITHOGRAPHIES ORIGINALES EN COULEURS dont 3 en double-page. - DLM n° 248 (1981). Paru après la disparition de l'artiste ce numéro ultime ne comporte pas de lithographies. Nombreuses reproductions en noir et en couleurs, photographies de l'artiste, ses œuvres, etc. Formidable ensemble regroupant lithographies, très nombreux documents et reproductions, textes d'auteurs remarquables. Photographies et informations supplémentaires sur demande.
1956789-2Éditions de la revue Verve, Paris 1956. 1 volume in-folio (362 x 272 mm) relié sous cartonnage entièrement illustré en couleur. 16 LITHOGRAPHIES ORIGINALES EN COULEURS ET 12 EN NOIR par Marc Chagall. La couverture et la page de titre sont également des lithographies originales. 105 reproductions en noir des gravures de l'édition publiée par Tériade. Texte en français. BEL EXEMPLAIRE, cartonnage beau, un accroc en bas du dos bien restauré, sans manque, condition intérieure excellente, sans défaut. Marc Chagall : THE BIBLE (1956). French text edition. 16 ORIGINAL LITHOGRAPHS IN COLOR + 12 IN BLACK. A complete copy in beautiful condition condition.
1863BB055Original carte-de-visite photographs of Charles Sherwood Stratton better known by his stage name "General Tom Thumb" a dwarf who achieved great fame as a performer under circus pioneer P. T. Barnum here photographed with his wife Lavinia Warren AUTOGRAPHED in Stratton's handwriting on verso "Genl Tom Thumb & Mrs Tom Thumb - 1863 August". The couple were married in February 1863 for which it is said President Lincoln hosted them with a reception at the White House. The 2nd picture of the Strattons in their wedding costumes also a picture of their best man and bridesmaid Commodore Nutt and Minnie Warren Lavinia's sister and the wedding party together all in especially fine condition with dark brown hues each having facsimile autographs on the verso by their subjects. In addition an 1865 photograph of "Gen. Tom Thumb Wife and Child" verso blank. Altogether 5 carte-de-visite original mounted photographs the first with imprint verso backboard of Charles D Fredericks & Co 587 Broadway New York then three "from photographic Negative by Matthew Brady" imprinted by E & H T Anthony 501 Broadway the last by J Hall junction York and Fulton Sts Brooklyn.Born in Bridgeport 1838 to parents who were of medium height Charles was a relatively large baby weighing 9 pounds 8 ounces 4.3 kg at birth. He developed and grew normally for the first six months of his life at which point he was 25 inches 64 cm tall and weighed 15 pounds 6.8 kg. Then he suddenly stopped growing. By late 1842 4 years old Stratton had grown only one inch additional though his body was proportionate and functional. The showman Phineas T. Barnum heard about Stratton and after making arrangements with his parents taught the boy how to sing dance mime and impersonate famous people. He toured America and Europe in 1845 during which time his performances marked a turning point in the history of freak show entertainment. Prior to Stratton's debut the presentation of "human curiosities" for the purpose of entertainment was deemed dishonorable and seen as an unpleasing carnival attraction. However after viewers were introduced to Stratton and performances he was able to change the perception people held toward freak shows. Stratton's lively entertainments made these types of carnival shows one of the most favored forms of theatre in the United States.His marriage to Lavinia Warren also a little person became front-page news. The wedding took place at Grace Episcopal Church and the wedding reception was held at New York City's Metropolitan Hotel. The couple stood atop a grand piano at the reception to greet some 10000 guests. Rare to find a vintage picture of the couple dated and inscribed so early in their marriage and nice companion images inscriptions on three other pictures are in facsimile handwriting.TOGETHER WITH:BLEEKER Sylvester: Gen Tom Thumb's Three Yers' Tour Around the World accompanied by His Wife – Lavinia Warren Stratton Commodore Nutt Miss Minnie Warren and Party.New York: S. Booth 1872. Woodcut illustrations.8vo. 144 pp.; original printed pictorial orange wrappers overlayed with decorative cloth including spine.
