BOUTET Henri:Livre Rare Book
976 résultats
19133049Paris, Lib. Georges Crès, 1913. 1 vol. in-4 de 106-[2] pages. Demi-chagrin rouge, dos lisse. Très belle condition.
19463930Paris, Ed. du Camée, 1946. In-4 en feuilles de 63-[30] pages. Couverture blanche à rabats. Belle condition, non coupé.
18845588Paris, A. Quantin, 1884. In-8 broché de [8]-380-[4] pages, couvertures rempliées. Exemplaire sans défaut.
1896013618Edinburgh: T.C. and E. C. Jack 1896. First Edition Thus. Hardcover. Near Fine. The Centenary Burns four volumes 8vo tan cloth decorated in gilt in the MacKintosh/ Art Nouveau style volumes 1 and 2 published 1896 3 and 4 in 1897 gte sides untrimmed each in near fine condition. Set owned by Victorian author Ella Napier Lefroy 1854-1919 with her bookplate on the front pastedown of each volume. A Glasgow native and eldest daughter of merchant and politician Alexander Hastie of Luscar in 1873 she married Thomas Charles Perceval Lefroy an Irish businessman who worked for the brewers Guinness and Bass. The couple lived in London and had four children. In the 1890s Lefroy wrote two novels - "A Scots Thistle" 2 vols. London: Bentley 1892 and "Janet Delille" 2 vols. London: Hurst and Blackett 1894 under the pseudonym "E. N. Leigh Fry." Thereafter it appears she gave up literature. Her husband died in 1893 which may have influenced her decision. T.C. and E. C. Jack hardcover
96510<p>Paris circa 1805 through 1814. . Very good. - A suite of 18 plates by Jean Duplessis-Bertaux engraved on creamy white stock measuring between 10-1/2 inches by 8 inches and 11 inches by 8-1/2 inches with large margins there is one smaller exception. The images depict the various cries of Paris merchants. All but three are signed "JDB" in the plate. Most of the images are identified and titled in French in pencil by a previous owner. The collection is as follows:</p><p>"Marchand de gravures etalagiste" portrays street vendors of engravings offering their merchandise to customers some of whom are handling the prints. Several prints hang from a wire stretched between poles in the background and a large blank canvas hangs from the center of the pole. In some editions what is here a blank canvas bears the printed title "Suite de Marchands ambulants de Paris par J.D. Bertaux" and serves as frontispiece to the work. The image measures 3-1/4 inch high by 2-1/4 inch wide within 4 inch high by 3-1/4 inch wide plate marks. The edges are very slightly creased with two tiny tears to the left edge and a couple of tiny stains or spotting to the bottom margin of the page.</p><p>"Decrotteur et ramoneur" portrays a man shining the shoes of an officer as chimney sweeps and other shoe-shiners are pictured in the background. A small dog stands at the side of the officer. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/4 inch high by 4 inch wide plate marks. There is some minor faint foxing.</p><p>"Parade de comediens ambulants" portrays traveling actors performing and parading on the porch of a house with spectators in the foreground. The image measures 2-3/8 inch high by 3-3/8 inches wide within 3-1/2 inch high by 4-1/4 inch wide plate marks. There is light foxing throughout.</p><p>"Colleur d'affiches" portrays a bill-poster perched on a ladder pasting a poster or bill to the corner wall of a building. Another worker stands around the corner and a family looks on with their dog. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There are some minor faint stains and minor foxing to the margins.</p><p>"Gagne petit" portrays a knife grinder or sharpener carrying his grinding wheel on his back with a dog at his side. Another knife grinder wheels his equipment in a wheelbarrow. A house and people are pictured in the background. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There is minor foxing to the margins.</p><p>"Remouleur" although the title differs the image is identical to the prior one. "Gagne petit" and "remouleur" both translate to knife grinder or sharpener. There is some scattered foxing and the paper is lightly darkened.</p><p>"Titre" possibly the title page to the work. The image portrays men filling water containers from a city's monument fountain with water pouring from the mouth of a troll. The image measures 2-1/2 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. The edges of the plate are darkened with a short tear to the top edge and just a hint of foxing to the margins.