410 résultats
18508857Paris 1850. Pencil pen and wash drawing with numerous detailed measurements. A fascinating and beautiful drawing--or "rendu"--of an ancient Roman sarcophagus.<br/> <br/> A fine drawing from an architectural student at the Ecole des Beaux-Arts in Paris the most influential architectural school in existence during much of the 18th century the whole of the 19th century and the first part of the 20th century. 'Students were eligible for the Ecole if they were at least fifteen years old or under thirty. They began with the seconde classe in which they competed in the concours d'émulation. These alternated between an esquisse --a rough sketch for which up to twelve hours was allowed--and a rendu --the large-scale finished drawing for which one to three months were allowed.Two to four years were usually required for a student to accumulate enough credits to enter the première classe. The same system was followed again usually for two to three years after which the student should have accumulated enough credits to compete for the Grand Prix de Rome. The winner of the Grand Prix was entitled to five years study under the auspices of the French Academy in Rome. For each of his first three years he was required to submit an analytical study of an ancient monument. For his fourth year he had to submit a complete reconstruction of a major classical work. For his fifth year he was required to submit an original work designed to a program of his own invention. "This study of the sarcophagus of Lucius Cornelius Scipio Barbatus was part of an Ecole de Beaux Arts student's portfolio. The sarcophagus was one of many in the Scipio family tomb on the Via Appia just outside of Roma and it dates from c. 290 B.C. The obituary text reads English "Lucius Cornelius Scipio Barbatus son of Gnaeus a valiant gentleman and wise whose fine form matched his bravery very well was aedile consul and censor among you he conquered Taurasia and Cisauna in fact Samnium he overcame all the Lucanian lands and brought back hostages."<br/> <br/> Arthur Drexler The Architecture of the Ecole des Beaux-Arts. New York MoMA 1977. unknown
1a5110Imprimerie de A. Labroue et Compagnie Editeurs Brüssel 1848-1850. Je Band ca. 400 S. mit zusammen 61 teils kolorierten Original-Lithographien Radierungen und Feder- und Kreidezeichnungen sowie einige gestochenen Noten einheitlich gestaltete farbig illustrierte Pbde. quart. - Enthalten: u.a. 4 Original-Radierungen von H. Harpignier / Lithographien von Louis Gallait Michel Pavelaki de Créte Alfred de Knyff Rosa Bonheur Eugen Simonie Etienn Wanouier etc. / Text französisch - unknown
1900101161Paris: Ludovic Baschet 1900. Hardcover. All volumes tight and clean with slightly varying color leather bindings; overall very good with modest sunning and chafing to spine heads. A consecutive run of 10 volumes. Octavos in half leather and marbled paper boards; illustrations; 24 cm. Approx. 300 page per volume; chiefly b&w illustrations. Marbled edges. In French. Handsome leather bindings. Original issues; not reprints. The series ceased in 1914 and purportedly comprised at least 16 volumes. Postage cost billed at our cost. Please inquire. Set weighs 15 lbs. ¶ Salons; Art -- France -- Paris -- Exhibitions. Art. Beeldende kunsten. Line blocks. Collotypes prints Exhibition catalogs. Ludovic Baschet hardcover
19125605Quarter blue cloth over paper covered boards. Title to front. Moisture marks to covers' fore edge see images. 13 1/2 x 18 1/4 inches; 31 plates. Guérinet hardcover
19696101Paris: Derriere le Miroir 1969. First edition. Color Pictorial Wraps. Very Good. Folio 11 x 14 pp. 32 Richly illustrated in color and b/w w/ two original lithographs for this edition loose pages as issued. Grand sample of Chagall's renowned style of magical semi-abstraction Derriere le Miroir paperback
1987stela507Milan: Fabbri Editori 1987. 1987. 4to. pp. 391. French & Italian text. over 93 colour illus. b/w text illus. biblio. cloth tail of spine slightly bumped. Published in conjunction with an exhibition. Hardcover. Very Good. [Milan]: Fabbri Editori, [1987]. Hardcover
2025BN172733Antigonos Verlag 2025. 2025. Softcover. Mémoires couronnés et mémoires des savants étrangers <br/><br/>Mémoires couronnés et mémoires des savants étrangers Académie royale des sciences des lettres et des beaux-arts de Belgique Antigonos Verlag paperback