187557736Indianapolis IN: Indianapolis Journal Print 1875. First edition . Illustrated advertising broadsheet 28 1/2 x 10 5/8 inches employing a large number of sizes and styles of type including nice display types. The show traveled via its own fleet of 42 railroad cars "Mr. H. Barnum with years of experience catering to the tastes of lovers of amusement and artistic mechanism has put together a show with the sole view of eclipsing any and all heretofore attempts as to Splendor and Novelty." Howes' Great London Circus began its season in St. Louis Missouri according to the New York Clipper edition of March 11 1876; it was in New Orleans on November 20 1875. An ad in the Little Rock Arkansas Gazette gave a December 1 1875 date for its appearance in that city and noted that the circus would be appearing in "all the principal cities of Texas" beginning in that month. Henry Barnum ca. 1826-1902 was a showman and manager for several circuses during his career; in 1873 he purchased an interest in Howes' Great London Circus along with James E. Kelley. Lavish production low attendance and rail costs contributed to the demise of this circus at the end of the 1876 season being subsequently sold to Cooper & Bailey who continued to employ Barnum. Apparently not recorded on OCLC. Despite the defects a nice exhibition display broadsheet. Creased from folding some old staining to margins some short tears repaired with cello-tape two in margins one along a fold affecting several words printer's inking defect affecting the first two letters in the headline word "Howes". #6169. <br/><br/> Indianapolis Journal Print unknown books
AN EXTREMELY RARE SET, WITH A SUITE IN BLACK ON IMPERIAL JAPAN PAPER, OF THIS CHARMING COLLECTION OF LITHOGRAPHS DEVOTED TO THE CIRCUS. According to all sources, 120 sets were printed, all in color: 100 on wove paper and 20 on Japan. A complete set comprises 20 lithographs. The set I offer comprises only 17 lithographs, but each (except two) is present in two states: in color (on wove paper) and in black and white (on Japan), and thus there are 32 lithographs in all. All of the lithographs are signed in the plate by Roig. THERE IS NO RECORD OF ANY UNCOLORED PRINTS ON JAPAN PAPER, or indeed on any paper. Large folio. FINE AND BRIGHT, WITH NO DEFECTS. Rare and important.
1940WAS449818 sheet lithographic poster measuring 117 x 168 inches. <br /><br /><br />This poster was acquired by a collector from the Majestic Poster Press of Los Angeles in the early 1970s. At the time the company held inventory of unused posters printed by other presses as well as their own. Large multi-sheet posters are quite scarce today. books
2015112291Drago. New. 2015. Hardcover. 8888493964 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Italian. -- with a bonus offer-- . Drago hardcover
2014108246Drago. New. 2014. Hardcover. 8888493956 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Italian with small portions exclusively in English. -- with a bonus offer-- . Drago hardcover
4451Group of 20 photographs carte-de-visite and cabinet sizes of circus "freaks" and impresario P. T. Barnum. Two CDV photos of Chang and Eng one with two of their sons; three Cabinet photos of midgets one mat cropped at two corners; fifteen CDV photographs including Blondin the tight rope walker full length two of Barnum and the rest circus "freaks." Additional images on request. on Sale for $1600 website says $1618 which will process as $1600 plus shipping. unknown books
192789770Pfeiffer & Assant | Alger 1927 | 13.7 x 22.5 cm | Relié
1877245531877 4 Estampe signée en bas à gauche dans la cuvette, titrée, Paris, Liénrard-L'Art, 1877, 23 x 32,5 cm. à vue, feuille 32,5 x 50 cm. (format de la feuille).
1668003381Paris, Michel Brunet, 1668, in-12 (152x90 mm.), 3 ff., 328 pp., veau brun, dos á 5 nerfs, tranches rouges (reliure d'époque usagée, dorures du dos et des coupes partiellement effacées, mouillure angulaire au bas des pages et sur le premier feuillet blanc).
1877245541877 4 Estampe signée en bas à gauche dans la cuvette, titrée, Paris, Liénrard-L'Art, 1877, 23 x 32,5 cm. à vue, 30,5 x 40.8 cm. (format de la feuille).
65100c.1900. 1. SHEET SIZE : c. 85.5 x 71.5 cms. with a 3 cm. margin to the image. The inner margin has a few handling marks and edge repairs not affecting the image which is in excellent condition vestige of a central crease in the top section. The lower margin appears cropped but as the printer's label is placed in the lower corner one might reasonably assume that it is 'as issued'. 2. SHEET SIZE : c. 75 X 65 cms. the image with 4 cm. margins in near fine condition. 2 rare circus posters each apparently showing a German crowd though printed in the Netherlands. No similar image is shown in either of Robert Bogdan's books Picturing Disability or Freak Show. c.1900. unknown