</p><p>"Serrurier" portrays a locksmith grinding keys near the open gate leading to a mansion. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is a minor crease to the bottom right corner with just a hint of foxing to the margins.</p><p>"Cardeuses de matelats" portrays mattress carders. 3 women are seated with their carding tools and sections of stuffed fabric. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/4 inch high by 3-1/4 inch wide plate marks. There are minor creases to the corners with a couple of faint specks to the margins.</p><p>"Menuisiers" portrays carpenters working on furniture at their work table. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is light scattered foxing mostly to the margins.</p><p>"Marchands de parapluies et de soufflets" portrays an umbrella merchant carrying several on his back and a bellows merchant with several fireplace bellows attached to this clothing. The image measures 3-1/4 inches high by 2-3/8 inches wide within 4 inch high by 3-1/4 inch wide plate marks.</p><p>"Batteurs de platre" portrays plaster beaters. A man is beating away at plaster spread out upon the ground as another carries a basket of plaster to spread over it. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/4 inch high by 3-7/8 inch wide plate marks. There is some minor foxing to the margins.</p><p>"Charrons" portrays wheel builders constructing wooden carriage wheels. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is some minor faint foxing throughout.</p><p>"Scieurs de bois" portrays sawyers at work as an empty horse-drawn cart rides away and another stacks wood upon a ramp leading to a barn's loft. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 4 inch wide plate marks. There are some minor sports of foxing or browning to the print.</p><p>"Lingere au petit crochet" portrays an elderly woman cloth merchant carrying her linens in a basket on her back. Several dogs are near her and another cloth merchant can be seen speaking to a man in the background. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/8 inch high by 3-1/4 inch wide plate marks. There are minor creases to the edges.</p><p>"Porteur d'eau" portrays a water carrier and his wife pulling a large barrel of water on a cart. Another water cart and houses are depicted in the background at left. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/4 inches high by 3-7/8 inches wide plate marks. There is creasing to the bottom right corner and some foxing to the margins.</p><p>"Tomeliers" portrays coopers at work constructing wooden barrels to which they affix metal rings. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-3/4 inch wide plate marks. There is some minor foxing throughout.</p><p>An untitled image portrays barbers working on customers hair and beards and a wigmaker at her loom. Several wigs hang from the wall. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/2 inch high by 4-7/8 inch wide plate marks. This print is engraved on a sheet which is slightly smaller than the others measuring 7-3/8 inches high by 9-1/4 inches wide. There is a piece chipped from the bottom left corner with some foxing and darkening to the margins. The artist's name here spelled "Duplessis-Berteaux" by an early owner is penned on the verso.</p><p>The engravings are in overall very good condition with a paper tab mounted along one edge of the verso of each print.</p><p>The French painter and draughtsman Jean Duplessis-Bertaux 1747-1819 produced etchings and burin engravings. Having taken part in the French Revolution Duplessis-Bertaux produced a series of prints entitled "Scenes de la Revolution" followed by "Campagnes de Napoleon" which illustrated scenes from Napoleon Bonaparte's Italian campaigns engraved after paintings by Carle Vernet. He also produced a series of engravings portraying the street cries of Paris "Cris de Paris". Duplessis-Bertaux also collaborated on some prints with Jean-Louis Delignon and produced several pornographic prints many of which were printed anonymously but were later re-attributed to him. The work entitled "Recueil de cent sujets de divers genres" published in 1814 gathered together in one volume 100 of Duplessis-Bertaux' engravings from eight of the suites including military scenes and those from his Cries of Paris which had previously been distributed seperately.</p> Paris, circa 1805 through 1814. hardcover
198938629Barcelona: Antonio Agra 1989. Poems by Gras Balaguer and FIVE ORIGINAL ETCHINGS with aquatint BY ROUGEMONT. Edition limited to 75 numbered copies plus ten artist's proofs and ten hors commerce all printed on extremely fine wove paper. 4to. Two booklets: poems loose as issued in original wraps; etchings also loose as issued in original wraps. House together in folding paper case SIGNED on the colophon by the author and the artist. FINE AND BRIGHT. <br/><br/> Antonio Agra paperback
1884D11324London: J. C. Nimmo and Bain 1884. Hardcover. Very Good. Contemporary full morocco ornately gilt-stamped on boards and spine a.e.g.; 4to; pp. viii 304 plus frontispiece and 24 plates. Translated from the French. Spine and edges of boards scuffed and lightly bumped; small chip at fore-edge of upper board. Small ink scribble in margin of p. 3; some foxing here and there but overall internally nice and clean. A lavish production. <br/><br/> J. C. Nimmo and Bain hardcover
1884D11324London: J. C. Nimmo and Bain 1884. Hardcover. Very Good. Contemporary full morocco ornately gilt-stamped on boards and spine a.e.g.; 4to; pp. viii 304 plus frontispiece and 24 plates. Translated from the French. Spine and edges of boards scuffed and lightly bumped; small chip at fore-edge of upper board. Small ink scribble in margin of p. 3; some foxing here and there but overall internally nice and clean. A lavish production. <br/><br/> J. C. Nimmo and Bain hardcover books
1883058370New York: Henry Holt and Company 1883. First American Edition . Green Stamped Cloth. Very Good /No Dust Jacket. 8" Tall. Xlvii 339 Pages . Green Cloth Lettered In Gilt Decorated In Red And Black And Gilt. First American Printing With 1883 Date On Title Page. Some Slight Foxing. Previous Owner's Bookplate On Front Pastedown "Young Folk's Library Of The New Jerusalem San Francisco #13 ". . Gilt Lettering And Stamped Cover Designs All Clean And Bright. An Attractive Copy. Contents Crisp A Little Light Foxing On Some Pages. The Two Etchings By Tadema Are Plates Without Plate Marks And Are The Frontispiece And Another Facing P. 49 As Called For In The Table Of Contents. <br/> <br/> Henry Holt and Company hardcover
First Edition, large 4to, ix,36pp., number 44 of a limited edition of 200 copies, large paper copy printed on hand-made paper, 96 full-page plates printed on one side only of which several are heliogravure facsimiles each with protective tissue with short descriptive text, orig. full vellum, some lightly soiled, title stamped in gilt on upper cover, label to spine, uncut, a fine copy. An important work on Whistler's etchings with a 448 item list of his etchings reprinted from Kennedy's 1910 catalogue.
104184Paris, La Tradition, 1941, 1 volume in-4 de 292x202 mm environ, 206 pages, pleine basane racinée fauve, dos à nerfs portant titres doré, sous étuit recouvert de papier marbré, gardes marbrées, tête dorée, couvertures et dos conservés. Exemplaire N° 329/450, un des 376 exemplaires, sur vélin d'Arches, numérotés de 75 à 450, illustré de 24 eaux-fortes originales in-texte de Joseph Hémard. Quelques rousseurs, cuir insolé sur le dos avec petits frottements sur les coins et les coiffes, étui frotté, sinon bon état.
1947005468Paris Editions de la Galerie Charpentier 1947 In-4 En ff. chemise et étui
14608La légende des siècles quatre tomes en quatre volumes in 4 carré demi chagrin marron à nerfs et à coins, titre, tomaison dorés. Tête dorée, non rogné. Couverture conservée. Tome 1 : faux titre, titre, frontispice sous serpente (le Titan d’après CABANEL) titre, 372 pages. Août 1886. Tome 2 : faux titre, titre, frontispice sous serpente les chevaliers errants d’après ROCHEGROSSE. Titre, 391 pages 15 septembre 1886. Tome 3 : faux-titre, titre, frontispice sous serpente le satyre d’après CORMON, 349 pages, 15 novembre 1886. Tome 4 : faux titre, titre, frontispice sous serpente le cimetière d’Eylau d’après LE BLANT. 366pages, 15 décembre 1886. Les 10 compositions hors texte sont de CABANEL, Jean Paul LAURENS, De RICHEMOND, ROCHEGROSSE, CORMONT, HENNER, RODIN, etc. gravées à l’eau forte par BRAQUEMOND, CHAMPOLLION, LE RAT etc. 149 vignettes d’en têtes en tille douce s’après les compositions de MATHIS etc. paris TESTAR édition nationale 1886. Très bon état Poids 2,5kg
192321218S.l., Les Bibliophiles comtois, (1923). Un fort vol. au format in-4 (292 x 226 mm) de 258 pp., en feuilles, sus couverture titrée à rabats rempliés et étui-chemise cartonné, dos lisse, pièce de titre contrecollée.
1923212181923. S.l. Les Bibliophiles comtois 1923. Un fort vol. au format in-4 292 x 226 mm de 258 pp. en feuilles sus couverture titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise cartonnÂŽ dos lisse piÂce de titre contrecollÂŽe. Tirage unique ˆ 140 exemplaires seulement dont 15 seulement furent mis dans le commerce. Celui-ci comptant parmi les 115 sur Arches seul papier rÂŽservÂŽs aux membres de la SociÂŽtÂŽ et ˆ ce titre imprimÂŽs nominativement pour Charles EstÂve. ''Edition bien illustrÂŽe''. L'ouvrage renferme - ici en premier tirage - les eaux-fortes originales de Lucien Madrassi. ''ElÂve des peintres Rapha‘l Collin Gervais et GÂŽr™me Madrassi exposa au Salon des Artistes franÂais. En 1924 il est ˆ Cracovie o il ÂŽtudie sur place les moeurs et les types juifs pour Un Royaume de Dieu des frÂres Tharaud dont l'ÂŽditeur Lapina lui avait confiÂŽ l'illustration. Il fit ˆ cette occasion 86 eaux-fortes''. in Osterwalder. ''Membre de la SociÂŽtÂŽ des Artistes FranÂais depuis 1906 Madrassi a entre autres illustrÂŽ Un royaume de Dieu de Jean et JÂŽr™me Tharaud''. in BÂŽnÂŽzit. ''Lamartine peint avec une apparente justesse l'ÂŽtat des esprits en 1814 et pendant la premiÂre Restauration. Oeuvre mÂŽconnue dont l'intÂŽrÂt documentaire est certain.'' Absent de MahÂŽ RÂŽpertoire des ÂŽditions de luxe - Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 230 - Osterwalder II Dictionnaire des illustrateurs p. 732 - BÂŽnÂŽzit VII Dictionnaire des peintres p. 55 - Tulard Bibliographie critique des MÂŽmoires sur le Consulat et l'Empire pour l'originale de 1870. Petites marques d'usage affectant le dos de la chemise ainsi que les angles et coupes du coffret ; dont un plat prÂŽsente quelques marques d'eau sans gravitÂŽ. Quelques rousseurs affectant les trois premiers et derniers feuillets. Nonobstant belle condition. Peu courant. b42961 unknown
18952423Paris, Librairie L. Conquet, 1895 ; in-8, broché ; (1) f. (bl.), 46 pp., (2) ff. (table, bl.) ; 1 portrait à l'eau-forte en frontispice, 1 eau-forte en couverture, 6 eaux-fortes en noir in-texte (en-têtes et culs-de-lampe) ; couverture blanche à rabats illustrée en couleurs.
19052407Paris, Librairie des Amateurs, Ferroud, 1905 ; petit in-8, broché ; (3) ff. (bl., faux-titre, titre), 45 pp., (2) ff. (achevé d'imprimer, bl.) ; 10 illustrations en noir et trois états ; couverture beige à rabats imprimée en rouge et noir.
194617715Lausanne, s.n., 1946. Grand in-8 broché de 124-[6] pages sous couverture rempilée de l'éditeur.