1902187902Paris: Helio Edition 1902. Hardcover. Good heavy shelfwear and soiling to boards corners rubbed and dinged leather spine missing front and rear covers loose front end papers loose age toning and smuding mainly along edges plates are otherwise clear. Oversized and bound in 3/4 burgundy leather and burgundy cloth boards; marble illustrated end papers; 12 2 pp; 144 pp of plates. Text is in French. At head of title: École nationale des beaux arts .Préf. de J.L. Pascal. Ouvrage publié sous la direction de V. Boucaut. Helio Edition hardcover
1999mon0000018688Réunion des Musées Nationaux 1999. Softcover. New. Brand New in shrink wrap. Réunion des Musées Nationaux unknown
191036473Paris: Les Ateliers Photomécaniques D.-A. Longuet 1910. Original portfolio. ii16ii pp.; 40 plates.; 29x21 cm. Text in French / Français. - ribbons of portfolio missing Otherwise very good see picture. Les Ateliers Photomécaniques D.-A. Longuet unknown
1995Q-2891921941McClelland & Stewart Ltd 1995-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! McClelland & Stewart Ltd hardcover
69-5229Paris France: Palais des Beaux-Arts 1913. 8vo. Hardcover clothbound with marbled paper decoration. 108 pp. B&W Plates. Very Good. Text en francais. Paris, France: Palais des Beaux-Arts, 1913 hardcover
2002ZB996053Ajaccio: Musee Fesch 2002. 461 1 pp. hardcover fine. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Ajaccio: Musee Fesch hardcover
31251BEAUX ARTS LES MEDAILLES CONCOURS D'ARCHITECTURE. Paris: Armand Guerinet 1913. Large folio. Publisher's cloth. iv pages 164 plates. First edition. One of a series of books showing the prize drawings from the school. This on covers the years 1911 and 1912. Leather spine label chipped else very good. unknown
19643748Princeton NJ: Princeton University Press 1964. First edition. Original Cloth. Very Good in VG DJ mild ex-library. Quarto pp. 121 plus 128 plates book explores all the works with which Guido's name is associated a catalogue of the Guidoesque oeuvre. A very serviceable albeit exlibrary copy of this uncommon study. Princeton University Press hardcover
19838417Berlin: Galerie Peerlings 1983. Second edition. Cloth over Boards. Very Good in Very Good DJ. Oblong Quarto pp. approx. 150 profusely and lavishly illustrated w/ color prints and b/w photographs. Pencil dated 17 5 84 inscription to his major benefactor in the United States Harvard and Radcliffe educator Julia Phelps who almost singlehandedly introduced Janssen to the USA art world. Janssen perhaps one of the best and most creative German draftsmen of post war Germany writes in his inscription to "Julia" Phelps "ich liebe Sie." A wonderful association copy. For other Horst Janssen material lplease consult our inventory or web presence. Galerie Peerlings hardcover
BN330150Musée des beaux-arts. Softcover. De Jan Brueghel de Velours à Alfred Stevens <br/><br/>De Jan Brueghel de Velours à Alfred Stevens Jean Forneris Béatrice Debrabandere-Descamps Nice et Musée des beaux-arts Jules Chéret Musée des beaux-arts paperback
1928ACInnSOC74New York: The Pencil Points Press Inc. 1928. 1928. folio. ff. 78 incl. 35 b/w plates with descriptive text on versos 20 double-page. quarter cloth portfolio with ties covers soiled some soiling to margins short tears & creases to margins of few leaves. Hardcover. Very Good. New York: The Pencil Points Press, Inc., 1928. Hardcover
1787011666Paris 1787. Presumed First Edition. Soft cover. Good. Two uncommon pamphlets of criticism of works in the 1787 Salon the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. This 1787 salon was just two years before the Revolution of 1789. OBSERVATIONS is printed by Chez les Marchands de Nouveautes front cover detached rear missing 32 pages complete with critical discussions of Vien de Lagrenee Brenet Sivee Vincent Callet David Regnault le Barbier l'Aine Taillasson Peyron Perrin Robin Monnier Monsiau le Marquis de Turpin de l'Espinasse Roslin le Brun Madame Guiard Vestier Roland de la Porte Hue Valenciennes Nivard Taunai and Bilcoq. Worldcat identifies 8 institutions that have this item. DIALOGUE's has two parts. The front title page identifies the paper as "Premiere Partie. La second est sous presse" the second part to be published soon. No printer is identfiied. Lacking covers front and rear 39 pages complete some staining largely to verso last page. The first part runs through page 24 with a 6 page preface followed by "Dialogue entre l'auteur et un peintre" the author a member of the artistocracy "M. l'Aristarque" with the painter unidentified. The second part begins on page 25 The dialogue continues in the second part. Worldcat lists six institutions with this item. unknown