143945x25,5 cm, Motiv-Format: ca. 36, Blattformat: ca. 58x44cm. 1976. Unterhalb der Abbildung von Eggenschwiler gewidmet, signiert, mit `a.p.` bezeichnet und datiert ([19]72). Druck auf Japanpapier. Gutes Exemplar. Good copy. Dedicated and signed by the artist. Wikipedia: "Ab 1971 beteiligte er sich an der von Holger Runge gegründeten «Radiergemeinschaft Osterath» in Meerbusch-Osterath. Im Jahr 1972 war er Teilnehmer der Documenta 5 in Kassel in der Abteilung Individuelle Mythologien. 1973 zog er nach Eriswil im Oberaargau um, wo er bis zu seinem Tod lebte und arbeitete. Für den 85. Katholikentag 1978 in Freiburg im Breisgau schuf Eggenschwieler ein meterhohes Holzkreuz in einer Metallgitterstruktur, das seit 1979 am Hirzberg an der Waldstraße vom Schlossberg nach St. Ottilien steht. Von 1981 bis 1995 war er Professor an der Kunstakademie Düsseldorf."
19207858Hermann A. Wiechmann Verlag, München, 1920. 279 S. und 5 Tafeln, 8°, OHalb-Leder auf 5 Bünden, Kopfgoldschnitt. Mit 10 Vignetten des Künstlers und fünf, einschließlich des Titelbildes, signierten Original-Graphiken. "Von diesem Werke wurden 500 Exemplare auf Hadernpapier abgezogen, welche vom Künstler eigenhändig signiert sind. Dieses Buch trägt die Nr. 263 (handschriftlich)." Die Signatur bezieht sich auf die Graphiken. Auf dem Vorsatz Stempel und handschriftlicher Besitzervermerk von Karl Maria Zwißler (von 1936 bis 1966 Generalmusikdirektor in Mainz). Rückenfalzen und Kanten der Einbanddeckel stark abgerieben. Abklatschspuren auf den Vorsätzen. Das Leder berieben. Innen ein insgesamt schönes Exemplar dieser Ausgabe. Limited edition for about 500 pieces, this is number 263 with 5 hand signed etchings. Das Foto zeigt eine Graphik.
1893000157Paris Emile Testard 1893, In-4 (256 x 173 mm), 197 pp. - (1) ff. table - 7 pp. (liste des gravures) - (2) ff., demi-bradel chagrin vert, coins, dos lisse orné, fleurs mosaïquées, tête dorée, non rogné, couverture illustrée conservée (reliure d'époque, signée Bonleu). Illustré par Charles Léandre de 27 eaux-fortes, gravées par Louis Muller (dont 10 hors-texte, une vignette de titre, 8 en-tête et 8 culs-de-lampe), et 29 compositions dans le texte gravées sur bois par Léveillé et Ruffe. Tirage limité sur vélin. (Carteret 4, p. 197).
27 p. + [12] leaves of etched satiric plates by Volck. Lightly foxed. 20 x 16 cm. Original cloth binding, stamped in gilt and blind; slightly discolored. Written by James Fairfax McLaughlin (1839-1903), this is a caustic poetic satire on the "Black Republican" Union Civil War General and notorious carpet-bagger - Ben Butler (who was widely reviled for years after the war by Southern whites, who gave him the nickname "Beast Butler". It is most famous for its biting etched illustrations by the powerful artist and Confederate sympathizer A. J. Volck. Adalbert John Volck (1828-1912) emigrated to America from Bavaria in 1849, and became a successful dentist in Baltimore. He is principally remembered for "Confederate War Etchings", a series of caricatures favorable to the Southern cause, issued in 1862 & 1863 under the pseudonym "V. Blada." VERY SCARCE. W20
4to (295 x 238 mm), 12 etched plates goats, cattle and landscapes, first plate lightly browned, orig. cloth-backed limp patterned cloth, gold printed title label on upper cover. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, and Johann Heinrich Roos (1631-1685) a German Baroque era landscape painter and etcher. The only other copy located is that at the New York Public Library.
198917053Montpellier, Fata Morgana, 1989. In-8 en feuilles de 32-[16] pages, couverture à rabats imprimée de l'éditeur.
19464024Paris, Dominique Wapler, 1946. In-4 en feuilles de 195-[2] pages, couverture à rabats, sous chemise et étui cartonné crème. Belle condition.