51-6680Musée deToulon 1987. In-4° 24 x 32.5cm. 80pp.broché envoi de l’auteur.OCLC Number / Unique Identifier:496734767.En 1968 il « monte » vivre à Paris où il est un des fondateurs avec Franck Venaille de la revue ChorusMonory Ben Filliou Jean-Pierre Raynaud Fromanger Boltanski Annette Messager etc.Il fait différents petits boulots chantiers de peinture et de décoration avec Le Boul'ch. Il rénove les atelierset les appartements de Dietman de Fromanger.Il publie des recueils de poèmes : La Flute de Marcus pour la première fois chez un « vrai » éditeur GuyChambelland 1968.Hôpital Silence est édité par Seghers 1975. C'est un succès auprès du public et de la critique. PourtantPierre Tilman s'écarte et s'éloigne silencieusement de la poésie qui fait partie de la littérature. Il est de plusen plus un écrivain sans papier artiste compositeur poète de l'écriture du langage des images. Les motsde la poésie sortent du format du livre pour aller dans l'espace réel celui des murs et de la rue. Il utilise dessupports et des médiums variés la photo la vidéo.S'il lit ses poèmes en public et participe à des festivals de poésie en compagnie de musiciens et d'artistessonores Julien Blaine Serge Pey Patrick Dubost il est surtout un poète visuel.Après la revue Chorus il a fondé L'évidence avec Marie-Hélène Dumas en 1993.Il a écrit des articles Opus le Magazine littéraire la Quinzaine littéraire Art press et des livres sur desartistes tels que Erro Monory Filliou.Il fait quand même beaucoup de choses même s'il a l'impression de ne rien faire même s'il est attiré parl'anonymat et la disparition de la signature. Il ne se presse pas se met volontiers hors catégorie horssélection et semble gravement dénué de l'ego de la compétition.Professeur à l'école d'art d'Avignon. Artiste invité intervenant à l'École nationale supérieure des beaux-artsde Paris en 1998-1999. Atelier nomade d'écriture dans les écoles d'art du sud de la France en 2002.Il vit actuellement à Sète.Provenance. Estate of Jacques and Madeleine Matarasso.The story of the Matarasso family booksellers gallery owners and publishers of illustrated books and prints spans three generations of enthusiasts. The Matarassos played a leading role in the intellectual and cultural life of Paris and then Nice. "They devoted their lives to promoting the works on paper of artists and writers" recalls Laure Matarasso who took up the torch first with her father in 1993 then alone after his death in 2015.1911 - Henri Matarasso leaves Salonika now Thessalonika for France;1916 - Birth of Jacques Matarasso Henri’s son in Barcelona;1933- Opening of Matarasso bookshop 72 rue de Seine Paris;1941- Jacques moves to Nice; After initially setting up shop on rue Alberti in 1941 followed by a second on rue de Russie after the Liberation Jacques Matarasso settled permanently at 2 rue Longchamp on July 1 1950;1993- Laure Matarasso Jacques and Madeleine's daughter continues the adventure by taking over the gallery in Nice;2016- The bookstore-gallery moved from Rue Longchamp and after a year of searching opened at 46 Boulevard Risso near Mamac and the Nucéra library between Place Garibaldi and Acropolis in Nice. Musée deToulon, 1987 unknown
40-BRYW-FO3GHardcover. Very Good. FIRST EDITION Bruxelles: Musees Royaux Des Beaux-Arts De Belgique 1984. Hardcover no dust jacket as issuedText in French. 477 pages. A list of all 9803 items from the collection many illustrated in b&w. Very good overall condition. Appears unread. No marks NOT EX-LIBRARY. hardcover
1999129690Rennes France: Musee des beaux-arts de Rennes 1999. Softcover. VG ex-art museum library book with typical markings. Tape residue from label removal on lower spine. White wraps with color illustration. 175 pp. 409 illustrations chiefly in black and white some color. Text in French. An extensive catalogue of the collection of Egyptian artifacts from the time of the Pharoahs held in the Musee des Beaux-Arts de Rennes. Musee des beaux-arts de Rennes paperback
19506867Paris: Skira 1950. First edition Limited to 625 375 Arabic 250 Roman of which this is No. 127. Loose in box w/ glassine jacket as issued. Near Fine in Near Fine Cloth Box. Folio pp. 34 plus 24 window-mounted color plates and three window-mounted b/w plates. Extremely nice copy of a sumptuous limited edition. A visionary Swedish artist Hill 1849-1911 produced a large body of significant work. Skira hardcover
2807617352.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3385005442.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback